Fullest

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An excerpt:

“When it’s over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
If I have made of my life something particular, and real,
I don’t want to find myself sighing and frightened,
Or full of argument.

I don’t want to end up simply having visited this world.” – Mary Oliver

One of life’s greatest missteps and misfortunes is to not really live. To question what might have been, to let opportunities and people go who might have helped us grow, explore and see things in new ways – to question because we did not choose to experience those things for one reason or another. Our practical lives and minds steer us toward clear and safe paths: keep the miserable job because it is stable. Stay in unhappy relationships because you won’t find someone better suited or because you can’t bear to be alone. Don’t spontaneously travel to a far-flung land because it is dangerous – or because you just can’t see yourself being that spontaneous. Stop listening to music because it’s… I don’t know, what young people do? (As the lovely, old Australian film Strictly Ballroom reminds us: “A life lived in fear is a life half-lived.”)

Without really living – embracing, learning, loving, doing – haven’t you only visited this world?

The abuser
I had a job for many years that, in no uncertain terms, was bad. I liked the actual work and subject matter (I did learn a lot) and loved many of my colleagues. But the organizational culture and company – totally delusional. And they played the role of abuser. Most people there were zombified automatons, brainwashed to think they were making a difference, to think they could do no better elsewhere, that every place is the same or would be worse or – god forbid – that the way this place operated was normal. But my nomadic nature taught me better – I had changed roles and companies frequently and was doing other work in parallel that showed me just how miserable that place was.

Almost everyone with whom I worked closely has left and all of them express to me this feeling of having left an abusive partner – having been told repeatedly, “You will never find something better. You aren’t good enough for something else. Nothing else will be better than this anyway.” As soon as they left, a giant weight lifted from their shoulders, and they realized, “Wow, I can actually do things. I am actually effective and smart.” And the toxic nature of the relationship and culture of the previous company becomes clearer than ever.

But while there are the few who have been “liberated” there are still the herds and hordes who haven’t and probably never will be. Mostly “lifers” who have nothing to compare it to and would not have the skills or sense to make it anywhere else.

I wonder when I think of these people whether they are truly living. In some cases, I would say, no, they are not living according to my definition of living – but then they don’t have to. They can define it for themselves. Some people there are just going for the paycheck, camaraderie and flexibility on holidays and their external/non-work lives are full of living. Some like the exceedingly family-friendly nature of the company and stay for more than a decade while having a family. These things make sense. But the die-hard, drank-the-Kool-Aid types don’t make much sense, and I can’t compare what they are doing to living. (At least I would ask in the end of my life “if I have made of my life something particular, and real…” –and the answer would be no.)

The seeker
What would life be without music? It’s something about which I am passionate – even if I have never been one to make music (which I kind of regret – but at the same time, it’s not such a deep regret or loss that I will ponder it at the end of my life wondering why I didn’t do something about it).

But no, I am on a constant journey of discovering new music – and sharing it (like it or not). I’ve written about this before, and about the supposed drop-off in music discovery at age 27 (or something similarly strange. Oh no, 33. As if that is so much better). I will never understand this.

The other day I told a friend I might be in Gothenburg for a concert; she asked me what show, knowing full well she would have no idea who it was because she is just not into following music. It defies all logic for her – and for many of my friends – that I can put together a mix of music several times a year with so many things they have never heard of.

But for me I can’t say I think I would be living without constantly seeking out new music. To fully live life, it needs a soundtrack.

The lover
I do not love easily or often. When I do, on these rarest of occasions, I know it. I know I love and there are no questions or doubts about the feeling or what it is or what it means. (Does it mean there is no fear? Of course not. But there is no doubt whatsoever about what the feeling is.) When I love truly and deeply, pulled by an undeniable force that I can’t control, I would go to the ends of the earth. Despite my infamous insular, self-driven and independent nature, I am, by love, transformed to become expansive in my inclusion of the person I love, inviting them to also inhabit the world we create together – a person for whom I would go anywhere, do almost anything and defend, support and love through dark and light, bad and good. This all-encompassing approach should make it clear why I don’t and can’t feel this way about just anyone (as much as I simultaneously revile and admire people who think they fall in love with every person they meet – the whole thing must be very easy for them. Not to be dismissive, of course).

It happens that this infernal New Age book I recently read (yes, I keep referring back to it) described well how I might describe it. In addition I would say that love is… or, maybe no, not love, but lovingactive loving – is fundamentally a conversation. A conversation that goes on, lingers, does not end, that continues even in silence.

“…the value and process of soulful romance rests in what he calls radical conversation, in which one intends, continuously, to discover more and ever more about oneself and the other. Through such an exchange between two mysteries, one draws nearer to the central mystery of life.

Loving the otherness of the partner is a transcendent event, for one enters the true mystery of relationship in which one is taken to the third place – not you plus me, but we who are more than ourselves with each other.”

“Radical conversation has emotional, imaginal, sexual and spiritual dimensions as well as verbal ones. And the conversation is approached not only with skill and intent but also with innocence and wonder. Neither the other nor the self is a fixed thing. The bottom is never reached. One hopes to be forever surprised.

But of course it’s not all delight and ease. Far from it. We are constantly discovering how we project our shadow – both its light and dark aspects – onto each other. The dance of soulful romance always includes owning back those projections and transferences. Our relationship will expose all the places we are emotionally blocked, blinded, wounded, caged, protected, or otherwise limited.” -Bill Plotkin, Soulcraft

Does this mean no doubts ever creep in? No. But they don’t negate, erase, eliminate or diminish the underlying feeling or its strength.

