lineage

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Lineage
Margaret Walker

My grandmothers were strong.
They followed plows and bent to toil.
They moved through fields sowing seed.
They touched earth and grain grew.
They were full of sturdiness and singing.
My grandmothers were strong.
My grandmothers are full of memories
Smelling of soap and onions and wet clay
With veins rolling roughly over quick hands
They have many clean words to say.
My grandmothers were strong.
Why am I not as they?

 

Photo by Goh Rhy Yan on Unsplash

a plagued journey

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A Plagued Journey
Maya Angelou

There is no warning rattle at the door
nor heavy feet to stomp the foyer boards.
Safe in the dark prison, I know that
light slides over
the fingered work of a toothless
woman in Pakistan.
Happy prints of
an invisible time are illumined.
My mouth agape
rejects the solid air and
lungs hold. The invader takes
direction and
seeps through the plaster walls.
It is at my chamber, entering
the keyhole, pushing
through the padding of the door.
I cannot scream. A bone
of fear clogs my throat.
It is upon me. It is
sunrise, with Hope
its arrogant rider.
My mind, formerly quiescent
in its snug encasement, is strained
to look upon their rapturous visages,
to let them enter even into me.
I am forced
outside myself to
mount the light and ride joined with Hope.
Through all the bright hours
I cling to expectation, until
darkness comes to reclaim me
as its own. Hope fades, day is gone
into its irredeemable place
and I am thrown back into the familiar
bonds of disconsolation.
Gloom crawls around
lapping lasciviously
between my toes, at my ankles,
and it sucks the strands of my
hair. It forgives my heady
fling with Hope. I am
joined again into its
greedy arms.

 

Photo by Valerie Blanchett on Unsplash

rosa parks

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Rosa Parks
Nikki Giovanni

This is for the Pullman Porters who organized when people said they couldn’t. And carried the Pittsburgh Courier and the Chicago Defender to the Black Americans in the South so they would know they were not alone. This is for the Pullman Porters who helped Thurgood Marshall go south and come back north to fight the fight that resulted in Brown v. Board of Education because even though Kansas is west and even though Topeka is the birthplace of Gwendolyn Brooks, who wrote the powerful “The Chicago Defender Sends a Man to Little Rock,” it was the Pullman Porters who whispered to the traveling men both the Blues Men and the “Race” Men so that they both would know what was going on. This is for the Pullman Porters who smiled as if they were happy and laughed like they were tickled when some folks were around and who silently rejoiced in 1954
when the Supreme Court announced its 9—0 decision that “separate is inherently unequal.” This is for the Pullman Porters who smiled and welcomed a fourteen-year-old boy onto their train in 1955. They noticed his slight limp that he tried to disguise with a doo-wop walk; they noticed his stutter and probably understood why his mother wanted him out of Chicago during the summer when school was out. Fourteen-year-old Black boys with limps and stutters are apt to try to prove themselves in dangerous ways when mothers aren’t around to look after them. So this is for the
Pullman Porters who looked over that fourteen-year-old while the train rolled the reverse of the Blues Highway from Chicago to St. Louis to Memphis to Mississippi. This is for the men who kept him safe; and if Emmett Till had been able to stay on a train all summer he would have maybe grown a bit of a paunch, certainly lost his hair, probably have worn bifocals and bounced his grandchildren on his knee telling them about his summer riding the rails. But he had to get off the train. And ended up in Money, Mississippi. And was horribly, brutally, inexcusably, and unacceptably murdered. This is for the Pullman Porters who, when the
sheriff was trying to get the body secretly buried, got Emmett’s body on the northbound train, got his body home to Chicago, where his mother said: I want the world to see what they did to my boy. And this is for all the mothers who cried. And this is for all the people who said Never Again. And this is about Rosa Parks whose feet were not so tired, it had been, after all, an ordinary day, until the bus driver gave her the opportunity to make history. This is about Mrs. Rosa Parks from Tuskegee, Alabama, who was also the field secretary of the NAACP. This is about the moment Rosa Parks shouldered her cross, put her worldly goods
aside, was willing to sacrifice her life, so that that young man in Money, Mississippi, who had been so well protected by the Pullman Porters, would not have died in vain. When Mrs. Parks said “NO” a passionate movement was begun. No longer would there be a reliance on the law; there was a higher law. When Mrs. Parks brought that light of hers to expose the evil of the system, the sun came and rested on her shoulders bringing the heat and the light of truth. Others would follow Mrs. Parks. Four young men in Greensboro, North Carolina, would also say No. Great voices would be raised singing the praises of God and exhorting us “to forgive those who trespass against us.” But it was the Pullman Porters who safely got Emmett to his granduncle and it was Mrs. Rosa Parks who could not stand that death. And in not being able to stand it. She sat back down.

