confined

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All day I struggled to stay awake, and now that it’s time to sleep, I’m struggling. It’s the confines of things – whether it’s a corporate structure, a deadline, a shirt buttoned all the way to the top – it’s all suffocating.

Is anything, though, more suffocating than misunderstandings and false assumptions? How can one possibly be expected to understand the full picture if she doesn’t have all the facts? If one has only half the story, and even that much possibly false, how can she act appropriately? Perhaps the answer is – never act at all.

“Marco Polo describes a bridge, stone by stone. “But which is the stone that supports the bridge?” Kublai Khan asks. “The bridge is not supported by one stone or another,” Marco answers, “but by the line of the arch that they form.” Kublai Khan remains silent, reflecting. Then he adds: “Why do you speak to me of the stones? It is only the arch that matters to me.” Polo answers: “Without stones there is no arch.”” –Invisible Cities, Calvino

 

easter

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I appreciate the long Easter break but am not sure I will ever get used to it. I managed to send out the tons and tons of packages before Easter (everyone needs to be a Norwegian chocolate convert), and now for a few days, most things will be closed. Actually that’s not totally true. In Norway everything closes, while in Sweden it’s all a bit relaxed, and not only are all Swedes out stocking up on liquor today, the Norwegians will undoubtedly have flooded across the border to do the same. They need their cartloads of liquor, soda, chicken, bacon and candy. (Even Norwegian candy is cheaper in Sweden than in Norway.)

Coffee?

Expectation and the value of nothing

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“Expectations carry the day, causing us to ignore contradictory data. We speak in conversations in incomplete thoughts and sentences but we do not perceive it that way. Oral conversation is full of holes, but we don’t hear it that way. If we did, it would be quite disruptive. It is usually efficient to perceive in terms of our expectations. On the other hand, it disguises just how much we actively share what we perceive to fit our image of what is there to be perceived.” – Awakening Your Psychic Powers

I think (and write) a lot about the concept of expectation – but what exactly is it?

We all seem to have an understanding of what ‘expectation’ means. We expect something to happen, to receive something, and there is a level of trust implied in that expectation because, as I have written elsewhere, expectation is on one end of the spectrum and hope is on the other. On both ends, some action or object is ‘promised’ – it’s just that with expectation, we have a stronger sense or assumption, or trust, that we will experience or receive the promised thing. With hope, it’s more distant, just a possibility, and often much more unrealistic. Is that how everyone perceives these concepts? Is expectation always in the “likely, unless…” (sometimes with caveats) column while hope resides usually in the “unlikely” column?

Sometimes it’s practical: things go as expected… until they don’t. And you wonder why. Promise theory aims to get to the root of some of these issues. Even if it won’t solve everything, it is an interesting enough concept to delve into briefly (with an handy animated video, no less!):

“No matter how good the plans or how detailed the instructions our expectations about the world have limitations. Our information is incomplete.

One answer to the question is that the world has both remarkable predictability but also maddening uncertainty. But that’s not helpful.”

Can we immunize against uncertainty?

“What did you expect?”

From Calvino’s Invisible Cities: ““I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear.”” “At times I feel your voice is reaching me from far away, while I am prisoner of a gaudy and unlivable present, when all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume. And I hear, from your voice, the invisible reasons which make cities live, through which perhaps, once dead, they will come to life again.”

It’s funny when you’re immersed in something, especially with another person, and when something changes, that other person – almost like an amnesiac, or a cold operator who shuts everything down with emotionless precision, now outside the sphere of shared feeling or experience, forgets or misplaces what the connection once (possibly only in a limited or illusory way) offered to both people. Or when you are part of a project or a job or any activity. Expectation boils down to – to be successful – a give and take.

But failing that, in essence, we can always expect inconsistency, a lack of transparency and, most of all, contradictions, particularly where people and feeling are involved.

Is anyone better at juxtaposing the contradictions and our propensity for fooling ourselves than Pessoa? At our expectation and desire for the new but then being exhausted and annoyed by having to actually deal with the details and complications of the new?

“I reject real life for being a condemnation; I reject dreaming for being an easy way out. But my real life couldn’t be more banal and contemptible, and my dream life couldn’t be more constant and intense.”