Doubt’s a constant stream of questions (these don’t all apply to me; just a generic list): Am I rebounding? Am I clear-headed enough to embark on something significant? Am I repeating the exact same pattern that got me into a long and one-sided love affair from years ago? Am I ready for this? Or, for example, as one friend pointed out about people ending long relationships and possibly heading into new ones, have they really grappled with the question, “Who am I outside the old/long relationship?”

Yes, questions and doubts because that is what it is to interact and be with those with whom we are in love: to shut out the noise of too many superfluous questions and practicalities, all of which do not matter at the core of it all, and to find a place together (emotionally more than physically) that is both centered and calm at the same time as setting you alight and keeping you deeply rooted in the moment, wanting more but being content all at once.

At the core of it all, I will still live fully. I am fully alive. And I love. And I know I love.

Photo (c) – the late, great Paul Costanich

Between two poles

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“Automatic cars can facilitate our dark side.”

Many things feel as if they pull me between two poles. At one pole, I love seeing the paw prints of wild animals in the snow – mysterious visitors that I rarely see apart from this evidence of their earlier presence. At the other, I hate snow, and I particularly hate the melty, slick state of it right now (it won’t last long; colder temperatures are on the way). I took my life in my hands by heading down to the mailbox (no slips/slides/falls, luckily).

One pole pulls me to music: Weyes Blood’s “Seven Words”.

The other pole pulls me to poetry and all the memories and emotion tied to it, to the moment I lived it.

To Sleep
O soft embalmer of the still midnight,
      Shutting, with careful fingers and benign,
Our gloom-pleas’d eyes, embower’d from the light,
      Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close
      In midst of this thine hymn my willing eyes,
Or wait the “Amen,” ere thy poppy throws
      Around my bed its lulling charities.
Then save me, or the passed day will shine
Upon my pillow, breeding many woes,—
      Save me from curious Conscience, that still lords
Its strength for darkness, burrowing like a mole;
      Turn the key deftly in the oiled wards,
And seal the hushed Casket of my Soul.

 

I even sway  – or perhaps sway most of all – between two poles about how to communicate – at one pole, wanting to say so much but, at the other, saying very little. This is always the danger of communication or non-communication. When more seems to be at stake, when your feelings become much more entangled than you could have imagined, you start censoring yourself or stop asking questions and trying to clarify things to get to the heart of the matter. It’s almost involuntary. But I am aware.

And, with this awareness, I am defying my own inner limitations and trying to be courageous about stepping into the middle ground, between the two poles, to say, do and encompass everything and openness.

Photo (c) 2013 Lady May Pamintuan

Chilly

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Sometimes you just don’t have the words. What someone tells you and expects you to respond to is just so far outside the norm or what you can fathom in reality that you can’t respond. You can only shake your head and wonder how things spiral and descend to such a depth. I am rarely stuck for words, but I am right now.

Or perhaps I am stunned out of words by the arctic chill of the interior of my house. The previous winters, the house was kept cozy and warm but the underfloor heating has been malfunctioning repeatedly this year. It’s just too cold in this place to live with this. I’ve danced and jumped and run around the house all evening to keep the cold at bay; now I am making hot water bottles, piling on the blankets and plugging in a space heater to make tonight comfortable. It may be time to look at some other solution while waiting yet again for a fix.

And to end and hopefully sleep, I listen to Glasgow’s Bubblegum Lemonade & read some very old French poetry.

Souvenir
Marceline Desbordes-Valmore

Quand il pâlit un soir, que sa voix tremblante
S’eteignit tout à coup dans un mot commencé;
Quand ses yeux, soulevant leur paupière brûlante,
Me blessèrent d’un mal dont je le crus blessé;
Quand ses traits plus touchants, éclairés d’une flamme
Qui ne s’éteint jamais,
S’imprimèrent vivants dans le fond de mon âme;
Il n’aimait pas: j’aimais!

Halloween 2016 – Good Goo of Random Gum – Life’s soundtrack

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Halloween 2016 – The Good Goo of Random Gum

It’s that time again – Halloween mix time. As I wrote in the letter that accompanied the physical Halloween mailer, so many things have shifted in life of late and decisions all feel like they hinge on so many contingencies that I feel this mix reflects the uncertainty (“feel the sense of the ground constantly shifting if you listen to this CD. All of these mixes are quite random, but somehow I manage to string them together in a way that has some meaning or flow for me – this one feels as disjointed as everything in life feels. Not necessarily even in a bad way – just that things are uneasy”.)

As usual there are things here that I really love, some things that just remind me, nostalgically, of something else (even if the song sucks) and everything in between. The whole playlist can be found on Spotify here (my Spotify ID is comraderadmila; the list of my entire compendium of soundtracks can be found here. This has been going on since 2008 after all…).

1. U2 – “Salomé”
From those last days before U2 lost the plot.

2. Vorderhaus – “My Situation”
3. Guided by Voices – “Motor Away” …When you motor away beyond the once-red lips/When you free yourself from the chance of a lifetime…
Speed on, Naomi, Bethany; why don’t you just drive away, JKL?

4. Brasstronaut – “Bounce”
“An iceberg slowly melting in the gulf-stream/sends a letter to its lover/I’ll soon return a hurricane/and blow away your doubtful reservations”

5. Magazine – “A Song from Under the Floorboards”
“I am angry I am ill and I’m as ugly as sin/My irritability keeps me alive and kicking/I know the meaning of life, it doesn’t help me a bit”

6. Kristin Hersh – “Fly”
“I’ve fallen so far for the people you are/I just need your star for a day”
7. Yo La Tengo – “You Can Have It All” …Take it baby, you can have it all…
For R.

