Sleeping
–Jane Hirshfield
Riddle
–Laura KasischkeI am the mirror breathing above the sink.
There is a censored garden inside of me.
Over the worms someone has thrown
a delicately embroidered sheet, and
also the child at the rummage sale—more souvenirs than memories.
I am the cat buried beneath the tangled ivy. And also
the white weightless egg floating over it, which is
the cat’s immortal soul. Snowwhere there were leaves.
Empty plastic cups after the party on the beach.
The ash rising above the fire, like a flame.
The Sphinx with so much sand
blowing vaguely in her face. The last
shadow that passed over the blank
canvas in the empty art museum.I am the impossibility of desiring the person you pity.
The petal of the Easter lily—
O, that ghost of a tongue.
O, that tongue of a ghost.
What would I say if I spoke?I am the old lady in a wheelchair
in the corner of the nursing home, likea star flung up into the infinite, the infinite, cold
silent darkness of this universe. I amthat old woman as a little girl
in brilliant shoes
some beautiful summer afternoon,
laughing bitterly.
Photo by Christian Mackie on Unsplash
From Below
–Denise LevertovI move among the anklesof forest Elders, tread
their moist rugs of moss,
duff of their soft brown carpets.
Far above, their arms are held
open wide to each other, or waving
what they know, what
perplexities and wisdoms they exchange,
unknown to me as were the thoughtsof grownups when in infancy I wandered
into a roofed clearing amidst
human feet and legs and the massivecarved legs of the table,
the minds of people, the minds of trees
equally remote, my attention thenfilled with sensations, my attention now
caught by leaf and bark at eye level
and by thoughts of my own, but sometimes
drawn to upgazing-up and up: to wonder
about what rises so far above me into the light.
Photo by Eric Prouzet on Unsplash
Untitled
–Nikita GillTake this as your warning,
This book will pick out the bones
within you as it picked out the bones
within me.We are the closets
we hold our skeletons in.
And now they are knocking,
asking to get out.
Photo by Nino Liverani on Unsplash
Take a Left Here
–Jess Rizkallahi climb mountains with monasteries
named for the moonand the moon whispers
a secret to the tides There. That’s The Beginning.
Givingly
–Carl Phillips– So here we are again, one-handedly fingering
the puckered edges of the exit-wounds
memory leaves behind, he said, and he tossed
his leash made of stars, then tightened it,around the antlers it seems I forget, always,
about having. Smell of nightfall when it
hasn’t settled yet. Insatiability and
whatever else hidden behind the partsthat hide it. Surely any victim – sacrificial
or not – deserves better, I thought, him leading me
meanwhile toward the usual place, the branches
grow more givingly apart, there, as if to sayLet pass. The wind was clean. The wind
was a good thing, in his hair, and across our faces.
Photo by Derick Daily on Unsplash
Elegy
–Natasha TretheweyFor my father
I think by now the river must be thickwith salmon. Late August, I imagine itas it was that morning: drizzle needlingthe surface, mist at the banks like a netsettling around us — everything dampand shining. That morning, awkwardand heavy in our hip waders, we stalkedinto the current and found our places —you upstream a few yards and outfar deeper. You must remember howthe river seeped in over your bootsand you grew heavier with that defeat.All day I kept turning to watch you, howfirst you mimed our guide’s castingthen cast your invisible line, slicing the skybetween us; and later, rod in hand, howyou tried — again and again — to findthat perfect arc, flight of an insectskimming the river’s surface. Perhapsyou recall I cast my line and reeled intwo small trout we could not keep.Because I had to release them, I confess,I thought about the past — workingthe hooks loose, the fish writhingin my hands, each one slipping awaybefore I could let go. I can tell you nowthat I tried to take it all in, record itfor an elegy I’d write — one day —when the time came. Your daughter,I was that ruthless. What does it matterif I tell you I learned to be? You kept castingyour line, and when it did not come backempty, it was tangled with mine. Some nights,dreaming, I step again into the small boatthat carried us out and watch the bank receding —my back to where I know we are headed.
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Parting Song
–Jill Alexander EssbaumFirstit is one day without you.Then two.And soon,our point: moot.And our solution, diluted.And our class action (if ever was)is no longer suited.Wherewith I give to looting throughthe war chest of our pastlike a wily Anne Bonnywho snatches at plunder or graft.But the wreck of that ransack,that strongbox, our splintering coffer,the claptrap bastardof the best we had to offer,is sog-soaked and clammy,empty but for sand.Like the knuckle-white cupof my urgent, ghastly handsin which nothing butthe ghost of love is held.Damn it to hell.
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