Lunchtable TV Talk – Dig: More subtitled entertainment

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I have been a fan of A Fine Frenzy for years. I had no idea when I started watching Dig – a show that is not (so far) great by any means, but which has enough twists and turns and depth to keep me watching – that A Fine Frenzy’s Alison Sudol is one of its standout characters.

While it does not seem to be a great show yet, it fits squarely into the category of shows I have been considering and writing about lately – those shows that use languages other than English extensively (and thus a liberal use of subtitles). With Dig, it’s Hebrew.

Jason Isaacs often shows up in programs that are a bit too obscure and conceptual – and thus do not seem like they will be long for this world. Awake is a good example. It doesn’t mean he doesn’t bring exceptional insight to his roles. He plays grief and confusion quite well. This large cast, in addition to Isaacs and Sudol, includes some great talent; notably, Regina Taylor (also seen in The Unit and the great, long-gone but not-forgotten I’ll Fly Away), Anne Heche (also seen in Hung and Men in Trees), Lauren Ambrose (also seen in Six Feet Under and Torchwood), Richard E. Grant (also seen most recently in Downton Abbey and Girls – among a million other things) and David Costabile (also seen in Suits, Ripper Street, Breaking Bad, Flight of the Conchords, Damages and many others).

With Dig, which has a few related storylines in play in parallel, it might be too slow, too intricate and again, obscure, for most viewers. But I will give it a shot… and like every time I watch a film from Israel, wish that I knew Hebrew.

With Dig, which has a few related storylines in play in parallel, it might be too slow, too intricate and again, obscure, for most viewers. But I will give it a shot… and like every time I watch a film from Israel, wish that I knew Hebrew.

Migraine films

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Tossing and turning and trying to sleep, a massive headache crept in. Since I could not get rid of the headache or fall asleep, I watched a bunch of films, such as:

  • The Governess: not new – I avoided it at the time of its release because I was irrationally against Minnie Driver – about whom I have since changed my mind. Bonus – Tom Wilkinson is in The Governess.
  • War Witch (Rebelle): Pretty devastating film about a girl whose village is destroyed by rebel soldiers. She is kidnapped to become a child soldier. The film is not set somewhere specific but was filmed in the Democratic Republic of Congo. On a sort of unrelated note, the soundtrack was spectacular.
  • Starbuck: A French-Canadian thing about a guy whose prolific sperm donations spawned 500+ offspring, of which more than 100 have formed a class-action lawsuit to force the adoption agency to release their biological father’s identity. His pseudonym through this process is “Starbuck”. Starbuck is a hapless, middle-aged guy, in debt up to his eyeballs and working for the family business, seemingly stuck in a rut he’ll never get out of. Once he knows he is the father of all these people, he begins intervening in some of their lives, and his small acts of kindness start to change his life. All in all, not a bad movie, and it is perfect evidence of how strange French Canadian sounds if you’re used to French French. People say French French is nasal, but this is nasal and whiny somehow.
  • Upstream Color: Unusual film, non-linear narrative. Not even sure how to describe it, and not sure whether I liked it or not.
  • About Sunny: Remembering Lauren Ambrose from Six Feet Under, it is interesting to see her evolve into this challenging portrayal of a single mother who is neither all good nor all bad – but in her struggle as one of America’s working poor, she is always one step away from a disaster.
  • Arcadia: John Hawkes can be counted on for wide-eyed likeability. He is much less sympathetic in Arcadia, as a man taking his three children across the country to California. By the end of the film, you do gain some sympathy for what the character has gone through – but he’s not the same character we’ve seen in his portrayals of the hapless shoe salesman in Me and You and Everyone We Know or Sol Star in HBO’s Deadwood. Of course Hawkes has a great range. There is actually a balance among all his roles – sometimes he acts in a sleazy, slimy way; sometimes he is a lovable, likeable guy. (Other notable performances include Winter’s Bone and The Sessions).
  • Zodiac: A long docu-drama about the Zodiac killer, who terrorized California in the late 60s and 70s. Great to see Mark Ruffalo and Robert Downey Jr. and tons of other great actors.
  • Talhotblond: Documentary about people talking — and lying about who they are – online, ending up in one person’s death. It seems crazy – I remember being about 12 or 13 and lying elaborately about my age in order to talk to older people – and to escape the daily reality of my life at the time (this was the pre-internet age). Of course I was 12. Not that that makes it excusable, but I think a kid does not realize the impact these actions might result in. People in the film are adults with life experience and should know better. The people in this documentary are in their 40s. It is quite similar to another documentary I saw (Catfish), which tells almost the same kind of story – without any lethal outcomes.