8. Tei Shi – “Bassically” …Baby, I’ll behave/If you let me stay/Please don’t think/That I’m begging you for love…
For R.

9. Agnes Obel – “Riverside” …I walk to the borders on my own/To fall in the water just like a stone/Chilled to the marrow in them bones/Why do I go here all alone…
That brief Danish interlude in life. “Oh my God I see how everything is torn in the river deep”

10. The Julie Ruin – “I Decide”

11. Gruff Rhys – “American Interior” …Your dreams will carry me/To a new world…

12. The Stone Roses – “Sugar Spun Sister”
The fulfillment of massive adolescent dreams; seeing the Roses live in Manchester so many years after falling in love with them. Powerful floods of memory and emotion, particularly around my best then-friend, wondering where she is, how she is, what she is doing, and wishing I could have shared this with her, even if I know it would not have lived up to the nostalgic scenes my mind created. I’ve been blasting this ever since.

13. The Shamen – “Ebeneezer Goode”
A memory of a different kind. When I used to hang out with my brother and his friend Matt, Matt used to try to play The Shamen, which annoyed me (I hated The Shamen). It wasn’t until recently that I realized they were Scottish. Listened for a bit during the summer (reviving the old memories in general).

14. Public Enemy – “Between Hard in a Rock Place”
Another bit of the Stone Roses’ experience: Public Enemy as openers.
15. The Tallest Man on Earth – “Time of the Blue”
With love for, work-related commiseration with and thanks to Andreas

16. Waldeck – “Memories”

17. Mirah – “Jerusalem”
And on to Israel

18. Rupa & the April Fishes – “Maintenant”

19. Soko, Cornershop – “Something Makes You Feel Like” …something makes you feel like/life was better once upon a time…

20. The Horrors – “So Now You Know”
Now you know… better. S. ☺

21. The Coral – “Dreaming of You”
Another Stone Roses opener; crowd went wild for this song – I didn’t know it before, but apparently it was even used in an episode of Scrubs… go figure

22. Jim Diamond – “Should Have Known Better”
Even the plumber’s in on it. For S, who knows better: 3 songs here serve as reminder of knowing better

23. The Sugarcubes – “Cold Sweat”
First intro to The Sugarcubes – seeing this video on 120 Minutes and immediately wanting to move to Iceland, although that was not my first inclination toward moving there (nor was it, obviously, the last)

24. Stone Roses – “Shoot You Down” …I never wanted the love that you showed me/it started to choke me…
Loud Stone Roses everywhere, at all hours, taking me right back to the experience of being surrounded by people who could faithfully sing along to every song, to the strange Manchester experience with my brother, the weird Indian/Thai restaurant, meeting up with Hayley and Gareth and turning the grand old age of 41

25. Angel Olsen – “Intern” …doesn’t matter who you are or what you do/something in the world will make a fool of you…

26. Lanakila’s Polynesia – “Tupa`ipa`I Tau Ma Fatu”
The Tahitian portion of my childhood Polynesian dance lessons

27. The Magnetic Fields – “A Chicken with its Head Cut Off”
For R.

28. The La’s – “Timeless Melody”
Another of those adolescent connections – mix tapes from Peter in Durham, England, feeling insulated and isolated from everyone in American suburbia

29. The Radio Dept. – “Heaven’s on Fire”

30. Julia Holter – “Have You in My Wilderness” …You would fit beautifully in my wilderness/Oh, in your waters I’ve dropped anchor…
For and thanks to a disappearing Stavros and the small blue world we inhabit

31. Sufjan Stevens – “Should Have Known Better”

32. Billy Bragg, Wilco – “California Stars” …I like to dream all my troubles away…

33. Margo Guryan – “Love Songs” …I knew/All the love songs/Once upon a time he sang them/To me…

34. Detox Twins – “Paradox” …my life is a paradox/fuck your box – fuck your box…
35. Night Beats – “Sunday Mourning”

36. Alison Krauss – “Oh Atlanta”
Oddly this, of all things, came to mind when watching the show Atlanta. Could anything be less related?

37. Elvis Costello – “Beyond Belief” …Charged with insults and flattery/Her body moves with malice/Do you have to be so cruel to be callous…

38. Annette Peacock – “Love Me Tender”
Thanks to Mark B for the introduction; sitting in Nürnberg airport, waiting, waiting…

39. Yeah Yeah Yeahs – “Maps”

40. Al Green – “For the Good Times”
“Don’t look so sad, I know it’s over/But life goes on and this old world will keep on turning/Let’s be glad we had some time to spend together/There’s no need to watch the bridges that we’re burning”

41. Angel Olsen – “Not Gonna Kill You” …A love that never seems to curse or to confine/Will be forever never lost or too defined/To lose the feeling of an endless searching through/How to have made what is never about me or you/That is the kind of love I’d always dreamed to be/However painful, let it break down all of me/’Til I am nothing else but the feeling…
Riding trains around western Sweden on a quest for a new car, coming up empty-handed, feeling the melancholy chill of autumn and being torn between decisions I can’t make – too many unresolved contingencies. “Oh, let the light shine in…”

Meandering memories with The Stone Roses

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Sometimes I fantasize
When the streets are cold and lonely
And the cars they burn below me
Don’t these times fill your eyes
When the streets are cold and lonely
And the cars, they burn below me
Are you all alone?
Is anybody home?

It was 1990, and I was in the full throes of my short-lived but passionate anglophilia. I tried to remake my suburban American life in the shape and form of something entirely different, and what better way to make anything new and beautiful – and most importantly – different – than through music? What different sound could I find that could firmly establish this otherness without the freedom to go be a part of some otherness? These were slow times when overexcited teenage musical discoveries were like hard-fought battles with near-exclusivity the spoils.

