Said and read – May 2020

Standard

“Culture wasn’t just a set of rules or rituals, she realized. It could also be a set of chains that individuals dragged around with them after the prison wardens more or less fled the scene.”” Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

Image by S Donaghy, April 2020

We’re heading into another month of a pandemic that more and more people choose to ignore as though it’s over, while tensions simmered and civil unrest exploded, like a pressure cooker. It occurs to me more clearly than ever that the problems, addictions, insanities, lack of control that defined people’s lives before the various levels of quarantine not only remain but become outsized, as though studied under a microscope. If you are an aggressive, angry person prone to lose your temper, all of this feels likelier to boil over in these pent-up conditions. If you are an addict, attempting to run from yourself and the pain and anxiety that ail you, there is no worse time than being trapped in your home, alone with your thoughts.

I suspect we’re in for many more months of uncertainty; people’s anger at having made sacrifices (particularly in the face of loss) while their ‘fearless leaders’ did not leads to deeper and more fractious divides. People’s anger at the ineptitude of a federal government and its refusal to act at all during a pandemic, coupled with increasing anger about the abundant inequalities of the criminal justice system (e.g., how many black people must be murdered by police before something changes?), has made clear the brokenness of the United States, long in the making, a catastrophic implosion precipitated … protests, riots, and … what more? We don’t yet know the outcome, but it hurts to say that I fear things will go on being exactly the same or worse.

So, I read. I read so much that I find it difficult to find time to catalog my thoughts on the previous month’s reading. But I try. Each month I only capture here the things that struck me in some way, but this is never a complete rendering of all the things I’ve read.

I’ve ended up finishing these ramblings so far into June that it’s already my birthday; therefore, I’ve lived to pulse ocho for another year.

Here’s what you missed in previous months and years: 2020 – April, March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for May:

Highly recommended

*The Subjection of WomenJohn Stuart Mill

“Some will object, that a comparison cannot fairly be made between the government of the male sex and the forms of unjust power which I have adduced in illustration of it, since these are arbitrary, and the effect of mere usurpation, while it on the contrary is natural. But was there ever any domination which did not appear natural to those who possessed it?” –The Subjection of WomenJohn Stuart Mill

I dreamt of writing something thoughtful about John Stuart Mill’s The Subjection of Women. I found, however, that I become too frustrated and angry to properly formulate thoughts. The fact that this was written in 1869, followed by very slow change, almost immovable thinking, and a continued cultural conditioning about women’s inferiority, infuriates me. On reflection, there are material differences between what women could do in 1869 and now, but the underlying value assigned to women, their bodies, their experiences, their contributions continues to be underestimated, if considered at all. I urge careful reading and re-reading of this. And then reflect on the age-old arguments on nature and nurture. That is, recognizing the “eminently artificial” nature of women created by “forced repression in some directions, unnatural stimulation in others”, and the assertion that women, being physically weaker, are somehow unequal to men, and for it to be otherwise would be “unnatural”, although “unnatural generally means only uncustomary, and that everything which is usual appears natural. The subjection of women to men being a universal custom, any departure from it quite naturally appears unnatural.”

“If anything conclusive could be inferred from experience, without psychological analysis, it would be that the things which women are not allowed to do are the very ones for which they are peculiarly qualified; since their vocation for government has made its way, and become conspicuous, through the very few opportunities which have been given; while in the lines of distinction which apparently were freely open to them, they have by no means so eminently distinguished themselves. We know how small a number of reigning queens history presents, in comparison with that of kings. Of this smaller number a far larger proportion have shown talents for rule; though many of them have occupied the throne in difficult periods. It is remarkable, too, that they have, in a great number of instances, been distinguished by merits the most opposite to the imaginary and conventional character of women: they have been as much remarked for the firmness and vigour of their rule, as for its intelligence.”

*Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

“My own lived experience was the guide here, and all I needed was a willingness to meet it, to allow myself to ask certain kinds of questions and be willing to hear the answers that might follow, no matter how disconcerting those answers might be. This, then, was the real test of faith—not whether I was willing to change my beliefs but, rather, whether I was willing to give language to that which I had already begun to experience as truth.” –Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

Much like Ruttenberg as a young woman, I was never religious. I’ve never actively claimed to be an atheist, but because I don’t believe it’s possible to know (which is why we call it faith) for certain, religious and spiritual questions have rarely engaged me in more than a cursory and academic way. But faith and religion are powerful markers of identity and community, making them inspirational topics for thought and research, but also fascinating in grappling with the grittiest questions about oneself. I continue to come back to the big questions myself, particularly in terms of how I’ve lived and how I want to live, and this is tightly wound with ideas of community, isolation (self-imposed or societal), intention and compassion.

“What religion changes is not just our identity, our relationships, our politics, our sense of what the world is and how we move in it, but also, potentially, every small decision that we make. What religion changes, if we let it, is not just ourselves, not just our smaller home culture, but the world as a whole and the power structures that run it.”

Throughout my life, despite not being Jewish, I have been drawn time and again to progressive interpretations of Judaism and, for inexplicable reasons, I identify with this particular faith more than any other. Ruttenberg herself outlines succinctly exactly why it speaks to her, and it happens to apply just as well to me (and probably to many others who choose to be Jewish, whether they are actively embracing the faith into which they were born or adopt it much later as a conscious and conscientious choice):

“I can find a lot of different ways to explain why I was drawn to Judaism. There’s a strong ethical tradition, but also a tremendous awe for the transcendent. It’s a faith that is comfortable with debate and a diversity of opinion—of five thousand legal disagreements recorded in the Talmud, only fifty or so are settled on the page, leaving open the possibility that the “right” answer isn’t so obvious.”

This sense of needing to know about and experience Judaism has grown over time, and it has only been in the last few years that I have recommitted to exploring this feeling more seriously. I started this journey half-jokingly, half-curious in my youth, attending various courses at a Reform synagogue near where I grew up. But I didn’t take it further until recently, when I started studying psychology, then the psychology of religion, and then theology in the context of peace and conflict.

And while I frequently jest that I would like to become a rabbi, it would certainly help if I were first Jewish.

And before taking any conversion-related steps, I needed to dive deeply into the literature and truly understand what I feel and might want to be a part of. Happily, somewhere in this neverending journey, I stumbled across a lengthy reading list compiled by Rabbi Danya Ruttenberg, and I’ve been making my way through it. This particular book, her own, was on the list, and I found that the rabbi had undergone a spiritual transformation herself, during which she dabbled in atheism and studied philosophy, and voiced many of the same complaints I’ve always had about my own academic aspirations, e.g. “I found that I was perfectly capable of unpacking Hegel or Hobbes, but that it just wasn’t all that much fun once the big ideas became too abstract, too disconnected from human lives.”; “Religious studies, on the other hand, was philosophy and anthropology and literature and history all rolled up in one.” This is the kind of interdisciplinary thinking that has driven most of my scholarly and life choices. Where some might see a dilettante who can’t commit (and I do self-flagellate on this), I see someone whose curiosity cannot be contained. Where some might see a lack of willingness to dive deeply into the minutiae of one thing, I see someone who cares more about the human and person-centered roots of almost every discipline. It’s always about getting back to humanity.

When it comes to religious faith and practice, it can be deeply individual, particularly when its nascent and uncertain. And yet in some ways, at some point, it may become very public (if you begin to practice in a community). This can pose a barrier, but again, it is about getting in touch with humanity.

“Thomas Merton talks about the “tremendous, agonizing embarrassment and self-consciousness which [those new to religion] feel about praying publicly . . . The effort it takes to overcome all the strange imaginary fears that everyone is looking at you, and that they all think that you are crazy or ridiculous, is something that costs a tremendous effort.”

First you must decide whether your pursuit is satisfying a curiosity or is actually driven by something deeper. Then, should you decide that it’s deeper, you must overcome the idea that you’re an impostor, that you’re “doing it” or “believing” wrong. And finally when you can start to let down the walls, softening yourself to hear and accept answers you needed to hear — but only after doing the sometimes painful and arduous work of waking up truly.

“Years down the road, I would learn how hard it could be to follow my intuition, to feel whatever was buried deep within my fettered heart, to try to meet God without denial. But I would discover that fear and pain were a hundred thousand times better than this unconscious sleepwalking through parties and distraction—that even when it was harder, I would prefer to be awake, and alive. But that was all later.”

Perhaps most powerful here, and there were a lot of resonant ideas, was Ruttenberg’s call to action, which aligns with so much of what I’ve been reading (and writing about here): transformation and change, social justice, community, and the detached ways we live today. We can defy the way our culture aims to commoditize humanity, innoculating us against the idea that our community and true spirituality can feed us in ways that consumerism and individualism cannot.

“The dominant culture depends on our sense of isolation. As long as spirituality remains an individualized, personal experience, chances remain good that the inherently revolutionary potential of religious work will sit forever inert and untapped. That is to say, those who practice their spirituality without community are much less likely to demand change in and upheaval to the status quo, or feel that they have the power to do so.”

“More often than not, the places where it’s necessary to mobilize for transformation in religion reflect our contemporary understanding of morality and compassion.”

*Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

“Real, evidence-driven analysis, they believed, would overturn one of modernity’s most deeply held principles: that science will tell us which individuals and groups are naturally smarter, abler, more upstanding, and fitter to rule. Their response was that science pointed in precisely the opposite direction, toward a theory of humanity that embraces all the many ways we humans have devised for living. The social categories into which we typically divide ourselves, including labels such as race and gender, are at base artificial—the products of human artifice, residing in the mental frameworks and unconscious habits of a given society.”

“…in order to live intelligently in the world, we should view the lives of others through an empathetic lens. We ought to suspend our judgment about other ways of seeing social reality until we really understand them, and in turn we should look at our own society with the same dispassion and skepticism with which we study far-flung peoples. Culture, as Boas and his students understood it, is the ultimate source for what we think constitutes common sense. It defines what is obvious or beyond question. It tells us how to raise a child, how to pick a leader, how to find good things to eat, how to marry well. Over time these things change, sometimes slowly, sometimes rapidly. Yet there is no more fundamental reality in the social world than the one that humans themselves in some measure create.” –Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

The development of anthropology as a discipline isn’t something I gave a great deal of thought to until I started studying communication for development, which focuses on the so-called “developing world” (and queries whether it should even be called “developing world”). Later my psychology and theology studies crossed into anthropological territory, but it still never occurred to me to look more carefully at its theoretical and historical origins.

An anthropological quest crosses multiple disciplines: linguistics, sociology, psychology, theology, among others, and like most fields of academic inquiry, its methodology, its merit, its subjects have shifted alongside the people within the field and the cultures to which they belong. At its core, according to its founding proponents, such as Franz Boas, cultural anthropology required acknowledging one’s own ignorance and one’s own worldview and preconceived ideas, placing oneself in unfamiliar surroundings and observing in as scientific and objective a way as possible. It provided, as anthropology pioneer Ruth Benedict put it, “illumination that comes of envisaging very different possible ways of handling invariable problems” and demanded the realization that nothing about culture is universal, i.e. cultural relativity.

