What Happens in a Room
–Madeleine Wattenberginto constricting the eye.
To accept into or to envelop.
To receive, as evening does morning,
without question.
Photo by luis castro on Unsplash
What Happens in a Room
–Madeleine Wattenberginto constricting the eye.
To accept into or to envelop.
To receive, as evening does morning,
without question.
Photo by luis castro on Unsplash
The Sin of Wanting a New Refrigerator
–Andrei CodrescuSin is impervious
to past transmutations
yet this is how it happened:
I desired
the bareness of my cell to open
in the vaster bareness of a new refrigerator,
it,
the refrigerator,
having come all the way from the First Avenue of my
New York days,from the fruit stand of the dark
fat merchant. He opened it up
in another Universe: the milk bottles inside
lit up like Angels. First Avenue
refrigerated. I was a penny short
and I still am.
They tell me here that new refrigerators
are forbidden, oh
that penny had in it a sin
as elemental as the copper
it was made of
Continental Drift Theory
–Donika KellyFor two nights we slept
as two people who were once
in love: our bodiessettled into one another,
our skin quiet. No quickening,
only habit, and sleep hard come.Our first farewell, said
without knowing, drowned
by our delight, shared and singular,in what surrounded us:
the otter smashing some meal
against the pilings;the little red crabs
sweeping backward
under the boardwalk;the line of pelicans
cutting low above the harbor.
That April afternoon,the light bending long
across the water, did I not think,
my love, there at the momentthe ending began like a rock
slipped into the bay?
I’d wanted to fix in my mindyour face, wanted to fix,
at the coast, the slow drift
that separated us.Difficult now to imagine–
the gesture weak,
the occasion quite late.
Photo by Dave Hoefler on Unsplash
Against Meaning
–Andrei CodrescuEverything I do is against meaning.
This is partly deliberate, mostly spontaneous.
Wherever I am I think I’m somewhere else.
This is partly to confuse the police, mostly to
avoid myself es-
pecially when I have to confirm
the obvious which always
sits on a little table and draws a lot
of attention to itself.
So much so that no one sees the chairs
and the girl sitting on one of them.
With the obvious one is always at the movies.
The other obvious which the loud obvious
conceals
is not obvious enough to merit a
surrender of the will.
But through a little hole in the boring report
God watches us faking it.
Photo by Luke Marshall on Unsplash
Memory Demands So Much
–Denise LevertovMemory demands so much,
it wants every fiber
told and retold.
It gives and gives
but for a price, making you
risk drudgery, lapse
into document, treacheries
of glaring noon and a slow march.
Leaf never before
seen or envisioned, flying spider
of rose-red autumn, playing
a lone current of undecided wind,
lift me with you, take me
off this ground of memory that clings
to my feet like thick clay,
exacting gratitude for gifts and gifts.
Take me flying before
you vanish, leaf, before
I have time to remember you,
intent instead on being
in the midst of that flight,
of those unforeseeable words.
Brocade
–Jane HirshfieldAll day wondering
if I’ve become useless.All day the osprey
white and black,
carrying
big dry sticks without leaves.Late, I say to my pride,
You think you’re the feathered part
of this don’t you?
Photo by Karo Kujanpaa on Unsplash
The Last Time
–Donika KellyI hardly remember the last time
we touched each other with tenderness:the evening’s fall, the light dim, the rug new,
our life rambling ahead of us as the valley runsto the foothills. Surely I called your name,
pulled you close; surely you trembled, our bodiestangled and damp; yet what lingers in my mind,
what rings so clear is the hot mouth of shame openingin my gut, awakened by the more I’d wanted: to taste
and at the same time be tasted, to be ridden, to takeinside me whatever you would give. Shame,
in both the wanting and the wanting’s return,swallowing whatever longing I wanted to voice.
I could hardly know that mouth’s alarm,gilding the night, was a warning–had assumed
the maze farther south, its center quiet.
Photo by Matthew Kosloski on Unsplash
On Hurt
–Nikita GillDeciding how hurt
someone is allowed to be
with your behaviour
towards them
is the emotional
equivalent of1.
drowning someone
and deciding
how loud
they are allowed
to scream.2.
setting someone on fire
and deciding
how much of a mess
their ashes are allowed
to make.3.
stabbing someone
and deciding
how much
they are allowed
to bleed.You do not get to
destroy someone
and decide how ruined
they are allowed
to feel.
Photo by Mishal Ibrahim on Unsplash