Said and read – May 2020

Standard

“Culture wasn’t just a set of rules or rituals, she realized. It could also be a set of chains that individuals dragged around with them after the prison wardens more or less fled the scene.”” Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

Image by S Donaghy, April 2020

We’re heading into another month of a pandemic that more and more people choose to ignore as though it’s over, while tensions simmered and civil unrest exploded, like a pressure cooker. It occurs to me more clearly than ever that the problems, addictions, insanities, lack of control that defined people’s lives before the various levels of quarantine not only remain but become outsized, as though studied under a microscope. If you are an aggressive, angry person prone to lose your temper, all of this feels likelier to boil over in these pent-up conditions. If you are an addict, attempting to run from yourself and the pain and anxiety that ail you, there is no worse time than being trapped in your home, alone with your thoughts.

I suspect we’re in for many more months of uncertainty; people’s anger at having made sacrifices (particularly in the face of loss) while their ‘fearless leaders’ did not leads to deeper and more fractious divides. People’s anger at the ineptitude of a federal government and its refusal to act at all during a pandemic, coupled with increasing anger about the abundant inequalities of the criminal justice system (e.g., how many black people must be murdered by police before something changes?), has made clear the brokenness of the United States, long in the making, a catastrophic implosion precipitated … protests, riots, and … what more? We don’t yet know the outcome, but it hurts to say that I fear things will go on being exactly the same or worse.

So, I read. I read so much that I find it difficult to find time to catalog my thoughts on the previous month’s reading. But I try. Each month I only capture here the things that struck me in some way, but this is never a complete rendering of all the things I’ve read.

I’ve ended up finishing these ramblings so far into June that it’s already my birthday; therefore, I’ve lived to pulse ocho for another year.

Here’s what you missed in previous months and years: 2020 – April, March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for May:

Highly recommended

*The Subjection of WomenJohn Stuart Mill

“Some will object, that a comparison cannot fairly be made between the government of the male sex and the forms of unjust power which I have adduced in illustration of it, since these are arbitrary, and the effect of mere usurpation, while it on the contrary is natural. But was there ever any domination which did not appear natural to those who possessed it?” –The Subjection of WomenJohn Stuart Mill

I dreamt of writing something thoughtful about John Stuart Mill’s The Subjection of Women. I found, however, that I become too frustrated and angry to properly formulate thoughts. The fact that this was written in 1869, followed by very slow change, almost immovable thinking, and a continued cultural conditioning about women’s inferiority, infuriates me. On reflection, there are material differences between what women could do in 1869 and now, but the underlying value assigned to women, their bodies, their experiences, their contributions continues to be underestimated, if considered at all. I urge careful reading and re-reading of this. And then reflect on the age-old arguments on nature and nurture. That is, recognizing the “eminently artificial” nature of women created by “forced repression in some directions, unnatural stimulation in others”, and the assertion that women, being physically weaker, are somehow unequal to men, and for it to be otherwise would be “unnatural”, although “unnatural generally means only uncustomary, and that everything which is usual appears natural. The subjection of women to men being a universal custom, any departure from it quite naturally appears unnatural.”

“If anything conclusive could be inferred from experience, without psychological analysis, it would be that the things which women are not allowed to do are the very ones for which they are peculiarly qualified; since their vocation for government has made its way, and become conspicuous, through the very few opportunities which have been given; while in the lines of distinction which apparently were freely open to them, they have by no means so eminently distinguished themselves. We know how small a number of reigning queens history presents, in comparison with that of kings. Of this smaller number a far larger proportion have shown talents for rule; though many of them have occupied the throne in difficult periods. It is remarkable, too, that they have, in a great number of instances, been distinguished by merits the most opposite to the imaginary and conventional character of women: they have been as much remarked for the firmness and vigour of their rule, as for its intelligence.”

*Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

“My own lived experience was the guide here, and all I needed was a willingness to meet it, to allow myself to ask certain kinds of questions and be willing to hear the answers that might follow, no matter how disconcerting those answers might be. This, then, was the real test of faith—not whether I was willing to change my beliefs but, rather, whether I was willing to give language to that which I had already begun to experience as truth.” –Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

Much like Ruttenberg as a young woman, I was never religious. I’ve never actively claimed to be an atheist, but because I don’t believe it’s possible to know (which is why we call it faith) for certain, religious and spiritual questions have rarely engaged me in more than a cursory and academic way. But faith and religion are powerful markers of identity and community, making them inspirational topics for thought and research, but also fascinating in grappling with the grittiest questions about oneself. I continue to come back to the big questions myself, particularly in terms of how I’ve lived and how I want to live, and this is tightly wound with ideas of community, isolation (self-imposed or societal), intention and compassion.

“What religion changes is not just our identity, our relationships, our politics, our sense of what the world is and how we move in it, but also, potentially, every small decision that we make. What religion changes, if we let it, is not just ourselves, not just our smaller home culture, but the world as a whole and the power structures that run it.”

Throughout my life, despite not being Jewish, I have been drawn time and again to progressive interpretations of Judaism and, for inexplicable reasons, I identify with this particular faith more than any other. Ruttenberg herself outlines succinctly exactly why it speaks to her, and it happens to apply just as well to me (and probably to many others who choose to be Jewish, whether they are actively embracing the faith into which they were born or adopt it much later as a conscious and conscientious choice):

“I can find a lot of different ways to explain why I was drawn to Judaism. There’s a strong ethical tradition, but also a tremendous awe for the transcendent. It’s a faith that is comfortable with debate and a diversity of opinion—of five thousand legal disagreements recorded in the Talmud, only fifty or so are settled on the page, leaving open the possibility that the “right” answer isn’t so obvious.”

This sense of needing to know about and experience Judaism has grown over time, and it has only been in the last few years that I have recommitted to exploring this feeling more seriously. I started this journey half-jokingly, half-curious in my youth, attending various courses at a Reform synagogue near where I grew up. But I didn’t take it further until recently, when I started studying psychology, then the psychology of religion, and then theology in the context of peace and conflict.

And while I frequently jest that I would like to become a rabbi, it would certainly help if I were first Jewish.

And before taking any conversion-related steps, I needed to dive deeply into the literature and truly understand what I feel and might want to be a part of. Happily, somewhere in this neverending journey, I stumbled across a lengthy reading list compiled by Rabbi Danya Ruttenberg, and I’ve been making my way through it. This particular book, her own, was on the list, and I found that the rabbi had undergone a spiritual transformation herself, during which she dabbled in atheism and studied philosophy, and voiced many of the same complaints I’ve always had about my own academic aspirations, e.g. “I found that I was perfectly capable of unpacking Hegel or Hobbes, but that it just wasn’t all that much fun once the big ideas became too abstract, too disconnected from human lives.”; “Religious studies, on the other hand, was philosophy and anthropology and literature and history all rolled up in one.” This is the kind of interdisciplinary thinking that has driven most of my scholarly and life choices. Where some might see a dilettante who can’t commit (and I do self-flagellate on this), I see someone whose curiosity cannot be contained. Where some might see a lack of willingness to dive deeply into the minutiae of one thing, I see someone who cares more about the human and person-centered roots of almost every discipline. It’s always about getting back to humanity.

When it comes to religious faith and practice, it can be deeply individual, particularly when its nascent and uncertain. And yet in some ways, at some point, it may become very public (if you begin to practice in a community). This can pose a barrier, but again, it is about getting in touch with humanity.

“Thomas Merton talks about the “tremendous, agonizing embarrassment and self-consciousness which [those new to religion] feel about praying publicly . . . The effort it takes to overcome all the strange imaginary fears that everyone is looking at you, and that they all think that you are crazy or ridiculous, is something that costs a tremendous effort.”

First you must decide whether your pursuit is satisfying a curiosity or is actually driven by something deeper. Then, should you decide that it’s deeper, you must overcome the idea that you’re an impostor, that you’re “doing it” or “believing” wrong. And finally when you can start to let down the walls, softening yourself to hear and accept answers you needed to hear — but only after doing the sometimes painful and arduous work of waking up truly.

“Years down the road, I would learn how hard it could be to follow my intuition, to feel whatever was buried deep within my fettered heart, to try to meet God without denial. But I would discover that fear and pain were a hundred thousand times better than this unconscious sleepwalking through parties and distraction—that even when it was harder, I would prefer to be awake, and alive. But that was all later.”

Perhaps most powerful here, and there were a lot of resonant ideas, was Ruttenberg’s call to action, which aligns with so much of what I’ve been reading (and writing about here): transformation and change, social justice, community, and the detached ways we live today. We can defy the way our culture aims to commoditize humanity, innoculating us against the idea that our community and true spirituality can feed us in ways that consumerism and individualism cannot.

“The dominant culture depends on our sense of isolation. As long as spirituality remains an individualized, personal experience, chances remain good that the inherently revolutionary potential of religious work will sit forever inert and untapped. That is to say, those who practice their spirituality without community are much less likely to demand change in and upheaval to the status quo, or feel that they have the power to do so.”

“More often than not, the places where it’s necessary to mobilize for transformation in religion reflect our contemporary understanding of morality and compassion.”

*Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

“Real, evidence-driven analysis, they believed, would overturn one of modernity’s most deeply held principles: that science will tell us which individuals and groups are naturally smarter, abler, more upstanding, and fitter to rule. Their response was that science pointed in precisely the opposite direction, toward a theory of humanity that embraces all the many ways we humans have devised for living. The social categories into which we typically divide ourselves, including labels such as race and gender, are at base artificial—the products of human artifice, residing in the mental frameworks and unconscious habits of a given society.”

“…in order to live intelligently in the world, we should view the lives of others through an empathetic lens. We ought to suspend our judgment about other ways of seeing social reality until we really understand them, and in turn we should look at our own society with the same dispassion and skepticism with which we study far-flung peoples. Culture, as Boas and his students understood it, is the ultimate source for what we think constitutes common sense. It defines what is obvious or beyond question. It tells us how to raise a child, how to pick a leader, how to find good things to eat, how to marry well. Over time these things change, sometimes slowly, sometimes rapidly. Yet there is no more fundamental reality in the social world than the one that humans themselves in some measure create.” –Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

The development of anthropology as a discipline isn’t something I gave a great deal of thought to until I started studying communication for development, which focuses on the so-called “developing world” (and queries whether it should even be called “developing world”). Later my psychology and theology studies crossed into anthropological territory, but it still never occurred to me to look more carefully at its theoretical and historical origins.

An anthropological quest crosses multiple disciplines: linguistics, sociology, psychology, theology, among others, and like most fields of academic inquiry, its methodology, its merit, its subjects have shifted alongside the people within the field and the cultures to which they belong. At its core, according to its founding proponents, such as Franz Boas, cultural anthropology required acknowledging one’s own ignorance and one’s own worldview and preconceived ideas, placing oneself in unfamiliar surroundings and observing in as scientific and objective a way as possible. It provided, as anthropology pioneer Ruth Benedict put it, “illumination that comes of envisaging very different possible ways of handling invariable problems” and demanded the realization that nothing about culture is universal, i.e. cultural relativity.

“…no society, including our own, is the endpoint of human social evolution. We aren’t even a distinct stage in human development. History moves in loops and circles, not in straight lines, and toward no particular end. Our own vices and blind spots are as readily apparent as those of any society anywhere.”

I greatly enjoyed this book, and could endlessly ramble about it — but won’t. It’s worth reading, and in particular its discussion on Zora Neale Hurston’s anthropological work shines a light on her journey as a folklorist and writer in a new context; she is the most fascinating among the book’s “characters” and, while not orthodox or organized in her methodology and data collection, she captured the most living, breathing, startling accounts and observations in her anthropological work, such as in Haiti, which ring true through American society today:

“FREDERICK DOUGLASS, WHO SERVED as the U.S. minister and consul-general in Haiti, once said that tracing the country’s history was like following a wounded man through a crowd: you just needed to follow the blood.”

“The key to understanding zombies, Hurston concluded, lay not in finding a secret potion or in debunking another people’s mythology. It was actually believing in them. Felix-Mentor wasn’t a person who was said to be a zombie. She wasn’t a make-believe one, like her fictional counterpart in a Hollywood film. She really was one. If you could twist your brain into seeing that fact, then you had taken a giant step toward seeing Haiti—and most important, its spirituality—from the inside.”

