Thanks to my curiosity and love for connecting the dots, I discovered a recurring column on The AV Club website that features interviews with actors and pops questions to them about random roles they have played. I stumbled first onto the Bradley Whitford column because, while I had seen a steady Whitford presence on TV for years, lately he suddenly appeared everywhere in almost everything I was watching: the canceled-too-early Trophy Wife, the delightful and poignant Transparent, the acerbic and churlish HAPPYish, the hilarious Brooklyn Nine-Nine and satirical Alpha House. I don’t much need to highlight his presence in The West Wing or its short-lived Aaron Sorkin follow-up Studio 60 on the Sunset Strip.
A number of other actors turn up in these random role articles – some favorites, like Allison Janney – and others who turn up positively everywhere but whose real names elude me but whose faces show up everywhere. Bradley Whitford is not exactly one of those name-on-tip-of-tongue guys, especially because his roles, however small, hold such sway. His cynical realist role in HAPPYish, in particular, has been a perfect foil for Steve Coogan and exactly the counterbalance needed. Even in a guest role, such as playing Jake Peralta’s absent asshole father in Brooklyn Nine-Nine, is winning. Same applies for Whitford’s role in Transparent. It’s not big, but he makes the memorable most of it. This is why I love Mr Whitford and hope he keeps popping up everywhere. (News flash: while I was writing this I happened to be watching the film CBGB – and who appears out of nowhere? Bradley Fucking Whitford! Was not expecting that. Or his Trophy Wife trophy wife, Malin Akerman as Debbie Harry…)