On second thought

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“So wrapped up were they in the minutiae of whether she was his ‘type’ that she failed to realize that he had ceased to be hers.”

Sometimes things seem resolved, she thinks to herself standing in the tram, keeping her balance while rounding a corner, but they keep turning around and around until they no longer are. That is, resolved or sensible. It’s so easy to ignore all the underlying debris, just being glad for the semblance of resolution. It doesn’t matter that what’s left isn’t what is wanted – or needed.

The tram stops. The bustle of the busiest stop in a not-terribly-busy city causes her to shift her place. Without realizing, her place is shifting all the time. A place standing in the rickety, ambling tram as much as a place in the lives of others. The pseudo-aunt to friends’ children; the daughter, the sister, the sister-in-law with all the connections; the invitations to all the events she never attends; the go-to, last-minute, “she’ll save this project from the fire” person when chaos ensues. It is no wonder, she thinks, leaning against the railing, that it always ends up being this way: what someone else wants and me trying to comply. I can’t fucking say no.

She keeps wanting nothing; she wonders, Is that lack of want the problem? Does it not imply that I’d cling by the fingernails, with a mix of fight, fortitude and relief, to something just to triumph, to say I fixed it, to hold fast to belief in illusions? To believe I’d seen a project, an opportunity, a clear path, a spark, an idea, a personality, an intellect, a humor, a humanity, a problem-solution axiom, an openness, a compassion, a depth, a cure, a caring, a kindred spirit, a team, a folk song, a story, a beauty, when in fact all were proven incomplete or figments of my imagination?

The tram winds its way to the other end of town, the outskirts, one of the places she never wants to go. She promised more than a year ago that she’d never go again, but here she is. Jumping off, heading toward this place she’d eagerly departed, everything feels like a soft ultimatum. Ending up here, with hand-wringing automatons or a pit of vipers, depending, still fighting against the long-irrelevant tune of the eternal freelancer: feast or famine. She feels like merchandise on a shelf, with a set of traits that can be picked and chosen, handled, and cast aside when it’s not quite right or when the novelty’s gone. A mute toy, still silently filled with the weird internal exclamation of elation, I’m a toy that was picked up and played with! Thankful, grateful, lucky, relieved for a split second, thinking she has a chance to show that she is worthwhile, and is in fact capable of doing anything.

But, goddamn: Just say no.

Freelancing: Never Off the Clock + ANZAC Day

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Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
Samuel Taylor Coleridge

I have written about ANZAC Day and ANZAC biscuits before. And more than that, I have baked ANZAC biscuits almost more than I have baked any other kind of cookie. You can find my recipe in the link above and make some for yourself. They are easy, probably healthier than a lot of other kinds of cookies (full of yummy oats!), quite flavorful and they keep well for longer periods of time than most other cookies. Make some now – you won’t regret it! And I won’t be bringing you any ANZACs since baking just has not happened for me much this year. So instead I can just acknowledge that it’s ANZAC Day and post a picture.

ANZAC biscuits

ANZAC biscuits

We’ll Meet Again” – Vera Lynn (who will apparently release a new album at the age of 97).

Part of this is just a lack of motivation for it. Part of it is also the occasional freelance project that pops up now and again. I have a normal full-time job that is relatively stimulating and busy – and I learn a lot. But having owned a small business for a very long time and having lived solely on freelance work alone, I find it is impossible to say no to freelance work. Not just because I always feel that old pull of “feast or famine”/you never know when your next job will come but also because it’s a challenge – it keeps the brain agile, putting together new things, learning new industries and jargon (never quite becoming a specialist). And the bottom line – I am never saying yes to things I don’t ultimately really enjoy. That often means working through weekends and nights – stuff that “normal” people are not that keen to do. The Salon article cited above captured all the feelings and experiences of being a freelancer – and never off the clock, and how that is both a blessing and a curse.

“If I love doing something, spending more time on it isn’t a chore. I’m not oppressed because I work all the time. I’m fortunate. What more could I wish for? I get paid to do everything I do. My actualization is monetized. I’ve won capitalism.

Nice as winning capitalism is, though, it’s also somewhat unsettling. In an economy more and more focused on cultural production, the line between producer and consumer and marketer just about disappears. Writers throughout history have often simultaneously exulted and despaired at the way that their lives turn into their art, but having your life turn into a content mill seems like a new, unpleasantly banal twist.  Even happy cogs are still cogs — working all the better because they’re happy, and willing to turn all the time.”