“This is true in the whole gamut of love. In sexual love we seek our own pleasure via another body. In non-sexual love, we seek our own pleasure via our own idea. The masturbator may be abject, but in point of fact he’s the perfect logical expression of the lover. He’s the only one who doesn’t feign and doesn’t fool himself. The relations between one soul and another, expressed through such uncertain and variable things as shared words and proffered gestures, are strangely complex. The very act of meeting each other is a non-meeting. Two people say ‘I love you’ or mutually think it and feel it, and each has in mind a different idea, a different life, perhaps even a different colour or fragrance, in the abstract sum of impressions that constitute the soul’s activity.”

“The tedium of the forever new, the tedium of discovering – behind the specious differences we see in things and ideas – the unrelenting sameness of everything…” “…the stagnation of everything that lives just because it moves…”

“To love is to tire of being alone; it is therefore a cowardice, a betrayal of ourselves. (It’s exceedingly important that we not love).” Yes, even within ourselves. We long for love, sometimes to not be alone, but at the same time, feel as though that longing is a betrayal or that we have succumbed to a great weakness. (See the poem “Longing is the betrayal of oneself…” by Agneta Ara for a more poetic take…)

Expectation of superfluity

“this syndrome is a war that nearly every woman faces every day, a war within herself too, a belief in her superfluity, an invitation to silence…” –Men Explain Things to Me

We can also – almost always – expect mansplaining and sexism. It’s almost always a given, unintentional or overt. Rebecca Solnit has published two whole collections of essays on how half the world’s population expects the worst – expects to be silenced or talked over or had its concerns ignored, at best, or expects to be raped or killed, at worst.

In Solnit’s Men Explain Things to Me, she pretty much hits all the nails right on the head:

“Yes, people of both genders pop up at events to hold forth on irrelevant things and conspiracy theories, but the out-and-out confrontational confidence of the totally ignorant is, in my experience, gendered. Men explain things to me, and other women, whether or not they know what they’re talking about. Some men.”

“…billions of women must be out there on this seven-billion-person planet being told that they are not reliable witnesses to their own lives, that the truth is not their property, now or ever.” “…And no man has ever apologized for explaining, wrongly, things that I know and they don’t.” “…Dude, if you’re reading this, you’re a carbuncle on the face of humanity and an obstacle to civilization. Feel the shame.” (Maybe I fell in love a little bit with this statement because I love starting statements with “dude” when I am at-the-end-of-my-rope frustrated and irritated.

“Think of how much more time and energy we would have to focus on other things that matter if we weren’t so busy surviving.”

Perhaps the remarkable thing about Solnit and her writing is that, despite describing the condition of – and expectation(s) – of, for and by women in society, she nevertheless explores the opposite end of the spectrum: hope. And why? Because, back to the principles of the aforementioned promise theory, of uncertainty:

“To me, the grounds for hope are simply that we don’t know what will happen next, and that the unlikely and the unimaginable transpire quite regularly. And that the unofficial history of the world shows that dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable. Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez’s resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don’t have that memory and that reality doesn’t necessarily match our plans; hope like creative ability can come from what the Romantic poet John Keats called Negative Capability.”

It is not blind hope, though. It, too, is informed by experience – the times we have ignored logic or signs to succumb to seeing only the reality we wanted – or expected – but if we were to marry the two, could we overcome the stumbling block of the ‘plan’ we can’t seem to abandon?:

“As I began writing this essay, I picked up a book on wilderness survival by Laurence Gonzalez and found in it this telling sentence: “The plan, a memory of the future, tries on reality to see if it fits.” His point is that when the two seem incompatible we often hang onto the plan, ignore the warnings reality offers us, and so plunge into trouble. Afraid of the darkness of the unknown, the spaces in which we see only dimly, we often choose the darkness of closed eyes, of obliviousness.”

“We are by nature optimists, if optimism means that we believe we see the world as it is. And under the influence of a plan, it’s easy to see what we want to see.”

The expected end

We expect death, but we hope it comes for us later, much later. But do we know what to expect within death? Is it, as I have asked before, just an expanse of nothingness forever?

What we do know, as William Empson writes in “Ignorance of Death“: death is “the trigger of the literary man’s biggest gun”. Too true – pondering its manifestations and meanings runs through everything. And yet, as Empson also wisely states, “Otherwise I feel very blank upon this topic,/And think that though important, and proper for anyone to bring up,/It is one that most people should be prepared to be blank upon.”

In Slaughterhouse Five it is: “At that moment, Billy’s high forehead is in the cross hairs of a high-powered laser gun. It is aimed at hm from the darkened press box. In the next moment, Billy Pilgrim is dead. So it goes.

