forgotten portraits

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Forgotten Portraits
Janine Solursh

Suddenly nobody knows where you are.
You’re just a memory,
an echo,
an idea thin as smoke.
Your last text, call, letter, Facebook post—
only footprints in the surf.
Your edges blur and you become
a friend’s story,
a lover’s history.
Initially, you beat against the panes in set-aside frames
begging to be taken out
and rolled into motion once more.
But after a second winter,
then a third, and fourth,
there comes something serene and warm
behind the haze that smokes the broken hourglass.
Something new
and just for you.
This world belongs to you and yours
and when you glance back and recall your life’s movement
with a sigh of days gone by,
you are irrevocably comforted
having become that final exhale
that hangs in the air after the passing.
You pose
and hold it.
We are all the dead.
I am not apart from you for long,
except for breath,
except for everything.

 

Photo by Lieselot. Dalle on Unsplash

Russia or The Weakness of Photography

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Russia or the Weakness of Photography

Andrei Codrescu

Over the landscape walk the mailboxes disguised as whores.
We drunks walk into them and maim our pricks.
The snows threaten the idiots with a vast maze.
They will be seeking lifetimes for their hammers.
They will waste their strength pulling sickles out of the necks
of patient Ukrainian peasants, photographed by God.
As the idiots struggle, I will close shop, bid adieu to the super-
market where I stood for the language, I will
strike a number of unlikely alliances.
Riding the Trinity like a sled, Vladimir Mayakovski hits the wall.
Solzenitsin, with a mountain of Christmas packages containing
millions of little concentration camps, stumbles on a
banana peel and goes straight through Carol Burnett, out her
middle.
Awkwardness awaits all members of this genre.
There is one commercial only in the entire history of the world:
God, and it only comes on once a year, at night.
In it, He says this: “Any man (mensch) with a maimed prick who
seek shelter from the snow, must first bury his axe.”
Behind Him, a thousand doors open as if the piggybanks in the
Sky
are broken, and showers of gold coins come down on you.
Russia has unfastened her skirts.
There is a storm of icons, re-raging Saint Georges, feathers,
feathers, basements full of paper Stalins, hairpins,
lutes, knock knock who’s there, short prayers.
Meat! Clocks! Geography! Time! All Go Boom!

THE CRUCIAL
HAS BEEN NAMED AFTER THE CROSS
THE HISSING CROSS
THE SAMOVAR

These, comrades, are teethmarks on the wall.
I made them out of boredom.
I lie in a clean bed now under the gaze
of ten faithful scribes working
on my theory of the Great Central Sorrow.
The moon shines from a whorl of blue snow.
Through the baroque dacha door loaded with wooden saints
comes woman on horse Alice Codrescu, and says:
I come to change your punctuation!

Image by S Donaghy

wilderness years

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Wilderness Years

Amy Gerstler

Photo by Anastase Maragos on Unsplash 

 

the seconds

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The Seconds
Derek Sheffield

Last patches of snow all but gone and first
wildflowers flecking the lawn, I walked out
to the shed and pulled open the door
with a woody squeak, and there, rising from the dirt floor,
surrounded by a dusty clutter of tools,
a little mountain, the kind of thing my daughters
might have scooped together in the fall and left
for the faeries if it weren’t a perfectly conical accretion
of turds. What to make of such a thing,
holding the door, and beholding it in the spill
of the first light—and then I knew
the droppings. Here she was, my old dog,
that golden shuffle of paling wheat fields who’d retrieved
and licked clean how many rocks thrown from this hand?
What was left of her, here. What creature
had carried each dried nub from the yard’s
far corners to form this strange cairn? There,
under the nail-hung weed whacker, my grease rag
on the floor pressed flat: a little bed I kneeled to touch.
Something had curled here in the gasolined nights
all winter as snow and more snow made a world
of white mounds. I walked around back,
searching for a gap, and stopped mid-step—
a big, squirrel-like bulk on my scrap wood,
the black, unblinking shine of a left eye
tilted toward mine. No glimmer of flight in that orb,
no twitch of scurry, only the deepest calm
as if the ages of the earth were taking my measure.
I felt like a pane of glass even as I took all I could
of it, its weight and whiskers and wide, rounded ears,
a long bottlebrush tail stretched out over my pile
of sawed lengths of lumber and plywood,
and later I would look for it in a book among my stacks.
That night, after I turned out the lights,
and my daughters asked for another story,
I told them of its midden while I sat on their floor,
becoming another dark shape among the heaps
of their clothes and stuffed animals; at first, “Eww!”
and then only the sounds of breathing as they remembered
their old dog, those restless slopes that passed
through their arms, the river sounds she made
licking those rocks to death. Let us not let go
ever, is what I took from your cave-wall stare,
wood rat, who would grab every bloody tooth
my girls have tucked under their pillows, pack rat,
who would make hill after hill of all the years
of their homework, vestigial historian, who’d cleave
to the locks of do-it-yourself haircuts and clutch
every tremor of their changing voices, their first words,
every shape and shade of their widening gazes,
and all the hard shit, too, the nights of no sleep,
the wet beds and fits and screams, slammed doors
and shaken fists (how long have you been with us?
how many iterations of you and them and me?),
even as you turned at last toward the woods
behind our house and slowly, one careful step
at a time, slipped away as if you’d already
snatched all the rain-colored seconds
from all the clocks that ever were or will be.

