to lose everything

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Affirmation
Donald Hall
To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond’s edge
and affirm that it is fitting
and delicious to lose everything.

Photo by David Aler on Unsplash

other shore

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The Other Shore of the Sea
Pablo Neruda
It is time, love, to break off the somber rose,
shut up the stars and bury the ash in the earth;
and, in the rising of the light, wake with
those awaking, or go in the dream, reaching the
other shore of the sea which has no other shore.

Photo by Roksolana Zasiadko on Unsplash

Song for the Last Act

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Song for the Last Act
Louise Bogan
Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd’s crook.
Beyond, a garden. There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.

Now that I have your face by heart, I look.

Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music’s cage,
Whose emblems mix with words that shake and bleed.
The staves are shuttled over with a stark
Unprinted silence. In a double dream
I must spell out the storm, the running stream.
The beat’s too swift. The notes shift in the dark.

Now that I have your voice by heart, I read.

Now that I have your heart by heart, I see
The wharves with their great ships and architraves;
The rigging and the cargo and the slaves
On a strange beach under a broken sky.
O not departure, but a voyage done!
The bales stand on the stone; the anchor weeps
Its red rust downward, and the long vine creeps
Beside the salt herb, in the lengthening sun.

Now that I have your heart by heart, I see.

Photo by Carolyn V on Unsplash

talked enough

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Enough Music
Dorianne Laux
Sometimes, when we’re on a long drive,
and we’ve talked enough and listened
to enough music and stopped twice,
once to eat, once to see the view,
we fall into this rhythm of silence.
It swings back and forth between us
like a rope over a lake.
Maybe it’s what we don’t say
that saves us.

Photo by Tadeu Jnr on Unsplash

disappearing completely

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How to Disappear Completely
Jamaal May

You are quarter ghost on your mother’s side.
Your heart is a flayed peach in a bone box.
Your hair comes away in clumps like cheap fabric wet.
A reflecting pool gathers around your altar
of plywood subflooring and split wooden slats.
You are rag doll prone, contort,
angle and arc. Rot. Here you are
a greening abdomen, slipping skin,
flesh fly, carrion beetles. Here
where bullets found shelter,
where scythes find their function, breath lost
its place on the page, where the page was torn
out of every book before chapter’s close.
This is slippage, this is a shroud of neglect
pulled over the body, this
is your chance to escape.

Little wraith,
bend light around your skin until it colors you clear,
disappear like silica in a kiln, become
glass and glass beads, become
the staggered whir of an exhaust fan,
a presence only noticed
when gone. Become origami.
Fold yourself smaller
than ever before. Become less. More
in some ways but less
in the way a famine is less.
We will forgive you for not being
satisfied with fitting in our hands.
We will forgive you for dying to be
a bird diminutive enough
to fit in a mouth without being crushed.

Photo by Patrick Tomasso on Unsplash

magnet bay

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Magnet Bay
D Nurkse
1
The tall cedars sway without wind
because there are children
camped at the crests
spying on parents
and when one approaches
they make the cries of birds
but too expertly:

should we coax them down
with honey and cookies
or order them down?

Our mistake: to bargain:
a crow answers, a finch,
a bobwhite, the high hawk
offended but strangely indifferent.

2
How they must love us, to hide
so ruthlessly, then hunt us
among the monsters of the green save
where the ghost crab with eyes on stalks
perches over his victims’ bones.

3
Now it is beginning to rain.
We have the tent spread out
but miss the tarp and the bag
of orange pegs – still it is a marvel
how small our house could fold.

4
The youngest bosses her doll:
Sleep, can’t you sleep?
Sleep, little fidget.
Does the wind scare you?

With her thumb she covers
the staring eyes.

I’m tired of being me, she whispers
and I hold her, I offer her
a whelk shell and safe dreams
but she finds the catch..

All you ever do is promise.

Photo by Nick West on Unsplash