So Billy experiences death for a while. It is simply violet light and a hum. There isn’t anybody else there. Not even Billy Pilgrim is there.

In Calvino’s Invisible Cities: “I thought: “Perhaps Adelma is the city where you arrive dying and where each finds again the people he has known. This means I, too, am dead.” And I also thought: “This means the beyond is not happy.””

In Pessoa: “I don’t mean the mystery of death, which I can’t begin to fathom, but the physical sensation of ceasing to live. Humanity is afraid of death, but indecisively. The normal man makes a good soldier in combat; the normal man, when sick or old, rarely looks with horror at the abyss of nothing, though he admits its nothingness. This is because he lacks imagination. And nothing is less worthy of a thinking man than to see death as a slumber. Why a slumber, if death doesn’t resemble sleep? Basic to sleep is the fact we wake up from it, as we presumably do not from death. If death resembles sleep, we should suppose that we wake up from it, but this is not what the normal man imagines; he imagines death as a slumber no one wakes up from, which means nothing. Death doesn’t resemble slumber, I said, since in slumber one is alive and sleeping, and I don’t know how death can resemble anything at all for us, since we have no experience of it, nor anything to compare it to.”

Also, even one of the new-age psychic books suggests that meditation is as close to near-death experience as we can get – makes me think of my questions on this very topic earlier.

When you can expect nothing: A gift horse, full of surprises

Maybe we don’t always have expectations – penis size, for example, is apparently a crapshoot. One can hope, of course, but pop culture will caution about expectation in either direction.

Vonnegut’s preternatural obsession with cocks and their sizes (appearing in both Slaughterhouse and in Breakfast of Champions) is another reflection on how our society prioritizes and values this all-important fact. Size matters, even when this particular size is confidential and invisible. He has just made it visible.

From Slaughterhouse: “Montana was naked, and so was Billy, of course. He had a tremendous wang, incidentally. You never know who’ll get one.”

No, in fact you just never know… until you know, that is. But you really cannot have any expectations in this department. In Breakfast, there are stats provided about multiple characters on these matters.

And then there is Lars von Trier, famously bizarre film director, who claimed that actor Willem Dafoe had a “confusingly large” member, which called for a “stunt cock” in Antichrist. (And this becomes slightly more confusing for me, reflecting on watching The Last Temptation of Christ and recently wrapping up my reading of Reza Aslan’s book Zealot about Jesus of Nazareth. By the way, even Aslan refers back to Dostoevsky when it comes to faith and religion – does anyone not fall back on Dostoevsky?! Hard to reconcile it all somehow.)

Oh, and then there are always the poor micropenises.

A palate-cleansing sorbet of trivialities

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Having contemplated a blogging hiatus recently, I briefly put the idea of a hiatus on hiatus. Now I am back to considering a break from it. I suppose it’s not like a store or job where you have to formally shut things down or go on sabbatical – I just follow the ‘inspiration’ for pouring out the contents of my sometimes addled mind as it (inspiration, not the mind) comes (or goes).

I am channeling this energy into an offline project that is moving forward very quickly, and it’s eating every bit of creative marrow I’ve got in my bones. Thus I will potentially write blog posts when I need to unload or unwind. It seems that my most prolific blog writing periods happen when I am thinking too much, overanalyzing and in periods of intense emotional confusion or anguish or something. (Anguish may be too strong a word, but I like it, so I will leave it.) Once free of these things, the feverish urge to blog floats away. Blogging is, in some ways, a kind of existential palate cleanser.

I finished Infinite Jest – finally. As I wrote before, I marveled at its massive depth and breadth but cannot say I liked it. It was laborious to read at times, and I could not wait for it to be finished. I am still reading six other books, though – some great and some for fun (all my ‘hone your psychic abilities’ books are in fun; I have, after all,  to fulfill the psychic destiny one of my exes claimed I had when, while hiking along for many silent hours near Háifoss in Iceland, I randomly blurted out, “Sorbet is a vegan dessert!”. He looked at me as though he’d seen a ghost, and said, “I was just right then thinking about how my grandmother used to make sorbet.”)

I watched the second season of Love on Netflix – it’s easy enough viewing but only remarkable in that “I’ll Be Your Mirror” plays at the end of one episode and made me think back to a moment in time – so very long ago – when I was briefly involved with a Polish guy who made me possibly the most eclectic music tapes ever, and I think he was the first to introduce me to the Velvet Underground (starting with this song). I also recall that he had nothing but critical disdain for the United States – but many years after we had lost contact, I discovered that, after returning to Poland for a number of years, he eventually made a permanent home in, of all places, the American South (that’s a familiar trope, though – the “America Haters” who end up living there quite comfortably in the end).