“…no society, including our own, is the endpoint of human social evolution. We aren’t even a distinct stage in human development. History moves in loops and circles, not in straight lines, and toward no particular end. Our own vices and blind spots are as readily apparent as those of any society anywhere.”

I greatly enjoyed this book, and could endlessly ramble about it — but won’t. It’s worth reading, and in particular its discussion on Zora Neale Hurston’s anthropological work shines a light on her journey as a folklorist and writer in a new context; she is the most fascinating among the book’s “characters” and, while not orthodox or organized in her methodology and data collection, she captured the most living, breathing, startling accounts and observations in her anthropological work, such as in Haiti, which ring true through American society today:

“FREDERICK DOUGLASS, WHO SERVED as the U.S. minister and consul-general in Haiti, once said that tracing the country’s history was like following a wounded man through a crowd: you just needed to follow the blood.”

“The key to understanding zombies, Hurston concluded, lay not in finding a secret potion or in debunking another people’s mythology. It was actually believing in them. Felix-Mentor wasn’t a person who was said to be a zombie. She wasn’t a make-believe one, like her fictional counterpart in a Hollywood film. She really was one. If you could twist your brain into seeing that fact, then you had taken a giant step toward seeing Haiti—and most important, its spirituality—from the inside.”

“A woman disappeared—conveniently, for her brother and her husband—and then reappeared and started causing trouble until she was put away in a mental institution, cowering, distraught, wordless, no longer herself, alive yet dead. Religions survive not because people love the faith of their fathers but because they help us navigate the world as we find it.”

“Magical thinking was as close to a human universal as you could imagine, and it existed in modern societies, too. Gambling, the stock market, even the concept of private property—the belief that I can expand my sense of self to include an inanimate object, the loss of which would induce deep displeasure and anxiety—all depend to a degree on magical belief systems. They are ways of summoning the unlikely and the invisible in order to control the tangible world.”

““Gods always behave like the people who make them,” Hurston wrote in her notes from Haiti. A boisterous spirit could say the thing a peasant couldn’t. A person mounted by a loa could curse a field boss or a pith-helmeted American. Possession by unseen forces, escaping into a kind of death, could be a way of being truly, deeply alive, especially in places where it was hard to speak the truth in any other way. That was the real story of Felicia Felix-Mentor. Put away, disregarded, institutionalized, forgotten, willed by others to be effectively dead—her condition was very much like that of many people Hurston knew, the black women and men she had met from Florida labor camps to whites-only universities. It was just that Haitians had invented a word for it.”

*The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

“The gentrification mentality is rooted in the belief that obedience to consumer identity over recognition of lived experience is actually normal, neutral, and value free.” –The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

I can’t explain why, but this book almost immediately had me in tears. I think it’s attributable in part, once more, to the inevitable dilution of historical events. Things that were intense, painful, sweeping — things I can’t even describe in words, such as the AIDS epidemic of the 1980s and 90s — have become anodyne footnotes accompanied by inoffensive elevator music. I was a child during this epidemic, but watching it unfold affected me at such a fundamental level that I still cry uncontrollably watching footage of protests juxtaposed with images of the march of slow, excruciating and senseless death. As I say, I was a child. I can’t begin to imagine what this period was like for people most affected by it, those like Schulman and her community in New York at the height of the crisis.

“Bizarrely, this very day is the twentieth anniversary of AIDS. Decontextualized by palm trees, I listen. The announcer is discussing events that I know intimately, organically, that have seared the emotional foundation of my adult life. And yet there is a strangely mellow tone to the story. It’s been slightly banalized, homogenized. This is the first time I’ve heard AIDS being historicized, and there is something clean-cut about this telling, something wrong. Something…gentrified. “At first America had trouble with People with AIDS,” the announcer says in that falsely conversational tone, intended to be reassuring about apocalyptic things. “But then, they came around.” I almost crash the car.”

Thus I comprehend her bewildered reaction: “But then, they came around“?!

What!?

When did “they” ever come around? Had, as Schulman pondered, her community – what remained of it – failed to show exactly how much they had suffered, how much they had lost? What the world, in fact, lost, to this epidemic that was “caused by governmental and familial neglect”?

Schulman’s book deals mostly with the gentrification process — but not just the material gentrification we can see in cities like New York, but rather a brainwashing of sorts: the gentrification of the culture, and the gentrification of the mind. It is woven into the institutionally sanctioned happiness-industry culture we are a part of in which we willingly become a part of a herd and ignore what we give up to be a part of that — both on an individual level and as a society. Individually we — this is truer for some than others — may, for example, as Schulman writes, come to expect that one’s “teacher does not remember them, even after intimate direct conversations in class about their lives and work” because somehow the individual is not important enough to remember, particularly if they have always been part of a marginalized group. Societally, we find ourselves acting against the community and its interests because we are encouraged and incentivized to participate in a culture that endlessly craves manufactured happiness and comfort — and the only way to achieve this, according to the rules of this society, is to compete or step on someone else, or in some cases, merely tolerate injustices that we see but don’t speak out against.

“Gentrified happiness is often available to us in return for collusion with injustice. We go along with it, usually, because of the privilege of dominance, which is the privilege not to notice how our way of living affects less powerful people. Sometimes we do know that certain happiness exists at the expense of other human beings, but because we’re not as smart as we think we are, we decide that this is the only way we can survive. Stupidity or cruelty become the choice, but it doesn’t always have to be that way. After all, people and institutions act on and transform each other. So, it’s not happiness at the expense of the weaker versus nothing, right? And yet we are led to feel this way.”

Schulman is writing from her own experience and taking back the narrative that homogenizes the AIDS struggle, but her theses are widely applicable in terms of discussing gentrification, privatization, privilege and — of course — the commodification of humanity and individual identities. Everything about this book commands attention and compels… action. Action toward empathy, compassion and intervention.

“Autobiographically, the AIDS experience may be where I came to understand that it is a fundamental of individual integrity to intervene to stop another person from being victimized, even if to do so is uncomfortable or frightening.”

“Gentrification culture makes it very hard for people to intervene on behalf of others. The Nasdaq value system is and was a brutal one. Being consumed by it and being shut out of it are both deadening and result in distorted thinking about private sectors, economic and emotional. Gentrification culture is rooted in the ideology that people needing help is a “private” matter, that it is nobody’s business. Taking their homes is called “cleaning up” the neighborhood. ACT UP was the most recent American social movement to succeed, and it did so because AIDS activist culture of the 1980s was the opposite of Gentrification culture.”

“Gentrification culture was a twentieth-century, fin de siècle rendition of bourgeois values. It defined truth telling as antisocial instead of as a requirement for decency. The action of making people accountable was decontextualized as inappropriate. When there is no context for justice, freedom-seeking behavior is seen as annoying. Or futile. Or a drag. Or oppressive. And dismissed and dismissed and dismissed and dismissed until that behavior is finally just not seen. Every historical moment passes.”

*Playing in the Dark: Whiteness and the Literary ImaginationToni Morrison

“A criticism that needs to insist that literature is not only “universal” but also “race-free” risks lobotomizing that literature, and diminishes both the art and the artist.” –Playing in the Dark : Whiteness and the Literary ImaginationToni Morrison

This is a unique moment to survey Morrison’s work on literary criticism and African-American literature. She calls out the “polite” color blindness of the dominant cultural system and exposes it as a thick layer of white paint that has for so long covered over necessary calls to consciousness, assessment and action. Today it is embodied in Black Lives Matter, and this must be named, seen, and understood by those who cannot understand it because the responsibility rests with them, i.e., the most dangerous being the white liberal self-proclaimed “ally” who nevertheless never questions and furthers systems of what Morrison refers to as “intellectual domination”.

“Above all I am interested in how agendas in criticism have disguised themselves and, in so doing, impoverished the literature it studies. Criticism as a form of knowledge is capable of robbing literature not only of its own implicit and explicit ideology but of its ideas as well; it can dismiss the difficult, arduous work writers do to make an art that becomes and remains part of and significant within a human landscape. It is important to see how inextricable Africanism is or ought to be from the deliberations of literary criticism and the wanton, elaborate strategies undertaken to erase its presence from view.”

“One likely reason for the paucity of critical material on this large and compelling subject is that, in matters of race, silence and evasion have historically ruled literary discourse.”

“It is further complicated by the fact that the habit of ignoring race is understood to be a graceful, even generous, liberal gesture. To notice is to recognize an already discredited difference. To enforce its invisibility through silence is to allow the black body a shadowless participation in the dominant cultural body.”

Violence against black bodies is the most immediate emergency, of course, but as a reflection of a comprehensively racist system, we must also dig into things as esoteric as literary criticism to understand the depth of the problem.

“Like thousands of avid but nonacademic readers, some powerful literary critics in the United States have never read, and are proud to say so, any African-American text. It seems to have done them no harm, presented them with no discernible limitations in the scope of their work or influence. I suspect, with much evidence to support the suspicion, that they will continue to flourish without any knowledge whatsoever of African-American literature. What is fascinating, however, is to observe how their lavish exploration of literature manages not to see meaning in the thunderous, theatrical presence of black surrogacy—an informing, stabilizing, and disturbing element—in the literature they do study. It is interesting, not surprising, that the arbiters of critical power in American literature seem to take pleasure in, indeed relish, their ignorance of African-American texts.”

*Pale Colors in a Tall Field: PoemsCarl Phillips

Poetry, of course.

*The FallD. Nurkse

More poetry. Always poetry.

*The Kingdom of Ordinary Time: PoemsMarie Howe

My life was a story, dry as pages. Seems like he should have known/enough to like them even lightly with his thumb/ But he didn’t. /And I have to admit I didn’t much like the idea/of telling him how.” –The Kingdom of Ordinary Time: PoemsMarie Howe

And yet more poetry. Every day is poetry.

Good – or better than expected

*Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

“The opposite of addiction, I have learned, is not sobriety but choice.” –Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

All I can say about Never Enough is that it balances the author’s own experience with addiction with the neuroscience behind addiction. It reinforces what much of science and social science instructs about addiction: addiction often escalates when faced with a lack of acceptance and community – seeing no alternatives or no possible way out – in a judgmental society that criminalizes addiction and in which some substance abuse (particularly alcohol) is second nature and not seen at all as abuse or troublesome (until it is). Grisel’s account states:

“Though there were several turning points in my trajectory, it seems profoundly significant that the material change began a few months after the ghost-in-the-mirror episode, when my father inexplicably changed course and took me out for my twenty-third birthday. Federal agents, friends’ deaths, expulsions and evictions, physical withdrawal, and myriad other tragedies weren’t enough to propel me to change; instead, it was human love and connection. My father’s willingness to be seen with me and to treat me with kindness split open my defensive shell of rationalizations and justifications. It broke open the lonely heart that neither of us knew I still had.”