“A woman disappeared—conveniently, for her brother and her husband—and then reappeared and started causing trouble until she was put away in a mental institution, cowering, distraught, wordless, no longer herself, alive yet dead. Religions survive not because people love the faith of their fathers but because they help us navigate the world as we find it.”

“Magical thinking was as close to a human universal as you could imagine, and it existed in modern societies, too. Gambling, the stock market, even the concept of private property—the belief that I can expand my sense of self to include an inanimate object, the loss of which would induce deep displeasure and anxiety—all depend to a degree on magical belief systems. They are ways of summoning the unlikely and the invisible in order to control the tangible world.”

““Gods always behave like the people who make them,” Hurston wrote in her notes from Haiti. A boisterous spirit could say the thing a peasant couldn’t. A person mounted by a loa could curse a field boss or a pith-helmeted American. Possession by unseen forces, escaping into a kind of death, could be a way of being truly, deeply alive, especially in places where it was hard to speak the truth in any other way. That was the real story of Felicia Felix-Mentor. Put away, disregarded, institutionalized, forgotten, willed by others to be effectively dead—her condition was very much like that of many people Hurston knew, the black women and men she had met from Florida labor camps to whites-only universities. It was just that Haitians had invented a word for it.”

*The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

“The gentrification mentality is rooted in the belief that obedience to consumer identity over recognition of lived experience is actually normal, neutral, and value free.” –The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

I can’t explain why, but this book almost immediately had me in tears. I think it’s attributable in part, once more, to the inevitable dilution of historical events. Things that were intense, painful, sweeping — things I can’t even describe in words, such as the AIDS epidemic of the 1980s and 90s — have become anodyne footnotes accompanied by inoffensive elevator music. I was a child during this epidemic, but watching it unfold affected me at such a fundamental level that I still cry uncontrollably watching footage of protests juxtaposed with images of the march of slow, excruciating and senseless death. As I say, I was a child. I can’t begin to imagine what this period was like for people most affected by it, those like Schulman and her community in New York at the height of the crisis.

“Bizarrely, this very day is the twentieth anniversary of AIDS. Decontextualized by palm trees, I listen. The announcer is discussing events that I know intimately, organically, that have seared the emotional foundation of my adult life. And yet there is a strangely mellow tone to the story. It’s been slightly banalized, homogenized. This is the first time I’ve heard AIDS being historicized, and there is something clean-cut about this telling, something wrong. Something…gentrified. “At first America had trouble with People with AIDS,” the announcer says in that falsely conversational tone, intended to be reassuring about apocalyptic things. “But then, they came around.” I almost crash the car.”

Thus I comprehend her bewildered reaction: “But then, they came around“?!

What!?

When did “they” ever come around? Had, as Schulman pondered, her community – what remained of it – failed to show exactly how much they had suffered, how much they had lost? What the world, in fact, lost, to this epidemic that was “caused by governmental and familial neglect”?

Schulman’s book deals mostly with the gentrification process — but not just the material gentrification we can see in cities like New York, but rather a brainwashing of sorts: the gentrification of the culture, and the gentrification of the mind. It is woven into the institutionally sanctioned happiness-industry culture we are a part of in which we willingly become a part of a herd and ignore what we give up to be a part of that — both on an individual level and as a society. Individually we — this is truer for some than others — may, for example, as Schulman writes, come to expect that one’s “teacher does not remember them, even after intimate direct conversations in class about their lives and work” because somehow the individual is not important enough to remember, particularly if they have always been part of a marginalized group. Societally, we find ourselves acting against the community and its interests because we are encouraged and incentivized to participate in a culture that endlessly craves manufactured happiness and comfort — and the only way to achieve this, according to the rules of this society, is to compete or step on someone else, or in some cases, merely tolerate injustices that we see but don’t speak out against.

“Gentrified happiness is often available to us in return for collusion with injustice. We go along with it, usually, because of the privilege of dominance, which is the privilege not to notice how our way of living affects less powerful people. Sometimes we do know that certain happiness exists at the expense of other human beings, but because we’re not as smart as we think we are, we decide that this is the only way we can survive. Stupidity or cruelty become the choice, but it doesn’t always have to be that way. After all, people and institutions act on and transform each other. So, it’s not happiness at the expense of the weaker versus nothing, right? And yet we are led to feel this way.”

Schulman is writing from her own experience and taking back the narrative that homogenizes the AIDS struggle, but her theses are widely applicable in terms of discussing gentrification, privatization, privilege and — of course — the commodification of humanity and individual identities. Everything about this book commands attention and compels… action. Action toward empathy, compassion and intervention.

“Autobiographically, the AIDS experience may be where I came to understand that it is a fundamental of individual integrity to intervene to stop another person from being victimized, even if to do so is uncomfortable or frightening.”

“Gentrification culture makes it very hard for people to intervene on behalf of others. The Nasdaq value system is and was a brutal one. Being consumed by it and being shut out of it are both deadening and result in distorted thinking about private sectors, economic and emotional. Gentrification culture is rooted in the ideology that people needing help is a “private” matter, that it is nobody’s business. Taking their homes is called “cleaning up” the neighborhood. ACT UP was the most recent American social movement to succeed, and it did so because AIDS activist culture of the 1980s was the opposite of Gentrification culture.”

“Gentrification culture was a twentieth-century, fin de siècle rendition of bourgeois values. It defined truth telling as antisocial instead of as a requirement for decency. The action of making people accountable was decontextualized as inappropriate. When there is no context for justice, freedom-seeking behavior is seen as annoying. Or futile. Or a drag. Or oppressive. And dismissed and dismissed and dismissed and dismissed until that behavior is finally just not seen. Every historical moment passes.”

*Playing in the Dark: Whiteness and the Literary ImaginationToni Morrison

“A criticism that needs to insist that literature is not only “universal” but also “race-free” risks lobotomizing that literature, and diminishes both the art and the artist.” –Playing in the Dark : Whiteness and the Literary ImaginationToni Morrison

This is a unique moment to survey Morrison’s work on literary criticism and African-American literature. She calls out the “polite” color blindness of the dominant cultural system and exposes it as a thick layer of white paint that has for so long covered over necessary calls to consciousness, assessment and action. Today it is embodied in Black Lives Matter, and this must be named, seen, and understood by those who cannot understand it because the responsibility rests with them, i.e., the most dangerous being the white liberal self-proclaimed “ally” who nevertheless never questions and furthers systems of what Morrison refers to as “intellectual domination”.

“Above all I am interested in how agendas in criticism have disguised themselves and, in so doing, impoverished the literature it studies. Criticism as a form of knowledge is capable of robbing literature not only of its own implicit and explicit ideology but of its ideas as well; it can dismiss the difficult, arduous work writers do to make an art that becomes and remains part of and significant within a human landscape. It is important to see how inextricable Africanism is or ought to be from the deliberations of literary criticism and the wanton, elaborate strategies undertaken to erase its presence from view.”

“One likely reason for the paucity of critical material on this large and compelling subject is that, in matters of race, silence and evasion have historically ruled literary discourse.”

“It is further complicated by the fact that the habit of ignoring race is understood to be a graceful, even generous, liberal gesture. To notice is to recognize an already discredited difference. To enforce its invisibility through silence is to allow the black body a shadowless participation in the dominant cultural body.”

Violence against black bodies is the most immediate emergency, of course, but as a reflection of a comprehensively racist system, we must also dig into things as esoteric as literary criticism to understand the depth of the problem.

“Like thousands of avid but nonacademic readers, some powerful literary critics in the United States have never read, and are proud to say so, any African-American text. It seems to have done them no harm, presented them with no discernible limitations in the scope of their work or influence. I suspect, with much evidence to support the suspicion, that they will continue to flourish without any knowledge whatsoever of African-American literature. What is fascinating, however, is to observe how their lavish exploration of literature manages not to see meaning in the thunderous, theatrical presence of black surrogacy—an informing, stabilizing, and disturbing element—in the literature they do study. It is interesting, not surprising, that the arbiters of critical power in American literature seem to take pleasure in, indeed relish, their ignorance of African-American texts.”

*Pale Colors in a Tall Field: PoemsCarl Phillips

Poetry, of course.

*The FallD. Nurkse

More poetry. Always poetry.

*The Kingdom of Ordinary Time: PoemsMarie Howe

My life was a story, dry as pages. Seems like he should have known/enough to like them even lightly with his thumb/ But he didn’t. /And I have to admit I didn’t much like the idea/of telling him how.” –The Kingdom of Ordinary Time: PoemsMarie Howe

And yet more poetry. Every day is poetry.

Good – or better than expected

*Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

“The opposite of addiction, I have learned, is not sobriety but choice.” –Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

All I can say about Never Enough is that it balances the author’s own experience with addiction with the neuroscience behind addiction. It reinforces what much of science and social science instructs about addiction: addiction often escalates when faced with a lack of acceptance and community – seeing no alternatives or no possible way out – in a judgmental society that criminalizes addiction and in which some substance abuse (particularly alcohol) is second nature and not seen at all as abuse or troublesome (until it is). Grisel’s account states:

“Though there were several turning points in my trajectory, it seems profoundly significant that the material change began a few months after the ghost-in-the-mirror episode, when my father inexplicably changed course and took me out for my twenty-third birthday. Federal agents, friends’ deaths, expulsions and evictions, physical withdrawal, and myriad other tragedies weren’t enough to propel me to change; instead, it was human love and connection. My father’s willingness to be seen with me and to treat me with kindness split open my defensive shell of rationalizations and justifications. It broke open the lonely heart that neither of us knew I still had.”

She never claims that this turning point made her choice easy, but it was about choice — and it required connection and compassion to reach that stage. Having some meaning seems to be a deciding factor for many addicts, which is backed up by work from both Dr Gabor Maté and Dr Carl Hart, who also specialize in addiction. A unique part of the book is that it covers different categories of drug and in some cases proposes ways we might mitigate some of the pitfalls of use — that is, make alcohol-free spaces more common, find ways to cope with and treat pain, see others with compassion and look at what can be done rather than what cannot.

“So, who’s to blame for the epidemic of addiction? The truth is no one is to blame, but we are all responsible. Our collective shadow supports addiction because we must have a scapegoat even as we deny, or embrace, the many strategies of escape we employ ourselves. We support the tools of addiction, including pathological individualism that leads to alienation, widespread and enthusiastic endorsement of avoidance, and a smorgasbord of consumptive excess and self-medication. Though any search for a cause (or a cure) is bound to fall short, one source of this epidemic is our unwillingness to bear our own pain, along with our failure to look upon the suffering of others with compassion.”

*Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

“The triumph of exchange values over experiential values changed the world both for the better and for the worse. On the one hand, with the commodification of goods, land, and labor came an end to the oppression, injustice, and wretchedness of serfdom. A new concept of freedom was born, along with the possibility of abolishing slavery and the technological capability to produce enough goods for all. On the other hand, it prompted unprecedented new forms of misery, poverty, and potential slavery.” –Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

After reading Doughnut Economics: Seven Ways to Think Like a 21st-century Economist last month and continuing to think about the up-and-down waves of collapsing capitalism, Varoufakis’s simplified take on economics and capitalism would be a good addition to the basics, boiled down to the simple premise: ““My reason for writing it was the conviction that the economy is too important to leave to the economists.” This is much the same argument that guided the research and thinking behind Doughnut Economics.

“Today’s economic experts are not much different. Whenever they fail to predict properly some economic phenomenon, which is almost always, they account for their failure by appealing to the same mystical economic notions that failed them in the first place. Occasionally, new notions are created in order to account for the failure of the earlier ones.”

How far removed from human life and needs can economics — ostensibly the study of the production, distribution, and consumption of goods and services, which are produced, distributed and consumed by people — get?