I’ve cut back immensely on the TV viewing, but there are still things I watch – such as the aforementioned Love, binged in an afternoon; Girls – I’ve hate-watched the whole series, so why would I not complete the circle by watching its final season?; The Americans – it’s one of the best shows ever, and somehow more relevant than ever… and other stuff as well, but it is true that once I broke the cycle (ha!) it seemed quite dull to return to the majority of shows I’d mindlessly been sucking in.

Otherwise, life is work, creative projects, a series of last-minute travel or guests and always hoping for sunlight over the dismally, stormy greyness that pervades today. Nice weather, too, is a palate cleanser.

Letters of the Unliving (Mina Loy)
The present implies presence
thus
unauthorized by the present
these letters are left authorless–
have lost all origin
since the inscribing hand
lost life.

The hoarseness of the past
croaks
from creased leaves
covered with unwritten writing
since death’s erasure
of the writer–
erased the lover

Well-chosen and so ill-relinquished
the husband heartsease–
acme of communion–

made euphonious
our esoteric universe.

Ego’s oasis now’s
the sole companion.

My body and my reason
you left to the drought of your dying:
the longing and the lack
of a racked creature
shouting
to an unanswering hiatus
“reunite us!”

till slyly
patience creeps up on passion
and the elation of youth
dwindles out of season.

Agony
ends in an equal grave
with ecstasy.

An uneasy mist
rises from this calligraphy of recollection
documenting a terror of dementia.

This package of ago
creaks with the horror of echo.

The bloom of love
decoyed
to decay by the finger
of Hazard the swindler–
deathly handler who leaves
no post-mortem mask
but a callous earth.

Posing the extreme enigma
in my Bewilderness
can your face excelling Adonis
have ceased to be
or ever have had existence?

With you no longer the addresser
there is no addressee
to dally with defunct reality.

Can one who still has being
be inexistent?

I am become
dumb
in answer
to your dead language of amor.

Diminuendo
of life’s imposture
implies no possible retrial
by my present self–
my cloud-corpse
beshadowing your shroud.

The one I was with you:
inhumed in chasms.
No creator
reconstrues scar-tissue
to shine as birth-star.

But to my sub-cerebral surprise
at last on blase sorrow
dawns an iota of disgust
for life’s intemperance:

“As once you were”

Withhold your ghostly reference
to the sweet once were we.

Leave me
my final illiteracy
of memory’s languor–

my preference
to drift in lenient coma
an older Ophelia
on Lethe.

Photo (c) 2008 Angela Schmeidel Randall used under Creative Commons license.

On the trail

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I am still marveling at what a week of extended, ever-longer days of light and constant sun (even with cold temperatures) can do for you. I knew that February was bad while in it, but I had not realized how acutely.

I’m in the middle of reading about seven books at once now, which is what happens to me when I start reading again.

I found a note I’d made to myself in 2009 or early 2010 when I first met my one of my dearest friends. It is so typical of the kind of conversation/misunderstanding that transpires between us and makes us laugh:

“Yesterday I tried to tell A. about Bill Bryson and his Appalachian Trail book. Somehow she had him mixed up in her head with… Stephen Hawking. I said something about hiking the trail, and she was confused, “He cannot even walk; how can he hike a trail?”

How I love that woman.

To deal with the times: Don’t go numb

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“How inured to that do I want to get?”
“Just enough.” (from this week’s episode of Madam Secretary)

The problem we face, beyond the immediate stripping of democratic tradition and human rights, and all the diversionary fires set to distract us, is our own boredom, our own fatigue, our own journey toward being inured to what is happening: “It isn’t so bad.”

Almost everyone knows that the intensity of any feeling cannot be sustained: anger, passion, love. Perhaps especially the attention span. We have neither the attention span for sustained fighting, even if we have our own lifelong cause, nor the attention span to maintain laser-like focus on one thing while all the distractions explode all around us. And that’s what is counted on – at least with the way things are going in the politics and government section of society. Isn’t that kind of everything, though? Society and our place in it? We know what happens if we bury our heads in the sand: nothing good.

Where is the line between burying our heads/distracting ourselves/avoiding reality and allowing ourselves some diversion to regain our strength and focus, to learn and prepare for everything the world is throwing at us? Something that keeps us from burning out?