 

Photo by Library of Congress on Unsplash

soprano sky

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under a soprano sky
Sonia Sanchez

1.

once i lived on pillars in a green house
boarded by lilacs that rocked voices into weeds.
i bled an owl’s blood
shredding the grass until i

rocked in a choir of worms.
obscene with hands, i wooed the world
with thumbs
while yo-yos hummed.
was it an unborn lacquer i peeled?
the woods, tall as waves, sang in mixed
tongues that loosened the scalp
and my bones wrapped in white dust
returned to echo in my thighs.

i hear a pulse wandering somewhere
on vague embankments.
O are my hands breathing? I cannot smell the nerves.
i saw the sun
ripening green stones for fields.
O have my eyes run down? i cannot taste my birth.

2.

now as i move, mouth quivering with silks
my skin runs soft with eyes.
descending into my legs, i follow obscure birds
purchasing orthopedic wings.
the air is late this summer.

i peel the spine and flood
the earth with adolescence.
O who will pump these breasts? I cannot waltz my tongue.

under a soprano sky, a woman sings,
lovely as chandeliers.

Photo by Marian Kroell on Unsplash

disregard

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Disregard
Ai

Overhead, the match burns out,
but the chunk of ice in the back seat
keeps melting from imagined heat,
while the old Hudson tiptoes up the slope.
My voile blouse, so wet it is transparent,
like one frightened hand, clutches my chest.
The bag of rock salt sprawled beside me wakes, thirsty
and stretches a shaky tongue toward the ice.
I press the gas pedal hard.
I’ll get back to the house, the dirt yard, the cesspool,
to you out back, digging a well
you could fill with your sweat,
though there is not one reason I should want to.
You never notice me until the end of the day,
when your hand is on my knee
and the ice cream, cooked to broth,
is hot enough to burn the skin off my touch.

 

Photo by Devin Avery on Unsplash

i. mood indigo

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i. mood indigo
Ntozake Shange

it hasnt always been this way
ellington was not a street
robeson no mere memory
du bois walked up my father’s stairs
hummed some tune over me
sleeping in the company of men
who changed the world
it wasnt always like this
why ray barretto used to be a side-man
& dizzy’s hair was not always grey
i remember            i was there
i listened in the company of men
politics as necessary as collards
music even in our dreams
our house was filled with all kinda folks
our windows were not cement or steel
our doors opened like our daddy’s arms
held us safe & loved
children growing in the company of men
old southern men & young slick ones
sonny til was not a boy
the clovers no rag-tag orphans
our crooners/ we belonged to a whole world
nkrumah was no foreigner
virgil aikens was not the only fighter
it hasnt always been this way
ellington was not a street

 

Photo by Kim Daniels on Unsplash

far memory

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far memory
Lucille Clifton

1
convent
my knees recall the pockets
worn into the stone floor,
my hands, tracing against
the wall their original name, remember
the cold brush of brick, and the smell
of the brick powdery and wet
and the light finding its way in
through the high bars.
and also the sisters singing
at matins, their sweet music
the voice of the universe at peace
and the candles their light the light
at the beginning of creation
and the wonderful simplicity of prayer
smooth along the wooden beads
and certainly attended.
2
someone inside me remembers
that my knees must be hidden away
that my hair must be shorn
so that vanity will not test me
that my fingers are places of prayer
and are holy that my body is promised
to something more certain
than myself
3
again
born in the year of war
on the day of perpetual help.
come from the house
of stillness
through the soft gate
of a silent mother.
come to a betraying father.
come to a husband who would one day
rise and enter a holy house.
come to wrestle with you again,
passion, old disobedient friend,
through the secular days and nights
of another life.
4
trying to understand this life
who did i fail, who
did i cease to protect
that i should wake each morning
facing the cold north?
perhaps there is a cart
somewhere in history
of children crying “sister
save us” as she walks away.
the woman walks into my dreams
dragging her old habit.
i turn from her, shivering,
to begin another afternoon
of rescue, rescue.
5
sinnerman
horizontal one evening
on the cold stone,
my cross burning into
my breast, did i dream
through my veil
of his fingers digging
and is this the dream
again, him, collarless
over me, calling me back
to the stones of this world
and my own whispered
hosanna?
6
karma
the habit is heavy.
you feel its weight
pulling around your ankles
for a hundred years.
the broken vows
hang against your breasts,
each bead a word
that beats you.
even now
to hear the words
defend
protect
goodbye
lost or
alone
is to be washed in sorrow.
and in this life
there is no retreat
no sanctuary
no whole abiding
sister.
7
gloria mundi
so knowing,
what is known?
that we carry our baggage
in our cupped hands
when we burst through
the waters of our mother.
that some are born
and some are brought
to the glory of this world.
that it is more difficult
than faith
to serve only one calling
one commitment
one devotion
in one life.