“With time, I recognized something else, a delicious contradiction about my own profession that reinforced this belief: the more scientific our models of the economy become, the less relation they bear to the real, existing economy out there. This is precisely the opposite of what obtains in physics, engineering…”

Very much aligned with the questions I continue to ask myself as I make reading and study choices: what are my values, what are society’s collective values? And Varoufakis does the same, hitting the nail right on the head — we live in a time in which experience holds no value, and everything is commodified and assigned a market value. People fall right into this — from assigning a salary, fair or not, to their time and labor (which do, in fact, belong to them) to turning people themselves into products and market experiments (how can we influence consumers, how much can be extract from them either in the form of direct consumption or in the data they generate and unwittingly share with us)?

“Oscar Wilde wrote that a cynical person is someone who knows the price of everything but the value of nothing. Our societies tend to make us all cynics. And no one is more cynical than the economist who sees exchange value as the only value, trivializing experiential value as unnecessary in a society where everything is judged according to the criteria of the market. But how exactly did exchange value manage this triumph over experiential value? The commodification of everything…”

Entertaining/informative/thoughtful or some combination thereof

*What Gandhi SaysNorman Finkelstein

“If Gandhi despised one thing more than cowardice, it was cowardice wrapping itself in the mantle of nonviolence.” –What Gandhi SaysNorman Finkelstein

No stranger to controversy, Finkelstein provides analysis of the tenets for which Gandhi is best known globally… not diving too deeply into the more controversial and troubling aspects of Gandhi the man. Finkelstein focuses squarely on Gandhi’s words and their constant contradictions, emphasizing Gandhi’s predilection for action over consistency of expression. While other readings I’ve highlighted here suggest that inconsistent expression is a hallmark of the dictator, I doubt anyone would claim Gandhi had dictatorial aspirations, even if it seems he had a control-freak streak (and preoccupation with sex and attempting to control it). In fact, according to Finkelstein, Gandhi’s commitment to acting on non-violent resistance came from the need to throw off colonial chains and rulers, not to grab power for himself once these occupiers were successfully resisted.

“Gandhi devoted the whole of his adult life to organizing the powerless 99 percent against the greedy 1 percent. He aspired in the first place to end the British occupation of India, but he also recoiled at the prospect of a corrupt clique of native Indians replacing the foreign occupiers.”

“He was convinced not only that the old world could be extirpated and a new world be brought into being nonviolently, but also that unless it was done nonviolently, the new world would hardly differ from the old world it superseded.”

Finkelstein attempts to show that Gandhi was not passive, and did not advocate being passive. He in fact would advocate violence if and when there were no other alternative.

“The real Gandhi did loathe violence but he loathed cowardice more than violence. If his constituents could not find the inner wherewithal to resist nonviolently, then he exhorted them to find the courage to hit back those who assaulted or demeaned them.”

The unfortunate problem here is that one cannot rely on the judgment of an individual that there “was no alternative”. We can see, despite the very different conditions and circumstances, that a number of police officers in the United States justify murder because they claim to have had no other recourse, and felt that their own lives were threatened. Never mind that they are in positions of power, authority and are armed. I use this example only to illustrate the subjectivity of the perceived alternatives.

Finkelstein also explores the limitations and contradictions of Gandhi’s teachings, which makes this book a worthwhile endeavor.

*Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

“All animals need time, experiences, practice, and failure to become mature adults.” –Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

Oh, adolescence.

“It seems tragically counterintuitive that the most vulnerable and underprepared individuals would be thrown into the riskiest possible situations. But facing mortal danger while still maturing is a fact of life for adolescents and young adults across species.”

Natterson-Horowitz and Bowers explore the fraught period of human and other species adolescent period, which is fascinating overall but a few key points stand out, in particular the question of what happens to humans once old risks are eliminated, when there is capacity to manage more than just basic survival.

“What happens when brains and bodies that evolved in environments full of predators and other threats find those dangers removed? A similar question was posed thirty years ago by a British epidemiologist who noticed a rise in autoimmune diseases like lupus and Crohn’s. David Strachan wondered what happens to immune systems that evolved in environments with many varied pathogens when the world gets cleaner. The “hygiene hypothesis” suggested that human immune systems, unchallenged in overly clean environments, turn inward and begin to attack their own bodies, mistaking normal tissue for pathogens. Might a similar process be driving anxiety in modern adolescents and other individuals? Lars Svendsen, a Norwegian philosopher at the University of Bergen who studies fear, thinks yes. He believes that many modern humans have a “surplus of consciousness” that gets directed into imagining risks.”

“Safer than ever before, with more “brain space” to devote to thinking about risks that don’t pan out, we live in a state of what Svendsen calls “permanent fear.” Permanent fear, believes Svendsen, isolates individuals and creates anxious, lonely societies because “living a life of fear is incompatible with living a life of happiness.””

“Adolescents and adults who seem to have it all still get sad, sometimes even truly depressed. A human being’s internal self-perception can be very different from how others see them. Social experiences during adolescence shape individuals’ views of their status in ways that sometimes continue into adult life. The happiness that might come from success in adult life may be blunted by the enduring effects of social defeats during adolescence.”

Another key point, which seems obvious, but isn’t — based on how critically “sexual compliance” is handled in society. Overt threats are not required in a world that does not believe women, does not understand the subtlety of covert threats, and in which violence is glorified and some people feel entitled to “take”. That is, as Natterson-Horowitz and Bowers share:

“Sex between two animals that appears to be non-coerced, because physical force is not observed, may actually be coercive in a less visible way if the female has been harassed into submitting. Some males may persistently badger unreceptive females for sex, preventing them from foraging and feeding—a phenomenon documented in dolphins, sheep, quail, and coho salmon. Sexually harassed elephant seals, fallow bucks, and female tortoiseshell butterflies ultimately relent, submitting to sex simply so they can go about their lives. An uninformed observer, who sees no resistance or physical restraint, might not recognize these encounters as the coercive events they are. This is especially true because the intimidation and threats of violence may take place hours or even days before the sexual encounter.”

“Conventional wisdom of the time held that fertile female chimpanzees were choosing the mates they preferred. But Wrangham and Muller realized these females weren’t choosing; they were complying.”

*The Seven Good YearsEtgar Keret

“The timing of my new mustache—ten days after my wife miscarried, a week after I injured my back in a car crash, and two weeks after my father found out he had inoperable cancer—couldn’t have been better. Instead of talking about Dad’s chemo or my wife’s hospitalization, I could divert all small talk to the thick tuft of facial hair growing above my upper lip. And whenever anyone asked, “What’s with the mustache?” I had the perfect answer, and it was even mostly true: “It’s for the boy.” A mustache is not just a great distraction device; it’s also an excellent icebreaker. It’s amazing how many people who see a new mustache in the middle of a familiar face are happy to share their own private mustache stories.” –The Seven Good YearsEtgar Keret

I discovered Etgar Keret by accident – happy surprise, entertaining fiction, clear voice. That’s all.

“In the Middle East, people feel their mortality more than anywhere else on the planet, which causes most of the population to develop aggressive tendencies toward strangers who try to waste the little time they have left on earth.”

*Everything in Its Place: First Loves and Last TalesOliver Sacks

“Much of this, remarkably, was envisaged by E. M. Forster in his 1909 short story “The Machine Stops,” in which he imagined a future where people live underground in isolated cells, never seeing one another and communicating only by audio and visual devices. In this world, original thought and direct observation are discouraged—“Beware of first-hand ideas!” people are told. Humanity has been overtaken by “the Machine,” which provides all comforts and meets all needs—except the need for human contact. One young man, Kuno, pleads with his mother via a Skype-like technology, “I want to see you not through the Machine. I want to speak to you not through the wearisome Machine.”” –Everything in Its Place: First Loves and Last TalesOliver Sacks

Most of what Sacks produced is worth reading, and while this was not his best collection, I was mostly struck by his references to how public everything is now. Privacy, as we all know, is dead. And now that we lead almost entirely public lives, we have created identities for others to consume, and we create data that makes us consumable. An endless cycle of (false?) identity creation followed by someone mining that false or aspirational identity data followed by someone trying to sell or selling us something based on that data followed by the consumption and use that lends credence and authority to the identity we created for public consumption, reinforcing the whole cycle repeatedly. Do we consider the trade-offs? It is too late to opt out. How do we want to be — whom do we want to be — in this world we’ve created and submitted to?

“Everything is public now, potentially: one’s thoughts, one’s photos, one’s movements, one’s purchases. There is no privacy and apparently little desire for it in a world devoted to nonstop use of social media. Every minute, every second, has to be spent with one’s device clutched in one’s hand. Those trapped in this virtual world are never alone, never able to concentrate and appreciate in their own way, silently. They have given up, to a great extent, the amenities and achievements of civilization: solitude and leisure, the sanction to be oneself, truly absorbed, whether in contemplating a work of art, a scientific theory, a sunset, or the face of one’s beloved.”

*The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

“But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack. It lasers in on what you perceive your personal shortcomings and failures to already be, and then emphasizes them for you.” –The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

While not surprising, and leaning a bit heavily on the mild shock value of its profanity-inspired title, this book more or less catalogs the complaint I, and many others, have had about the always-booming self-help industry. Not only does it create and inflate unrealistic expectations within the very population (usually vulnerable) that can least afford to sink a bunch of money and misguided hope into snake-oil in repetitive mantra form, it does, as Manson clearly broadcasts, project that “the desire for more positive experience is itself a negative experience. And, paradoxically, the acceptance of one’s negative experience is itself a positive experience”. YES.

Sure, I know I’ve been chastised and criticized for my “negativity” pretty much all my life. But I don’t care because I’m content, I’m realistic, I’m pragmatic. I have enough, and I am not on an endless and probably fruitless quest for “happiness”, which has become entirely meaningless because being “happy” has been warped by BS ideas about consuming, having, owning and usurped by the constant need for more. Happiness is different from meaning derived from experience, where I see great value. Manson quotes Albert Camus and Charles Bukowski in an admonishment not to seek out happiness; equating happiness with conformity and need to succeed or perform according to society’s arbitrary standards is probably what Camus, Bukowski and Manson would refer to as “giving too many fucks”.

“Pain is an inextricable thread in the fabric of life, and to tear it out is not only impossible, but destructive: attempting to tear it out unravels everything else with it. To try to avoid pain is to give too many fucks about pain. In contrast, if you’re able to not give a fuck about the pain, you become unstoppable.”

Not giving a fuck is not about indifference; in fact, it is having the fortitude, maturity and strength of identity to be able to stand alone, to weather difficulties and to be comfortable with uncertainty and with being oneself, even if that means going against the rest of the herd (perhaps by trying, however futile it is, to opt out of the always-on public life).

*Stiff: The Curious Lives of Human CadaversMary Roach

“Life contains these things: leakage and wickage and discharge, pus and snot and slime and gleet. We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.” –Stiff: The Curious Lives of Human CadaversMary Roach

An irreverent look at the body once it becomes…uninhabited. Unlike Bill Bryson’s book on the anatomy and functions of the human body, Roach dissects (not literally) the things that may happen to a human body after death.

Yes, irreverent.

“Not that there’s anything wrong with just lying around on your back. In its way, rotting is interesting too, as we will see. It’s just that there are other ways to spend your time as a cadaver. Get involved with science. Be an art exhibit. Become part of a tree. Some options for you to think about. Death. It doesn’t have to be boring.”

Yes, oddly filled with chicken-adjacent stories.

“The human head is of the same approximate size and weight as a roaster chicken. I have never before had occasion to make the comparison, for never before today have I seen a head in a roasting pan. But here are forty of them, one per pan, resting face-up on what looks to be a small pet-food bowl. The heads are for plastic surgeons, two per head, to practice on.

The heads have been put in roasting pans—which are of the disposable aluminum variety—for the same reason chickens are put in roasting pans: to catch the drippings.”

“Eventually the taxi pulled up outside a brightly lit fried chicken establishment, the sort of place that in the United States might proclaim “We Do Chicken Right!” but here proclaimed “Do Me Chicken!” The cabdriver turned to collect his fare. We shouted at each other for a while, and eventually he got out and walked over to a tiny, dim storefront next to the chicken place and pointed vigorously to a sign. Designated Foreign-Oriented Tourist Unit, it said. Well, do me chicken. The man was right.”

