dreamlessness

Standard

Waking This Morning Dreamless After Long Sleep
Jane Hirshfield
But with this sentence:
Use your failures for paper.’
Meaning, I understood,
the backs of failed poems, but also my life.

Whose far side I begin now to enter —

A book imprinted without seeming reason,
each blank day bearing on its reverse, in random order,
the mad-set type of another.
December 12, 1960. April 4, 1981. 13th of August, 1974 —

Certain words bleed through to the unwritten pages.
To call this memory offers no solace.

Even in sleep, the heavy millstones turning.’

I do not know where the words come from,
what the millstones,
where the turning may lead.

I, a woman forty-five, beginning to gray at the temples,
putting pages of ruined paper
into a basket, pulling them out again.

equal ripeness

Standard

Ripeness
Jane Hirshfield
Ripeness is
what falls away with ease.
Not only the heavy apple,
the pear,
but also the dried brown strands
of autumn iris from their core.

To let your body
love this world
that gave itself to your care
in all of its ripeness,
with ease,
and will take itself from you
in equal ripeness and ease,
is also harvest.

And however sharply
you are tested —
this sorrow, that great love —
it too will leave on that clean knife.

honey of cruelty

Standard

Rebus
Jane Hirshfield
You work with what you are given,
the red clay of grief,
the black clay of stubbornness going on after.
Clay that tastes of care or carelessness,
clay that smells of the bottoms of rivers or dust.

Each thought is a life you have lived or failed to live,
each word is a dish you have eaten or left on the table.
There are honeys so bitter
no one would willingly choose to take them.
The clay takes them: honey of weariness, honey of vanity,
honey of cruelty, fear.

This rebus—slip and stubbornness,
bottom of river, my own consumed life—
when will I learn to read it
plainly, slowly, uncolored by hope or desire?
Not to understand it, only to see.

As water given sugar sweetens, given salt grows salty,
we become our choices.
Each yes, each no continues,
this one a ladder, that one an anvil or cup.

The ladder leans into its darkness.
The anvil leans into its silence.
The cup sits empty.

How can I enter this question the clay has asked?

under the surface

Standard

For Horses, Horseflies
Jane Hirshfield
We know nothing of the lives of others.
Under the surface, what strange desires,
what rages, weaknesses, fears.

Sometimes it breaks into our daily paper
and we shake our heads in wonder –
“Who would behave in such a way” we ask.

Unspoken the thought, “Let me not be tested.”
Unspoken the thought, “Let me not be known.”

Under the surface, something that whispers
“Anything can be done.”

For horses, horseflies. For humans, shame.

more… and we give it

Standard

The Weighing
Jane Hirshfield
The heart’s reasons
seen clearly,
even the hardest
will carry
its whip-marks and sadness
and must be forgiven.

As the drought-starved
eland forgives
the drought-starved lion
who finally takes her,
enters willingly then
the life she cannot refuse,
and is lion, is fed,
and does not remember the other.

So few grains of happiness
measured against all the dark
and still the scales balance.

The world asks of us
only the strength we have and we give it.
Then it asks more, and we give it.

wool and cotton

Standard

‘Nothing Lasts’
Jane Hirshfield
“Nothing lasts” —
how bitterly the thought attends each loss.

“Nothing lasts” —
a promise also of consolation.

Grief and hope
the skipping rope’s two ends,
twin daughters of impatience.

One wears a dress of wool, the other cotton.

retracted claws

Standard

Each Happiness Ringed by Lions
Jane Hirshfield

Sometimes when
I take you into my body
I can almost see them – patient, circling.
Almost glimpse the moving shadow of the tail,
almost hear the hushed pad of retracted claws.
It is the moment – of this I am certain –
when they themselves are least sure.
It is the moment they could almost let us go free.