sorrow beyond measure

Standard

Lacrimarium
David Barber
Were there a tear
To spare, where better
To be sure the gesture
Would linger than here
In its own little bottle
Blown from a hot bubble
To mirror a tear.

And were there more
Than one could bear,
So much the better
In the hereafter for
The begetter, a little
Vessel to stopper
Sorrow beyond measure.

And were there a tear
Too few, far better to hire
A weeper, for where
But in a tearful little
Jigger does it figure
No one need settle for
Less than a fair share.

Photo by Marc Sendra martorell on Unsplash

memory noise

Standard

Memory
Nina Cassian
An overcrowded territory
filled with clash of felines
with violent epidemics —
like an assault and battery of orchestras,
deafening my present tense;
squeaking drawers
holding piles of sorrows, thin stingy files of joys…

I wish
I could exhume myself from this noise.

Photo by Eric Parks on Unsplash

bloody men

Standard

Bloody Men
Wendy Cope
Bloody men are like bloody buses –
You wait for about a year
And as soon as one approaches your stop
Two or three others appear.

You look at them flashing their indicators,
Offering you a ride.
You’re trying to read the destination,
You haven’t much time to decide.

If you make a mistake, there is no turning back.
Jump off, and you’ll stand there and gaze
While the cars and the taxis and lorries go by
And the minutes, the hours, the days.

would have guessed

Standard

Pretty Soon
Edith Brück
Pretty soon
when people hear a quiz show expert
talk about Auschwitz
they’ll ask themselves if they would have guessed
that name
they’ll comment on the current champion
who never gets dates wrong
and always guesses the number of dead.
Yawning sleepily
they’ll say maybe they would have preferred
Greco-Roman history
to these Jews
who have always gotten themselves talked about:
they really attract persecution.

thick shell

Standard

Mein Kampf
William Stafford

Screen Shot 2018-08-23 at 11.20.54

way

Standard

Way
Tristan Tzara
What is this road that separates us
across which I hold out the hand of my thoughts
a flower written at the end of each finger
and the end of the road is a flower which walks with you

Original

Voie
quel est ce chemin qui nous sépare
a travers lequel je tends la main de ma pensée
une fleur est écrite au bout de chaque doigt
et le bout du chemin est une fleur qui marche avec toi

non-return

Standard

Return
Mateja Matevski
You’re coming to me and I sing
of your non-return

From azure heights
from deep shadows
with years
with suffering

Why are you hastening
with your dying
through slow living

The earth has long absorbed
my song
my curses

Deaf time is not awakened
even by love’s howling

The heart has forgotten you
only the wrinkles on my face
remember you

narcosis

Standard

Long
William Matthews

for Stanley Plumly
Screen Shot 2018-11-03 at 18.14.53

armor of suffering

Standard

The Ring
D. Nurkse
Screen Shot 2018-11-03 at 14.36.34
Screen Shot 2018-11-03 at 14.37.13
Screen Shot 2018-11-03 at 14.37.31

Photo by Ramdan Authentic on Unsplash

first and singular day

Standard

Life of Sundays
Rodney Jones

Down the street, someone must be praying, and though I don’t
Go there anymore, I want to at times, to hear the diction
And the tone, though the English pronoun for God is obsolete—

What goes on is devotion, which wouldn’t change if I heard:
The polished sermon, the upright’s arpeggios of vacant notes.
What else could unite widows, bankers, children, and ghosts?

And those faces are so good as they tilt their smiles upward
To the rostrum that represents law, and the minister who
Represents God beams like the white palm of the good hand

Of Christ raised behind the baptistry to signal the multitude,
Which I am not among, though I feel the abundance of calm
And know the beatitude so well I do not have to imagine it,

Or the polite old ones who gather after the service to chat,
Or the ritual linen of Sunday tables that are already set.
More than any other days, Sundays stand in unvarying rows

That beg attention: there is that studied verisimilitude
Of sanctuary, so even mud and bitten weeds look dressed up
For some eye in the distant past, some remote kingdom

Where the pastures are crossed by thoroughly symbolic rivers.
That is why the syntax of prayers is so often reversed,
Aimed toward the dead who clearly have not gone ahead

But returned to prior things, a vista of angels and sheep,
A desert where men in robes and sandals gather by a tree.
Hushed stores, all day that sense a bell is about to ring—

I recognized it, waking up, before I weighed the bulk of news
Or saw Saturday night’s cars parked randomly along the curb,
And though I had no prayer, I wanted to offer something

Or ask for something, perhaps out of habit, but as the past
Must always be honored unconsciously, formally, and persists
On this first and singular day, though I think of it as last.

Photo by NeONBRAND on Unsplash