*Sapiens: A Brief History of HumankindYuval Noah Harari

“Yet none of these things exists outside the stories that people invent and tell one another. There are no gods in the universe, no nations, no money, no human rights, no laws, and no justice outside the common imagination of human beings.” –Sapiens: A Brief History of HumankindYuval Noah Harari

As I ponder throughout this post, history is a moving target, and one experience is not representative of all, or universal, experience. This book manages somehow to be an example both of attempting to fit all of history into a single interpretation while also calling out how a multiplicity of experiences shelter under different umbrellas. After all, a book purporting to be a history of humankind will by necessity take a broad perspective. A dense and fascinating overview, it covers expansive ground, from money to religion, from the pace of change (the social order is in a state of “permanent flux”) to the accumulation of wealth and whether change and wealth have made us happier or more relaxed or “advanced”. It asks questions I wouldn’t (and Harari probably wouldn’t, based on the final words quoted below) expect of a book of this kind.

“But are we happier? Did the wealth humankind accumulated over the last five centuries translate into a new-found contentment? Did the discovery of inexhaustible energy resources open before us inexhaustible stores of bliss? Going further back, have the seventy or so turbulent millennia since the Cognitive Revolution made the world a better place to live? Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry? Historians seldom ask such questions.”

Perhaps most appropriate and more specifically, Harari explores the always-controversial (although it should not be) debate (and it should not be one) about determining what is biological and what is “justified through biological myths”. An example here is the tendency to discuss concepts like race and gender in quite general, overarching terms while not completely making them reductive.

“How can we distinguish what is biologically determined from what people merely try to justify through biological myths? A good rule of thumb is ‘Biology enables, Culture forbids.’ Biology is willing to tolerate a very wide spectrum of possibilities. It’s culture that obliges people to realise some possibilities while forbidding others. Biology enables women to have children – some cultures oblige women to realise this possibility. Biology enables men to enjoy sex with one another – some cultures forbid them to realise this possibility. Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition. No culture has ever bothered to forbid men to photosynthesise, women to run faster than the speed of light, or negatively charged electrons to be attracted to each other. In truth, our concepts ‘natural’ and ‘unnatural’ are taken not from biology, but from Christian theology. The theological meaning of ‘natural’ is ‘in accordance with the intentions of the God who created nature’.”

“Different societies adopt different kinds of imagined hierarchies. Race is very important to modern Americans but was relatively insignificant to medieval Muslims. Caste was a matter of life and death in medieval India, whereas in modern Europe it is practically non-existent. One hierarchy, however, has been of supreme importance in all known human societies: the hierarchy of gender. People everywhere have divided themselves into men and women. And almost everywhere men have got the better deal, at least since the Agricultural Revolution.”

I took many points away from this book, but it’s this last point — about the gender hierarchy — that struck me most of all. I find myself getting angrier about gender inequality as I get older, and the historical record justifies this anger. There is no biological basis for relegating women to a position of inferiority, and yet, throughout societies the world over, that’s exactly where women exist.

“How did it happen that in the one species whose success depends above all on cooperation, individuals who are supposedly less cooperative (men) control individuals who are supposedly more cooperative (women)? At present, we have no good answer.”

*The Fracture ZoneSimon Winchester

“…and for years the Balkans faded into our collective memories. No one ever said: “Remember the man who filled up the car in Pec?” or, “Remember the field by that cement factory called General Jankovic?”—because the Balkans were peaceful in those times, and we had no compelling reason to think of them.” –The Fracture ZoneSimon Winchester

I didn’t love this book but tend to read everything about the former Yugoslavia, its breakup, and different “western” takes on “Balkan drama”. I don’t generally buy into a lot of the analysis, but I nevertheless feel compelled to be steeped in it, if only to have close-to-the-skin reminders of what it was like to be there (by “there” I mean Bosnia, not so much Kosovo, as Winchester does) in the post-war period: the “fixers” that would get hired to act as… well, fixers, drivers and interpreters, even though their real jobs were as engineers, students or farmers, the Turkish-style coffee, the mélange of foods (I lived on shopska salad myself), people, styles, a kind of clash of old and new world (a man driving his horse and buggy along the same road down which a cadre of Bosnian politicians gunned their motorcade of brand-new Audi A8s while making a campaign stop), the random marriage proposals from strangers who simply sought an easy exit, intermittent electricity, random security evacuation exercises, and civil sector bureaucracy.

Reading this and similar accounts of the end of Yugoslavia, I can’t help but feel my age, but much more acutely, I feel the squeeze of insignificance… how diluted historical events become with time. I wouldn’t claim that I knew a lot of people outside certain circles who felt concerned about the situation in former Yugoslavia even at the time, but now, with the war well outside the living memory of young adults, I meet many young people who have never heard of Yugoslavia at all and had nebulous notions, if any idea at all, that a war was fought in this place that they associate vaguely (again, if they have any associations whatsoever) with the filming locations for Game of Thrones (Croatia) and coastal holidays.

*Recollections of My NonexistenceRebecca Solnit

“Your credibility arises in part from how your society perceives people like you, and we have seen over and over again that no matter how credible some women are by supposedly objective standards reinforced by evidence and witnesses and well-documented patterns, they will not be believed by people committed to protecting men and their privileges. The very definition of women under patriarchy is designed to justify inequality, including inequality of credibility. Though patriarchy often claims a monopoly on rationality and reason, those committed to it will discount the most verifiable, coherent, ordinary story told by a woman and accept any fantastical account by a man, will pretend sexual violence is rare and false accusations common, and so forth. Why tell stories if they will only bring forth a new round of punishment or disparagement?” –Recollections of My NonexistenceRebecca Solnit

Referring again to the idea that some people (men, white) have unlimited space to tell stories and be believed, few voices chronicle the struggle to be taken seriously, to be heard and to be respected as well as Rebecca Solnit. The ways women’s experiences have been distorted by the collective voice of dominance insisting that women are “crazy” have enabled the control men continue to have over women — and society as a whole. We can read about (and feel) the injustice of this in all kinds of discourse — some even dating back more than 150 years (see The Subjection of Women by John Stuart Mill, listed above), and some much more recent, such as Sapiens, listed below, by Yuval Noah Harari.

“It was a kind of collective gaslighting. To live in a war that no one around me would acknowledge as a war—I am tempted to say that it made me crazy, but women are so often accused of being crazy, as a way of undermining their capacity to bear witness and the reality of what they testify to. Besides, in these cases, crazy is often a euphemism for unbearable suffering. So it didn’t make me crazy; it made me unbearably anxious, preoccupied, indignant, and exhausted. I was faced with either surrendering my freedom in advance or risking losing it in the worst ways imaginable. One thing that makes people crazy is being told that the experiences they have did not actually happen, that the circumstances that hem them in are imaginary, that the problems are all in their head, and that if they are distressed it is a sign of their failure, when success would be to shut up or to cease to know what they know.”

*Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

“Tyrants trust no one, least of all their allies. Duvalier disposed of friends and foes alike, striking down anyone he thought was too ambitious or might develop a separate power base. No one was indispensable.” –Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

We’re living through a time in which we are surrounded by a number of would-be dictators. For this reason alone, a chronicle of the lives of dictators in the 20th century is both timely and instructive. I could list off the present-day dictator wanna-be candidates, and I could list off their slogans. But we don’t need to amplify these names and their dictates further.

The takeaway here is confirmation of the many traits we can associate with and by which we can identify tyranny and tyrants: narcissism, penchant for performance/spectacle, ‘govern’ by slogans, practice and encourage inconsistency, personalize their power (“I alone can do…”), surround oneself with sycophants and ass-kissers and dismiss and discredit anyone who goes against you. The true believers will, like cult members, drink the Kool Aid, no matter what a tyrant does, and for everyone else, who sees the reality, a tyrant will “sow confusion, to destroy common sense, to enforce obedience, to isolate individuals and crush their dignity” to ensure that he isn’t credibly threatened by being removed.

Dikötter writes of Mussolini’s regime; sound familiar?:

“People had to self-censor, and in turn they monitored others, denouncing those who failed to appear sufficiently sincere in their professions of devotion to the leader. Underneath the appearance of widespread uniformity, there was a broad spectrum, ranging from those who genuinely idealised their leader – true believers, opportunists, thugs – to those who were indifferent, apathetic or even hostile.”

“For almost two decades Mussolini had encouraged the idea that he alone could be trusted and could do no wrong. He had used the cult of the leader to debase his competitors, ensuring every potential rival in the Fascist Party was edged out of the limelight. Those who remained were united in their devotion to the Duce, sycophants determined to outdo one another in praising his genius. They lied to him, much as he lied to them. But most of all, Mussolini lied to himself. He became enveloped in his own worldview, a ‘slave to his own myth’ in the words of his biographer Renzo de Felice. He knew that those around him were flatterers who withheld information that could provoke his ire. He trusted no one, having no true friends, no reliable companion to whom he could speak frankly. As the years passed Mussolini isolated himself from others, becoming a virtual prisoner within the walls of the Palazzo Venezia.”

*Transforming Glasgow: Beyond the Post-Industrial CityKeith Kintrea and Rebecca Madgin, editors

“Ours is a city which perhaps more than any other of our size, shaped the Industrial Revolution, along with all of the great positive and negative forces that it unleashed.”

I binge and gorge on all things Glasgow – even urban planning and its history. I don’t expect others to care for this in the way I did, so it’s not exactly a recommendation unless you’re obsessed with Glasgow and the post-industrial transformation of once-heavily-industrialized cities.

On the other hand, many works I read this month, and more generally, deal with impoverishment of the urban landscape, de-industrialization with nothing to replace it, meaning that poverty almost inevitably travels hand-in-hand with some of these economic upheavals. Glasgow was once the “Second City of the Empire“, but you’d never know it if you were to witness the parts of the city hammered hardest by poverty and dilapidation that came with de-industrialization and privatization. Photographer Raymond Depardon captured this side of Glasgow in 1980 (it’s worth looking at the photos). To some degree, Glasgow has experienced many of the growing pains and tragedies that other cities have and do – and much of it boils down to misguided attempts at “modernizing” (in Glasgow’s case, people were moved out of the city to live in giant, horrible tower blocks and manufactured “communities” – and in so doing, much of Glasgow’s storied architecture was lost, and more appallingly, communities were torn apart. I’d argue that while Glasgow has not been as deeply affected by the powers of gentrification (essentially a destructive force masquerading as progress) as cities like New York (which is dealt with in Schulman’s The Gentrification of the Mind above), it is nevertheless a factor in Glasgow’s drive to redefine and reshape itself.

*Where the Wild Cooks Go: Recipes from My Travels in Food and MusicCerys Matthews

Not much to say here except that this was an enjoyable mix of recipes and music from all over the world; a nice tonic for not being able to travel anywhere.

*Salt HousesHala Alyan

“Easier, she thinks, to remember nothing, to enter a world already changed, than have it transform before your eyes. In the palaces, the grandparents must sit in their extravagant rooms, remembering sand. Nostalgia is an affliction.”

A beautiful book – evoking the pain and suffering of human memory and nostalgia.

“Poor innocent things, he thinks. What is a life? A series of yeses and noes, photographs you shove in a drawer somewhere, loves you think will save you but that cannot. Continuing to move, enduring, not stopping even when there is pain. That’s all life is, he wants to tell her. It’s continuing.”

*I Will Never See the World Again: The Memoir of an Imprisoned WriterAhmet Altan

“Forgetting is the greatest source of freedom a person can have. The prison, the cell, the walls, the doors, the locks, the problems and the people – everything and everyone placing limits on my life and telling me “you cannot go beyond” is erased and gone.”

The pain of memory, the relief of erasure. A different kind of freedom.

“There is a cure for everything. Except longing.”

Turkish political prisoner and journalist Ahmet Altan writes of being imprisoned and the conditions within the country that enabled his imprisonment. Sometimes with humor, fearlessly, and sometimes sparking emotion — both sadness and anger.