I had a conversation the other day that made me think of the concept of ‘burning out’. It was about learning languages, actually, and how I took on languages as though it were a PAC-MAN game. Keep gorging. Gobble gobble gobble. Naturally I burned out on the whole idea of being a student.

J: When I was 22, I wanted to play frisbee and kiss girls.
Me: I loved learning languages much more when I was young. Now I would prefer kissing girls and running through the forest.
J: Well – a true Renaissance woman would be able to do all of those things. Concomitantly.
Me: I burned myself out on studiousness.

I had, back then, and even throughout my 20s, believed that I would always be a student. (Yes, we are always students throughout our lives – learning never ends unless we are willfully ignorant and closed off. Here I refer to living as a formal student, enrolled in a study program.) It became so much a part of who I was that it stopped having much meaning. And this, too, is a symptom of the aforementioned malaise/”issue fatigue”: even when you are not only passionate about a cause, but your life or livelihood depends on it (healthcare activists, equality/civil rights activists, etc.), you still get so beaten up and worn down that the fight, too, can start to feel meaningless.

Once I was burned out on applying myself to studies, I focused on other things and purposely tried to numb myself with overdoses of work and TV. I stopped reading because I wanted to sidestep meaning and feeling. Incidentally, a lot of formal education feels like it is designed to sidestep meaning, feeling and independent thought, which is why we also need committed education activists who prioritize the fostering of creative and independent thinking. (“Poetry is important for the teaching of writing and reading.”)

This numbness is the most dangerous thing. We must in these times find the path that lets us balance the pain and frustration against the will to fight and hope for something better (that we may never see).

…As a side note, at least not every interaction with television is empty; in a recent episode of Call the Midwife, we experienced real beauty with a taste of Federico Garcia Lorca.

And in Madam Secretary, a most apt Kierkegaard quote:
“The most painful state of being is remembering the future, particularly the one you’ll never have.”

It’s True
-Federico Garcia Lorca
Ay, the pain it costs me
to love you as I love you!
For love of you, the air, it hurts,
and my heart,
and my hat, they hurt me.
Who would buy it from me,
this ribbon I am holding,
and this sadness of cotton,
white, for making handkerchiefs with?
Ay, the pain it costs me
to love you as I love you!

Es verdad
¡Ay que trabajo me cuesta
quererte como te quiero!
Por tu amor me duele el aire,
el corazón
y el sombrero.
¿Quien me compraria a mi,
este cintillo que tengo
y esta tristeza de hilo
blanco, para hacer panuelos?
¡Ay que trabajo me cuesta
quererte como te quiero!

Photo (c) 2013 Justin Elliott

Glasgow scrapyard

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What is more random than a Glasgow car scrapyard fire that burned for 17 hours and knocked out power for loads of people? Lots of things; I am feeling random now.

When I think of the dynamics of Glasgow, and the deep, protective, abiding love I feel for it, I am (as usual) pulled in two directions. In one direction, I want to defend all the naysayers who talk shit about this fine city, citing its reputation as ‘murder capital of Europe‘ and the ‘Glasgow smile’ and ‘love’ of knives. But at the same time, in the complete opposite direction, I want to protect it from hordes of people suddenly turning up. I felt the same way about Seattle – preferring to proffer eyewitness testimony supporting its reputation as a dreary, rain-soaked place 362 days a year (not true, but in true Washingtonian fashion, I always wanted to keep everyone else out; western Washington’s beauty and charms were, seemingly, a well-kept secret. Past tense). I tend to like the more livable, industrial cities: Glasgow over Edinburgh (which is, according to some, “England #2”), Gothenburg over Stockholm (see the hard-G pattern there?). It’s not that Edinburgh and Stockholm are not the loveliest of places, but in some way, they feel to me like they lack a soul.

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Smoke rising in the distance; Kibble Palace, Glasgow Botanic Gardens

This week there was a big fire at a scrapyard in Govan (in Glasgow). See images. Even though I post these pictures of “Glasgow on fire” (haha), well, the city certainly is not.

五大 – Zen boredom

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“Everything feels remote and random from afar.”
“Yeah, I have also had my a-ha moment: This is fucking boring.”