Lucky for me, I had been obsessed with reaching out into the wider world through my penfriendships, and exchanged letters with Peter, a bricklayer from Durham, England. I will never be able to express the mania, madness, joy that washed over me when his parcels would arrive, filled with cassettes (!) of exactly this otherness I had desperately sought. The first tapes he sent: The Stone Roses’ first – and in fairness near-only – album (the second could never live up to that debut). It transformed everything. He continued to send me more tapes of everything that characterized the ‘Madchester’ scene and other music from the same period. I felt like I had stumbled into a goldmine into which only I had access (it was a while before America was fully on board, and even if enclaves of people embraced this music, it was not as though it made its mark on my community).

I distinctly remember a day, walking home from a PSAT or SAT practice test (or something like that – a Saturday morning sacrificed to standardized testing, in any case), with “Made of Stone” playing on my Walkman. Is it overstating it to say that everything seemed different to me after that time? In some way, it was. It was – even if other friends adopted the music and we shared it – an assertion of my own tastes and identity outside of that of my friends. The first step toward something different. Sure, that something different did not turn out to be moving to England, which, in my youth, I long believed I wanted to do. But it was a big stepping stone to figuring out tangibly that there was a much bigger world out there with a lot of different kinds of people in it. Some of them were working as bricklayers and writing letters to fawning American girls. Some of them were making music and going to raves in a depressed late-80s Manchester.

Today, returning from Manchester, where I spent a few days with my brother seeing The Stone Roses reunion, seeing the iconic Haçienda transformed into apartments and generally taking it all in, I am starkly reminded of how I felt, how it was, to feel such intense feelings about music, about the sense of place (the sense of wanting to be in a different place). It’s been 26 years since I walked through the streets of the town where I grew up, overcome by and elated at this new sound – these new possibilities.

Today I am wandering the streets of Oslo, bound by sun and a few clouds, wondering in some way how I got here. In life, that is. Scandinavia was nowhere on my radar back in 1990, and yet this is where I feel happiest and at home. And listening to the Roses as I walked around the sun-dappled Oslo train station and opera house, I create new and very different memories around these same songs that carried me through suburban American streets and experiences. The songs are the same but are no longer the ones that made me feel lonely but understood – and held the promise of different ‘othernesses’ – and now hold this bittersweet nostalgia in every note and word.

Of course with nostalgia there is also the past – whatever happened to the northern boy bricklayer Peter, who introduced me to all of this and spoke in an accent I could not begin to understand? My best friend from that period, too, where has she gone? I thought of her so much as I wandered Manchester and saw this concert we would have killed to see when we were 15. I know neither she nor I are the people we were then, but the heartstrings were pulled. Hard.

 

The Stone Roses & other life misunderestimations

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An acquaintance, a somewhat disgruntled worker, who was shown the door in her organization recently went on a tirade, listing off all the magnificent things she had supposedly brought to the company. All were fabrications or deluded personal perspectives on tasks she had ‘accomplished’. In a fit of fury, she insisted, “I have been misunderestimated.” This, erm, “word” perfectly encapsulates who and how she is. Trying too hard to be articulate and coming out sounding like a babbling moron in the process. Mis – under – estimated? If that were a word at all, how would it apply? That as a native English speaker, you don’t know how to use English (despite working in a communications department)? (For what it’s worth, “misunderestimate” is a classic Geo. W. Bushism.)

Thinking this morning about these vainglorious declarations of “misunderestimations”, I grant that I underestimated how glorious indeed seeing The Stone Roses live would be. I’m just returning home from the UK, where my brother and I have spent a few days seeing the Roses in Manchester. What could beat seeing them on their home turf and taking a look around the stomping grounds of some of our favorite musical artists? For nostalgia’s sake alone, it seemed like a good idea. In fact I counted on it being primarily nostalgic. I don’t think The Roses were ever known in the old days for being consistent and reliable, and I did not think that that 20 years between their breakup and today would have changed that.

But it did.

Now, I have never been the kind of person who enjoys standing in huge crowds of people enduring drunken idiots. I have never stood in an English crowd of idiots (their weird herd-hooligan mentality comes out even in this musical environment). I’m tempted to blame my advanced age, but then I remember with some displeasure that I felt this way when I was 20 as much as today. I simply hate crowds, especially stupid ones, and adding alcohol makes it 100 times worse. I also do not find the same things “fun” as other people. This would be an endurance exercise, not one of sheer pleasure.

We went to the venue very early – hours before it opened – to ensure that my brother could get the merchandise he wanted. Then we wandered off in the industrial estate area where the stadium is and found the most strangely placed, overly ornate Thai/Indian restaurant right in the middle of it (Vermilion). We went inside and were the only ones in the place, being showered with the dedicated attentions of an overeager French waiter who was so excited to interact and show us the revolving table in the adjacent room that he nearly knocked over some wine glasses in the process (“spin that wheel!”). It was surreal, making the whole thing memorable and laughable. Also, it was a good thing we ate a bunch of food because once we did actually get inside the stadium, we staked out our spot and didn’t really move again for seven hours. (Our feet have not thanked us since.)

The day started with The Buzzcocks, followed by The Coral, then Public Enemy and finally The Stone Roses. From the moment they went on, the crowd was rapt and all their previous shenanigans did not matter (e.g. throwing half-empty cups of beer and cider and shit into the air, which half soaked me at one point and really pissed me off). There is something truly uniting? Transformative? about sharing the same experience with a massive group of people who are all there, living and loving the same thing with equal intensity. No one was indifferent. Everyone knew all the words to every song and freaked out in unison. The intensity never abated. I have been to many concerts in my life but none with that sustained intensity and fervor and sheer engagement at every moment, particularly not at a concert of that size (smaller gigs in smaller venues for bands with a small but passionate following will seem a bit like that but on a much smaller scale). I guess scale is what I am talking about – I have never seen and experienced something like that, being right in the middle of it.