 

Photo by Waldemar Brandt on Unsplash

Problems of Translation: Problems of Language

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Problems of Translation: Problems of Language

June Jordan

1
I turn to my Rand McNally Atlas.
Europe appears right after the Map of the World.
All of Italy can be seen page 9.
Half of Chile page 29.
I take out my ruler.
In global perspective Italy
amounts to less than half an inch.
Chile measures more than an inch and a quarter
of an inch.
Approximately
Chile is as long as China
is wide:
Back to the Atlas:
Chunk of China page 17.
All of France page 5: As we say in New York:
Who do France and Italy know
at Rand McNally?
    2
I see the four mountains in Chile higher
than any mountain of North America.
I see Ojos del Salado the highest.
I see Chile unequivocal as crystal thread.
I see the Atacama Desert dry in Chile more than the rest
of the world is dry.
I see Chile dissolving into water.
I do not see what keeps the blue land of Chile
out of blue water.
I do not see the hand of Pablo Neruda on the blue land.
    3
As the plane flies flat to the trees
below Brazil
below Bolivia
below five thousand miles below
my Brooklyn windows
and beside the shifted Pacific waters
welled away from the Atlantic at Cape Horn
La Isla Negra that is not an island La
Isla Negra
that is not black
is stone and stone of Chile
feeding clouds to color
scale and undertake terrestrial forms
of everything unspeakable
    4
In your country
how do you say copper
for my country?
    5
Blood rising under the Andes and above
the Andes blood
spilling down the rock
corrupted by the amorality
of so much space
that leaves such little trace of blood
rising to the irritated skin the face
of the confession far
from home:
I confess I did not resist interrogation.
I confess that by the next day I was no longer sure
of my identity.
I confess I knew the hunger.
I confess I saw the guns.
I confess I was afraid.
I confess I did not die.
    6
What you Americans call a boycott
of the junta?
Who will that feed?
    7
Not just the message but the sound.
    8
Early morning now and I remember
corriendo a la madrugada from a different
English poem,
I remember from the difficulties of the talk
an argument
athwart the wine the dinner and the dancing
meant to welcome you
you did not understand the commonplace expression
of my heart:
the truth is in the life
la verdad de la vida
Early morning:
do you say la mañanita?
But then we lose
the idea of the sky uncurling to the light:
Early morning and I do not think we lose:
the rose we left behind
broken to a glass of water on the table
at the restaurant stands
even sweeter
por la mañanita

not forgotten

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Not Forgotten
Toi Derricotte

I love the way the black ants use their dead.
They carry them off like warriors on their steel
backs. They spend hours struggling, lifting,
dragging (it is not grisly as it would be for us,
to carry them back to be eaten),
so that every part will be of service. I think of
my husband at his father’s grave—
the grass had closed
over the headstone, and the name had disappeared. He took out
his pocket knife and cut the grass away, he swept it
with his handkerchief to make it clear. “Is this the way
we’ll be forgotten?” And he bent down over the grave and wept.

 

Photo by Salmen Bejaoui on Unsplash

 

an aspect

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An Aspect of Love, Alive in the Ice and Fire
Gwendolyn Brooks

In a package of minutes there is this We.
How beautiful.
Merry foreigners in our morning,
we laugh, we touch each other,
are responsible props and posts.
A physical light is in the room.
Because the world is at the window
we cannot wonder very long.
You rise. Although
genial, you are in yourself again.
I observe
your direct and respectable stride.
You are direct and self-accepting as a lion
in Afrikan velvet. You are level, lean,
remote.
There is a moment in Camaraderie
when interruption is not to be understood.
I cannot bear an interruption.
This is the shining joy;
the time of not-to-end.
On the street we smile.
We go
in different directions
down the imperturbable street.

 

Photo by Fabrizio Verrecchia on Unsplash