Lunchtable TV Talk: Longmire on Netflix

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Damn that Gerald McRaney! Evil as the late Branch Connally’s father – and we’re pretty sure he killed his own son to save his own skin as Longmire came to its cliffhanger ending on A&E last year? (Does anyone disagree that A&E makes dumb programming decisions?) Hard to see McRaney be evil (although he is pretty convincing as a scheming, conservative businessman and/or politician later in his career – earlier as Major Dad and one of the Simon brothers in Simon & Simon, he usually played someone else – usually someone else who had been a US Marine).

Happily, thanks to Netflix, we do not have to live with that eternal cliffhanger. A&E cancelled Longmire after three successful seasons – not because it had a small audience or because it was critically panned but because they did not like that the respectable audience Longmire attracted skewed too old. Are you fucking kidding me? The biggest population with the most money (to which advertisers should be catering) is the Baby Boom generation – and who is the coolest cat of this generation than Sheriff Walt Longmire as played by Robert Taylor? (Or Gerald McRaney’s character for god’s sake!).

There’s a bit of something for everyone in Longmire – Baby Boomer characters, a rich variety of characters with interesting back stories, mystery without being a standard cop/law and order show, wry and understated sarcasm and humor alongside some light cowboy-in-Wyoming goodness as well as some focus on contemporary Native American issues. And Wyoming itself – America’s least populated but an undeniably beautiful state, and almost entirely invisible apart from the fact that a tiny part of it touches Yellowstone National Park. Do we ever hear about Wyoming on TV except in Longmire, which is set there, or in Hell on Wheels, which tells a wild, wonderful tale of the westward building of rail lines?

I really wanted to focus on some work and other projects but Netflix had to taunt me into binge watching – once again. I reluctantly waltzed several years ago into watching the first season of Longmire. Like everyone else, I didn’t assume I was the target demographic – and a “cowboy cop show” theme didn’t hold much promise for me. But, if you know me, you know I check out a lot of things to which I initially declare “never”. A stellar cast sucked me in – this includes Lou Diamond Phillips (someone my brother, in childhood, once claimed he’d like to invite over for Thanksgiving?!) and Katee Sackhoff (and let’s face it – as a Battlestar Galactica junkie in withdrawal, I kind of watch anything with any of the former cast, which is usually very much a waste of time – see Killer Women with Tricia Helfer or much of what Jamie Bamber has done since, while Sackhoff has made some solid choices. And I started watching Hawaii Five-0 for Grace Park but stay for the Danno and McGarrett love story). Then the writing in Longmire has been swift, clever and engaging. It’s hard to find something not to like, even if you don’t find a passionate affinity for the show.

But I found my affinity and will binge my way through season four tonight. I suggest to anyone in doubt to do the same (or at least sample it and see). A&E might have abandoned the show because the people who watched it were too old for their liking, but luckily Netflix is not as biased or short-sighted.

Lunchtable TV Talk – The Returned – I am not returning

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I like seeing Battlestar Galactica alums in current TV shows, but for every Grace Park kicking ass on Hawaii Five-0 or Katee Sackhoff solving crimes in an equally kick-ass fashion on Longmire (am I alone in being beyond relieved about Longmire being saved by Netflix after its merciless killing at A&E’s hands?), there’s something sort of dreadful, like Tricia Helfer (and Michael Trucco) in the rightfully short-lived Killer Women – or Aaron Douglas in The Returned. These misfires aren’t the faults of Helfer, Trucco or Douglas. The shows they’re in just aren’t good.

I am always impressed with Aaron Douglas – and his performance in The Returned is as good as any of his work. It’s just that the show doesn’t quite cut it. I have not seen the original French Les Revenants but tend to believe the original source material usually can’t be beat or recreated (with notable exception – I was quite taken with the US version of The Bridge, for example). The Returned, at its most basic, is about individuals who return suddenly from the dead and the effects this return has on the community in which these resurrections take place. Five episodes in, I don’t really know what’s going to happen but am not interested enough to care.

I love some of the actors in the US version of The Returned. I’ve already cited Douglas; Jeremy Sisto is masterfully diverse; Kevin Alejandro is a pop-up-everywhere kind of guy. India Ennenga is not bad either – her role in HBO’s Treme explored (as much as that giant ensemble of loosely intersecting stories could) teenage grief and identity. Oh, and I almost forgot – the inimitable Michelle Forbes! She dominates (in a good way) everything she’s in – had nearly forgotten her Battlestar connection. She almost makes me want to keep watching The Returned… but not quite.

But I don’t have enough time to keep watching things for which I don’t feel either love or hate. Just a few actors I happen to like isn’t reason to tune in. I’ve chronicled my hate-watching and desire to give up some of the shows, like The Following, that cry out for ridicule. I’ve also written about shows I love. But the mediocre middle ground, where shows like The Returned live, isn’t a place I want to spend more time.