It was amazing and well worth all the hassles. And I guess my doubts about the Roses’ efficacy and staying power were misunderestimated. 🙂 Haha.

Random Gum: Summer 2016 soundtrack

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Random Gum – Summer 2016 soundtrack: Alive and Kicking
Latent Love and the Pre-Internet Days

The whole playlist (minus the songs that don’t exist on Spotify…) on Spotify.

01. Simple Minds – “Alive and Kicking” …now it’s all or nothing/cause you said you follow through…

Appeared twice in the same week on primetime TV (The Goldbergs & Fresh Off the Boat), proving 80s/90s nostalgia is alive and kicking – Simple Minds and John Hughes, always leading the charge. For S, for Amber

02. Vorderhaus – “Stepping Off the Ghost Train” …You tell yourself you’re in love/I tell myself I don’t care/I’m stepping off the ghost train/I’m tired of loving you in vain…

03. INXS – “Never Tear Us Apart” …but if I hurt you, I’ll make wine from your tears…

A cover version of this with female vocal (Paloma Faith) appeared in L&O SVU and made me think of the original, and of the domino-like tragedy of HutchenceYatesGeldof. And after the “Alive and Kicking” appearances I also thought of former best friend Terra and her junior high crush on INXS’s Jon Farriss. She had gone to spend the summer in Aberdeen (Scotland, not WA), dreamt Farriss died and had written me a letter (yes – a real letter, as this all happened in the 1987-8 world before the internet) describing the nightmare, to which I replied, “Don’t worry – he’s alive… and kicking!” Which was only funny at all because INXS’s hit album was called KICK. For Terra. For S.

04. John Grant – “Geraldine” …we’re not like them, we’re not that strong/at least that’s what they have been telling us all along…

The gorgeousness of John Grant continues.

05. The War on Drugs – “Under the Pressure” …When it all breaks down and we’re runaways/Standing in the wake of our pain…

06. Glenn Frey – “The Heat is On”

https://www.youtube.com/watch?v=uCoP2W4v2v8
This has been a particularly rough year so far for musical deaths. I’m no Glenn Frey/Eagles fan, but this song plays into 1980s memories as well as a more recent vignette when two of my colleagues and I took our young Spanish intern to lunch for his birthday, and he commented on how I can possibly wear dresses in the cold, and I replied, “In the office, the heat is on…” The three of us old lady colleagues, in unison, burst into song, ‘The heat is on…’, which perplexed the youthful Spaniard.

07. AaRON – “U-Turn (Lili)” …you know there’s still a place for people like us…

https://www.youtube.com/watch?v=xTKfrY4cQ9I
Many thanks to my colleague, Laurent. This popped up at a time that everyone and everything seemed to be named Aaron, and as Key & Peele ended on Comedy Central, and I inhaled all five seasons in a few days, and keep going back to the “Substitute Teacher” clip in which the sub pronounces it, “A-A-Ron”.

08. Beach House – “Days of Candy” …I know it comes too soon/The universe is riding off with you…

09. David Bowie – “Sound & Vision”

https://www.youtube.com/watch?v=WoDamvrfUbQ
I’ve never experienced anything like the collective outpouring of shared grief and mourning for a public figure – and felt a part of it – the way I did when Bowie unexpectedly died in January 2016. I had never been a huge fan, but his departure felt like the dimming of a bright light that guided our path through the modern cultural landscape. For weeks afterward, I cried if I listened to him (which I could not stop doing) or thought about him. In the end, mortality will come for the flesh, but the work, voice, sound and vision live forever.

10. Lush – “Lovelife” …in your concrete arms I adore you…

https://www.youtube.com/watch?v=SYzfT1zmAGg
Celebrating the resurrection of Lush, their 2016 tour and (possibly) seeing them in London in May (which, sadly, I could not). For all my Lush-loving friends (too numerous to count!). “Every door conceals a dream and a nightmare…”

11. Karen Elson – “Who’s Sorry Now?”

12. The Chills – “Soft Bomb Part One” …I’m tearing all my hair out with my hands/I know what they will never understand…

https://www.youtube.com/watch?v=KdI_xhB7bgY
For all the New Zealand-leaning ambitions and longing. For all the NZ friends (Trevor, Kimberley, Dan, Lauren)…

13. Los Blenders – “TJTQ”

https://www.youtube.com/watch?v=NXPvHOJFSWk
Tijuana! For Martina, as everything Mexican is.

14. Tennis – “Mean Streets” …Stay on your own/Or leave it alone…

https://www.youtube.com/watch?v=-ei2gXl203w
For Esteban and Ana, fellow Tennis fans.

15. KC & the Sunshine Band – “Boogie Shoes”

https://www.youtube.com/watch?v=6m47EQtAMzI
I don’t know how this fits into the soundtrack, really. I watched a documentary about the 1970s and thought we could use a pause here to groove on the decade

16. 88 ULTRA – “Oceans”

17. Christine and the Queens – “No Harm is Done” …I can follow/Wanna take the lead/but I roam all alone/With a heart so hollow…

https://www.youtube.com/watch?v=AQ6FYytu1pM
With more thanks to Laurent.

18. Damon Albarn – “Heavy Seas of Love”

19. The Ink Spots – “I’ll Get By”

https://www.youtube.com/watch?v=dh4YlBKNZso
For S the Firewall

20. Elvis Costello – “Sweet Pear” …But there’s a void without your kiss/I wake on the precipice above the abyss/And though the touch of your lips these fears dismiss/Make no mistake there is an ache I have to live with…

https://www.youtube.com/watch?v=EQ9bVpGLego
“Was my grip too loose, my grip too strong/That made you want to run away/And now you’re back where I pretend you belong/I wonder every night and day, how long?” For Roberto.