“While the policemen searched the apartment, I put the kettle on. “Would you like some tea?” I asked. They said they would not. “It is not a bribe,” I said, imitating my late father, “you can drink some.” Exactly forty-five years ago, on a morning just like this one, they had raided our house and arrested my father. My father asked the police if they would like some coffee. When they declined, he laughed and said, “It is not a bribe, you can drink some.” What I was experiencing was not déjà vu. Reality was repeating itself. This country moves through history too slowly for time to go forward, so it folds back on itself instead. Forty-five years had passed and time had returned to the same morning. During the space of that morning which lasted forty-five years, my father had died and I had grown old, but the dawn and the raid were unchanged.”

*The Body: A Guide for OccupantsBill Bryson

“As with so much else, you experience the world that your brain allows you to experience.” –The Body: A Guide for OccupantsBill Bryson

I have never liked the self-satisfied and judgmental Bill Bryson, and some of his books betray these personality defects more than others. I include The Body here in spite of its writer, as I think the book simplified the human body in an engaging way — exploring anatomy through relatable language and analogies. Some interesting language and analogies, even if not new, included:

  • Color isn’t a fixed reality but a perception
  • “The upshot is that memory is not a fixed and permanent record, like a document in a filing cabinet. It is something much more hazy and mutable. As Elizabeth Loftus told an interviewer in 2013, “It’s a little more like a Wikipedia page. You can go in there and change it, and so can other people.””
  • “It will not have escaped your attention that the mouth is a moist and glistening vault.”
  • the antibiotic crisis is already here – it’s not a looming crisis
  • ““You can make a real mess of yourself, but you are very likely to survive. Killing yourself is actually difficult.”
  •  “A meta-analysis showed that for older people the risk of a heart attack was raised for up to three hours after sex, but it was similarly raised for shoveling snow, and sex is more fun than shoveling snow.”
  • “It’s remarkable that bad things don’t happen more often. According to one estimate reported by Ed Yong in The Atlantic, the number of viruses in birds and mammals that have the potential to leap the species barrier and infect us may be as high as 800,000. That is a lot of potential danger.” (We’re seeing this now, aren’t we?)
  • “When I met Washington University’s Michael Kinch in St. Louis, I asked him what he believed was the greatest disease risk to us now. “Flu,” he said without hesitation. “Flu is way more dangerous than people think. For a start, it kills a lot of people already—about thirty to forty thousand every year in the United States—and that’s in a so-called good year. But it also evolves very rapidly, and that’s what makes it especially dangerous.”
  • “Two things can be said with confidence about life expectancy in the world today. One is that it is really helpful to be rich. If you are middle-aged, exceptionally well-off, and from almost any high-income nation, the chances are excellent that you will live into your late eighties. The second thing that can be said with regard to life expectancy is that it is not a good idea to be an American. Compared with your peers in the rest of the industrialized world, even being well-off doesn’t help you here.”
  • Your lifestyle is the most likely thing to kill you, and many of the cultural and socioeconomic inequalities facing society now contribute to this. “IN 2011, AN interesting milestone in human history was passed. For the first time, more people globally died from non-communicable diseases like heart failure, stroke, and diabetes than from all infectious diseases combined. We live in an age in which we are killed, more often than not, by lifestyle. We are in effect choosing how we shall die, albeit without much reflection or insight.”
  • “It is an extraordinary fact that having good and loving relationships physically alters your DNA. Conversely, a 2010 U.S. study found, not having such relationships doubles your risk of dying from any cause.”

Coincidences

*Walking on the CeilingAyşegül Savaş

“M. sometimes referred to our shared memory palace, where the two of us had invented our own times of day (he always found a different way to bring up “The Invention of Midnight”). The rooms of this building, he said, which contained replicas of the most unremarkable sights, had turned into treasures.”

“This idea of a palace has stayed with me, even if I believe it is too neatly constructed to shed light on the devious ways of memory. Its innocent sleight of hand is only in the amplification of what is remembered, when the truth has so much more to do with hiding and forgetting.” –Walking on the CeilingAyşegül Savaş

In asking ourselves questions about who we are as individuals and in relation to others, and how we are woven into, or fraying at the edges of, the wider tapestry of our familial and social circles, and more broadly into society, we may neglect to look at a lot of factors because they seem far removed from our own daily realities. Depending on who we are, these factors could include socioeconomic class, race, gender, our relationship to faith or religion, geography, and our place in the culture in which we live, even if we feel that we are not included in it. These considerations generate deeper questions that, even if painful, begin to free us to find out who we really are – outside the rules of traditional economics, outside the boundaries of consumer culture, outside of our relationships with others.

While Walking on the Ceiling did not delve into any of these questions, its inclusion in this list comes as a kind of meeting point among the uniting themes of the other works that influenced me this month. We are examining and re-examining the stories we’ve told ourselves as cultures and nations, and there’s a reckoning underway: who has the voice and privilege to define and decide what these stories are? Who will re-contextualize incomplete, one-sided histories? Who creates and enforces collective memory and how? For example, as the nefarious US attorney general, Bill Barr, alarmingly stated not long ago, “History is written by the winners, so it largely depends on who is writing the history.” Or, as musician Sam Phillips wrote, “History is written to say, ‘It wasn’t our fault, wasn’t our fault…”, which inevitably means that someone is on the other side of that equation taking the blame.

For more than two centuries of US history at least, history has been created (yes, created, because it is an interpretation) by those with the loudest voices, ownership, most to protect/lose – power – and this has in many cases become a kind of brainwashing-induced mythology by which Americans define their identities and their so-called “freedom”. But this history is not every American’s story, not every American’s history. Perhaps this is changing now, as at least large swathes of the population begin to confront the ugliness of history and how it continues to pervade, influence and oppress other large swathes of the population who have been systematically disenfranchised, ignored or abused. Even if memory, which underpins what we call history, is perhaps challenging and deceptive, and susceptible to corruption, it still cannot be erased or debased en masse. There can always be a counterbalance to the dominant retelling of the story. If, as Savaş insists in Walking, “…people lived their whole lives telling stories, and by story he meant something like delusion. Everyone, he said, had a story of themselves. They told it again and again, at every chance they got”, we should always have multiple narratives and voices to help define the story – and history, Bill Barr and his ilk be damned.

As a side note, I highlighted this book in the first place as coincidental because it featured the “memory palace” (method of loci) concept that also came up in tv’s Dispatches from Elsewhere.

Biggest disappointment

*The Days of AbandonmentElena Ferrante

“What a mistake it had been to close off the meaning of my existence in the rites that Mario offered with cautious conjugal rapture. What a mistake it had been to entrust the sense of myself to his gratifications, his enthusiasms, to the ever more productive course of his life. What a mistake, above all, it had been to believe that I couldn’t live without him, when for a long time I had not been at all certain that I was alive with him.” –The Days of AbandonmentElena Ferrante

While I didn’t hate this book, my lack of appreciation probably represents a kind of fatigue after reading too much Ferrante in short succession. It’s not even that this book is bad – perhaps it is more my dislike for the shrill and shallow nature of the main character, who comes completely undone when her husband reveals he has been unfaithful and is leaving her. Over the course of the story more hurtful details emerge about the infidelity, and indeed cause the character near-breakdown-level grief.

I think what was remarkable about the book and its characterization this breakdown – filled with angst, regret, anger, jealousy and the whole gamut of (sometimes contradictory) emotions people feel when a relationship ends – is how well it describes what one must confront in the face of such a rupture. Over the course of a long relationship, one doesn’t see clearly how intertwined their life has become with that of the other. And sometimes, as was the case here – that life is not even combined or co-lived but is lost within and subsumed by the life and desires of the other.

When these realizations hit, it’s powerful, painful and starts an examination of the past, when the only way forward is to think instead of the future. While there’s not necessarily anything wrong with having merged two lives together, the loss of identity (which I recently highlighted as a theme from tv’s imaginative and unusual Dispatches from Elsewhere) is crushing, all the more because its erosion is so gradual one doesn’t realize it until reality is shaken. Infidelity, as explored by Esther Perel in The State of Affairs: Rethinking Infidelity, is complex: it violates not only the sense of self and security of the “betrayed” (“being chosen has taken on an importance it never had before. Monogamy is the sacred cow of the romantic ideal, for it confirms our specialness. Infidelity says, You’re not so special after all“), but can also reflect the fragmentation of the “betrayers” identity (“Sometimes, when we seek the gaze of another, it isn’t our partner we are turning away from, but the person we have become. We are not looking for another lover so much as another version of ourselves“). Coming to terms with what was thought to be reality versus what actually was can create deep estrangement from…everyone, including oneself, and create obstacles to moving forward.

I didn’t enjoy this book in a standard way, but appreciate that Ferrante has captured in visceral color what it feels like to go through this.

“No, I thought, squeezing the rag and struggling to get up: starting at a certain point, the future is only a need to live in the past. To immediately redo the grammatical tenses.” –The Days of AbandonmentElena Ferrante

*Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

Interesting book – but not as interesting as I had hoped. Some interesting ideas here, for example citing Jared Diamond’s hypothesis that intercontinental inequality has more to do with plants, animals and agriculture than with culture. Culture, meanwhile, doesn’t explain everything.

“Is the culture hypothesis useful for understanding world inequality? Yes and no. Yes, in the sense that social norms, which are related to culture, matter and can be hard to change, and they also sometimes support institutional differences, this book’s explanation for world inequality. But mostly no, because those aspects of culture often emphasized—religion, national ethics, African or Latin values—are just not important for understanding how we got here and why the inequalities in the world persist. Other aspects, such as the extent to which people trust each other or are able to cooperate, are important but they are mostly an outcome of institutions, not an independent cause.” –Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

Luck of the lockdown – Random gum 2020

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Luck of the lockdown – Random gum 2020

Since my last playlist the world has turned upside-down. Travel has stopped; people have been quarantined. Probably no better time for some music. The latest playlist is here.

Follow along on Spotify if inclined…

I started compiling this early in 2020 and had originally intended it for March, so it had a lot of Irish and Scottish artists (still does), but the whole “luck of the Irish” thing won’t work now. Not just because it’s June but also because frivolity – though we need it – feels wildly out of place at the moment. As I write this the world is feeling prematurely hopeful about the coronavirus while the US’s decline into chaos accelerates. (The ‘future view’ of America, as foretold in the tv comedy Brockmire looks more and more likely every day.)

1. Childish Gambino – “This Is America”
The times we live in.
2. Alien Sex Fiend – “Now I’m Feeling Zombiefied” …Show you faces and places that’ll make you terrified to be alive!…
How do we live without zombified numbness and fear?
3. Electronic – “Make It Happen” …I am a fraction/A part of a broken man…
4. Sharon Van Etten – “I Told You Everything” …We held hands as we parted…
Opening up to the dark and the light.
5. Cate le Bon – “Sisters”
6. The Prodigy – “Charly (Original Mix)”

charley

A complete UK experience must be accompanied by Charley the cat and his dead-eyed little boy owner cautioning you against all kinds of dangers.


7. Roy Orbison – “In Dreams” …A candy-colored clown they call the sandman/Tiptoes to my room every night…
Is anyone else creeped out by these lyrics? This sandman claims “everything is all right” – but is it? Is it?
8. Mazzy Star – “Roseblood” …Capture a smile and then that’s all/You won’t know her so it’s ok/Funny how things change…
RIP David Roback.
9. Michael Kiwanuka – “You Ain’t The Problem”
10. Primal Scream – “Rocks”
Must be played loud.
11. John Prine – “Angel of Montgomery” …just give me one thing that I can hold onto/to believe in this living is just a hard way to go…
RIP. What a huge loss; one victim of the COVID-19 virus that has gripped the world in 2020.
12. Weyes Blood– “Andromeda” …If you think you can save me/I dare you to try…
13. The Waterboys – “The Whole of the Moon”
The use of this song in the final bit of often-frustrating The Affair (and Fiona Apple’s cover) made me listen to this anew; I included it originally when this was going to be a St. Patrick’s Day/March mix (was mostly including Irish and Scottish stuff). But here we are in June.
14. Bedouin Soundclash, Coeur de Pirate – “Brutal Hearts”
15. Autobahn 86, Jokey – “National Health Service”
It’s Glasgow and it’s timely, don’t you know? People need and love their NHS.
16. Carl Hauck – “Pure Gold”
17. Kenny Rogers – “Ruby, Don’t Take Your Love to Town”
RIP Kenny. Not my style but definitely a marker of childhood. I will always remember a classmate telling me that her Japanese father taught himself English with Kenny Rogers tunes. Don’t love the dubious lyric: “And if I could move I’d get my gun and put her in the ground”; also a fitting tribute via Glaswegian comedy Burnistoun.

