Japanorama & penis power

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Back in the early part of the year I was contemplating an April return to Japan. Mostly because I thought I would like to see The Stone Roses again but also because April is the best time of year to go to Japan. I didn’t go for a handful of reasons but now I wish I had: I just found out there is a penis festival in April, which … seriously, who wouldn’t go to Japan just for that? (Well, and a side of ほうとう.)

I had been doing a lot of research into different things in Japan that might not have registered with me before – side trips and tours one could make to focus in on more niche things like Japan’s amazing pens, paper and denim obsession rather than just tourist traps, noodles and whatever.

In the end, I talked to my brother about going together, but it ended up being bad timing. I went on shorter trips – stuff like the PoPos and Czechia – will anyone ever get used to calling it that? And (little licks of – a term used just for London-based friend Karly!) London, which is never a delight, but sometimes necessary.

Mind clouded by Japan and penises now, I always forget that they have these strange fixations. Forgot checking out the VHS of In the Realm of the Senses from the public library as a teenager – probably not something they should have let a teenager have, but I don’t think the library staff was particularly familiar with the foreign language films. If I am not mistaken, the maniacal main character of the film cuts off the other main character’s penis; this is considerably more artful than, say, the made-for-tabloid-TV saga of John and Lorena Bobbitt.

“these words are like glass splinters”

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Years ago, I read this poem to my brother. He contemplated the ending in silence for a long time, as though he was poised to say something profound. Finally he exclaimed, with some exasperation, “MIST!”

Letter
-Yehuda Amichai
To sit on the veranda of a hotel in Jerusalem
and to write: sweetly pass the days
from desert to sea. And to write: Tears, here,
dry quickly. This little blot
is a tear that has melted ink. That’s how
they wrote a hundred years ago. “I have
drawn a circle round it.”

Time passes – like somebody who, on a telephone,
is laughing or weeping far away from me:
Whatever I’m hearing I can’t see.
And whatever I see I don’t hear.

We were not careful when we said “next year”
or “a month ago”. These words are like
glass splinters, which you can hurt yourself with,
Or cut veins. Those who do things like that.

But you were beautiful, like the interpretation
of ancient books.
Surplus of women in your far country
brought you to me, but
other statistics have taken you
away from me.

To live is to build a ship and a harbor
at the same time. And to complete the harbor
long after the ship was drowned.

And to finish: I remember only
that there was mist. And whoever
remembers only mist –
what does he remember?