She never claims that this turning point made her choice easy, but it was about choice — and it required connection and compassion to reach that stage. Having some meaning seems to be a deciding factor for many addicts, which is backed up by work from both Dr Gabor Maté and Dr Carl Hart, who also specialize in addiction. A unique part of the book is that it covers different categories of drug and in some cases proposes ways we might mitigate some of the pitfalls of use — that is, make alcohol-free spaces more common, find ways to cope with and treat pain, see others with compassion and look at what can be done rather than what cannot.

“So, who’s to blame for the epidemic of addiction? The truth is no one is to blame, but we are all responsible. Our collective shadow supports addiction because we must have a scapegoat even as we deny, or embrace, the many strategies of escape we employ ourselves. We support the tools of addiction, including pathological individualism that leads to alienation, widespread and enthusiastic endorsement of avoidance, and a smorgasbord of consumptive excess and self-medication. Though any search for a cause (or a cure) is bound to fall short, one source of this epidemic is our unwillingness to bear our own pain, along with our failure to look upon the suffering of others with compassion.”

*Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

“The triumph of exchange values over experiential values changed the world both for the better and for the worse. On the one hand, with the commodification of goods, land, and labor came an end to the oppression, injustice, and wretchedness of serfdom. A new concept of freedom was born, along with the possibility of abolishing slavery and the technological capability to produce enough goods for all. On the other hand, it prompted unprecedented new forms of misery, poverty, and potential slavery.” –Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

After reading Doughnut Economics: Seven Ways to Think Like a 21st-century Economist last month and continuing to think about the up-and-down waves of collapsing capitalism, Varoufakis’s simplified take on economics and capitalism would be a good addition to the basics, boiled down to the simple premise: ““My reason for writing it was the conviction that the economy is too important to leave to the economists.” This is much the same argument that guided the research and thinking behind Doughnut Economics.

“Today’s economic experts are not much different. Whenever they fail to predict properly some economic phenomenon, which is almost always, they account for their failure by appealing to the same mystical economic notions that failed them in the first place. Occasionally, new notions are created in order to account for the failure of the earlier ones.”

How far removed from human life and needs can economics — ostensibly the study of the production, distribution, and consumption of goods and services, which are produced, distributed and consumed by people — get?

“With time, I recognized something else, a delicious contradiction about my own profession that reinforced this belief: the more scientific our models of the economy become, the less relation they bear to the real, existing economy out there. This is precisely the opposite of what obtains in physics, engineering…”

Very much aligned with the questions I continue to ask myself as I make reading and study choices: what are my values, what are society’s collective values? And Varoufakis does the same, hitting the nail right on the head — we live in a time in which experience holds no value, and everything is commodified and assigned a market value. People fall right into this — from assigning a salary, fair or not, to their time and labor (which do, in fact, belong to them) to turning people themselves into products and market experiments (how can we influence consumers, how much can be extract from them either in the form of direct consumption or in the data they generate and unwittingly share with us)?

“Oscar Wilde wrote that a cynical person is someone who knows the price of everything but the value of nothing. Our societies tend to make us all cynics. And no one is more cynical than the economist who sees exchange value as the only value, trivializing experiential value as unnecessary in a society where everything is judged according to the criteria of the market. But how exactly did exchange value manage this triumph over experiential value? The commodification of everything…”

Entertaining/informative/thoughtful or some combination thereof

*What Gandhi SaysNorman Finkelstein

“If Gandhi despised one thing more than cowardice, it was cowardice wrapping itself in the mantle of nonviolence.” –What Gandhi SaysNorman Finkelstein

No stranger to controversy, Finkelstein provides analysis of the tenets for which Gandhi is best known globally… not diving too deeply into the more controversial and troubling aspects of Gandhi the man. Finkelstein focuses squarely on Gandhi’s words and their constant contradictions, emphasizing Gandhi’s predilection for action over consistency of expression. While other readings I’ve highlighted here suggest that inconsistent expression is a hallmark of the dictator, I doubt anyone would claim Gandhi had dictatorial aspirations, even if it seems he had a control-freak streak (and preoccupation with sex and attempting to control it). In fact, according to Finkelstein, Gandhi’s commitment to acting on non-violent resistance came from the need to throw off colonial chains and rulers, not to grab power for himself once these occupiers were successfully resisted.

“Gandhi devoted the whole of his adult life to organizing the powerless 99 percent against the greedy 1 percent. He aspired in the first place to end the British occupation of India, but he also recoiled at the prospect of a corrupt clique of native Indians replacing the foreign occupiers.”

“He was convinced not only that the old world could be extirpated and a new world be brought into being nonviolently, but also that unless it was done nonviolently, the new world would hardly differ from the old world it superseded.”

Finkelstein attempts to show that Gandhi was not passive, and did not advocate being passive. He in fact would advocate violence if and when there were no other alternative.

“The real Gandhi did loathe violence but he loathed cowardice more than violence. If his constituents could not find the inner wherewithal to resist nonviolently, then he exhorted them to find the courage to hit back those who assaulted or demeaned them.”

The unfortunate problem here is that one cannot rely on the judgment of an individual that there “was no alternative”. We can see, despite the very different conditions and circumstances, that a number of police officers in the United States justify murder because they claim to have had no other recourse, and felt that their own lives were threatened. Never mind that they are in positions of power, authority and are armed. I use this example only to illustrate the subjectivity of the perceived alternatives.

Finkelstein also explores the limitations and contradictions of Gandhi’s teachings, which makes this book a worthwhile endeavor.

*Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

“All animals need time, experiences, practice, and failure to become mature adults.” –Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

Oh, adolescence.

“It seems tragically counterintuitive that the most vulnerable and underprepared individuals would be thrown into the riskiest possible situations. But facing mortal danger while still maturing is a fact of life for adolescents and young adults across species.”

Natterson-Horowitz and Bowers explore the fraught period of human and other species adolescent period, which is fascinating overall but a few key points stand out, in particular the question of what happens to humans once old risks are eliminated, when there is capacity to manage more than just basic survival.

“What happens when brains and bodies that evolved in environments full of predators and other threats find those dangers removed? A similar question was posed thirty years ago by a British epidemiologist who noticed a rise in autoimmune diseases like lupus and Crohn’s. David Strachan wondered what happens to immune systems that evolved in environments with many varied pathogens when the world gets cleaner. The “hygiene hypothesis” suggested that human immune systems, unchallenged in overly clean environments, turn inward and begin to attack their own bodies, mistaking normal tissue for pathogens. Might a similar process be driving anxiety in modern adolescents and other individuals? Lars Svendsen, a Norwegian philosopher at the University of Bergen who studies fear, thinks yes. He believes that many modern humans have a “surplus of consciousness” that gets directed into imagining risks.”

“Safer than ever before, with more “brain space” to devote to thinking about risks that don’t pan out, we live in a state of what Svendsen calls “permanent fear.” Permanent fear, believes Svendsen, isolates individuals and creates anxious, lonely societies because “living a life of fear is incompatible with living a life of happiness.””

“Adolescents and adults who seem to have it all still get sad, sometimes even truly depressed. A human being’s internal self-perception can be very different from how others see them. Social experiences during adolescence shape individuals’ views of their status in ways that sometimes continue into adult life. The happiness that might come from success in adult life may be blunted by the enduring effects of social defeats during adolescence.”

Another key point, which seems obvious, but isn’t — based on how critically “sexual compliance” is handled in society. Overt threats are not required in a world that does not believe women, does not understand the subtlety of covert threats, and in which violence is glorified and some people feel entitled to “take”. That is, as Natterson-Horowitz and Bowers share:

“Sex between two animals that appears to be non-coerced, because physical force is not observed, may actually be coercive in a less visible way if the female has been harassed into submitting. Some males may persistently badger unreceptive females for sex, preventing them from foraging and feeding—a phenomenon documented in dolphins, sheep, quail, and coho salmon. Sexually harassed elephant seals, fallow bucks, and female tortoiseshell butterflies ultimately relent, submitting to sex simply so they can go about their lives. An uninformed observer, who sees no resistance or physical restraint, might not recognize these encounters as the coercive events they are. This is especially true because the intimidation and threats of violence may take place hours or even days before the sexual encounter.”

“Conventional wisdom of the time held that fertile female chimpanzees were choosing the mates they preferred. But Wrangham and Muller realized these females weren’t choosing; they were complying.”

*The Seven Good YearsEtgar Keret

“The timing of my new mustache—ten days after my wife miscarried, a week after I injured my back in a car crash, and two weeks after my father found out he had inoperable cancer—couldn’t have been better. Instead of talking about Dad’s chemo or my wife’s hospitalization, I could divert all small talk to the thick tuft of facial hair growing above my upper lip. And whenever anyone asked, “What’s with the mustache?” I had the perfect answer, and it was even mostly true: “It’s for the boy.” A mustache is not just a great distraction device; it’s also an excellent icebreaker. It’s amazing how many people who see a new mustache in the middle of a familiar face are happy to share their own private mustache stories.” –The Seven Good YearsEtgar Keret

I discovered Etgar Keret by accident – happy surprise, entertaining fiction, clear voice. That’s all.

“In the Middle East, people feel their mortality more than anywhere else on the planet, which causes most of the population to develop aggressive tendencies toward strangers who try to waste the little time they have left on earth.”

*Everything in Its Place: First Loves and Last TalesOliver Sacks

“Much of this, remarkably, was envisaged by E. M. Forster in his 1909 short story “The Machine Stops,” in which he imagined a future where people live underground in isolated cells, never seeing one another and communicating only by audio and visual devices. In this world, original thought and direct observation are discouraged—“Beware of first-hand ideas!” people are told. Humanity has been overtaken by “the Machine,” which provides all comforts and meets all needs—except the need for human contact. One young man, Kuno, pleads with his mother via a Skype-like technology, “I want to see you not through the Machine. I want to speak to you not through the wearisome Machine.”” –Everything in Its Place: First Loves and Last TalesOliver Sacks

Most of what Sacks produced is worth reading, and while this was not his best collection, I was mostly struck by his references to how public everything is now. Privacy, as we all know, is dead. And now that we lead almost entirely public lives, we have created identities for others to consume, and we create data that makes us consumable. An endless cycle of (false?) identity creation followed by someone mining that false or aspirational identity data followed by someone trying to sell or selling us something based on that data followed by the consumption and use that lends credence and authority to the identity we created for public consumption, reinforcing the whole cycle repeatedly. Do we consider the trade-offs? It is too late to opt out. How do we want to be — whom do we want to be — in this world we’ve created and submitted to?

“Everything is public now, potentially: one’s thoughts, one’s photos, one’s movements, one’s purchases. There is no privacy and apparently little desire for it in a world devoted to nonstop use of social media. Every minute, every second, has to be spent with one’s device clutched in one’s hand. Those trapped in this virtual world are never alone, never able to concentrate and appreciate in their own way, silently. They have given up, to a great extent, the amenities and achievements of civilization: solitude and leisure, the sanction to be oneself, truly absorbed, whether in contemplating a work of art, a scientific theory, a sunset, or the face of one’s beloved.”

