Imagine you are an overweight, confused, closeted gay, adolescent boy growing up in the US Midwest. In your 13-year-old imagination, an “out” future could be filled with equally out friends in San Francisco, a mythical mecca for everyone like you. Your imagination would be full of gay gamer conventions and gay gamer proms where you could get a happy prom-night photo with your cute new boyfriend. You’d probably have a cool job and many nights would end in party sequences fueled by loud music and very little, but stilted, dialogue – possibly parties in the woods where anthems from Sister Sledge would form your soundtrack. (Days before the show’s party-in-woods premier featuring “Lost in Music”, Mr Firewall and I planned a Scottish John “Enunciate Excessively” Hannah remix. Whatever else I might criticize about Looking, it’s got a fab and fun soundtrack.)

If the premise of Looking, the recently canceled HBO show about a group of gay friends living in San Francisco, were to dramatize what a 13-year-old gay boy imagined his future would be like, the show would be perfect.

I am not a gay man; I am not in San Francisco; I would therefore never claim any kind of expertise about a gay man’s life, in San Francisco or not. Like most lives, there is no such thing as one, “normal” way to live. I wanted to like this show. The premise had promise – squandered because I don’t think the show resonated with viewers of any demographic.

Believe me, I kept trying to watch – giving up and coming back, hoping it might have been one of those shows that takes time to develop its characters. But it never got any better. Instead the characters mostly became more like caricatures and more petulant with time. I got the occasional glimpse of self-awareness in these characters, but opportunities were frittered away casually. The worst character and my biggest problem with the show was its main character, Patrick. His behavior and manifold diatribes and tantrums were reflective of a teenage kid – all bluster, fluster and inexperience – trying to assert himself. Unfortunately that is the problem with the whole show – it comes back to this unsophisticated and teenage approach to virtually everything, especially in imbuing characters with identities. Maybe viewers could relate to that kind of awkwardness and discomfort. But average adults in their 30s and 40s generally don’t behave like Patrick or his friend, the just-turned-40 Dom, who is struggling with facing the onslaught of age (but not with particular subtlety or realism).

The best characters and only ones I cared about were barely there – Scott Bakula’s recurring guest role as Lynn; a random wheelchair-bound guy at the gamer conference who, in a blink-and-you-missed-it conversation, called Patrick out on his cluelessness/obviousness; Malik, the boyfriend of Dom’s constant friend and roommate, Doris (who never ceased to annoy me), and Richie, Patrick’s ex-boyfriend. Yeah, in fact, if the show were about Richie and his life, I think that might have been a better premise.

TV critics and others who really rooted for the show, at least on a thematic level, have echoed my sentiments with greater eloquence and clarity. For one, it’s a bloody boring show. I kept waiting for something really interesting to happen, for someone to express something close to the depth that all the characters claimed to want. But it never elevated itself above the level of engagement or excitement I find in an ad for pharmaceuticals, nor above the manipulations and presumption of what will interest the viewer also characteristic of pharma ads. This same boredom is echoed in the aforementioned citation.

Many defenses of the show attempt to explain that the show’s ho-hum dullness is where its genius comes from – the world can finally see that gay people are just people like everyone else. This is not a revelation. There are other TV shows about all manner of people, including gay individuals and couples, that show us how normal they are, with daily routines, normal problems and happy families, who are not mind-numbingly boring. And their lives don’t revolve solely around being gay. It’s a big part of the identity as much as sexuality is a part of anyone’s life. But does it define everything? It feels like Looking wanted to find the balance between “look at how dull and normal we are” but still wanted to make the entire existence of this group of guys be about being gay. All of that is perfectly fine – I don’t expect a show to be perfect. I don’t expect this or any show to represent an entire, and varied, community. But I do expect that there will be some entertainment value or some compelling reason to watch.

It’s a tough balance to strike, as a fantastic Gawker article points out:

“And, of course, above all else, a piece of gay pop culture, in these United States, in 2014, has the challenge of arguing that gays are people too—that we’re more than sex maniacs and objects of amusement” and “In Looking, gay men get to be boring on TV at last.”

It would be stellar if, as the same great critique put it, the show didn’t make you feel like watching is akin to “paging through a magazine at the dentist”. Looking felt like work to watch, which was disappointing.

It does give me comfort to know that something like Looking (but good heavens, NOT Looking!) makes its way to TV and is seen as just another part of the TV landscape. Looking makes it all seem farcical, as an article at Huffington Post explains:

“Like those mostly forgotten, cheesy 1990’s “gay” movies that we watched because they put us in a fishbowl and were pretty much all we had as media representation and also had dark sets and muted tones and lots of Erasure songs (seriously, guys, in 2014 Erasure’s the band you pick to give your show its Episode Two finish?), Looking spends all of its time telling us what we already know: We are men, we are gay men, and we like to have sex with other gay men. If the show were about straight guys it would be 60 seconds long and a beer commercial.”

Despite all of this, and my relief at being able to cross this show off my Sunday-night viewing list (yes, I like torturing myself with miserable TV), Looking did find its way into so many of my TV-related conversations. Granted, I was always talking about how much it sucks and how much potential it wasted week after week. But perhaps that is a mark of something the show did right – it certainly did not unify any group of people behind it. Was it designed to spark these debates? Opinions were decidedly mixed – plenty of haters and then plenty of people who felt that its presence on TV was proof that there is not really such a thing as “gay life” – life is just life. Fair enough.