Taking Off My Clothes
–Carolyn Forché
I take off my shirt, I show you.
I shaved the hair out under my arms.
I roll up my pants, I scraped off the hair
on my legs with a knife, getting white.My hair is the color of chopped maples.
My eyes dark as beans cooked in the south.
(Coal fields in the moon on torn-up hills)Skin polished as a Ming bowl
showing its blood cracks, its age, I have hundreds
of names for the snow, for this, all of them quiet.In the night I come to you and it seems a shame
to waste my deepest shudders on a wall of a man.You recognize strangers,
think you lived through destruction.
You can’t explain this night, my face, your memory.You want to know what I know?
Your own hands are lying.
Month: July 2017
dumping everything on the unconscious
Standardnostalgia’s impotence
Standard“My bitterness over nostalgia’s impotence to revive and resurrect becomes a tearful rage against God, who created impossibilities, when I think about how the friends of my dreams – with whom I’ve shared so much in a make-believe life and with whom I’ve had so many stimulating conversations in imaginary cafés – have never had a space of their own where they could truly exist, independent of my consciousness of them!”-The Book of Disquiet, Pessoa
Nostalgia is no new topic here or anywhere. We dwell in nostalgia’s hallways and cellars too frequently – so frequently it is almost indecent, ignoring the obscenity of the inability to let go, elevating it in fact in many cultures and languages to be the highest form of memory and admiration.
In previous writings on the subject I had been writing about my memories of Japanese language camp, the passage of time and nostalgia without even touching on the Japanese-language term “natsukashi”, which is roughly the same as “nostalgia”, filled with the same push-pull of longing/sadness and sentimentality/if-only/some-other-life feeling. How many times have I spoken to a Japanese person who, with that telltale faraway look in their eye said wistfully, “Natsukashi…”, their voice trailing off as the mind traveled into the murky mists of the past. Even in citing Japanese poet Tamura and writing: “It is also the nostalgia – looking back at people, events – what has deeply affected and wounded us, things we carry for years, imprinted on us even when the person or event is long ago and the deep impression we have belies the brevity of these memorable encounters”, I still didn’t think of ‘natsukashi’.
But then ‘natsukashi’ leapt to mind yesterday when I had a long conversation about living in the past, not being able to let go, nostalgia and how difficult it is when one lives in her own conception of how the past was – her own nostalgia – and eventually faces the reality that the others who populated that storied past do not share the same perception of that past. It shouldn’t be necessary to reconcile one’s own view of the past and sense of longing for it with another’s view, in which longing plays no part. In fact without these mismatches, I imagine we’d have much less of the bittersweet poetry, literature and music we covet; I imagine we’d have nowhere near as much invested in nostalgia: in fact an integral part of nostalgia may in fact be that we are grasping for something that never really existed.
What Cannot Be
–Odysseus Elytis
Photo (c) 2017 – SD
the murmur of confused time
StandardAfter all, it’s all in – and given away by – the vowels.
Vowel
–Nina Cassian
A clean vowel
in my morning,
Latin pronunciation
in the murmur of confused time.
With rational syllables
I’m trying to clear the occult mind
and promiscuous violence.
My linguistic protest
has no power:
The enemy is illiterate.
Zij
Standard“And give me news of him now and again,
so that I will not have to ask strangers
who wonder at my boldness, and
neighbors who pity my persistence.
You whose hands are more innocent than mine
stay by his bedside
and be gentle to his dream.” -Vesna Parun
When every word and statement appears as though it had been engineered to extract information manipulatively and surreptitiously (the listener is too suspicious to fall for that), a conversation is always a cat-and-mouse game. Zij wanted nothing more than to pump hard for information but knew she could not get any if she went for the hard sell. No, it had to be subtler, a conversation in which casual half-remarks might pique the listener’s interest and cause a careless offer of more information than intended. Zij attempted at times to lull the listener into loose-lipped revelation through flattery, searching out all the buttons that would stroke even the ego of a person so tightly controlled they didn’t seem to have an ego. The listener, connected in some feverishly imagined way to a place Zij wanted to get back to, calmly responded in an academic and dispassionate way to all comments.