Dear “Hideo”,

My friend Emi and I once gave her abusive boyfriend Ed the nickname “Yuki” (after the yuki daruma, or snowman. Why? Because in tough situations, he melted and/or ran away. Same difference, right?). I will call you “Hideo”; first because bestowing fictional names is hard. Second because there is something about the hesitant nature of your cowardice, how your self-esteem and your desires bounce wildly, up and down, like a rubber ball uncontrollably hitting the walls in an empty room, that reminds me of an actual Hideo I once knew. He was easily scared, a bundle of nerves but driven by supposed feelings and strong urges that he regretted almost as soon as he admitted or gave in to them. I recall how, as the hours ticked on, spending non-stop, sleepless days and nights wandering through Tokyo with him, we got into minor disasters that led onward to other seemingly endless obligations. He, distracted while driving his Mazda Miata in bumper-to-bumper city traffic (the standard for Tokyo), rear ended another car, setting into motion days of events related to this minor fender-bender. He was high-strung, hung up on the rightness, procedure, protocol, etiquette of how to handle every post-collision step.

My tiredness and jet lag during those interminable days made me grow calmer and more docile than normal – I may as well have been catatonic. On balance I became increasingly bored until I was more interested in how air conditioning blowing full-blast in a hotel room could not remove the stifling humidity of the clinging, wet September air; it merely made us shiver in sticky frigidity as we awkwardly attempted to have sex, which made him into a fumbling, nervous wreck, both before and after. I became even more tuned-out and bored, but felt a tingling of interest about the background story as to how Sanrio characters ended up being used on the packaging of condoms, like those he’d found at the local 7-11. Badtz Maru the penguin is Japanese sexy time for me forever after.

It is this same kind of disengaged, but intellectual and detail-oriented “let’s see how this turns out” interest that remains when I think of you. It is with dwindling, and possibly non-existent, interest that I write, isolated from whatever excitement or warmth I had once perceived or felt. The feeling, as I have tried to say a million times before – but have stopped myself for one reason or another – departed a long time ago. Today, interaction (if it could be called that) is rote, checking in because checking in is what you do at some point – expected, de rigueur. It’s passionless and entirely devoid of heartfelt curiosity and certainly of urgency or magic, maybe even devoid of real concern. It’s exactly the daily life I never wanted, going through the motions, saying hello during brief windows of available time, running through the dull (and duller) lists of daily activities and a gloss-over mood check. A few platitudes, meant to be reassuring. Each interval feels compartmentalized, and in no compartment is there any fever, flurry, fury or impulse to do, to act, to entwine, to overlap, simply to be together. The lack (of all these things) should not feel personal but does. And probably is. I kept making an effort but was the only one wandering in that compartment, either because I really was the only one who was genuinely interested or because you really are that self-involved, selfish, blind and thoughtless, or as your ex-wife had hissed repeatedly: “unfeeling”. I am a small part of a nebulous problem, one fine, almost invisible, strand in the tangled web of which I occasionally get a glimpse, but into which I am not interwoven.

I knew I would be stepping into an unpredictable tempest of an entanglement – received fair and early warning. Not quite the all-caps screaming, lights flashing warning, which, upon reflection, might have been more appropriate: UNKNOWN TERRITORY. I did not know that that “unknown territory” would be so boring, and that the ‘agony’ of it would be so humdrum. Wishing for small signs, never seeing any because signs don’t exist in uncharted territory, but interpreting the smallest things as much bigger than they are because they are the only perceptible signs of any kind. Every ‘sign’ is either my imagination and/or something that keeps me on the hook (probably not done maliciously or consciously but done nevertheless). Realizing that the two of us are, actually, ridiculously self-centered, both cut from cloth but in completely different patterns, we aren’t going to be sewn together. I already know I will never be – and never was going to be – one of those women who, godforbid, marries a Boeing machinist named Rick, Scott or Bill who drives a fully loaded Ford F350 Power Stroke Diesel, and who spends the rest of her life doing laundry, trying to match up stray socks while lamenting this stupid, stupid mistake of a life, so it is not as though I have been waiting around for some standard, prescriptive finality or entrapment.

