distant regard


Distant Regard
Tony Hoagland
If I knew I would be dead by this time next year I believe I would
spend the months from now till then writing thank-you notes to strangers
and acquaintances,
telling them, “You really were a great travel agent,” or
“I never got the taste of your kisses out of my mouth.” or
“Watching you walk across the room
was part of my destination.”
It would be the equivalent, I think, of leaving a chocolate wrapped in
shiny foil on the pillow of a guest in a hotel–
“Hotel of earth, where we resided for some years together,” I
start to say, before I realize it is a terrible cliche,
and stop, and then go on, forgiving myself in a mere split second
because now that I’m dying, I just go forward like water, flowing
around obstacles
and second thoughts, not getting snagged, just continuing with my long
list of thank-yous, which seems to naturally expand
to include sunlight and wind, and the aspen trees which gleam and
shimmer in the yard and the intricate irrigation system
which nourishes their roots invented by an individual whose name I will
never know but to whom I am quietly grateful.
Outside it is autumn, season when cold air sharpens the mind. The hills
are red and copper in their shaggy majesty.
The clouds blow overhead like governments and years. Time to contemplate
the distant things, to learn from their example of calm;
time to practice affection without a desperate hanging on. It took me a
long time to understand the phrase “distant regard,”
but I believe that I get it now, and I am grateful for my heart, that
turned out to be good, after all;
and grateful for my mind, to which, in retrospect, I can see I have
never been sufficiently kind.

Photo by Waranont Wichittranont on Unsplash

wet kiss


Don’t Tell Anyone
Tony Hoagland
We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if I should consider myself

personally the cause of her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of your own pain.
There goes Kath, at one pm, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

Photo by Miguel Delmar on Unsplash

extraordinary real estate


Real Estate
Tony Hoagland
I don’t trust people who overuse the word extraordinary.
Nor those who tell you how much they adore everything,
as in, “I adore Susan Sarandon” or, “this apple pie” or, “the way you wear your hair.”

I get lost inside of the exaggerations.
The tree will topple under all those promises.
The branch will break from all that heavy fruit.

Why pretend? Not all human beings are beautiful.
People killed by bombs are not automatic heroes.
One Tuesday night’s unhappiness
does not make the world a terrible place.

The four-star general on television says,
“Bombing that city was a serious mistake,
but it taught me a lot about myself.”
Perhaps he should give a medal to his therapist.

When I hear how certain people speak,
I think of those mansions built along the north New Jersey shore,
that completely block ordinary people from a view of the ocean.
I think of the people who call that investment real estate.

My heroes are the ones who don’t say much.
They don’t hug people they just met.
They use plain language even when they listen.
They stand back and let you see it for yourself.

Wisdom doesn’t come to every Californian.
Chances are I too
will die with difficulty in the dark.

If you want to see a lost civilization,
why not just look in the mirror?
If you want to talk about love, why not begin
with those marigolds you forgot to water?

Photo by Wes Hicks on Unsplash

so great when


Ode to the Republic
Tony Hoagland
It’s going to be so great when America is just a second fiddle
and we stand on the sidelines and watch the big boys slug it out.
Old men reading the Times on benches in Central Park
will smile and say, “Let Brazil take care of it.”
Farmers in South Carolina will have bumper stickers that read
“One nation, with vegetables for all” and “USA:
Numero Uno for grade A tomatoes!”
America, you big scary baby, didn’t you know
when you pounded your chest like that in public
it just embarrassed us?
When you lied to yourself on television,
we looked down at our feet;
When your left hand turned into a claw,
when you hammered the little country down
and chanted the pledge of allegiance,
I put on my new sunglasses
and stared at the church across the street.
I thought I had to go down with you,
hating myself in red white and blue
learning to say “I’m sorry,” in more and more foreign languages.
But now at last the end of our dynasty has arrived,
and I feel humble and calm and curiously free.
It’s so good to be unimportant.
It’s so nice to sit on the shore of the Potomac
and watch Time take back half of everything.
It’s a relief to take the dog for a walk
without body armor and stun guns, without frightening the neighbors.
My country, ‘tis of thee I sing:
There are worse things than being
second burrito,
minor player, ex-bigshot, former VIP, drinking decaf
in the nursing home for downsized superpowers.