21. Dom La Nena – “Saudade” …E onde é que foi que vi voar aquele beija flor/Onde esta agora os restos de um amor que machucou/E o tempo passou, você não mudou/A quanto tempo foi que você não voltou…

https://www.youtube.com/watch?v=OG8cpJCl7Mk
Brasil, so much in the news, so much in the thoughts, this year.

22. Soapkills – “Wadih”

https://www.youtube.com/watch?v=JoLA1tCLcBI
Many thanks to Aurélien and Catherine.

23. Sleeper – “What Do I Do Now?” …is there someone else, am I too familiar, was it when I said I wanted to have children…?

https://www.youtube.com/watch?v=SSe3dV7dPYw
I’ve always preferred Elvis Costello’s slower, sadder recording of this song. Every time I hear it, it seems to take on new depth and meaning. “What do I do now? Are we going under? What did I do wrong? I thought we had it sorted out the other day. Maybe I’m just stupid. Thought we’d try again. No one told me it was raining.”

24. Linda Mirada – “Lío en Río”

25. Crystal Castles – “Plague”

https://www.youtube.com/watch?v=cx2lJIOTBjs
For and thanks to Roxane.

26. Saint Motel – “A Quick One While He’s Away” …It’s like a dream to be with you again…

27. Townes van Zandt – “Waitin’ Around to Die” …sometimes I don’t know where this dirty road is taking me…

https://www.youtube.com/watch?v=dbsMn476T2U
Never get enough of Townes. “Now I’m outta prison, got me a friend that lasts. Well he don’t drink or steal or cheat or lie, well, his name’s codeine, he’s the nicest thing I’ve seen, yeah, together we’re gonna wait around and die.”

28. Psycho Killer – “Road to Nowhere”
Stuff like this (the original anyway, and the Talking Heads in general) and The Pretenders – stuff I could not appreciate until on the cusp of being “aged” like cheese or wine.

29. Tom Jones – “The Young New Mexican Puppeteer”

https://www.youtube.com/watch?v=XvQHt5t7zkg
Of course I’m inspired by Martina (another Mexican thing) here and how kind of comical this song is, but also thinking of multiple discussions on the dislike for Welsh people (haha) and the recent passing of Tom Jones’s wife (RIP).

30. Salt Petal – “Cumbia de Billinghurst”

31. Wall of Voodoo – “Mexican Radio” …No comprende/it’s a riddle…

https://www.youtube.com/watch?v=eyCEexG9xjw
For Martina. “I wish I was in Tijuana/eating barbecued iguana”

32. Telefon Tel Aviv – “Helen of Troy” …Your face is the place/where it ends…

33. Clan of Xymox – “A Day”

https://www.youtube.com/watch?v=OiJ3KU0bme0
This certainly takes me back in time.

34. Ezra Furman – “Body Was Made” …Your body is yours at the end of the day
and don’t let the hateful try and take it away…

https://www.youtube.com/watch?v=rkEkjxX_YrM
Had not heard so much saxophone in a long time, and stumbled on this right after having multiple conversations about how the name “Ezra” isn’t one you hear often.

35. Lush & Jarvis Cocker – “Ciao!” …life is wonderful now that I’m rid of you…

https://www.youtube.com/watch?v=-0Jvo5_IrlI
This is 1996 for me, two of my favorites of the time, trying to break away from the grip of shitty relationships that seem to be the telltale sign of young adulthood.

36. Count Five – “Psychotic Reaction”

37. Mashrou’Leila – “Imm El Jacket”

https://www.youtube.com/watch?v=hsablD8vu0w
Thanks to Aurélien and Catherine.

38. Eddie Rabbitt – “Drivin’ My Life Away”

https://www.youtube.com/watch?v=_tvEvBUG8mY
Music my mom listened to a lot when my brother and I were children. My brother had an angry-looking, fluffy blue stuffed rabbit he named “Eddie Rabbit” thanks to our exposure to this. Wondering what happened to the little rabbit, as I made some of my last long-haul drives in the middle of the night between home & Gothenburg.

39. Irma Thomas – “Anyone Who Knows What Love Is (Will Understand)”

40. Townes van Zandt – “Be Here to Love Me”

https://www.youtube.com/watch?v=E6NPj9M_p20
“Your eyes seek conclusion in all this confusion of mine/though you and I both know it’s only the warm glow of wine/that’s got you to feeling this way/but I don’t care I want you to stay/hold me and tell me you’ll be here to love me today”

41. Bertrand Belin – “Je parle en fou”

42. John Grant – “Down Here”

https://www.youtube.com/watch?v=eViyPYJ2okc
“Cause what we got down here is oceans of longing/And guessing games, and no guarantees/And you work so hard to be in control/And now you’re laughing at yourself because you can’t let go”. For Roberto.

43. Still Corners – “Beginning to Blue”

https://www.youtube.com/watch?v=TgEB3rY8ZGI
Lovely song anyway but its placement in the stunning second season of You’re the Worst, when you’re hit with the realization that the main character is descending into a deep, dark depression was perfect.

44. Philip Selway – “Coming Up for Air”

https://www.youtube.com/watch?v=vMxXmW1pqeU
For Kyle. “You hafta come up for aih(s) sometime”. Ugh/puke.

45. Robyn Hitchcock – “1974” …And as Nixon left the White House you could hear people say/’they’ll never rehabilitate that mother, no way’…

https://www.youtube.com/watch?v=YVDDXFpVjNU
Robyn is just a magnificent storyteller, master of verbal imagery and a genius. Love! If “Boogie Shoes” was a grooveable 70s moment, this is a philosophical rumination on that ruinous and ugly decade.

46. Elvis Costello – “What Do I Do Now?”

https://www.youtube.com/watch?v=VuJJBJHDUcY
Had to include this version, too, of course.