18. Fleetwood Mac – “Go Your Own Way”
19. U.N.P.O.C. – “Here On My Own”
During this lockdown, we are all on our own. Especially those of us who live completely alone.
20. The Soup Dragons – “I’m Free”
The order in which the last few songs appear (go your own way, sad all on my own and now freedom) seems intentional but wasn’t. Weird. I doubt Sean Dickson of The Soup Dragons imagined during his Bellshill/Glasgow years or the early years of fame how prescient and prophetic recording this song would be for him. I watched a documentary thing in which he featured – I didn’t recognize him at all. But the guy looks healthy and happy (once he embraced who he really is). This YouTube clip isn’t the docu I saw – but you can see him here along with clips from the “I’m Free” video – a world of difference.


21. Echo & the Bunnymen – “Never Stop”
22. The Wild Reeds – “I Think We’re Alone Now”
For some reason this song is always going to make me think of Terra and miss her.
23. REM – “Nightswimming”
This song’s use in Pamela Adlon’s Better Things was so exquisite that I’ve had to play this often.
24. Jessie Buckley – “Glasgow (No Place Like Home)”
I’d never have guessed that this Buckley was the same girl who delivered a heartbreaking performance in Chernobyl, nor the same girl who turned up in Taboo. But there you go. Irish versatility! This tune from the soundtrack to Glasgow-based indie film Wild Rose was co-written by Mary Steenburgen. Yes, that Mary Steenburgen!
25. Peter, Paul and Mary – “500 Miles”
26. Noire – “Baby Blue”
27. U2 – “Love is Blindness” …Love is drowning/In a deep well/All the secrets/And no one to tell…
Oh, those youthful years of obsession with U2 and Ireland.
28. Brigid Mae Power – “On a City Night” …Before I could reply he said/I like the city lights instead/country trees in the night/their shadows give me a fright…
Brigid Mae Power (Irish, of course) continues to be one of my favorites. I love this song.
29. Moses Sumney – “Doomed” …When I expel/From this mortal shell/Will I die for living numb?…
And we are back to numbness.

Spring into action – Random gum 2020

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Spring into action – Random gum 2020

It was a good run, making monthly soundtracks to chronicle life’s ups and downs. But inevitably other priorities clashed with best intentions, and here we are. I’ve just added a few bits to a playlist I intended to share in February/March 2019 – a whole year ago. How much has changed in that year, even though on a day-by-day, drip-by-drip level, it feels numbingly same-same.

Follow along on Spotify if inclined… I was, once upon a time, burning CD copies of MP3 files of all this stuff, and mailing them out with various candy/sweets from different spots in the world, but this too has fizzled out.

Usually when I produce these lists in a timely fashion, I nod respectfully to the dearly departed by including a song from those no longer on this earthly plane. For some time, something by The Cars lingered in the playlist as a ‘remembering Ric Ocasek’ thing, but it was like a nagging splinter that’s visible but unextractable. I removed the song; it didn’t belong. But the same can be said of so many things: remove because it didn’t belong – whatever ‘it’ was.

1. Jeff Russo – Star Trek Picard Main Title
Because it’s the sound of a mild but windy winter turning to spring, and of inevitable moments of turning away from
2. Roxy Music – Both Ends Burning …do I have the speed to carry on/I’ll burn you out of my mind…
3. Julia Jacklin – Good Guy …tell me I’m the love of your life/just for a night/even if you don’t feel it…
Missing Julia in Glasgow in December. Big regret. “I don’t care for the truth when I’m lonely/I don’t care if you lie”
4. Pavement – Range Life
I have no idea why I stumbled on this and placed it here.
5. Stone Poneys – Different Drum …I see no sense in the cryin’ and grievin’/We’ll both live a lot longer if you live without me…
How often this one pops up in life.
6. The Wild Reeds – Be the Change …conclude my story with a degrading phrase/because I never meant to be this way…
7. Fat White Family – Feet
8. Habib Koité – I Ka Barra
Always returning to Mali in some way, as one does
9. Angel Olsen – Lark …Hiding out inside my head, it’s me again, it’s no surprise I’m on my own now/Every time I turn to you, I see the past…
I missed out on Angel Olsen in Oslo in February. Ambitious, I bought tickets to all kinds of concerts in the autumn, and by winter, my ability to face crowds and noise withered
10. Sleater-Kinney – Hurry On Home …You got me used to loving you…
11. Maggie Rogers – Fallingwater …I never loved you fully in the way I could/I fought the current running just the way you would…
12. Karen O/Danger Mouse – Lux Prima
13. ALA.NI – Cherry Blossom …Blowing through the flowing of my heart…
14. Sharon Van Etten – Consolation Prize …The moral of the story is/don’t lie to me again/To find a better conversation/So I can be your consolation prize…
15. Jim Croce – I Got a Name …they can change their minds but they can’t change me…
I can’t hear Jim Croce without thinking of being a child, looking at an album my mom had that was just a close-up of Croce’s face, and my mom telling me that Croce died when he was 30. I was four so 30 sounded like a perfectly reasonable old age to die.
16. Dean Wareham, Britta Phillips – Mistress America
17. King Creosote – Surface …And now it’s my turn to hide, if not out here then inside/it’s both of us have run to ground…
Scotland, of course
18. Peter Schilling – Terra Titanic
For S and Deutschland love, and how Peter Schilling will always make me think of 1989 and college radio
19. Jane Weaver – You Are Dissolved …Even I am not amazed by you…
For Ade and the fights one can get into at Jane Weaver concerts
20. Heaven 17 – Temptation
21. New Order – Touched by the Hand of God
New Order, and more importantly, Kyle and Anne in Prague and seeing Naomi’s doppelganger. Will never forget the video for this song and how it entertained the adolescent Terra and me
22. Pink Floyd – Comfortably Numb …there is no pain/you are receding/a distant ship’s smoke on the horizon/you are only coming through in waves/your lips move, but I can’t hear what you’re saying…
Because, according to S, I am the only person on earth who listens to Pink Floyd without being high
23. Ride – Vapour Trail …thirsty for your smile/I watch you for a while/you are a vapour trail/in a deep blue sky…
Still the nightly sleep filled with reawakening of old Terra memories
24. Belle & Sebastian – Meat and Potatoes
Dear Green Place music with a chuckle
25. Billie Eilish – all the good girls go to hell
Not normally my thing but this is a catchy one
26. Angel Olsen – Too Easy …one could make me laugh forever/I’d do anything for you…
27. Alvvays – Next of Kin …if I’d known you couldn’t swim/we would never have gone in…
Sometimes a band will just remind you of one specific moment, one specific person, and you can’t escape it
28. U2 – Red Hill Mining Town …A link is lost/the chain undone/we wait all day/for night to come…
Last year I listened to The Joshua Tree on repeat; my long-ago obsession with that was probably the last time I was ever that connected to such blind passion for something. It was also probably the last time it seemed like U2 wasn’t just going through the motions.
29. Nils Frahm – La
With love for Andreas; this one is best listened to in headphones
30. Vashti Bunyan – Train Song …What will I do if there’s someone with you/Maybe someone you’ve always known/How do I know I can come and give to you/Love with no warning and find you alone…
Another musician whose existence I trip over, so connected to discovery at a specific moment in time. Incidentally this also serves as the theme song for a tv show called Patriot, which I watched and forgot all about and started to watch again. Luckily I immediately realized I’d seen it. But we’re way beyond peak TV now…
31. Morphine – In Spite of Me …You seemed so close but yet so cold/For a long time I thought that you’d be coming back to me/Those kind of thoughts can be so cruel/So cruel/And I know you did it all in spite of me…
32. Angel Olsen – All Mirrors …I’ve been watchin’ all my past repeatin’…
33. Belle & Sebastian – The Party Line …I am on this morning quite distracted/The tug of war begins in our emotion/I am leaving many people feeling/worse than before…
I know I have included this song on another playlist before, but I don’t care. I love it that much.
34. Lana Del Rey – Mariners Apartment Complex
Also not my normal thing. I’m NOT a Lana Del Rey fan but at some point I listened to this particular song enough that it just became a part of this list, and I couldn’t remove it.
35. This Is the Kit – Bashed Out …and blessed are those who see and are silent…
36. The GoGos – Our Lips Are Sealed …there’s a weapon that we must choose in our defense/silence…
For S, J, and others. Somehow many people who should know better had never heard of this, and if they knew the song, they only knew the Fun Boy Three version. The two versions are tellingly different, but the GoGos’ version came first; the song was written by The GoGos’s Jane Wiedlin and Fun Boy Three’s Terry Hall.
37. Joe Fagin – That’s Livin’ Alright, end-credit theme, Auf Wiedersehen Pet
Um, yeah… thanks to S, this past year has been a learning experience about 80s-era UK television. This gem is the end-credits theme for a show about a bunch of unemployed English construction workers who go to Germany to get a job. Funny that with Brexit and its inevitable economic consequences, Germany and the rest of Europe won’t be an option for this type of out-of-work bloke any more
38. Tori Amos – Putting the Damage On …I’m just your ghost passing through…

amusing tongue of procrastination – Random gum of February 2019 soundtrack

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It’s been another city-to-city runaround for the last two months, and music has been one of the things fueling me as I overfill an endless to-do list, tend to my most basic needs and contemplate the impending doom of Brexit and Trumpdom. I know some of these are repeated of songs I’ve included in other mixes. At this point I don’t think it can be helped. I collect what keeps me going as I go… and that might be the same songs month after month…

amusing tongue of procrastination
Good Goo of Random Gum – January and February 2019

Follow along on Spotify.

01 Cameron AveryDance with Me …Sure, I’m a lonely fool and I ain’t that cool
But I’ll walk you through it…
Some Australian thing
02 PoliçaMarrow
Snowy walks in the dark
03 thanks – Your World
04 INXSKiss the Dirt (Falling Down a Mountain)
Hard to believe how long Hutchence has been gone; another Aussie representative
05 AlvvaysPlimsoll Punks
Sometimes things inexplicably and unexpectedly remind you of someone and you can’t figure out why they ever seemed so important
06 World PartyIs It Like Today?
World Party is one of those bands my best friend and I probably made fun of (no idea why) when we were adolescents. Now I listen to this during the snowy, dark morning walks and can’t separate it from the annoyances of public transportation
07 The CultFire Woman
The Cult was never my thing, and this song was something I suppose I made fun of in its heyday, but I recently sent it to my best friend when she offered to help me overcome my fear of fire in order to operate my dormant fireplace
08 LizzoJuice
Can’t get enough of this
09 U2Spanish Eyes
Another nod to adolescence and the old days when B-sides were so hard to come by
10 Phantastic FernitureBad Timing
Oh, how I love everything Julia Jacklin is involved in. “Maybe it’s not the timing/maybe we were never meant to be”
11 Lee HazlewoodPray Them Bars Away
12 Stone RosesMade of Stone
I think I include this song every time I am in a period of isolation and contemplation and walking long distances – since I first heard it in 1989, it has served this purpose
13 Bill CallahanJavelin Unlanding
14 Charlotte GainsbourgSuch a Remarkable Day
15 Townes van ZandtHigh, Low and In Between
16 Connie FrancisYou’re Gonna Miss Me
17 SantigoldCoo Coo Coo
18 Agnes ObelIt’s Happening Again
Denmark
19 Elvis Costello & The Imposters – Heart-Shaped Bruise
20 Julia JacklinHead Alone
“Come on, give me the room tonight/You know I’ve told you before that you hold me too tight”
21 Elvis CostelloThis Year’s Girl
Recently binged the second season of The Deuce – this was a perfect theme song for this season. “You want her broken with her mouth wide open cause she’s this year’s girl”
22 Clau Aniz, flávia cabral – Montanhesa
23 Dory PrevinThe Lady With the Braid
24 SwansBlind
25 Ludovic Alariewe’re a dream nobody wrote down

missing lionesses – Random gum of December 2018 soundtrack

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This isn’t the most complete or exciting ‘soundtrack’ – I found it hard to find time for music in November to put together something for December… then again, none of the playlists are “exciting”. But here’s to what I’ve been hearing.