*The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

“But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack. It lasers in on what you perceive your personal shortcomings and failures to already be, and then emphasizes them for you.” –The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

While not surprising, and leaning a bit heavily on the mild shock value of its profanity-inspired title, this book more or less catalogs the complaint I, and many others, have had about the always-booming self-help industry. Not only does it create and inflate unrealistic expectations within the very population (usually vulnerable) that can least afford to sink a bunch of money and misguided hope into snake-oil in repetitive mantra form, it does, as Manson clearly broadcasts, project that “the desire for more positive experience is itself a negative experience. And, paradoxically, the acceptance of one’s negative experience is itself a positive experience”. YES.

Sure, I know I’ve been chastised and criticized for my “negativity” pretty much all my life. But I don’t care because I’m content, I’m realistic, I’m pragmatic. I have enough, and I am not on an endless and probably fruitless quest for “happiness”, which has become entirely meaningless because being “happy” has been warped by BS ideas about consuming, having, owning and usurped by the constant need for more. Happiness is different from meaning derived from experience, where I see great value. Manson quotes Albert Camus and Charles Bukowski in an admonishment not to seek out happiness; equating happiness with conformity and need to succeed or perform according to society’s arbitrary standards is probably what Camus, Bukowski and Manson would refer to as “giving too many fucks”.

“Pain is an inextricable thread in the fabric of life, and to tear it out is not only impossible, but destructive: attempting to tear it out unravels everything else with it. To try to avoid pain is to give too many fucks about pain. In contrast, if you’re able to not give a fuck about the pain, you become unstoppable.”

Not giving a fuck is not about indifference; in fact, it is having the fortitude, maturity and strength of identity to be able to stand alone, to weather difficulties and to be comfortable with uncertainty and with being oneself, even if that means going against the rest of the herd (perhaps by trying, however futile it is, to opt out of the always-on public life).

*Stiff: The Curious Lives of Human CadaversMary Roach

“Life contains these things: leakage and wickage and discharge, pus and snot and slime and gleet. We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.” –Stiff: The Curious Lives of Human CadaversMary Roach

An irreverent look at the body once it becomes…uninhabited. Unlike Bill Bryson’s book on the anatomy and functions of the human body, Roach dissects (not literally) the things that may happen to a human body after death.

Yes, irreverent.

“Not that there’s anything wrong with just lying around on your back. In its way, rotting is interesting too, as we will see. It’s just that there are other ways to spend your time as a cadaver. Get involved with science. Be an art exhibit. Become part of a tree. Some options for you to think about. Death. It doesn’t have to be boring.”

Yes, oddly filled with chicken-adjacent stories.

“The human head is of the same approximate size and weight as a roaster chicken. I have never before had occasion to make the comparison, for never before today have I seen a head in a roasting pan. But here are forty of them, one per pan, resting face-up on what looks to be a small pet-food bowl. The heads are for plastic surgeons, two per head, to practice on.

The heads have been put in roasting pans—which are of the disposable aluminum variety—for the same reason chickens are put in roasting pans: to catch the drippings.”

“Eventually the taxi pulled up outside a brightly lit fried chicken establishment, the sort of place that in the United States might proclaim “We Do Chicken Right!” but here proclaimed “Do Me Chicken!” The cabdriver turned to collect his fare. We shouted at each other for a while, and eventually he got out and walked over to a tiny, dim storefront next to the chicken place and pointed vigorously to a sign. Designated Foreign-Oriented Tourist Unit, it said. Well, do me chicken. The man was right.”

*Sapiens: A Brief History of HumankindYuval Noah Harari

“Yet none of these things exists outside the stories that people invent and tell one another. There are no gods in the universe, no nations, no money, no human rights, no laws, and no justice outside the common imagination of human beings.” –Sapiens: A Brief History of HumankindYuval Noah Harari

As I ponder throughout this post, history is a moving target, and one experience is not representative of all, or universal, experience. This book manages somehow to be an example both of attempting to fit all of history into a single interpretation while also calling out how a multiplicity of experiences shelter under different umbrellas. After all, a book purporting to be a history of humankind will by necessity take a broad perspective. A dense and fascinating overview, it covers expansive ground, from money to religion, from the pace of change (the social order is in a state of “permanent flux”) to the accumulation of wealth and whether change and wealth have made us happier or more relaxed or “advanced”. It asks questions I wouldn’t (and Harari probably wouldn’t, based on the final words quoted below) expect of a book of this kind.

“But are we happier? Did the wealth humankind accumulated over the last five centuries translate into a new-found contentment? Did the discovery of inexhaustible energy resources open before us inexhaustible stores of bliss? Going further back, have the seventy or so turbulent millennia since the Cognitive Revolution made the world a better place to live? Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry? Historians seldom ask such questions.”

Perhaps most appropriate and more specifically, Harari explores the always-controversial (although it should not be) debate (and it should not be one) about determining what is biological and what is “justified through biological myths”. An example here is the tendency to discuss concepts like race and gender in quite general, overarching terms while not completely making them reductive.

“How can we distinguish what is biologically determined from what people merely try to justify through biological myths? A good rule of thumb is ‘Biology enables, Culture forbids.’ Biology is willing to tolerate a very wide spectrum of possibilities. It’s culture that obliges people to realise some possibilities while forbidding others. Biology enables women to have children – some cultures oblige women to realise this possibility. Biology enables men to enjoy sex with one another – some cultures forbid them to realise this possibility. Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition. No culture has ever bothered to forbid men to photosynthesise, women to run faster than the speed of light, or negatively charged electrons to be attracted to each other. In truth, our concepts ‘natural’ and ‘unnatural’ are taken not from biology, but from Christian theology. The theological meaning of ‘natural’ is ‘in accordance with the intentions of the God who created nature’.”

“Different societies adopt different kinds of imagined hierarchies. Race is very important to modern Americans but was relatively insignificant to medieval Muslims. Caste was a matter of life and death in medieval India, whereas in modern Europe it is practically non-existent. One hierarchy, however, has been of supreme importance in all known human societies: the hierarchy of gender. People everywhere have divided themselves into men and women. And almost everywhere men have got the better deal, at least since the Agricultural Revolution.”

I took many points away from this book, but it’s this last point — about the gender hierarchy — that struck me most of all. I find myself getting angrier about gender inequality as I get older, and the historical record justifies this anger. There is no biological basis for relegating women to a position of inferiority, and yet, throughout societies the world over, that’s exactly where women exist.

“How did it happen that in the one species whose success depends above all on cooperation, individuals who are supposedly less cooperative (men) control individuals who are supposedly more cooperative (women)? At present, we have no good answer.”

*The Fracture ZoneSimon Winchester

“…and for years the Balkans faded into our collective memories. No one ever said: “Remember the man who filled up the car in Pec?” or, “Remember the field by that cement factory called General Jankovic?”—because the Balkans were peaceful in those times, and we had no compelling reason to think of them.” –The Fracture ZoneSimon Winchester

I didn’t love this book but tend to read everything about the former Yugoslavia, its breakup, and different “western” takes on “Balkan drama”. I don’t generally buy into a lot of the analysis, but I nevertheless feel compelled to be steeped in it, if only to have close-to-the-skin reminders of what it was like to be there (by “there” I mean Bosnia, not so much Kosovo, as Winchester does) in the post-war period: the “fixers” that would get hired to act as… well, fixers, drivers and interpreters, even though their real jobs were as engineers, students or farmers, the Turkish-style coffee, the mélange of foods (I lived on shopska salad myself), people, styles, a kind of clash of old and new world (a man driving his horse and buggy along the same road down which a cadre of Bosnian politicians gunned their motorcade of brand-new Audi A8s while making a campaign stop), the random marriage proposals from strangers who simply sought an easy exit, intermittent electricity, random security evacuation exercises, and civil sector bureaucracy.

Reading this and similar accounts of the end of Yugoslavia, I can’t help but feel my age, but much more acutely, I feel the squeeze of insignificance… how diluted historical events become with time. I wouldn’t claim that I knew a lot of people outside certain circles who felt concerned about the situation in former Yugoslavia even at the time, but now, with the war well outside the living memory of young adults, I meet many young people who have never heard of Yugoslavia at all and had nebulous notions, if any idea at all, that a war was fought in this place that they associate vaguely (again, if they have any associations whatsoever) with the filming locations for Game of Thrones (Croatia) and coastal holidays.

*Recollections of My NonexistenceRebecca Solnit

“Your credibility arises in part from how your society perceives people like you, and we have seen over and over again that no matter how credible some women are by supposedly objective standards reinforced by evidence and witnesses and well-documented patterns, they will not be believed by people committed to protecting men and their privileges. The very definition of women under patriarchy is designed to justify inequality, including inequality of credibility. Though patriarchy often claims a monopoly on rationality and reason, those committed to it will discount the most verifiable, coherent, ordinary story told by a woman and accept any fantastical account by a man, will pretend sexual violence is rare and false accusations common, and so forth. Why tell stories if they will only bring forth a new round of punishment or disparagement?” –Recollections of My NonexistenceRebecca Solnit

Referring again to the idea that some people (men, white) have unlimited space to tell stories and be believed, few voices chronicle the struggle to be taken seriously, to be heard and to be respected as well as Rebecca Solnit. The ways women’s experiences have been distorted by the collective voice of dominance insisting that women are “crazy” have enabled the control men continue to have over women — and society as a whole. We can read about (and feel) the injustice of this in all kinds of discourse — some even dating back more than 150 years (see The Subjection of Women by John Stuart Mill, listed above), and some much more recent, such as Sapiens, listed below, by Yuval Noah Harari.

“It was a kind of collective gaslighting. To live in a war that no one around me would acknowledge as a war—I am tempted to say that it made me crazy, but women are so often accused of being crazy, as a way of undermining their capacity to bear witness and the reality of what they testify to. Besides, in these cases, crazy is often a euphemism for unbearable suffering. So it didn’t make me crazy; it made me unbearably anxious, preoccupied, indignant, and exhausted. I was faced with either surrendering my freedom in advance or risking losing it in the worst ways imaginable. One thing that makes people crazy is being told that the experiences they have did not actually happen, that the circumstances that hem them in are imaginary, that the problems are all in their head, and that if they are distressed it is a sign of their failure, when success would be to shut up or to cease to know what they know.”

*Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

“Tyrants trust no one, least of all their allies. Duvalier disposed of friends and foes alike, striking down anyone he thought was too ambitious or might develop a separate power base. No one was indispensable.” –Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

We’re living through a time in which we are surrounded by a number of would-be dictators. For this reason alone, a chronicle of the lives of dictators in the 20th century is both timely and instructive. I could list off the present-day dictator wanna-be candidates, and I could list off their slogans. But we don’t need to amplify these names and their dictates further.