47. Alex Vargas – “Till Forever Runs Out”

48. The Cure – “A Strange Day” …Held for one moment I remember a song/An impression of sound/Then everything is gone/Forever…

https://www.youtube.com/watch?v=c4mym0EFKM8
For Gary, with whom it’s great to be back in contact. Here’s to the best moments of our teenage years.

49. New Edition – “Cool It Now”

https://www.youtube.com/watch?v=RZUq6N7Gx1c
I remember enjoying this video as a little kid – and then the tune turned up in the soundtrack to Master of None and I just had to include it.

50. Happyness – “Montreal Rock Band Somewhere”

https://www.youtube.com/watch?v=-hcwZ9EptZs
“What do you do when you hate all your friends?”

51. Tobias Jesso Jr – “Without You”

https://www.youtube.com/watch?v=2ybYYKBd_40
“I can hardly breathe without you/There is no future I want to see without you/I just don’t know who I would be without you/There is nothing out there for me without you…”

52. Koudlam – “See You All”

https://www.youtube.com/watch?v=SYu3Y7JT810
I don’t know why, but this song is the right one for walking through the city and waiting in queues.

53. bigott – “Baby Lemonade”

https://www.youtube.com/watch?v=So7IharnjCs
“Like in the movies, she wake up dreaming/nothing is hiding/if you can find it…”

54. Giant Sand – “Stranded Pearl” …every girl is like a pearl/hearts strung along and then left stranded…

https://www.youtube.com/watch?v=wcUKHnrTXzg
A great, visual, wordy song. “I lost me my eye in a battle/went there to rattle their cage/lost sight of the big picture/now this permanent fixture is my rage”. (Made me think a bit at the end of a Derek Walcott poem, “Codicil”, which ends, “All its indifference is a different rage.”)

55. The Staves – “Black & White”

56. Jordie Lane – “Fell Into Me”
Sounds very reminiscent of Neil Finn. Thanks to Nicki.

57. Ra Ra Riot – “Foreign Lovers”

https://www.youtube.com/watch?v=unmaQzVS9lw
“Well the one in Chicago wasn’t there anymore, and because that thing in Berlin wasn’t anyone’s fault… I got no idea what’s fair but I knew before – you got foreign lovers”. An insanely fitting song, stumbled on by accident. All the foreign lovers (and hilarious that Chicago and Berlin are the cities referenced…).

58. Niyaz – “Beni Beni”

59. Jaakko Eino Kalevi – “No End” …I guess it’s useless to say/I want you to stay…

https://www.youtube.com/watch?v=HT6dDiQBPPI
The Guardian described Jaakko thusly: “tram driver in Helsinki by day, weird-pop maestro by night”.

60. All We Are – “Keep Me Alive” …I hear nothing at all but your breathing…

61. Fairport Convention – “Who Knows Where the Time Goes?”

As an adolescent, my friend Terra and I ‘discovered’ Fairport Convention, and it’s still something nice to listen to. When I listened to this again and reflected on the time that’s passed by since we were friends, and particularly since we were close and finding new music together, the song was particularly poignant and bittersweet.

62. Núria Graham – “Dark Past” …everybody’s got a dark past/but mine is just about to start…

63. David Bowie – “Cat People” … Just be still with me/You wouldn’t believe what I’ve been through…

64. Cousteau – “Last Good Day of the Year”

“When the summer’s light is fragrant/with scents of returning/you relent, you resent, now you’re burning/for nothing to change…”

65. Wire – “German Shepherds” …it’s beginning to and back again…

Song title made me think, in a very roundabout way, of the Paris attacks of November 2015. Following the attacks, the French government went on the offensive and a Belgian shepherd (like the one in the TV show Person of Interest) was killed during a raid, prompting the Russians to give a new dog to the French. Hmm. Then in March, of course, Belgium fell victim to yet another terror attack.

66. Pet Shop Boys – “Love is a Bourgeois Construct”

No sentiment could be truer. November 2015, driving around downtown Tacoma, with thanks to my brother, Kyle, on relationships: “That phase of my life is over.”

67. Vorderhaus – “Venus in Retrograde” …how do you really love/the truth is happening/it’s venus in retrograde/the dark affair within…
You know you want more: https://soundcloud.com/vorderhaus/

68. Townes van Zandt – “For the Sake of the Song” …nothing’s what it seems/maybe she’ll start someday to realize/if she abandons her dreams/then all the words she can say are only lies/when will she see that the gain is only to lose/all that she offers me are chains/and I got to refuse…

For ML. “Maybe she just has to sing for the sake of the song/who do I think that I am to decide that she’s wrong?”

69. The Paris Sisters – “I Love How You Love Me”

Dreamy.

70. Blur, Françoise Hardy – “To the End”

71. Primal Scream – “I’m Losing More Than I’ll Ever Have” …I betrayed you, you trusted me, and I betrayed you…

Sometimes you realize that even when something is ostensibly done, you cannot fully move forward until you have let go completely of past things and people. The sad reminder of the last conversation, last realization/S.

72. Amanda Bergman – “Vintersaga”

For many reasons I put this here – it’s a Swedish story full of Swedish place, but it is also choice for its connection to dear Andreas, the value of musical recommendations, and to our many talks about ad copy and the fraudulent feeling of writing stuff without meaning, pop culture stuffing of ads & such.

73. David Bowie – “Where Are We Now?”

Constant striving for Berlin, which represents a constant striving for change.

74. Prince & the Revolution – “When Doves Cry”

What can I even say? If Bowie was a loss and a shock, the loss of Prince was an even greater shock. For me, Prince is always freshest, best and alive in the Purple Rain period. I fell in love with the first time I heard this one as a child. RIP.