Missing lionesses
Good Goo of Random Gum – December 2018

Follow along on Spotify.

01 Orchestral Manoeuvres in the Dark – (Forever) Live and Die
1980s reruns of Top of the Pops
02 Idlewild – Little Discourage
Scotland; memories of a long-ago concert
03 The Bats – North by North
04 X – True Love – Part 2
05 Erkin Koray – Cemalim
Türkiye
06 Deerhoof – Criminals of the Dream
07 John Maus – Walls of Silence
08 Deidre & the Dark – Unerasable Love
09 Kero Kero Bonito – Make Believe
10 Gwenno – Hi a Skoellyas Liv a Dhagrow
Wales
11 Camille Christel – Copenhagen
12 Jim White, Aimee Mann – Static on the Radio
13 Lee Hazlewood – For One Moment
14 Shannon Shaw – Freddies ‘n’ Teddies
15 Marie Möör – Pretty Day
16 Orchestral Manoeuvres in the Dark – So In Love
Realized that the singer of OMD resembles a young Donald Trump. Poor guy.
17 Yo La Tengo – The Ballad of Red Buckets
18 Melody’s Echo Chamber – Breathe In, Breathe Out
19 Irène Jacob – Souris
20 Eurythmics – Thorn in My Side
21 Radmila Karaklajić – To Naše Mesto
22 Cass McCombs – Sleeping Volcanoes
23 Piroshka – Everlastingly Yours
24 Mathilde Bataillé – Crying in Public
25 Orange Juice – I Guess I’m Just a Little Too Sensitive

Tex & Hen on the Ranch – Random gum of November 2018 soundtrack

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Only 35 songs rather than what has come to be the standard 50. Time limitations kept me from listening to as much music as I normally do, so here’s what we’re left with.

Tex & Hen on the Ranch
Good Goo of Random Gum – November 2018

Follow along on Spotify.

01 Hall & Oates – I Can’t Go for That (No Can Do)
It’s like being a kid again, although strangely Hall & Oates keep turning up on “classic” 80s radio everywhere I go these days (multiple countries). S has been doing a provocative dance incorporating this song and Isaac Washington Love Boat moves while singing this and throwing in a few Elliot Stabler quotes from Special Victims Unit: “Don’t go there! I’m not goin’ there! Don’t go there!”
02 Alberteen – Tamagotchi Landfill
Thanks to Ade… and memories of the Tamagotchi craze
03 Julia Jacklin – Body
New Julia
04 The Courage – Parasols
05 Boy Azooga – Face Behind Her Cigarette
A loud, repetitive one for late-night drives
06 Curtis Mayfield – Move On Up (extended)
Irresistible
07 Bajofondo – Lluvia
08 Weyes Blood – Be Free
09 MUNYA – Hotel Delmano
10 Mr Husband – Holy Kaleidoscope
11 Neko Case – Curse of the I-5 Corridor …I was so stupid then…
“I fear I smell extinction/In the folds of this novocaine age coming on”
12 Link Wray – Fallin’ Rain
13 Isabelle – Une odeur de neige
14 The Pointer Sisters – He’s So Shy
Godawful Love Boat reruns in Glasgow
15 Phoebe Bridgers – Motion Sickness
16 Loretta Lynn – Don’t Come Home A-Drinkin’
17 Faces – Flags and Banners
18 ESG – Dance
19 The Cleaners from Venus – The Mercury Girl
20 Rod Stewart – Maggie May
Clear glimpses back into childhood and its pervasive sounds
21 The Velvet Underground – Oh! Sweet Nuthin’
Kept playing this and am sure I included it on another soundtrack, but who is keeping track?
22 Salad – Cut and Cover
Something new from Salad… finally
23 Kate Bush – Wuthering Heights
24 ABBA – Knowing Me, Knowing You
Home from wandering
25 Gigliola Cinquetti – Ho scritto fine
Italy is not fooling me
26 The Clientele – Bonfires on the Heath …late October sunlight in the wood…
27 King Creosote – Melin Wynt
28 Eliza Shaddad – This is My Cue
29 Ibeyi – Rise Up Wise Up Eyes Up
For Annette – donkey wine mine fine
30 Hako Yamazaki – ヘルプミー
31 Curtis Harding – Dream Girl
32 John Cale – You Know Me More Than I Know
33 Alice Boman – Waiting
34 Arthur & Yu – Afterglow
“and a wolf got caught up in the barbed wire/and there’s a bullet in the wood/we use for fire/and we’re caught in the afterglow”
35 Widowspeak – Harvest Moon …Because I’m still in love with you…

This is Glasgow – Random gum of October 2018 soundtrack

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I’d like to have more commentary on each song because there were reasons behind them, but time is too limited at the moment. It’s shocking that I even managed to compile a list.

This is Glasgow – Good Goo of Random Gum – October 2018

Follow me on Spotify.

01 Hopetoun Brown – Let’s Not Be Friends
New Zealand
02 Anna Calvi – Don’t Beat the Girl Out of My Boy
03 Hana Vu – Crying on the Subway
04 Manu Dibango – Sun Explosion
05 Karl Blau – Fallin’Rain
06 Malphino – Segunda Molienda
07 Lindstrøm – Blinded by the LEDs
Norway
08 A Certain Ratio – Do the Du – The Graveyard
09 Montero – Adriana
10 Julianna Barwick – Beached
11 Neil Finn – Chameleon Days
12 Black Grape – A Big Day in the North
13 Weyes Blood – Used to Be
14 Roxy Music – End of the Line
15 Porter Wagoner, Dolly Parton – Please Don’t Stop Loving Me
16 Nice As Fuck – Angel
17 Primal Scream – Movin’ On Up
Glasgow
18 Liar’s Club – Espresso Girl
19 Netherfriends – Be Yourself, You Piece of Shit
20 Honeybunch – All That’s Left of Me is You
21 Marshall Crenshaw & The Handsome, Ruthless and Stupid Band – You’re My Favorite Waste of Time
22 Marika Hackman – Time’s Been Reckless
23 Neko Case – Sleep All Summer
24 Anemone – Daffodils
25 Lizzy Mercier Descloux – No Golden Throat
26 Virginia Wing – Pale Burnt Lake
27 Flesh for Lulu – Slowdown
28 Nightlands – Lost Moon
29 Dory Previn – Atlantis
30 The Magnetic Fields – Smoke and Mirrors
31 Beyond the Wizards Sleeve – Creation
32 Loma – Dark Oscillations
33 Thousand – Le nombre de la bête
34 The Three Degrees – Collage
35 Spooky Mansion – Alright
36 Laure Briard – Je vole
37 Psychic TV – Just Drifting
38 Buzzy Lee – Facepaint
39 Creep Show – Modern Parenting
40 Belle & Sebastian – A Summer Wasting
Glasgow
41 Dark Sky – Jjj
42 TOPS – Outside
43 Mariee Sioux – Twin Song
44 Tintura – Sönum
45 EERA – Christine
46 Charlotte Dos Santos – Move On
47 Gloria – Beam Me Up
48 The Jesus and Mary Chain – Psychocandy
Glasgow
49 Cate le Bon – I Can’t Help You
50 Rod Stewart – You’re In My Heart
Not Glaswegian but a die-hard Celtic fan

everything’s gone orange – Random gum of August 2018 soundtrack

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Everything’s gone orange – Random gum – August 2018
www.comraderadmila.com / Follow me on Spotify

01 Curtis Mayfield – “Pusherman”
Watching old episodes of Soul Train; cheers to Ade & to Ste
02 Wendy James – “Bad Intentions and a Bit of Cruelty”
For Naomi: I am sure I said I would never include any Wendy James thing anywhere. Wrong again
03 Julia Jacklin – “Leadlight” …I love you my darling I do!/But I can’t promise I’ll be here to see this whole love through…
Oh, how I love Julia. “I didn’t know that the ground, is not only harder/Oh but colder when you are not around”
04 Weyes Blood – “Everybody’s Talkin’”
Weyes Blood does Harry Nilsson
05 Cat’s Eyes – “I Knew It Was Over”
We always know it’s over before we’re told
06 Sunni Colón – “God is a Woman”
If God were a woman, would things seriously be the way they are?
07 Three J’s – “Chalito”
A song to escape the wee prick that is Three Js
08 John Denver – “Leaving, on a Jet Plane”
John Denver is like… reliving earliest childhood, and learning over time that nothing and no one you perceived in childhood is anything like what it really is
09 Al Green – “Love and Happiness”
10 Zack Mexico – “Suzuki” …I don’t wanna fall in love…
11 Sparks – “Girl from Germany” …My word, she’s from Germany/Well, it’s the same old country/But the people have changed…
12 Bill Baird – “You’re Someone Else”
13 Juliana Hatfield – “A Little More Love” …I’m trapped, trapped in the spell of your eyes/In the warmth of your arms/In the web of your lies…
Juliana’s take on Olivia
14 Fad Gadget – “Coitus Interruptus”
15 The Cambodian Space Project – “The Passenger”
16 Beastie Boys – “Egg Man”
17 Pongo – “Tambulaya”
From Angola to Lisbon – I dare you not to jump around
18 Marissa Nadler – “Hungry is the Ghost”
19 Nai Palm – “Atoll”
Australia
20 San Mei – “Wonder”
More Australia!
21 Barrie – “Canyons”
22 LCD Soundsystem – “Never as Tired as When I’m Waking Up”
23 Spirea X – “Chlorine Dream”
24 Machine Translations – “Made a Friend”
More Australia and Australian translator friends … and machines
25 Eva Pilarová – “Popocatepetl Twist”
For the Czech chicks – Anne, Martina
26 MorMor – “Heaven’s Only Wishful”
27 Jefferson Airplane – “White Rabbit”
For singing loudly in middle-of-night darkness. Hubbubs with Mr Firewall!
28 Emily Jane White – “Nightmares on Repeat”
29 Emma Ruth Rundle – “Fever Dreams”
30 TEKE::TEKE – “Chicchana Toki Kara”
Montreal
31 RÜFÜS DU SOL – ”No Place”
More Australia for an Australia-heavy mix
32 Laura Marling, LUMP, Mike Lindsay – “Shake Your Shelter”
Some things are hard to listen to
33 Whyte Horses – “Empty Words”
34 Caterina Valente – “Popocatepetl Twist”
Another (this time French-Italian) take on this song – and of course a nod to my old friend Mike and our time in Mexico, as Popo erupted
35 Sequoyah Tiger – “Cassius”
Italy… not often I get to include or get fooled by Italy
36 Kaada – “Care”
No-no-no-norway
37 The Walkmen – “Another One Goes By”
38 Natalie Prass – “Your Fool”
39 Erika Wennerstrom – “Extraordinary Love”
40 Boxed In – “All Your Love is Gone”
41 Unloved – “When a Woman is Around”
42 Illy – “Enquanto Você Não Chega”
Brasil
43 Olden Yolk – “Takes One to Know One”
44 Gamine – “Fille du soir”
45 Dirty Three – “Great Waves”
Australia
46 Julio Cesár Oliva, Morgan Szymanski – “Estampas de México: No 16 Los volcanes (Popocatepetl & Ixtaccihuatl)”
47 Rafiq Bhatia – “Before Our Eyes”
48 Mitski – “Geyser”
For the geysers that explode again and again before my eyes
49 Mimicking Birds – “Lumens”
Shining a certain kind of light…
50 Blondie – “Picture This”
“All I want is a photo in my wallet/A small remembrance of something more solid/All I want is a picture of you”

 

Cover up – Random gum of July 2018 soundtrack

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Cover up – Got just enough to cover you – Random gum – July 2018
www.comraderadmila.com / Follow me on Spotify