The takeaway here is confirmation of the many traits we can associate with and by which we can identify tyranny and tyrants: narcissism, penchant for performance/spectacle, ‘govern’ by slogans, practice and encourage inconsistency, personalize their power (“I alone can do…”), surround oneself with sycophants and ass-kissers and dismiss and discredit anyone who goes against you. The true believers will, like cult members, drink the Kool Aid, no matter what a tyrant does, and for everyone else, who sees the reality, a tyrant will “sow confusion, to destroy common sense, to enforce obedience, to isolate individuals and crush their dignity” to ensure that he isn’t credibly threatened by being removed.

Dikötter writes of Mussolini’s regime; sound familiar?:

“People had to self-censor, and in turn they monitored others, denouncing those who failed to appear sufficiently sincere in their professions of devotion to the leader. Underneath the appearance of widespread uniformity, there was a broad spectrum, ranging from those who genuinely idealised their leader – true believers, opportunists, thugs – to those who were indifferent, apathetic or even hostile.”

“For almost two decades Mussolini had encouraged the idea that he alone could be trusted and could do no wrong. He had used the cult of the leader to debase his competitors, ensuring every potential rival in the Fascist Party was edged out of the limelight. Those who remained were united in their devotion to the Duce, sycophants determined to outdo one another in praising his genius. They lied to him, much as he lied to them. But most of all, Mussolini lied to himself. He became enveloped in his own worldview, a ‘slave to his own myth’ in the words of his biographer Renzo de Felice. He knew that those around him were flatterers who withheld information that could provoke his ire. He trusted no one, having no true friends, no reliable companion to whom he could speak frankly. As the years passed Mussolini isolated himself from others, becoming a virtual prisoner within the walls of the Palazzo Venezia.”

*Transforming Glasgow: Beyond the Post-Industrial CityKeith Kintrea and Rebecca Madgin, editors

“Ours is a city which perhaps more than any other of our size, shaped the Industrial Revolution, along with all of the great positive and negative forces that it unleashed.”

I binge and gorge on all things Glasgow – even urban planning and its history. I don’t expect others to care for this in the way I did, so it’s not exactly a recommendation unless you’re obsessed with Glasgow and the post-industrial transformation of once-heavily-industrialized cities.

On the other hand, many works I read this month, and more generally, deal with impoverishment of the urban landscape, de-industrialization with nothing to replace it, meaning that poverty almost inevitably travels hand-in-hand with some of these economic upheavals. Glasgow was once the “Second City of the Empire“, but you’d never know it if you were to witness the parts of the city hammered hardest by poverty and dilapidation that came with de-industrialization and privatization. Photographer Raymond Depardon captured this side of Glasgow in 1980 (it’s worth looking at the photos). To some degree, Glasgow has experienced many of the growing pains and tragedies that other cities have and do – and much of it boils down to misguided attempts at “modernizing” (in Glasgow’s case, people were moved out of the city to live in giant, horrible tower blocks and manufactured “communities” – and in so doing, much of Glasgow’s storied architecture was lost, and more appallingly, communities were torn apart. I’d argue that while Glasgow has not been as deeply affected by the powers of gentrification (essentially a destructive force masquerading as progress) as cities like New York (which is dealt with in Schulman’s The Gentrification of the Mind above), it is nevertheless a factor in Glasgow’s drive to redefine and reshape itself.

*Where the Wild Cooks Go: Recipes from My Travels in Food and MusicCerys Matthews

Not much to say here except that this was an enjoyable mix of recipes and music from all over the world; a nice tonic for not being able to travel anywhere.

*Salt HousesHala Alyan

“Easier, she thinks, to remember nothing, to enter a world already changed, than have it transform before your eyes. In the palaces, the grandparents must sit in their extravagant rooms, remembering sand. Nostalgia is an affliction.”

A beautiful book – evoking the pain and suffering of human memory and nostalgia.

“Poor innocent things, he thinks. What is a life? A series of yeses and noes, photographs you shove in a drawer somewhere, loves you think will save you but that cannot. Continuing to move, enduring, not stopping even when there is pain. That’s all life is, he wants to tell her. It’s continuing.”

*I Will Never See the World Again: The Memoir of an Imprisoned WriterAhmet Altan

“Forgetting is the greatest source of freedom a person can have. The prison, the cell, the walls, the doors, the locks, the problems and the people – everything and everyone placing limits on my life and telling me “you cannot go beyond” is erased and gone.”

The pain of memory, the relief of erasure. A different kind of freedom.

“There is a cure for everything. Except longing.”

Turkish political prisoner and journalist Ahmet Altan writes of being imprisoned and the conditions within the country that enabled his imprisonment. Sometimes with humor, fearlessly, and sometimes sparking emotion — both sadness and anger.

“While the policemen searched the apartment, I put the kettle on. “Would you like some tea?” I asked. They said they would not. “It is not a bribe,” I said, imitating my late father, “you can drink some.” Exactly forty-five years ago, on a morning just like this one, they had raided our house and arrested my father. My father asked the police if they would like some coffee. When they declined, he laughed and said, “It is not a bribe, you can drink some.” What I was experiencing was not déjà vu. Reality was repeating itself. This country moves through history too slowly for time to go forward, so it folds back on itself instead. Forty-five years had passed and time had returned to the same morning. During the space of that morning which lasted forty-five years, my father had died and I had grown old, but the dawn and the raid were unchanged.”

*The Body: A Guide for OccupantsBill Bryson

“As with so much else, you experience the world that your brain allows you to experience.” –The Body: A Guide for OccupantsBill Bryson

I have never liked the self-satisfied and judgmental Bill Bryson, and some of his books betray these personality defects more than others. I include The Body here in spite of its writer, as I think the book simplified the human body in an engaging way — exploring anatomy through relatable language and analogies. Some interesting language and analogies, even if not new, included:

  • Color isn’t a fixed reality but a perception
  • “The upshot is that memory is not a fixed and permanent record, like a document in a filing cabinet. It is something much more hazy and mutable. As Elizabeth Loftus told an interviewer in 2013, “It’s a little more like a Wikipedia page. You can go in there and change it, and so can other people.””
  • “It will not have escaped your attention that the mouth is a moist and glistening vault.”
  • the antibiotic crisis is already here – it’s not a looming crisis
  • ““You can make a real mess of yourself, but you are very likely to survive. Killing yourself is actually difficult.”
  •  “A meta-analysis showed that for older people the risk of a heart attack was raised for up to three hours after sex, but it was similarly raised for shoveling snow, and sex is more fun than shoveling snow.”
  • “It’s remarkable that bad things don’t happen more often. According to one estimate reported by Ed Yong in The Atlantic, the number of viruses in birds and mammals that have the potential to leap the species barrier and infect us may be as high as 800,000. That is a lot of potential danger.” (We’re seeing this now, aren’t we?)
  • “When I met Washington University’s Michael Kinch in St. Louis, I asked him what he believed was the greatest disease risk to us now. “Flu,” he said without hesitation. “Flu is way more dangerous than people think. For a start, it kills a lot of people already—about thirty to forty thousand every year in the United States—and that’s in a so-called good year. But it also evolves very rapidly, and that’s what makes it especially dangerous.”
  • “Two things can be said with confidence about life expectancy in the world today. One is that it is really helpful to be rich. If you are middle-aged, exceptionally well-off, and from almost any high-income nation, the chances are excellent that you will live into your late eighties. The second thing that can be said with regard to life expectancy is that it is not a good idea to be an American. Compared with your peers in the rest of the industrialized world, even being well-off doesn’t help you here.”
  • Your lifestyle is the most likely thing to kill you, and many of the cultural and socioeconomic inequalities facing society now contribute to this. “IN 2011, AN interesting milestone in human history was passed. For the first time, more people globally died from non-communicable diseases like heart failure, stroke, and diabetes than from all infectious diseases combined. We live in an age in which we are killed, more often than not, by lifestyle. We are in effect choosing how we shall die, albeit without much reflection or insight.”
  • “It is an extraordinary fact that having good and loving relationships physically alters your DNA. Conversely, a 2010 U.S. study found, not having such relationships doubles your risk of dying from any cause.”

Coincidences

*Walking on the CeilingAyşegül Savaş

“M. sometimes referred to our shared memory palace, where the two of us had invented our own times of day (he always found a different way to bring up “The Invention of Midnight”). The rooms of this building, he said, which contained replicas of the most unremarkable sights, had turned into treasures.”

“This idea of a palace has stayed with me, even if I believe it is too neatly constructed to shed light on the devious ways of memory. Its innocent sleight of hand is only in the amplification of what is remembered, when the truth has so much more to do with hiding and forgetting.” –Walking on the CeilingAyşegül Savaş

In asking ourselves questions about who we are as individuals and in relation to others, and how we are woven into, or fraying at the edges of, the wider tapestry of our familial and social circles, and more broadly into society, we may neglect to look at a lot of factors because they seem far removed from our own daily realities. Depending on who we are, these factors could include socioeconomic class, race, gender, our relationship to faith or religion, geography, and our place in the culture in which we live, even if we feel that we are not included in it. These considerations generate deeper questions that, even if painful, begin to free us to find out who we really are – outside the rules of traditional economics, outside the boundaries of consumer culture, outside of our relationships with others.

While Walking on the Ceiling did not delve into any of these questions, its inclusion in this list comes as a kind of meeting point among the uniting themes of the other works that influenced me this month. We are examining and re-examining the stories we’ve told ourselves as cultures and nations, and there’s a reckoning underway: who has the voice and privilege to define and decide what these stories are? Who will re-contextualize incomplete, one-sided histories? Who creates and enforces collective memory and how? For example, as the nefarious US attorney general, Bill Barr, alarmingly stated not long ago, “History is written by the winners, so it largely depends on who is writing the history.” Or, as musician Sam Phillips wrote, “History is written to say, ‘It wasn’t our fault, wasn’t our fault…”, which inevitably means that someone is on the other side of that equation taking the blame.

For more than two centuries of US history at least, history has been created (yes, created, because it is an interpretation) by those with the loudest voices, ownership, most to protect/lose – power – and this has in many cases become a kind of brainwashing-induced mythology by which Americans define their identities and their so-called “freedom”. But this history is not every American’s story, not every American’s history. Perhaps this is changing now, as at least large swathes of the population begin to confront the ugliness of history and how it continues to pervade, influence and oppress other large swathes of the population who have been systematically disenfranchised, ignored or abused. Even if memory, which underpins what we call history, is perhaps challenging and deceptive, and susceptible to corruption, it still cannot be erased or debased en masse. There can always be a counterbalance to the dominant retelling of the story. If, as Savaş insists in Walking, “…people lived their whole lives telling stories, and by story he meant something like delusion. Everyone, he said, had a story of themselves. They told it again and again, at every chance they got”, we should always have multiple narratives and voices to help define the story – and history, Bill Barr and his ilk be damned.

As a side note, I highlighted this book in the first place as coincidental because it featured the “memory palace” (method of loci) concept that also came up in tv’s Dispatches from Elsewhere.