When Zij did not get what she wanted, she changed tack.
“You are “better” than me in so many ways,” Zij said to the listener. “A more high-minded being.”
Why should such comparatives arise at all? It made no sense to compare: the listener is no better or worse than Zij. Either Zij wanted to be reassured that it wasn’t true, or she really must have self-esteem that low. So uncomfortable was Zij that she was unable to focus her love on herself or those who had proven themselves to love her unconditionally. No, there was always the increasingly hard pushing-away, boring in to gather ammunition while at the same time diffusing attention across as many sources as possible, to find solace temporarily where there really was none.
Thinking these thoughts, the listener listened. Why should the listener constantly be compared against this phantom from the past, by that phantom herself? What was the purpose of this exercise? In response, the listener finally replied coolly, “No, ‘better’ is not the right frame for this. It’s just different. People, as simple as it sounds, would not be interesting if we were all the same.”
When the listener proved to be responsive only to talk of her identity and bouts of mania, and this did not produce information – or even a reaction, Zij tried another approach:
“That place – that island – is so completely different from every other place on earth. I didn’t appreciate it when I was there, but it was unique and nothing else can rival it in the world. I should have loved it for what it was but didn’t. I was careless, making a mess of this land, inviting equally unappreciative strangers there, stripping and commoditizing this oasis.”
The listener remained silent, knowing a contradiction was coming.
“But I don’t understand why the island grew so inhospitable. I am sure that any other place in the world would have accommodated us forever – because that’s what places are for – that is what they do!”
The listener considered this, finally answering, “Can you really have appreciated the island for its real qualities if you never really knew them? If you used it for your own purposes but didn’t understand its ecology, what sustained it? And now, so many years later, can you be trusted as sincere in your regret at abusing and trampling all over the island and pushing it to the brink, if it appears that your regret is only about what you lost – and not about what the island lost or didn’t have in the first place, or didn’t get from letting you run rampant all over and through it? If your regret for the place and how you mistreated it were real, wouldn’t you step back and respect that it needs its own oxygen, it needs time… it can’t regenerate as long as the weeds and vines of the past continue to overgrow and overreach everything?”
Zij was silent, if only briefly. She did not like this answer at all. Attempting to regain the upper hand, completely forgetting any pretension of composure, she changed strategy yet again. Wanting to elicit… what? Anger? Jealousy? Curiosity? Insecurity? Uncertainty? To drive a wedge?:
“Do you have any idea how many people want desperately to visit that island now? For some reason it’s completely off-limits, but even people who have exclusive access to every other place in the world, who have piles of invitations they could accept… they want to go to THIS place but are denied. Why is it that you are welcomed there… and they aren’t? What is it about you that is so special?”
Underneath these words, the listener could hear a childish, deafening and always-growing-louder refrain: “WHY YOU? WHY YOU? WHY YOU?” underpinned by a whispering and desperate, “And why not me?” The listener again failed to react, immediately, thinking of the inherent immaturity of this line of questioning, wanting to quote the simplistic Bonjour tristesse: «Vous vous faites de l’amour une idée un peu simpliste. Ce n’est pas une suite de sensations indépendantes les unes des autres…» But knowing there was nothing that could be said to reliably explain anything. No explanations were required or owed.
It seemed once more, or still, that Zij asked the wrong questions of the wrong entity, diffusing all her pent up frustrations, regrets and feelings to all the wrong people. And the listener could only feel sad compassion for a life spent idealizing a past that kept her from fully living in the present.
Holy poems
StandardIf There Is a God
–Ewa Lipska
If there is a God
I’ll have dinner at his place.
Instead of a stoplight, a red hawthorn.
An angel will come for me in a car.
Doves of chubby clouds
will flutter over the folding table.
From empty jugs we will drink holy water and free will.
Even if God is near-sighted,
he will see eternity coming.
If God has a flair for languages, he can translate holy poems
for an anthology even holier
than the holiest first drop
from which a river sprang.
Later we will go cycling, God and I,
over a cherry tree, over the landscapes of paradise.
Earth’s reeds stand in vases here.
Beasts of prey lie fallow.
At last God will get off his bike and say
it is he
who is God.
