Why I Changed My Mind: Minnie Driver

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During my recent headache-inspired film-viewing overdose, I randomly decided to see the film The Governess, starring Minnie Driver and Tom Wilkinson.

While some actors, actresses, musicians or writers strike me the wrong way right off the bat (and I later change my mind), I have no rational explanation for why I decided I did not like Minnie Driver. It was not her performances (all of which were superb, right from the beginning, e.g. Circle of Friends, or one of my all-time favorites, Big Night). There was just something about her that rubbed me the wrong way. Many actors I have disliked and about which I later changed my mind evolved or grew more into themselves, which explains the evolution of my opinions about them. It might not even be about their performances or their aging gracefully into different roles so much as it is about the roles they are actually offered.

But none of this was applicable to Ms Driver. Unlike someone like Kim Dickens, about whom I changed my mind, I did not groan to myself if I knew Driver was in a film – I still watched and enjoyed it. For a while she seemed to be everywhere and showed a great range – period pieces, drama and humor, smaller parts to leading roles, and eventually film to television. Arguably she is a bigger star than most of the people I sat on the fence (and eventually jumped to one side or the other) about – a fact that made her harder to avoid, had I wanted to.

It was not until I saw her in the underrated TV show The Riches (which itself was something I avoided during its original run) that I began to respect the depth of her talent. I think a lot of people sort of fell in love with her when they saw her in Good Will Hunting, but for me, I guess I could have fallen in love with her work, so to speak, much earlier if I had really been paying attention. Her work in the aforementioned Big Night was subtle and insightful, her turn as Debi in Grosse Pointe Blank was believable (in the most broad and comprehensive way – “believable” makes it sound like it was barely passable, when in fact I mean the opposite). Later her memorable TV appearances proved that she was also not afraid to make fun of herself and to make fun in general (Will & Grace in particular, but also more recently in Modern Family).

Considered, reconsidered – being in the public eye and putting oneself out there for the world to see, while a choice, is a vulnerable act. Actors are scrutinized constantly, so the armchair criticism of someone like me – on an individual level – does not matter much. But on the whole, if exposed to this constant criticism en masse – I cannot imagine it’s fun. The public’s – and fandom’s – taste is fickle.

That said, Minnie Driver has been delivering top-notch performances all along.

Harbingers of Techie Doom – Skipping Humanity

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Circulating on the web is an article called “Young Techies – Know Your Place” by Bryan Goldberg. He contends that it’s a great piece of satire (a point that has been lambasted, in particular by Andrew Leonard at Salon and Jason Calacanis).

It’s hard to sum up concisely all the things that are wrong with the so-called “satire”.

It reminds me a lot of debates about whether athletes should finish school before they go pro – or grab the opportunity when they have it. In those cases, the window and scope of opportunity (and probability of getting injured) indicates that young athletes should probably seize the chance while they have it. You have all your life to go back to school later.

The same could be said of young techies – and we could all embrace the idea that formal education can be had any time (granted, it gets harder to fit into your life as you get older and have more responsibilities, but at the same time, many new high school grads really are not mature enough to invest the kind of money in college that they do and end up wasting a lot of money and dropping out or spending a lot of money and still coming out without a clue about what they want to do). If a person has the tech skills needed and in-demand and can gain valuable work experience – well-paid or not – that’s great. I don’t think anyone is saying that that should not be a personal choice.

However, Calacanis succinctly pointed out the insensitivity and lack of humanity in Goldberg’s argument: “polarization of wealth & unemployment are important issues of our time–not something to be a smug about”.

It is not as though people are not routinely priced out of living in certain cities (this has always been a problem, to varying degrees, in San Francisco, New York, London, Paris). But to laud the ability to drive prices up (rather artificially) not only sounds smug but points out clearly what these young techies may be missing in their makeup: humanity and compassion.

Humanity and compassion cannot be taught in school or in a menial job, but so much of what happens at university, as an example, is sociological learning, analysis, learning to think and process new kinds of information, emotional maturity, character building. A lot of what happens when you work in “menial 8-dollar-an-hour” jobs is a kind of learning how to live a grounded, down-to-earth life. That’s not to say everyone has to do that to understand. It is just that “jumping to the front of the line” and being smug about it – and not at all considering the larger-scale repercussions for all people – of any “revolution” (in this case a geographically restricted tech revolution that is upending real-estate/housing stability) – denies the idea that poverty or becoming one of the working poor is something that could happen to anyone. While it is not particularly likely for many of the young techies, there is something about lacking well-roundedness or lacking the connectedness to a community, that is alarming. Or, maybe it is not their disconnectedness – as much as it seems to be the disconnectedness of the guy writing on their behalf – satirically, as he claims.