Biggest disappointment

*The Days of AbandonmentElena Ferrante

“What a mistake it had been to close off the meaning of my existence in the rites that Mario offered with cautious conjugal rapture. What a mistake it had been to entrust the sense of myself to his gratifications, his enthusiasms, to the ever more productive course of his life. What a mistake, above all, it had been to believe that I couldn’t live without him, when for a long time I had not been at all certain that I was alive with him.” –The Days of AbandonmentElena Ferrante

While I didn’t hate this book, my lack of appreciation probably represents a kind of fatigue after reading too much Ferrante in short succession. It’s not even that this book is bad – perhaps it is more my dislike for the shrill and shallow nature of the main character, who comes completely undone when her husband reveals he has been unfaithful and is leaving her. Over the course of the story more hurtful details emerge about the infidelity, and indeed cause the character near-breakdown-level grief.

I think what was remarkable about the book and its characterization this breakdown – filled with angst, regret, anger, jealousy and the whole gamut of (sometimes contradictory) emotions people feel when a relationship ends – is how well it describes what one must confront in the face of such a rupture. Over the course of a long relationship, one doesn’t see clearly how intertwined their life has become with that of the other. And sometimes, as was the case here – that life is not even combined or co-lived but is lost within and subsumed by the life and desires of the other.

When these realizations hit, it’s powerful, painful and starts an examination of the past, when the only way forward is to think instead of the future. While there’s not necessarily anything wrong with having merged two lives together, the loss of identity (which I recently highlighted as a theme from tv’s imaginative and unusual Dispatches from Elsewhere) is crushing, all the more because its erosion is so gradual one doesn’t realize it until reality is shaken. Infidelity, as explored by Esther Perel in The State of Affairs: Rethinking Infidelity, is complex: it violates not only the sense of self and security of the “betrayed” (“being chosen has taken on an importance it never had before. Monogamy is the sacred cow of the romantic ideal, for it confirms our specialness. Infidelity says, You’re not so special after all“), but can also reflect the fragmentation of the “betrayers” identity (“Sometimes, when we seek the gaze of another, it isn’t our partner we are turning away from, but the person we have become. We are not looking for another lover so much as another version of ourselves“). Coming to terms with what was thought to be reality versus what actually was can create deep estrangement from…everyone, including oneself, and create obstacles to moving forward.

I didn’t enjoy this book in a standard way, but appreciate that Ferrante has captured in visceral color what it feels like to go through this.

“No, I thought, squeezing the rag and struggling to get up: starting at a certain point, the future is only a need to live in the past. To immediately redo the grammatical tenses.” –The Days of AbandonmentElena Ferrante

*Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

Interesting book – but not as interesting as I had hoped. Some interesting ideas here, for example citing Jared Diamond’s hypothesis that intercontinental inequality has more to do with plants, animals and agriculture than with culture. Culture, meanwhile, doesn’t explain everything.

“Is the culture hypothesis useful for understanding world inequality? Yes and no. Yes, in the sense that social norms, which are related to culture, matter and can be hard to change, and they also sometimes support institutional differences, this book’s explanation for world inequality. But mostly no, because those aspects of culture often emphasized—religion, national ethics, African or Latin values—are just not important for understanding how we got here and why the inequalities in the world persist. Other aspects, such as the extent to which people trust each other or are able to cooperate, are important but they are mostly an outcome of institutions, not an independent cause.” –Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

innocence

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Have I squirreled this beloved poem away, hoarding it only for myself? I mention poetry and poems, especially favorites, so often but have seemingly never mentioned this one from Vesna Parun. And it should indeed be felt, read, experience, shared. I fell in love with it when I was wandering through one of the most awkward periods of my life – early university. Feeling invisible and out of place in a way I had not since I was maybe five years old, I was clinging to emotional, often overwrought, poetry that embodied what I can only call self-pitying lamentations. This certainly falls into that category, but its pitiful mourning is beautiful regardless of its tone of dejected retreat. It reminds me not to trivialize what I felt, what I currently feel and, most of all, what others feel.

First encountered in the translation (ugh – we know how I feel about that) in the pre-internet era, I searched for some time and finally found the original Croatian when I went to Croatia for the first time in the latter half of the 1990s. It has long been what I do in foreign cities: seek out poems in their original language(s) and/or purchase anthologies of local poetry. Perhaps it was this time, locating this long-loved poem, falling in love with the dual harshness and beauty of Zagreb, that felt most triumphant.

You Whose Hands Are More Innocent than Mine
-Vesna Parun
You whose hands are more innocent than mine
and you who are as wise as detachment.
You who can read his forehead
and know his solitudes better than I,
and you who remove the slow shadows
of indecision from his face
as the spring wind removes
the shadows of clouds floating above the hills.

If your embrace encourages his heart
and your thighs abate pain,
if your name eases
his thoughts, and your throat
shades his bedside,
and the night of your voice is the orchard
still untouched by storms.

Then stay beside him
and be more pious than those
who have loved him before you.
Fear the echo that encroaches
the harmless beds of love.
And be gentle to his dream
beneath the unseen mountain
on the rim of the sea that roars.

Stroll on his strand. Let the sad
dolphins come to meet you.
Roam in his forest. The friendly lizards
will not harm you
And the thirsty snakes that I tamed
will be humble before you.

Let the birds that I have warmed
during nights of sharp frost sing for you.
Let the boy that I protected
along deserted roads caress you.
Let the flowers that I watered
with my tears be fragrant for you.

I do not await the best years
of his manhood. His fecundity
I will never receive between my breasts
that have been ravaged by the glances
of herdsmen at fairs
and lecherous thieves.

I will never lead his children
by the hand. And the stories
I so long ago prepared for them,
perhaps I will tell them tearfully
to the poor little bears
left behind in the black forest.

You whose hands are more innocent than mine,
be gentle to his dream
that has remained so unaffected.
But allow me to see
his face, before the unknown years
descend on him.
And give me news of him now and again,
so that I will not have to ask strangers
who wonder at my boldness, and
neighbors who pity my persistence.

You whose hands are more innocent than mine
stay by his bedside
and be gentle to his dream.

Original version in Croatian
Ti koja imas nevinije ruke od mojih
i koja si mudra kao bezbriznost.
Ti koja umijes s njegova cela citati
bolje od mene njegovu samocu,
i koja otklanjas spore sjenke
kolebanja s njegova lica
kao sto proljetni vjetar otklanja
sjene oblaka koje plove nad brijegom.

Ako tvoj zagrljaj hrabri srce
i tvoja bedra zaustavljaju bol,
ako je tvoje ime pocinak
njegovim mislima, i tvoje grlo
hladovina njegovu lezaju,
i noc tvojega glasa vocnjak
jos nedirnut olujama.

Onda ostani pokraj njega
i budi poboznija od sviju
koje su ga ljubile prije tebe.
Boj se jeka sto se priblizuju
neduznim posteljama ljubavi.
I blaga budi njegovu snu,
pod nevidljivom planinom
na rubu mora koje huci.

Seci njegovim zalom. Neka te susrecu
ozaloscene pliskavice.
Tumaraj njegovom sumom. Prijazni gusteri
nece ti uciniti zla.
I zedne zmije koje ja ukrotih
pred tobom ce biti ponizne.

Neka ti pjevaju ptice koje ja ogrijah
u nocima ostrih mrazova.
Neka te miluje djecak kojega zastitih
od uhoda na pustom drumu.
Neka ti mirise cvijece koje ja zalijevah
svojim suzama.

Ja ne docekah najljepse doba
njegove muskosti. Njegovu plodnost
ne primih u svoja njedra
koja su pustosili pogledi
gonica stoke na sajmovima
i pohlepnih razbojnika.

Ja necu nikada voditi za ruku
njegovu djecu. I price
koje za njih davno pripremih
mozda cu ispricati placuci
malim ubogim medvjedima
ostavljenim u crnoj sumi.

Ti koja imas nevinije ruke od mojih,
budi blaga njegovu snu
koji je ostao bezazlen.
Ali mi dopusti da vidim
njegovo lice, dok na njega budu
silazile nepoznate godine.

I reci mi katkad nesto o njemu,
da ne moram pitati strance
koji mi se cude, i susjede
koji zale moju strpljivost.

Ti koja imas nevinije ruke od mojih,
ostani kraj njegova uzglavlja
i budi blaga njegovu snu!

broken record of our own sad age

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“We see again, in our own sad age, the stark extremes of political inflexibility and anarchic revolt, insuperable backwardness and a gaudy cult of progress.” -from Age of Anger by Pankaj Mishra

“Karaoke supports less the democratic idea that everyone can have a shot if they want one and more the democratic practice that everyone wants a shot if there’s one on offer.” -from Karaoke Culture by Dubravka Ugrešić

-Yes… why not for the president of the United States as well? Or the “untied” states while we are at it?

Is there something more apt to describe where we’ve landed than Dubravka Ugrešić’s term “karaoke culture”? We have a reality TV star and national joke as an American president. He epitomizes the dumbing-down of culture, is the zenith of anti-intellectual, anti-Obama backlash and embodies the ‘problem of ideological manipulation’ that Ugrešić chronicles in her book – and others have explored at great length and in a more historical and philosophical context.

Ugrešić’s eerily prescient book, though, looks at the all-consuming, short-attention-span digital culture that saturates our lives and gives us the recipe for the toxic concoction in which we’re now dissolving:

 

  • The internet and other digital platforms/channels

 

    “The Internet is the final, most explosive powder keg strewn on the eternal flame of our fantasies. The Internet is the cornerstone of both the new democratic revolution and the computer user’s evolution into a free man, a man forever transformed (Never again a slave!), eyes fixed ahead on the screen (a “window to the world”), whose hands self-confidently control an emancipatory mouse: a proletarian-man, an amateur-man, a man finally worthy of the name.” – from Karaoke Culture

 

  • The rise of the “amateur expert” whose opinion is suddenly as valid as an actual expert

 

“Amateurs, Keen claims, devastate systems that are based on expertise and destroy the institutions of author and authorship, information (newspapers are slowly disappearing, blogs are taking over), education (Wikipedia, the work of anonymous amateurs, has replaced encyclopedias, the work of experts), and art and culture (amateurs create their own culture based on borrowing, expropriation, appropriation, intervention, recycling, and remaking; they are simultaneously the creators and consumers of this culture).”

“Maybe the problem is one of ideological manipulation? Today AA (the Anonymous or Amateur Author) is as untouchable as the teenager comfortably lounging on the tram seat. At sixty-years of age you stand next to him with bags full of groceries, struggling to keep your balance. Your legs hurt, and your single obsessive thought is how to give the uppity little schmuck a well-deserved slap in the face. You know it’s never going to happen, but the fantasy is good for your soul. If a little open hand communication isn’t an option, maybe a gentle word might help. But that’s not an option either, because, armed with his iPod and iPhone, the kid is both physically and mentally untouchable. And in any case, the kid is innocent, because he doesn’t see you. You don’t exist in his world. But he exists in yours.”