75. Johnny Cash – “The Beast in Me”

A fitting ending, in many ways. For S. “God help the beast in me.”

High, Low and In Between: The Multiplying Gift of Music

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Capping off a week in which I was obsessed with thinking about, talking about and listening to music, I finished the work week (almost – still have Friday to get through) watching the film Les choristes. A perfect finale.

I thought about and discussed genius songwriters this week – focusing in mostly on the late, great Townes van Zandt and to a lesser degree, Robyn Hitchcock (whose duet of van Zandt’s well-known “Poncho and Lefty” with Grant-Lee Phillips I stumbled upon the previous week).

I met someone who has placed van Zandt (rightly) on a songwriting pedestal. A songwriter’s songwriter. The striking thing, for me, though, was in exploring how each of us – and by extension, how anyone – discovers music. Discoverability is a lot easier these days – easy to spread and share. Not quite so much in the “old days”. This led me to thinking about the web music weaves – the intricate web, unique to each of us – making up the soundtrack of our lives. The web also has a kind of reach – one piece of music or musician leads us to their influences or contemporaries. It was in this way that I discovered Townes van Zandt myself back in 1990.

I had fallen under the dreamy spell of the Cowboy Junkies’ album The Trinity Sessions and, being too young, could not attend their first show in Seattle. When they came back in early June 1990 (hear me let out a sigh here – I am 26 years removed from this – “who knows where the time goes?”), I begged my parents let me attend (luckily they did). The Junkies were touring with Townes van Zandt – my first introduction to him. Since then I’ve devoured his discography, and have seen its presence proliferate in film and TV soundtracks ever since.

The woven web was taking on new parts – the initial discovery of the Cowboy Junkies had first led me to the Velvet Underground (as the Junkies gained their biggest ‘fame’ from their remake of “Sweet Jane”). I had known of Lou Reed earlier, but mostly only having heard “Walk on the Wild Side” a few times and seen him a few times on a brief and more mainstream path in the 80s. And from the Junkies, things moved on to Townes.

Thinking about all of this, I reflected, and wrote to an acquaintance that “one of the most beautiful things about music is its ability to not just endure and bring people together or even its transformative power but its “introductory” powers. That is, you hear something that means something to you… but it does not stop there”. In fact, it never stops. The web continues to multiply.

Dig if you will the picture… RIP Prince

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This year began with the impossible-to-accept and still sometimes breathtakingly sad news that David Bowie had passed at age 69. I can only refer to him as “David Bowie” because no single word or descriptor (artist, musician, entertainer…) can encompass what and who he was or the legacy and influence he left in his wake.

Throughout the year, we’ve been hit with big – and horribly early – celebrity deaths. “Early” in the sense that people are passing away at younger ages, before their time. Of course there are the notable deaths of older people, such as the actress Doris Roberts, who just passed away at 90, or Abe Vigoda, long the subject of internet death rumors, at 94. But in the first four months of 2016, we’ve seen death come for much younger people. Some are shocking, like actor Alan Rickman (who was 69) or The Eagles’ Glenn Frey (67), but others are devastating in a rare and almost profound way. I don’t think any celebrity death can surpass the transcendent and lasting loss of Bowie, but if there’s a rival passing, it’s that of Prince, who is dead at 57. (Strange that Prince’s one-time protege, Vanity, also died this year, also at age 57.)

princeandvanity

To describe what these artists meant would be a fool’s errand. They meant so many different things to so many different people. It’s enough to write that luminaries like Bowie and Prince were beyond description – and formed the backdrop of and soundtrack for the lives of millions. Most people have some – or many – connection(s) to the music, bound tightly to their individual memories. My entire childhood is peppered with aural and visual memories of both Bowie and Prince. The visuals of Ziggy-era Bowie or the entirely different aesthetic of “Let’s Dance” and “China Girl” that flashed onscreen in late-night music video shows; exuberant pairings of Prince’s “1999” and “Let’s Go Crazy” and the altogether different seductive power of “When Doves Cry” (which pretty much always has been and always will be my go-to Prince anthem).

It’s not that Bowie or Prince, either one, had been the bedrock of my musical life or tastes. But they had been there, as foundations and influences for everything else, pulling the past (their influences) into the present, and dispersing their own influence across the depth and breadth of the musical spectrum. Losing them is losing forces to be reckoned with in the way that losing most artists just isn’t.

 

 

Penmanship and Italian tastes

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Growing up – and still – I had a lot of pen pals. It seemed that penmanship was a national trait in many countries. Every French person formed their letters and numbers in the same way. Every German, every Russian, every Italian, too. Unique handwriting for each person, but you could always tell from the envelope and the way the letters looked what country the letter came from.

I wondered the other day, as I watched the surprisingly good (for the most part) Italian TV drama 1992, about the soundtrack. It fit its time perfectly – but I wondered how many Italians at that time were really listening to most of the stuff included? Screaming Trees (the one song on the Singles soundtrack) – yes. Smashing Pumpkins – probably. But Teenage Fanclub and Primal Scream… eh, I have my doubts. There were not THAT many people listening to those bands anywhere, let alone in Italy (a place I perhaps unfairly judge in matters of pop culture). Or did I see this through my own faraway prism, imagining that because Fanclub and Scream were indie/off-the-beaten-path where I came from, they also were for everyone else?

I don’t let Italy fool me and do have many good Italian friends who also have great taste (in music, too), but images of Berlusconi, the ridiculous bimbo-filled TV game/variety shows and crap like Eros Ramazzotti (or other things I cannot identify) always spring to mind. Maybe some of these trusted Italian friends can set my biases straight. Were people really getting that down to the sounds of early 90s Glasgow bands? (I grant you – the show only included the two best-known songs from these bands – but it still surprised me.)