Yet, I have been trapped by my own feelings, the certainty and level of them unprecedented for me – but also unreciprocated in their depth and truth. It was an illusion for you, a stepping stone out of an unhappy situation and the mania that followed. I don’t see why it makes sense to stand still to discover that no, after so much time, I really was just a well-equipped harbor in which a damaged ship could complete repairs, but not at all someone with whom a person could see him or herself ‘setting sail’, so to speak. I keep ending up in this situation – thinking that in the absence of something else (i.e., I would not be otherwise occupied with emotional entanglements and similar horse shit, so sitting on the periphery, waiting for the madness to abate or for the feelings to become clear, doesn’t hurt). Yet, even if it does not usually hurt (but sometimes does – I grew in very short order to feel shut out and isolated), and does not stand in the way of anything else I would not be pursuing anyway, I’m selfish with my time, and it’s being squandered – right now. Particularly because once again I’ve put myself in a situation where the terms are all dictated by someone else and their needs, their life’s circumstances. I am not sure it can easily – or ever – be otherwise because everyone else’s lives are so dramatic – or, better said, everyone else is so filled with anxiety, nerves, troubles to the point that they elevate everything into an all-caps BIG DEAL. And almost nothing is a big deal to me. I go with the flow, and you’re easily pulled into the undertow.

Another part of all this is the undercurrent of feeling foolish and suspicious – there are hidden things, activities, falsehoods and booby traps, all silently taking place in the background, behind all the doors and compartments (for whatever reason – to keep all options open, to not hurt anyone’s feelings, to avoid a ‘serious’ or uncomfortable discussion or make any choices). I was just left to wait, wonder, wait, wonder, wait, watching the clock, feeling the days creep by, knowing this was nowhere I wanted to be today, next Halloween or anytime in the foreseeable future. In the beginning, once beyond the skepticism, most barriers down, I am all or nothing – ready – open – ripe – for complete upheaval and transformation (even if it is fraught with uncertainty and uncomfortable change). But when that willingness is met with doubt, a lukewarm response, mania, avoidance, long periods of silence, masks … anything but what I would need to drop anchor, so to speak, all moves swiftly toward nothing.

At first there was sadness and pain (it comes with realizing that someone with whom you have haplessly fallen in love is not who you thought they were – and they don’t feel the way they proclaimed in some misguided, too-early frenzy), then there was uncertainty and resignation (this is the internal argument – you already know your feelings are all but dead, but you’re wondering if you should make a last-ditch attempt at CPR), then came the release of clarity with unfeeling and indifference (accepting that the feelings are gone – those feelings, anyway) peppered by a dash of the compassion I’d extend to anyone swept up in the whirlwind of personal crisis – not my personal crisis, even if I were a piece of the puzzle. And then, somewhat surprisingly, one nondescript day, came boredom. Deceit, dodging, shame, self-preservation, boredom, lack of feeling or whatever is actually going on behind the scenes might matter to me if I weren’t first annoyed-bored out of my mind, followed by the serenity of zen boredom, just like that September day in an icy-humid Tokyo hotel room. Zen boredom, by which I am overcome and to which I have completely succumbed.

In some, but not all, ways, this experience mirrored an entanglement from many, many years earlier (so long ago that it was another century). I met a smart, funny, seemingly stable guy, R, who had shown what seemed to be deep and genuine interest in me. Early on, in the interest of transparency and openness, not wanting to scare me away sometime in the future, he talked about the period in his life to which he referred as “The Dark Years”. It had been the late 1980s, early 1990s, when aimlessness, music and heroin flowed freely – but still well before the spotlight was shone on this ‘gritty underworld’ of Seattle, which eventually exploded into broader public consciousness. There were a number of local, high-profile overdose deaths at the time, and this R character had apparently been a part of this scene, had been friends with these departed people. This history that he dug up and shared felt totally incongruous to the life he projected by the late 1990s – professional, conscientious, tremendous follow-through, baseball enthusiast and whatever-other-stuff mainstream-seeming American dudes did then. Totally out of step with this personality, the goals, the drive I had seen. I could not reconcile the two. (I later learned, and still need to remember, that the ‘demon’ of the dark years – for everyone who experiences such things – is never really dead. It is always there to seize onto a thread of vulnerability and unravel everything, eventually weaving its way back into a position of influence, the loudest voice in the person’s head. The surface is, after all, just the surface.)

Briefly, I had had considerable joy with him. We could put ourselves into garlic comas at the local Mediterranean joint; we could geek out over baseball players, strategy, terminology and stats; I could mesmerize him with my eyes, until he said stupid things like, “You are so beautiful” over cliche flickers of candlelight. We could end up bruised and carpet-burned on every surface of our bodies, pierced by punishing, raw physicality. None of it really mattered, which was the point. Because life was not at all the same then as it is now. I am much older, less patient with nonsense (even if a whole lot more compassionate). At the time of the Dark Years R affair, I actually lived with my boyfriend – a boyfriend who was not R. R was someone on the side, about whom my boyfriend knew. It had been his idea to ‘structure’ the relationship this way. Open. Mostly for his benefit, even if he did not benefit from it very often. I was young and figured I should take advantage. The danger, of course, is that you can get swept up in the intensity of the non-official, non-sanctioned affair. Because the affair has no stakes, you can actually lose yourself in it much more easily.