-from Karaoke Culture

 

  • The info overload plus short attention span that make this possible

 

“Scientists tell us that our brain’s ability to adapt to new experiences is called neuroplasticity. They claim that from an evolutionary perspective this elasticity can be useful, but that it also means that left unused, brain function simply atrophies.”

“At this very moment my neuroplastic consciousness believes that God is an octopus and that his name is Paul. Because that’s what happens when you’ve more-or-less become an Internet junkie.” -from Karaoke Culture

 

  • Alt facts: Using the dissolution of Yugoslavia as a case study for what we now see. We smugly thought former Yugoslavia to be so uncivilized and backwards, and patted ourselves on the back for our oh-so-democratic and stable ideals. But what do we face now but the makings of the same kind of thing only on a grander, more fractious scale?

 

“The metaphor of the “broken telephone” can be used in regard to all countries of the former Yugoslavia. Having entered every sphere of life, the language of the “broken telephone” is omnipresent: in the media, institutional life, politics, the way people think, their interpersonal relations, their everyday lives. As a result, many crimes remain un-investigated, many victims have been rendered silent, many criminals declared heroes, many thieves business people, many idiots intellectuals (and the odd intellectual an idiot), many perpetrators victims, many victims perpetrators, many crazies normal, and many normal people crazy. As we speak, Radovan Karadžić is playing “broken telephone” at the Hague Tribunal. He brushes off words as if they were pesky little thistles. Every word of the indictment that sounds like ravish, he coolly transforms into lavish.” -from Karaoke Culture

 

  • Suspension of disbelief: “I can’t really believe this is happening” and… yet it escalates

 

 “Unlike my neighbors, I didn’t take the alarms too seriously. Today I wonder where this “lapse” came from, this arrogance that doesn’t take danger “too seriously”? At the time I firmly believed that the majority of people wouldn’t follow their caricature-like leaders, wouldn’t destroy everything they’d spent years building together, and wouldn’t cast their childrens’ futures to the wind. Maybe this belief was to blame for my “lapse.” I refused to believe what my impaired vision had witnessed over the preceding few years. And so it was that in September 1991 I refused to believe the evidence that was right in front of me. Maybe it was actually down there in the cellar, with a small human sample for company, that I should have allowed the dirty little thought to sink in: that many people were actually turned on by the war. New, sudden thrills filled the vacuity of their lives; overnight, personal frustrations found an outlet, personal losses could be made good, personal intolerances hung out to air. There, in the cellar, an older neighbor with rat-like features scurried into my “deformed” field of vision. People said he had illegally moved into the five-bedroom apartment of an old woman who died soon afterwards. The square meters of the apartment thus became his. That very first day in the cellar, he appeared wearing a red armband, a pistol buried in his back pocket. Nobody asked him about the armband or what it meant, or where he got the pistol; we listened intently to his garbled instructions. The very next day the neighbor had a deputy, complete with matching red armband and pocket pistol. The young deputy was unemployed and married to a diligent and hard-working neighbor. At some point her biological clock had started ticking, so she found the young man and bore him three children, after which he’d served and exhausted his purpose. The armband and the revolver gave the jerk his dignity back. Until then, he didn’t even know what dignity was.” – from Karaoke Culture

 

  • Media war and complicit silence. The media smear campaign, vilifying people who are not the real villains. Everyone who should know better remains silent.

 

“When the media lynching had reached its most vicious height, a neighbor stopped me and asked: “Well then, neighbor, when are you getting out?” The “out,” I assumed, referred to when I was getting out of Croatia. “Why should I be getting out?” I asked. “Well, you keep writing those lies about us.” “And you’ve read what I write?” “Why would I? Are you saying that everyone else is lying!?”” – from Karaoke Culture

 

  • Sexism. Sexism. Sexism.

 

“My sensitive literary nature can’t resist exhibiting a selection of the insults (which refer both to me and the witch’s cell) proffered by Croatian journalists, writers, and critics, the literati among the literate. I recognize that any psychoanalyst could here accuse me of taking exhibitionist pleasure in the repeated—and this time voluntary—exposition of public insults. But you know what? “Victims” also have a right to narrative pleasure—particularly so if narration is their profession. All in all, in my fellow writers’ scribblings I am described as: A woman with “deformed vision”; A woman who has no understanding for a “people celebrating its own state and freedom of speech”; A woman who has “neither taste nor sense of proportion”; A woman who has opened her mouth “in the wrong manner, the wrong place, and at the wrong time”; A woman with a “limited perspective”; A woman writer with a “specific talent,” whose writing is “scrappy knitting”; A “murderess of the Croatian nation who kills with her pen”; A “broad persecuting Croatia”; A broad who “big mouths, gossips, and denounces”; A woman worthy of “contempt”; A woman in need of a Croatian bonfire “to warm her heart”; A member of “one of the organizational nuclei of international resistance to and defamation of the Croatian Homeland War”; A member of a crew of “slightly unhappy, and at any rate frustrated women”; A “dirty liar”; A “Yugonostalgic”; A “national Daltonist”; A “salon internationalist”; A “spleenful and spiteful surveyor of freedom”; A “squealer offering recipes for freedom from the long-tainted kitchens of the European pseudo-left and pseudo-right”; A woman with “mental problems”; A woman who is “mixed-up”; A woman who “drops her dress in a storm”; A woman ready to “sell her homeland for a hundred German marks”; A woman who for “a little cash, but with obviously great joy, denounces and spits on her homeland”; A “plume of the failed communist regime”; An “informer for the European Community”; A “carefully chosen interlocutor of Brussels and the European Community”; A woman of “dubious repute”; A person “not in the least subjected to harassment”; A “homeless intellectual”; A “grande dame of Croatian post-communism”; A self-immolator (who if she returns to Zagreb “needs to be immediately surrounded by a dozen fire engines, have 300 hoses aimed at her, and whose every word needs to be doused in water”); A “furious woman”; A “Yugo-nostalgic sicko”; A woman who was ready for “a better psychiatric clinic”; A member of a group of “exalted daughters of the revolution”; A “traitor to the homeland”; A “lobbyist who has lost her voice”; A woman “conspiring against Croatia”; A “feminist”; A “feminist raping Croatia”; An “anti-Croatian feminist”; A member of a group of “self-centered middle-aged women who have serious problems with their own ethnic, ethical, human, intellectual and political identities”; A “public enemy”; A woman with a “miserable destiny”; A woman who has “committed moral…” -from Karaoke Culture

 

  • Anger: The anger, and helplessness, of the masses leads many to embrace the “strength” of dictators and totalitarianism.

 

“The urban public space has become a field on which to exercise repressed sadomasochism. The stronger have their way, the weaker suck it up.” – from Karaoke Culture

A fit vehicle for the weak, in their helplessness, to reach for not only self-exploitation but the exploitation and torture of others, rampant and venomous nationalism, and worse, as the book Age of Anger points out again and again:

“It isn’t just that the strong exploit the weak; the powerless themselves are prone to enviously imitate the powerful. But people who try to make more of themselves than others end up trying to dominate others, forcing them into positions of inferiority and deference.”

Nietzsche:  ‘Life itself is essentially appropriation, injury, overwhelming of the alien and the weaker, oppression, hardness, imposition of one’s own form, incorporation, and at least, at its mildest, exploitation.’” -from Age of Anger

Constructing category – Ugrešić

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“Do we have any other choice? We wanted freedom, we got the freedom of a game, and we even thought the game was the freedom to just clown around. We wanted individual freedom and achieved the freedom of imitation.” -Dubravka Ugrešić, Karaoke Culture

In a long ago period during which I spent my life devoted to studying the (parts of the) former Yugoslavia – its history, its literature, its music, its politics, its divisions, its being knitted together haphazardly and unraveled again, its personalities, I naturally read everything I could get my hands on from writers there. Naturally this included the modern ‘classics’ like Krleža and Andrić (which, now how can we place geographically, and do we need to? As most writers and residents of former Yu will tell you, you may have been born in what is now Croatia, or Bosnia, but you had relatives from all over and these divisions were more artificial – and often economic – than political or ideological) but also contemporary fiction and poetry along with the slew of critical thinking and journalistic angles on the breakup of the Yugoslav union. I don’t want to be as crass as saying that this exercise – that the reaction to and observing of the war – ‘separated the wheat from the chaff’ in terms of writing ability. But in looking at the breadth of it now, I read Dubravka Ugrešić’s writing – whether essays or fiction – with joy, with attention, not being able to put the books down until I finish. Meanwhile, some of her contemporaries, notably Slavenka Drakulić, I still read (whether descriptions of life in Yugoslavia before its end or perspectives on its demolition) but not with as much zeal. Perhaps it is a matter of style or tone, but Ugrešić (for me) is the better writer by far.

It would also be crass for me to say something about how Ugrešić may have written about the dissolution of Yugoslavia and what the world did or did not do in response, may have written about the experience of leaving, may have written about the peri- and post-war damage to her own career that came at the hands of supposed friends and colleagues who didn’t approve of her criticisms or at least who chose to remain silent so as to not make waves – but her writing never felt forced, like she felt she had to unveil all of these things as a self-exploitative act. (What else could a writer of the place and time do, though, than write about what they saw, what they knew?)

She has always been keenly aware, and keenly vocal, about forging an identity as a ‘writer’ without the adjectives that are inevitably attached. Many would argue that we need to know that she is a woman from former Yugoslavia, who left during the war, and thus she will always travel through literary circles as THAT woman, with THAT voice and THAT perspective. But do others get saddled with this, in equal measure, responsibility and limitation?

My point was, though, that Ugrešić always feels relevant and transcends geopolitical events in a way that, for example, I don’t find Drakulić does. But then, Drakulić has made a career on writing about geopolitics and the issues inextricably tied to the former Yu. It’s not that this is not valid, it is just that I prefer Ugrešić’s writing. And I don’t feel that there is any reason we should lump them together; I choose these two writers – and lump them together – primarily because I started reading them both at the same time. They are contemporaries, and both left Yugoslavia as it fell apart – Drakulić to Sweden and Ugrešić to the Netherlands. In the cases of both women, they left largely because they were denounced by the Tudjman government in Croatia as “witches” (along with a handful of their contemporaries) and began getting threats that were not related to the war itself but to the frenzied, unquestioning nationalism that rose up on all sides in the convoluted breakup. One could argue that Croatian nationalism was never too far under the surface for many.

I’m not out to malign Drakulić – in fact, this is not meant to be about her at all. She’s fine. I like her. This instead is meant to ask why, at least in superficial treatments of a writer like Ugrešić, we veer toward easy categorizations. We put her into a specific box, representing a specific country, region, gender, point of view. Is it that we just cannot understand things unless we categorize and contextualize them? I guess labels are required – or else how would we discover these writers? On a larger scale, how could we find anything? We have, as Ugrešić herself has written about at length in Karaoke Culture, access to more information than ever – but we are also more deeply beholden to the technologies that allow us to find/discover all this information. We have some modicum of control – SEO and keywords and all those little tricks, but ultimately a search engine is going to be the gatekeeper, and our search terms are the terms of victory or surrender. Without categorization, I either discover Ugrešić – or I don’t.