He will take out his binoculars. He will command me
to behold the earth. He will tell me
how things have come to such a pass,
how long he has plied his trade and
how infallibly he has failed with the world,
launching tiny airplanes of ideas into the vacuum.If God is a believer
he prays to himself for perpetual hope.
Oxen carry the sun upon their horns.
The folding table sways on its legs.
I will get medicine from God
and get well
soon after I die.
You bring it on yourself …
StandardI just can’t “do” pettiness. I have petty thoughts and moments like everyone else, but when the time comes to act petty – to do something that really crosses a line, I can’t do it. And I don’t see how anyone can. Are people so hollow that they must extract a momentary ‘victory’ or pinprick of self-satisfaction from things that will hurt others or ultimately just be a pile of nothingness? Here I think of everything from going out of one’s way to genuinely hurt or threaten someone else because of one’s own childish impulses (and by hurt or threaten, I am talking about actual things, such as launching things into the world that could jeopardize another person’s livelihood or cause problems in his/her daily life) to the daily pettiness, such as spewing anger, hatred, outsized frustration about things that don’t matter, that could easily be ignored, just feeling a need to stir up trouble.
It’s hard to let the impulse toward pettiness take hold. I spend so much time immersed in books about Soviet prison camps, slavery, civil rights, the Holocaust, the Khmer Rouge, climate change, neoliberal paths to failure and destruction, civil war, post-colonial problems, Ebola, poverty, lack of access to and other disasters in healthcare, discrimination and so many other things that are just so much bigger than whether someone cut you off in traffic, whether your roommate swept a few crumbs off the kitchen counter, whether you feel a little lonely and blue, whether your bourgeois concerns, such as forgetting to cancel a scheduled grocery delivery when you’re out of town, send you into a panic. It’s not that those things don’t matter at all – it’s just that I don’t understand how and why anyone can really get so worked up about them. Is it just that the world is so full of interwoven, complex problems and so much human-on-human, human-created misery that it becomes necessary to go inward, become hyperfocused on the petty and immediate surroundings just to get through?
No doubt: humanity is cruel and ugly – defined in so many cases and total epochs by sheer brutality – my choice of reading and viewing materials are constant reminders that this ugliness is universal, eternal and takes very little to provoke and escalate. I do this to myself, though, creating this chasm between the daily mundane (convincing myself it doesn’t matter) and the big awful (things that, in most cases, I can’t do anything to correct or change anyway). It is perhaps just as nihilistic to find no middle ground where cruelties, ills and evils cannot be mitigated in some way.
I try. Step by step, individual by individual. I have been thinking and writing about, for years, the idea of caring for others, as individuals or in groups/organizations, trying to help in one way or another. But lately the question has reignited in me: where is the line between helping and enabling? The things, the issues, the people who linger and cling – and where I have wanted to help set them on their feet so they could run forward, they’ve instead dug in their heels. Am I blind in these cases, putting my own well-being into peril because of what I won’t see or let go of? And is asking the question a full circle back to the pettiness I am trying to avoid?
caught in sleep’s undertow
Standard“I feel my life fleeing”
StandardDusk
–Gabriela Mistral
I feel my heart melting
in the mildness like candles:
my veins are slow oil
and not wine,
and I feel my life fleeing
hushed and gentle like the gazelle.
Original
Atardecer
Siento mi corazón en la dulzura
fundirse como ceras:
son un óleo tardo
y no un vino mis venas,
y siento que mi vida se va huyendo
callada y dulce como la gacela.
the wounded stare of jealousy
StandardMy reading:
The better reading from the poet himself, Seamus Heaney:
A Dream of Jealousy
–Seamus Heaney
Walking with you and another lady
In a wooded parkland, the whispering grass
Ran its fingers through our guessing silence
And the trees opened into a shady
Unexpected clearing where we sat down.
We talking about desire and being jealous,
Our conversation a loose single gown
Or a white picnic tablecloth spread out
Like a book of manners in the wilderness.
‘Show me,’ I said to our companion, ‘what
I have much coveted, your breast’s mauve star.’
And she consented. Oh neither these verses
Nor my prudence, love, can heal your wounded stare.