In fact, I look back and think that, unlike in more traditional situations, where one person meets and likes and is shy/nervous/in the throes of a crush on another person, the fact that I was already spoken for, in some way, was like a safety net. It erased all the inhibitions and hang-ups that come with fumbling-meeting-dating idiocy generally. I was free to be exactly who I was without any kind of self-doubt because I didn’t care what any person I subsequently met thought or felt. In meeting R, in greeting his wide-eyed amazement at the balance between my love for baseball and my intellect, my academic interests and out-of-control sexual appetites (or whatever – these are things he said, true or not) and everything else (possibly even the fact that I was not available), I could just enjoy the situation and then walk away.

But because it was so easy, and I felt no attachment, it morphed into, as I wrote, “getting swept up in the intensity”, which emerged without even realizing it. A strange attachment did start to form, during which he declared a whole lot of feelings, started making plans about the future, asked me to consider leaving the boyfriend, moving to a new city, and for a split second it almost sounded reasonable. You see, danger.

Before I ever had to decide anything, or even give it any real thought, though, he started to withdraw. I can never really know what precipitated it, despite what he said, the little seeds he planted – his excuses. The last time I saw him was intense and physical – but also totally disconnected. I felt nothing but the inevitable ending, and I knew it would be the last time I would see or talk to him. In bed in semi-darkness, not saying a word, his face betrayed regret, written thinly over a deeper layer of detachment – both emotional and chemically induced distance.

“I think the Dark Years are returning,” he announced, as he turned over and away from me. I knew what this meant – regardless of whether the actual darkness and its accompanying past activities and addictions had really returned or not, this was his escape route. I understood that there was a huge part of his life that I did not and could not understand. Only problem was that he did not need to make flimsy or unnecessary excuses – he could have walked away without a word any time – he had always been the one to insist that there was a ‘future’ to be had together, but that idea mostly left me silent – and bored. Despite the intensity, I had never asked for or wanted that. I did not want anything, and if I had, it would not have been that.

That last time was an early morning in late winter, maybe early spring, grey as all Seattle mornings are in my memory, and R crawled out of bed, and started dressing to go to work. I did not bother to get dressed. I was anxious just to be rid of him, pressing him toward the door, feeling a sense of relief that this was just a few minutes and a few meters away from being a part of the past.

“It’s been fun,” I said in a flat tone, standing in the doorway, watching as he walked out onto the landing. He kept looking back at me as he walked away, repeating, falsely reassuring, “Don’t worry — I’ll call.” With sardonic smile, I said, “Okay.” I shut the door knowing I would never see or hear from that guy again. (No suspense: I never did.) I turned on the tv to see another relic of “the dark years” (otherwise known as the 1980s), the film White Nights, with its dismal Lionel Richie theme. Another smirk. I made coffee, and chalked this whole thing up to experience – the experimental years I would later refer to, as now, as my own dark years.

And yet this experience has not saved me from letting the same kind of misguided forces pull me toward and through unwarranted intensity and misplaced feeling. Or imagining there is a future when there isn’t. Or finally reaching that place where I know what’s coming – no matter the reasons and their antecedents – and I just smirk, perfectly zen, and say, “Okay, I was bored anyway.”

Bored, but sincere.

Photo (c) 2011 Antony Mayfield

permanent

Standard

“Din’t I tell ya aboot that time I went doon the toon and got masel a perm?”

What has it come to when you discuss Tom Skerritt, and it ends up being a singing match – two people belting out Berlin’s “Take My Breath Away” as if their lives depended on it?

“Turning and returning to some secret place to hide, watching in slow motion as you turn to me and say…”

Does erasing the “I” from the beginning of a personal statement make it impersonal? I am beginning to think so.

A few weeks ago, in the swarm of depressing inactivity, I watched the series Santa Clarita Diet; it held no interest for me at all – not my style. But still, Timothy Olyphant (I still miss Justified). He is the draw, right? Going mad seeking a cure for his zombified wife, the couple has this little exchange:

“You seem really manic, honey.” (Drew Barrymore, as his wife)
“I feel really manic.” (Timothy Olyphant, manic, excited and convincing)

“If only for today/I am unafraid…”