Constructing the category

Ugrešić has written about this at length elsewhere: the construct of a ‘category’ in which certain writers, from certain places, will always live. In Karaoke Culture, she specifically writes on “the profitable exotic” – the exilee, who is all the more interesting by adding on other sub-categories, such as Croatian, ex-Yugo, post-communist, woman, etc. But then she asks: is everyone subject to these same categorizations? (In a search engine, sure – but in terms of framing the context or lens through which the reading is filtered and interpreted?):

“Exile is literally a change of context. Exile implies the personal experience of every exilee, which would be difficult to subsume under terms that are stubbornly endorsed by literary critics from both worlds, the writer’s home base and the host environment. The terms—émigré, immigrant, exile, nomad, minority, ethnic, hybrid literature—discriminate, but they are also affirmative. With these terms the home base expels the writer, while the same terms are used by the host environment to relegate the writer to an ethnic niche, and at the same time affirm his or her existence. The home base makes assumptions of monoculturalism and exclusivity, while the host environment make assumptions of multiculturalism and inclusivity, but both are essentially working with dusty labels of ethnicity and the politics of otherness. Even if I were to write a text about the desolation of frozen landscapes at the North Pole, I would still be chiefly labeled as a Croatian writer, or as a Croatian writer in exile writing about the desolation of the frozen landscapes at the North Pole. Reviewers would promptly populate the frozen wasteland of my text with concepts such as exile, Croatia, ex-Yugoslavia, post-communism, the Balkans, Eastern Europe, the Slavic world, Balkan feminism, or perhaps Balkan eco-feminism, while journalists would ask me whether I had the opportunity while up in the frozen wasteland to run into the Yugoslav diaspora, and how I perceived the situation in Kosovo from that frozen vantage point.”

“…an English writer writes his or her version of a visit to the North Pole, Englishness will not likely serve as the framework within which his or her text is read. This attitude of the host environment to writer-newcomers springs from a subconscious colonial attitude—just when the larger literary world is doing its best to reject this—in a market which relishes any form of the profitable exotic, what with the always vital relations between the periphery and the center.”

“The real center of power is America, or rather Anglo-American culture, whose cultural domination marked the twentieth century. We are still looking to that center with equal fascination today. Anglo-American culture is the dominant field of reference, while, at the same time, it is the most powerful, if not the most just, mediator of cultural values. In other words, if certain Chinese writers are not translated into English, it is unlikely that any Serbian or Croatian reader, with the exception of the occasional sinologist, will ever hear of them.”

And will any of this mean anything at all one day in the not-too-distant future when culture – all culture, not that divided by geopolitical lines – is something akin to the fast-food, digitized “karaoke culture” Ugrešić observes, or that, for example, tv shows like Black Mirror threaten? This is a topic I will come back to.

here in berlin world cup

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staying for a wee bit in mitte/prenzlauerberg, in berlin, watching opening match of the world cup (brasil and my beloved croatia).

berlin always amazes me.

“you’re still not in it.”

“i am just looking at you because you’re bossy.”

more soon. i need to get my hands on some sweet rice flour and some xanthan gum.

Random thoughts and cookie dough

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Grooving on loud music at 5 a.m. Hot Chocolate – Every 1s a Winner (not a whiner!)

I am going to make a bunch of cookie dough today and stick it in the freezer to bake next weekend. Time before the holidays is short. Must bake!

I am thinking about ways to give my 2014 the best possible chance for success, and more importantly, happiness and fulfillment. PLAY WITH BABY TIGERS! Build a treadmill desk! Knock down the superfluous upstairs walls! Fall in love with some lovely Parisian (even though s/he won’t have a Scottish accent!) and host next Thanksgiving in Paris! Go to more live shows – have more music in my life in general! Build my business up (either the web-based one or the bakery tank idea)! Find the perfect shade(s) of pink lipstick! (And I’m a sucker for the reds!) Learn more about wine! Finally take a real vacation somewhere far away that I often dream of! Get a Roomba! Take more walks in the forest, as gave me such joy two years ago! Enjoy every minute of being at home! When I worked at home, no matter how much I worked then, it always felt like I was on vacation – or at least that vacation did not matter. I was relaxed and organized. I miss that. I don’t know that all these things are possible, probable or even that they would contribute to elusive happiness. But they are fun ideas – it’s giving me some joy to think about it right now.

Soundtrack to giving in to the joy of now. Neutral Milk Hotel – In the Aeroplane Over the Sea

 “And one day we will die and our ashes will fly
From the aeroplane over the sea
But for now we are young let us lay in the sun
And count every beautiful thing we can see
Love to be in the arms of all, I’m keepin’ here with me”

-Neutral Milk Hotel

More randomness

A friend posted an article on her Facebook wall that encouraged a return to some old-fashioned dating practices. When I reposted the article on my own Facebook wall, I stated that I might not need all the old-fashioned stuff (“I want all that stupid old shit, like letters and sodas…” Liz Phair, “Fuck and Run”), but one of the points touched a nerve – that we should call what we’re doing by what it is. Calling dating/courting/a relationship “hanging out” is an act of clinging to a juvenile and awkward period of not knowing who you are or what you want. I am almost 40. I might not want, as the letter says, to define a relationship as “exclusive” or a “Greg Brady-going steady” thing, but I am not “hanging out”. I don’t know when the shift happened between steps progressing into a relationship to this casual, non-committal, “we’re hanging out” vibe (and yes, it does seem like a “vibe” more than something grounded in reality).

As I lament the winding down of my vacation, I watched a handful of movies – mostly not memorable. But it was entertaining to rewatch a few – I am not normally someone who watches the same movies over and over, but I decided to watch Wall Street again after… 20+ years. Charlie Sheen had a sliver of talent then, beautiful, hopeful, full of vitality – all flushed away long ago to give way to the troll/demon he seems to have become. I loved all the “high-tech gadgets” that look so laughable now – the briefcase-sized cell phones and the two-inch-screen portable tv. Let’s not overlook Daryl Hannah’s ridiculous wardrobe or the unthinkable way she decorated the Sheen character’s apartment. Oh, the 80s.

A few weeks ago, a few women in my office and I took our young Spanish intern to lunch for his birthday. The women and I are all in the late-30s age bracket; the intern was turning 24. On our walk to the restaurant, the intern was questioning me about how I manage to walk around outside without covering my legs or wearing a real coat – +5C is cold for him. I don’t “winterize” until -20C. I did explain that I don’t keep my house like an icebox, saying, “In my house, the heat is on.” My three similarly aged female colleagues and I, in unison, burst into song, as if on cue, “The heat is on… it’s on the street…” Way to date ourselves, relics of a bygone era! The intern had never heard the song, apparently, but when we got back to the office, he wanted a full education in 80s music and all things American because I am, in his words, “his American bible”. Hmm.

As if it were not abundantly clear already, I am one of those nerds who holds on to details. While my colleagues could not remember who performed “The Heat is On”, I could immediately “(dis)credit” Glenn Frey and rattle off his career history with The Eagles (who blighted – yes, I exaggerate – 70s music about as much as Frey and his Eagle partner-in-crime Don Henley inflicted their solo careers on 80s music). I suppose “The Heat is On” was only as popular as it was because it was also associated with the Beverly Hills Cop film franchise, which is also a quintessential part of 80s pop culture. While schooling this intern in 80s horrors for the ears, I also managed to share the dubious 80s songs/hits of Starship while also sharing the history of how they came about – rising from the ashes of the drug-addled remnants of other related 60s and 70s has-been bands, much like a lot of the stuff that filled the 80s music charts. All supposedly reformed (in both senses of the word) and “Just Say No” – HA. (Starship managed also to supply one of the worst songs, as well as churning out mediocrity for much of the decade – for one of the era’s worst movies – “Nothing’s Gonna Stop Us Now” from Mannequin – highlight of Andrew McCarthy or Kim Cattrall’s careers? Almost no 80s movie could have been complete without Andrew or James Spader, who was in both Mannequin and the aforementioned Wall Street. Both also figured prominently in the 80s classic, Less than Zero, which was also a very true-to-life vehicle for the then very messed up Robert Downey, Jr. And both McCarthy and Spader were in 80s teen favorite, Pretty in Pink – along with Jon Cryer – who has not done much other than that and, of course, the role of the aforementioned Charlie Sheen’s brother on the dismal and crass TV show, Two and a Half Men.)

Nothing can make someone feel old like imparting all this “popular culture” knowledge – when the “popular” culture her reference points are attached to were popular 20 or 30 years ago.

The same young intern came and said to me, “Did you know they had a war in Croatia not that long ago?” when we were talking about football (my beloved Iceland was playing Croatia for a chance to get into the World Cup at the time. They lost, but at least my Icelandic underdogs gave it a go). Yes, Croatia did have a war, young man, when you were in diapers and learning to walk. I was there (well, in Bosnia anyway) monitoring post-war elections.

I can forgive a young boy for not knowing “The Heat is On” – but a major war that took place in recent history within Europe…? God save the Spanish education system?!

Then again, that is what life is for – you do learn something new every day. Sometimes totally useless stuff. I, for example, learned that Liverpool named its airport after John Lennon. I sort of doubt Lennon would have liked that (not that I know what he would have liked). I wonder what Yoko thinks. (Yoko’s Imagine Peace Tower in Iceland somehow strikes me as something both of them would have approved of more than an international airport that seems to primarily take British tourists to get drunk and sunburned in Spain.)

Anyway, I started that tangent to say that I was watching movies. I rewatched Brokeback Mountain again – this is probably the third time I saw it, and I am still moved by Heath Ledger’s performance. Actually all the performances were outstanding, especially when contrasting it with Wall Street, which I watched immediately before. Even the secondary characters in Brokeback seem to have some depth and reality – you can feel for the wives of the two main characters. They are more than just one-dimensional props. The girlfriend and wife – all secondary characters – in Wall Street are hollow.

I went in an entirely different direction after that – watching Rêves de poussière, a film from Burkina Faso – the cinematography was beautiful, the story simple and arresting.

As the remaining minutes of vacation tick by, I do laundry, get middle-of-night, belligerent phone calls and wonder how a drunken person I have not seen in a decade or more (but have known now for 20 years) thinks he misses me. How do you miss someone you have not seen in more than ten years? Especially when that feeling has always been a one-way street. You don’t. You’re smoking nostalgia, you’re drinking a memory of something that never was. It’s imaginary.

“What a beautiful face I have found in this place
That is circling all ’round the sun and when we meet on a cloud
I’ll be laughing out loud, I’ll be laughing with everyone I see
Can’t believe how strange it is to be anything at all”

-Neutral Milk Hotel