01 Alberteen – “We Are the Mods
Big thanks as usual to Ade – never in the same place. One of my favorites from Alberteen
02 U.S. Girls – “Rage of Plastics” …there’s no telling how long you’ll be paying…
Relatable sadness and all the nods to plastic. “There are scores of us born in the silent spring/Whose wombs won’t take, won’t bear anything”
03 Alice Skye – “Friends with Feelings” …I hope that tomorrow/won’t be like today, anyway…
04 Depeche Mode – “Cover Me” …Way up here with the Northern Lights/beyond you and me/I dreamt of us in another life/one we never reached…
Memories of some entirely other life. “Better take cover…”
05 Flesh for Lulu – “Postcards from Paradise” …And I fell under your spell/And I lay where I fell…
Weird memories of junior high school and that awkward, fragile friendship with Terra; had no idea until right now that the lead singer died about three years ago
06 Ultra Vivid Scene – “The Whore of God”…But a kiss on the lips is far too much for anyone…
This is like a taste of sophomore year in high school, the weekends of Leighanne, Gary and Terra
07 Bruce Springsteen – “Cover Me” …Promise me baby you won’t let them find us/Hold me in your arms, let’s let our love blind us…
I have no real love, but plenty of respect, for Springsteen, but the ‘cover’ theme must be covered, right?
08 Huri Sapan – “Karanfil Ocak Ocak”
A Turkish delight, naturally. I love how unnatural this sounds directly after Springsteen
09 Julia Jacklin – “Cold Caller” …Will I be a mother or will I always be a child?…
Oh, Julia among Julias. One of my favorites lately. “And some cold caller decides I’m not Ready to change Oh what if my body is but my mind remains the same?”
10 Trashcan Sinatras – “Obscurity Knocks” …Owner of this corner and not much more…
For SD rocking the Maryhill Tesco – but happily not shirtless
11 Love and Rockets – “Ball of Confusion” …Eve of destruction, tax deduction, city inspectors, bill collectors/Solid gold in demand, population out of hand, suicide/Too many bills, everyone movin’ to the hills/People all over the world are dying in the war…
Perfect for these tragic, confusing, bombastic times
12 TV on the Radio – “Love Stained”
“In the middle of the night, when fear comes calling/Singin’ it all dies, awfully scared, alone/I’m looking into your eyes to feel your call/Pretty thing that catches me so strong when I fall”
13 The Shacks – “Blue & Grey”
“What did you really mean to say?/I’m tired of waiting because/All we have is blue and grey”
14 Brandi Carlile – “The Joke”
“Let ’em laugh while they can/Let ’em spin, let ’em scatter in the wind/I have been to the movies, I’ve seen how it ends/And the joke’s on them”
15 The Fernweh – “The Liar”
Liverpool
16 Coco Morier – “No Pressure” …Let’s mess around…
17 AURORA – “Life on Mars”
Because I don’t know that we’ll ever know how to live without Bowie, though he got out just in time
18 Peter Perrett – “How the West Was Won” …If I ever get really depressed/I’ll download Tor, buy a suicide vest/Leave a dirty bomb at a Wall Street address/Gatecrash a Rothschild party and leave it in a mess…
19 Savoy Motel – “Sorry People”
Groovy Nashville
20 Belle & Sebastian – “Your Cover’s Blown” …Thus starts the lonely walking/There’s always too much talking/I should have stayed home…
Glasgow… don’t blow my thicker-than-ever cover. Love to all my Dear Green Place folk & to Inga
21 Terry Bush, United Forces – “Maybe Tomorrow” (radio edit remix) …So if you want to join me for a while/Just grab your hat, come travel light, that’s hobo style…
For every person of a certain age in the UK who knows this theme song from a dog-led Canadian tv show, The Littlest Hobo, that Americans never had the dubious treat of seeing
22 Grupo Mogambo, Carlos “Chacho” Ramos – “Dime”
Because… MOGAMBO!!
23 Amber Coffman – “Kindness”
24 Red Lorry Yellow Lorry – “Monkeys on Juice” …laughing at such pointlessness…
25 Tom Waits – “Gin Soaked Boy” …Well, I’m on your tail/I sussed your M.O. …
26 Conspiracy of Owls – “A Silver Song” …You open your heart/And I drift right through…
“We’re not above it all/And we’re in love again”
27 Drapht, Indoor Fins – “The Come Down Was Real”
28 The Julie Ruin – “Just My Kind” …Don’t you know I really like how/You know my mind/But even more to the point is the fact/You’re just my kind…
29 The Moonlandingz – “The Strangle of Anna”
30 Rival Consoles – ”Ghosting”
I’m not too good at ghosting
31 Samara Lubelski – ”Soft Focus”
32 Värttinä – ”Kylä vuotti uutta kuuta”
A wee folk taste of Finland
33 Modern Studies – “Disco” …I used to be a totally different kind of person/and the difference it made…
Scotland Scotland Scotland
34 Triathalon – “3” …help me get myself in the groove…
35 Xmal Deutschland – “Feuerwerk (31.Dez)”
The old days in Hamburg
36 Klaus Johann Grobe – “Geschichten aus erster Hand”
The big Z-city in CH
37 Sonic Youth – “Bull in the Heather”
38 Coda Conduct – “Love for Me” …my love for you, boy, comes after my love for me…
Australian lady hip hop
39 Gwenno – “Fratolish Hiang Perpeshki”
Wales
40 Chapterhouse – “Pearl”
Driving through a painfully hot late spring day, suddenly feeling all the aimless pangs of teenage pain and insecurity stabbing me from the inside, again and again. Ugly. Uglier. Ugliest. Time.
41 Hovvdy – “Thru” …Cover for yourself all the time…
42 Au Revoir Simone – “A Violent Yet Flammable World”
Wondering whatever happened to Aurélien, to whom I owe the Au Revoir Simone debt. Twin Peaks reboot but makes me think of those days in 2008-9, the bittersweet of Paris, misery of Oslo, homesickness for Reykjavik
43 Siouxsie and the Banshees – “Spellbound” …We are entranced…
44 Phantastic Ferniture – “Fuckin’ ‘n’ Rollin’”
It’s no wonder I fell in love with this almost immediately – only after I was hooked did I wake up to the fact that this is another Aussie darling, Julia Jacklin, vehicle…
45 Grover Washington, Jr – “Inner City Blues (Make Me Wanna Holler)”
46 Goldfrapp, Dave Gahan – “Ocean” …People collector/I’m on the move/For you…
47 Kings of Convenience – “Know-How”
“Just a little bit of danger/When intriguingly/Our little secret/Trust say trust me/Cause no one will ever know/That this was happening”
48 Class Actress – “Journal of Ardency” …You think I’m living it, living it, living it, living it up/In the spotlight/It’s a lie, lie…
“This game of cruelty/Hardly becomes me…/…’Cause everybody knows/Everybody sees/That this is the thing you do to me”
49 Air, Gordon Tracks – “Playground Love” …Yet my hands are shaking/I feel my body remains/Time’s no matter, I’m on fire/On the playground, love…
50 Emmit Fenn, Yuna – “Modern Flame” (acoustic) …Don’t tell me this doesn’t feel right/’Cause I’m thinking ‘bout it every night…

cherry blossom girl – Random gum of June 2018 soundtrack

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Cherry blossom girl – Random gum – June 2018
www.comraderadmila.com / Follow me on Spotify

01 The Shacks – “Let Your Love
For all the beautiful negative Geminis
02 Lhasa de Sela – “Abro la Ventana
I hate stumbling onto beautiful contemporary music only after the artist has died.
03 Vessels, John Grant – “Erase the Tapes…Fear, fear has never got you anywhere/It’s all a misunderstanding, a vague distraction…
Thanks to J
04 Alberteen – “Our Dead Language
Thanks to Ade
05 The Beatles – “All My Loving
One of those infectious tunes that gets stuck in your mind, “Close your eyes, and I’ll kiss you”
06 Lucy Dacus – “Troublemaker Doppelganger
“I wanna live in a world where I can keep my doors wide open”
07 Add N to (X) – “Plug Me In
Thanks to SD… button yersel up all wrong there, hen. Unless you’re wearing a vest…
08 Nine Inch Nails – “Sin
Heading to high school & “head like a ho” at Depeche Mode with Leighanne and Terra
09 The Mogambos – “Bi-Aza-Ku-Sasa
MOGAMBO!
10 Wire – “Eardrum Buzz
Shaving buzzes. Love to J
11 Kacy & Clayton – “Springtime of the Year
As a long winter finally gives way to spring
12 Haley Heynderickx – “Worth It
“Maybe I, maybe I’ve been selfish all along/Finally I’m ready for the silence/Finally I’m ready for nothing”
13 Muzsikás – “En csak azt csodálom
Hungary
14 Abraxas – “Bisexual Random Trout
Random disco-ish
15 Zaki Ibrahim – “Profantasies
South Africa-Canada
16 Hot Chip – “One Life Stand
True words.
17 Faith Healer – “Light of Loving
18 U.S. Girls – “Rosebud
Cheers to Ade
19 Trashcan Sinatras – “Even the Odd
Glasgow Tesco trips – cheers to SD
20 Sudan Archives – “Oatmeal
Scott’s Porage Oats pose! Ch-ch-ch-chia!
21 Death In Vegas – “Girls
22 Wolf Parade – “Fine Young Cannibals
23 Habibi – “Nedayeh Bahar
Song of spring. “Where we go/we’ll always be/somewhere close to misery”
24 Nilüfer Yanya – “Golden Cage
25 Nilipek. – “Kosuyolu
Lovely Turkish
26 Samantha Crain – “Antiseptic Greeting
“What happens now is word is spreading I am cruel/When really I am just an oblivious fool/I think I’ll probably always let you down”
27 The Beatles – “The Ballad of John and Yoko
One of those songs I never tire of for some reason
28 Timber Timbre – “Grifting
“Faking it to make it/Never give, but take it/Building trust through kindness/To exploit the finest”
29 Palya Bea – “Hívlak Téged
More Hungary
30 Trailer Trash Tracys – “Eden Machine
A very vaguely Goldfrapp kind of sound
31 Mattiel – “Count Your Blessings
“Your body will be whole again/Make yourself at home again/Count your blessings, one to ten”
32 La Luz – “Cicada
Sweet Seattle
33 Babolar – “Mogambo
34 Anna Domino – “Land of My Dreams
35 Eefje de Visser – “Wakker
The seductive Dutch
36 The Beatles – “You’re Going to Lose That Girl
It’s not difficult to lose a girl who was never yours…
37 Saint Etienne – “Lose that Girl
Love to Ben and to Naomi … and you might want to lose that girl anyway
38 Nádia Schilling – “Bad as Me
Portugal. “Forgive the back and forth/Some anchors drop, crush what it’s worth/But you know, you’re bad as me/Don’t run for cover, walk on your feet/(Even when sore, tired and beat)”
39 Zola Jesus – “Bound
40 Grand Tone Music – “I Give It All
My early Swedish music influences, long before living here
41 Faces – “That’s All You Need…concerns my brother/who’s thin and played violin/woooo!…
For SD the performer, for Erin, for my mom; discussions on Rod the Mod & Paul Hogan imitations of Rod
42 Lord Huron – “Lost in Time and Space
43 N.W.A. – “Straight Outta Compton
Insane UK media uses this as a headline about LA-born, royal-by-marriage, Meghan Markle
44 John Cale – “The Man Who Couldn’t Afford to Orgy
For the man who walks away from orgies
45 Yo La Tengo – “Autumn Sweater
When I heard the knock on the door/I couldn’t catch my breath/Is it too late to call this off”
46 Air – “Cherry Blossom Girl
“I don’t want to be shy/Can’t stand it anymore”
47 Mary Margaret O’Hara – “You Will Be Loved Again
Beautiful – sad song. I have long loved the Cowboy Junkies’ version but have recently started to turn to the original MMO version. “How could he/Take you in his arms and/Help you free/Then leave you forgotten?/And is it enough to cry/When you’re so broken?”
48 Angels of Light – “Untitled Love Song
Show me your ocean red/Kiss the tears that stain my neck/Drug me with visions untrue/But I own a photograph”
49 Frightened Rabbit – “Get Out
RIP Scott Hutchison
50 Someone – “Forget Forgive

Full playlist on Spotify.