Like a Navajo wearing a cowboy hat, may you learn
to handle history ironically.
May you look into the mirror and see your doubleness—old blue eyes
in a brown face.
May your women finally lay down
the law: No more war on a school night.
May your shame at failing be cushioned by the oldest kind of chemotherapy:
stage after stage of acceptance.
May someone learn to love you again.
May you sit on the porch with the other countries
in the late afternoon,
and talk about chickens and rain.

Photo (c) S Donaghy

in an airport


Coming and Going
Tony Hoagland
My marriage ended in an airport long ago.
I was not wise enough to cry while looking for my car,

walking through the underground garage;
jets were roaring overhead, and if I had been wise

I would have looked up at those heavy-bellied cylinders
and seen the wheelchairs and the frightened dogs inside;

the kidneys bedded in dry ice and Styrofoam containers.
I would have known that in synagogues and churches all over town

couples were gathering like flocks of geese
getting ready to take off, while here the jets were putting down

their gear, getting ready for the jolt, the giant tires
shrieking and scraping off two

long streaks of rubber molecules,
that might have been my wife and I, screaming in our fear.

It is a matter of amusement to me now,
me staggering around that underground garage,

trying to remember the color of my vehicle,
unable to recall that I had come by cab—

eventually gathering myself and going back inside,
quite matter-of-fact,

to get the luggage
I would be carrying for the rest of my life.

Photo by Belinda Fewings on Unsplash


proof of life


Proof of Life
Tony Hoagland
Those small cuts and infections on my hands
from splinters and thorns
that show I have been working out of doors this week.

The maddening peculiar purgatory
of Bob Seger and the Silver Bullet Band
playing “Against the Wind”
continuously for three days inside my head
until on the fourth day it finally stops.

The sound of clothes going around in the dryer
at the other end of the house.

Wanting from a very young age
not to be a zombie sleepwalking through time.

Leaving people, and being left by them.
This catch-and-release version of life.

The kidnappers send out a photograph of the
hostage, grimacing,
holding up a newspaper from yesterday.
They call this “proof of life.”

It means the captive is still alive.

The day is blue with one high white cloud
like a pilgrim going to Canterbury.

There is a bird half-hidden in the shrub outside.
Something he has eaten has made his
chest feathers red.

Photo by Matt Artz on Unsplash

ten reasons


Ten Reasons Why We Cannot Seem to Make Progress
Tony Hoagland
As long as the cheerleader keeps watching the movie about cheerleaders
and the businessman keeps a copy of The Art of War in his attaché case.

As long as the money retains no memory of where it has been
but keeps on running like a river

Until going to war is explained in terms of child development

Until the man is shown licking his fingertips
and reaching down to brush the woman’s cunt,

until her wetness wakes and matches his.
Until every candidate for Congress is required

to work for a year in the military,
rubbing lotion onto the stumps of the amputees,

which will be so frightening to most on a sexual level,
that soon only women will run for the Senate.

As long as meaning is pursued and captured
and placed on display like a trophy or a piece of meat

As long as shoppers continue
to enter the heaven of the shopping mall

like ants climbing in a long line
into the nozzle of the plastic honey container

to die in a golden profusion
of what they planned to bring home—

As long as there are these things
that we are not allowed to think or say out loud.

Until we can speak them out loud,
we will be trapped inside the dream.

Photo by Johnny McClung on Unsplash

marriage song


Marriage Song
Tony Hoagland
God said (and already you can tell
I’m making this up),

Let this woman and this man
Be joined together

In front of the sea and the grass
And the trees who don’t care

He said, Let them make
A gate in themselves

Through which the other can pass
And may the gate never be closed

So they can feel the truth of being entered

And the loneliness of being
Imperfectly misunderstood —

Now go, God said,
Into the country of love

Change it with your experiments
Don’t be intimidated Enjoy your skin

Impress me
Make something grow

For your bravery merely in undertaking
This impossible task

I make you a special loan called Time
No, don’t bother to thank me now —

You can pay me back as you go

Photo by Guillaume LORAIN on Unsplash