Sandpaper

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“Any one of us, over the course of our lives, can know many different existences. Or occasionally, desistances. Not many, however, are given the opportunity to wear a different skin.” –A General Theory of Oblivion, José Eduardo Agualusa

It’s a strange contradiction that when one feels most defenseless, she becomes most defensive. The armor of sarcasm and distance traveled in retreat should cry out ‘vulnerability’ but instead create all new barriers.

How does one never learn that insidious attempts to understand will not lead to understanding but rather will lead to being rubbed raw from the inside out? Being too close to a ‘subject’ and trying to get under its skin, and feel as it feels (or learn why) means that those carefully crafted barriers, built over so many battles and through so many years fall -swiftly – so much more swiftly than the time it took to erect them. And the barrier building and demolishing goes both ways. Often leading to reckless ruin and unforeseen disappointment. Closeness always brings a sensitivity that makes words sharper, or heavier, with interpretations, the ruins of barriers more perilous to climb out of, the injuries more acute to nurture back to health, and that sinking feeling, deep in the pit of the stomach, leaden with the realization that she must start all over again.

All those afternoons in darkness spent with the voice in her ear, loved and loved and loved, feeling broken down and completely enveloped in only that one being. Suddenly, abrasively rubbing against all expectation with words and images that moved so completely against the grain of how smoothness had felt up to that point, with walls falling and joints fitting together perfectly. Sanding the skin, seeing the bloody, pulpy reality underneath for the first time rather than smoothing edges out. She had never felt sharper edges or been more splintered, gasping imperceptibly, thinking, “I really got this one wrong.”

Could it be that this sudden need to wear down the surface is a need to create distance, or a smooth plane and flawlessly empty horizon? Was it a splinter she left behind and failed to pluck out? Or was it a command move of making sure no rough surfaces would assert themselves again – a reminder that nothing is joined, or even clamped, together in the way that one could so easily imagine?

the back-row lovers that we are

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21, 25
Lawrence Ferlinghetti

Heaven
was only half as far that night
at the poetry recital
listening to the burnt phrases
when I heard the poet have
a rhyming erection
then look away with a
lost look
‘Every animal’ he said at last
‘after intercourse is sad’
But the back-row lovers
looked oblivious
and glad

25
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time

The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half bad
if it isn’t you

Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen

and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to

Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs and having inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling

mortician