 

Photo by Jon Tyson on Unsplash

greed

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Greed

Pamela Cochran

I would never have believed
that I’d awake one day
in a lonely cell, having stripped
myself of everything precious
that I’d always taken for granted
by shaking a fist at my creator
for ending the suffering of my beloved
in a way other than I’d imagined while
on my knees;
awaiting transport
to a place no one belongs, except
to the state, whose
main concern is the bottom line; bodies
for which they receive top dollar,
but never humans, never
souls, never mothers whose lives have been nothing
more than a series of tragic events,
and are now doomed to
walk this journey
through the wilderness with
no prophet to lead, no
cloud by day or
fire by night to prevent
the aimless wander
of the hopelessly exhausted, desperate
to be anywhere but here;
or destined—
and placed, precisely
on this map,
at this point—
a testament
that it doesn’t have to end
here, that life’s treasure
chest of grace, hope,
and redemption
can be uncovered if we
don’t
stop
digging.

 

Photo by Chris Yang on Unsplash

of a vanished kingdom

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Of a Vanished Kingdom
Yehuda Amichai
Put your face to the wind
For I do not know when again
We have too little time left to forget.
We cannot rely on forgetting.
The wind pasted an old newspaper to the olive tree.

Put your face.

Once we stood together
As a symbol of a vanished kingdom:
wild beasts, banners, and obsolete weapons
In one bundle, tied with a band of soothing words
In an ancient language.
A phrase from the prayerbook of history
In your voice a tune still remains
of Talmudic students.
“Do you love me?”
If we don’t remain together, we won’t remain at all.
Let alone live.

Photo by Flor Saurina on Unsplash

forgotten

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Forgotten

Jennifer DeMott

Like cream skimmed off
the top—
foam
running
down the sides and I
am left,
rich residue
wasted
at the bottom
just to be
wiped up later
and suddenly
nobody
knows
where
I
am.

Photo by Nikolai Chernichenko on Unsplash

of a lack in our administrations

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Of a Lack in Our Administrations
Hannah Brooks-Motl

In all this system I watched a cloud fall
Carted wet down the design
Need is a big pool
Lo go its creaturely waves
Commerce came open and bright like a starfuck
“I hear, with great shame for our century”
Last zing on the stairs
“So-and-so wants company to Paris; so-and-so is looking for a
          servant with such-and-such qualifications”
Execution too diddled back then
“So-and-so wants a master”

 

Photo by Lee Jeffs on Unsplash

black-handed curse

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Black-Handed Curse
Wanda Coleman

May the sky widen between your eyes
and a storm twist across your thoughts.

May the false images you create devour all you
give birth to. May the false images you worship obscure love.

May you look in the mirror and see the malignancy.

May you writhe in dishonor. May you writhe hearing the voices
of those you have dishonored. May you writhe knowing the
whole of the pain you’ve caused others.

May the limitations you impose on those more gifted
than yourself steal the beats of your heart.

May you be kept out of the heaven
from which you have kept others.

May no one hear your last words.
May a small rodent eat your last words.

Photo by Giorgio Trovato on Unsplash

 

chimera

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Chimera
Vievee Francis

She’s not “maternal,” she’s dangerous.

—Jamaal May

I have no charms. Admittedly.
No gold comb can move through
This mane. My skin is not translucent.
Mine is a tail to fear. I know.
And though a mother may destroy,
She too sees fit to create beauty
That would eventually grow into forms
I would swallow if I gave in
To my hungers. But, up from my wounds—
From this goat’s body—
Up from my wood-smoke lungs, from
The milk of me, comes a song, a melody
To open yours, then lick them clean.

 

Photo by Orlando Madrigal on Unsplash