human interest story

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Human Interest Story
Sandra Lim

Snow would have been breaking the drifts that day, on a mild
mood.

My father was boarding at the home of a missionary couple in
Seoul, getting by on books and the radio and cheap noodles.

His older brother hanged himself that winter in Pusan. They
would say afterward that it was a plain death, funded by bad
numbers, some selfishness, unusual cold.

Think of a needle dropped into the sea.

He had a pleasantly objective feeling about himself that morning,
as the early sky gently ripped into red. He thought about Business
English, the truth of money.

Across town, a diary opened. And there were the white, cooling
coals in barrels.

There was a pretty young wife and one serious boy and one very
quiet girl. They awakened one day to a new planet, where the
spaces between people appeared slightly widened.

Maybe you can’t penetrate events with reportage, but facts have a
sly, unanswerable texture that appears social.

To relieve ourselves of open-ended narrative, we read into the
winter stars all evening. There are just stars and stars and stars.

We know what it’s like to fall in love and be disassembled, but we
still want to pull death right off the bodies of one another.

These were spectacular nights, said my father. They were full of
philosophy and political theory, noisy reversals, French movies.

The romantic grace we comprehend sits with ease in the real
world; it is almost nothing.

Now he is carrion, stitched forever in the cramp of a trial.

No one can evict us from books! he used to say, running through
astonishment at full speed.

Photo by Adrien Olichon on Unsplash

‘lost’ first

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‘Lost’ First Languages Leave Permanent Mark on the Brain, New Study Reveals

Tiana Nobile
To experience the world muffled
through the wall of skin
is like wearing earmuffs
while deep sea diving.
Cacophony of whalesong
and sunken earthquakes,
tonal pitches seep in.
*
How do I translate
the sound of my mother’s
moaning? It’s a soft wail
I hang on the wall
of my windpipe.
*
They say the circulatory system
is the first to develop
in an embryo.

That the body generates cells
to divide and multiply, to form
a swelling ball.

That your blood weaved and whirled
to become my blood.

Who was the first you told?
*
At week eleven, fingernails begin to appear.
I bet you didn’t know that nails
are made of dead blood cells.
How something could grow inside you
that’s both alive and dead.
*
Once I learned how to talk, I did not
stop. I drew blood and licked my teeth
with language, English spilling down my chin.
Later, I learned how words can wound
without touching, and I tucked myself
in a bed of silence.

Photo by Diana Polekhina on Unsplash

death wish

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Death Wish
Josh Alex Baker

I ask when
is the last time you returned yourself to yourself. I
am a hypocrite to make
you answer what I cannot. Love
is a death wish between two men bold enough to believe in it. To
love you is to fade daily. To leave you
is to die sooner. When I
was a boy, I would try
to see how long I could hold my breath. With-
holding would become a weapon one day. Each
theft, my pride and possession. Every stroke
of midnight brings its own lost slipper. Full of
beg, I wait for a prince longing to give my
breath back to me. Heretic tongue,
I will never admit what he means to
me. Will say
he was simply a game I
could not pass up. Love
is a death wish between you
and the you you’re becoming. I will never admit to
him that his love feels like a tease
from God. A gift I
only deserve as prelude to punishment. Love
is a bluff  between goodbye and forever. You
give yourself to the gamble, to
the breathlessness that is a hammer
on your chest. I
will never admit what his love
is to me. Could you
blame me? Firm as ice, given over to
the power of his touch. Left to melt
into a nothingness that I
no longer recognize. Love
is a death wish, paid in blood.  Just for you

 

Photo by alexandru vicol on Unsplash 

flatline

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Flatline
Margaret Atwood

Things wear out. Also fingers.
Gnarling sets in.
Your hands crouch in their mittens.
Forget chopsticks, and buttons.

Feet have their own agendas.
They scorn your taste in shoes
and ignore your trails, your maps.

Ears are superfluous:
What are they for,
those alien pink flaps?
Skull fungus.

The body, once your accomplice,
is now your trap.
The sunrise makes you wince:
too bright, too flamingo.

After a lifetime of tangling,
of knotted snares and lacework,
of purple headspace tornados
with their heartrace and rubble,
you crave the end of mazes

and pray for a white shore,
an ocean with its horizon;
not, so much, bliss
but a flat line you steer for.

No more hiss and slosh,
no reefs, no deeps,
no throat rattle of gravel.

It sounds like this:

 

Photo by Christof Görs on Unsplash

edge, atlantic, july

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Edge, Atlantic, July
Annie Finch

I picked my way nearer along the shocking rock shelf,
hoping the spray would rise up to meet me, myself.
Seagulls roared louder and closer than anything planned;
I looked out to see and forgot I could still see the land.
Lost in a foaming green crawl, I grew smaller than me;
shrunk in a tidepool, I heaved, and I wondered. The sea
grew like monuments for me. Each wave and its coloring shadow,
bereft, wild and laden with wrack, spoke for me and had no
need of my words anymore. I was open and glad
at last, grateful like seaweed and glad, since I had
no place on the rocks but a voice, and the voice was the sea’s:
not my own. Just the sea’s.

 

Photo by Shane Stagner on Unsplash

jump rope song

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Jump Rope Song
Diane Seuss

Photo by Markus Spiske on Unsplash 

gambler’s remorse

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Gambler’s Remorse

Derek Terrell

Whisper me a secret lyric
grind the melody with my bones
let the wind from the trumpet
scatter the ash for miles
winner’s prize in loser’s grip
empty me with tease o’ sleaze
bankrupt emotions in debt
there’s no play left
I dropped a tear in the coin slot
gambled it away on games
did you make then break the rule
we both played but you cashed out

 

Photo by Amanda Jones on Unsplash

when i am dead

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When I Am Dead
Martha Muusses
Scatter my ashes
to every wind,
that what my body was
the way may find
to all it loved and left behind,
to cloud and sea
and with them be
entwined.

Original

Na mijn dood
Strooi uit mijn as
voor alle winden,
dat wat mijn lichaam was
de weg kan vinden
naar alles wat het eens beminde,
naar wolk en zee
en zich daarmee
verbinden.

Photo by William Krause on Unsplash

pristine

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Pristine
Hilda Raz

The soaked books lip open in piles.
The shelves stoop, slough paint.
The doors, their locks sprung, hinge air
open to weather, gulp rain.
Something here enters the trees.
If we believe in ghosts, white pearl
shadows the batten and boards. Rust
runs on the shelves. The sounds on air
wail, a nail in the thumb. Stickers
underfoot poke holes.
In rafters, wings or the suggestion of wings
rend air, whoosh of rubbish, burnt rubber
hooks for skeleton elbows. Ash,
dry sift through moist fingers
in a room where everything’s mold.

 

Photo by Jezael Melgoza on Unsplash

stone

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Stone
Maggie Smith

Photo by Martin Turgoose on Unsplash