arctic landscape

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Balance
Adam Zagajewski
I watched the arctic landscape from above
and thought of nothing, lovely nothing.
I observed white canopies of clouds, vast
expanses where no wolf tracks could be found.

I thought about you and about the emptiness
that can promise one thing only: plenitude—
and that a certain sort of snowy wasteland
bursts from a surfeit of happiness.

As we drew closer to our landing,
the vulnerable earth emerged among the clouds,
comic gardens forgotten by their owners,
pale grass plagued by winter and the wind.

I put my book down and for an instant felt
a perfect balance between waking and dreams.
But when the plane touched concrete, then
assiduously circled the airport’s labyrinth,

I once again knew nothing. The darkness
of daily wanderings resumed, the day’s sweet darkness,
the darkness of the voice that counts and measures,
remembers and forgets.

Photo by Jonatan Pie on Unsplash

The sovereign of clocks and shadows

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STAR
Adam Zagajewski

I returned to you years later,
gray and lovely city,
unchanging city
buried in the waters of the past.

I’m no longer the student
of philosophy, poetry, and curiosity,
I’m not the young poet who wrote
too many lines

and wandered in the maze
of narrow streets and illusions.
The sovereign of clocks and shadows
has touched my brow with his hand,

but still I’m guided by
a star by brightness
and only brightness
can undo or save me.

Photo by Tommy Tang on Unsplash

cold walls

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BLIZZARD
Adam Zagajewski

We were listening to music —
a little Bach, a little mournful Schubert.
For a moment we listened to the silence.
A blizzard roared outside,
the wind pressed its blue face
to the wall.
The dead raced past on sleds,
tossing snowballs
at our windows.

distractions

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Very much like the current political environment. Plans, reports, chaos, non-presidential circus all distractions to keep us from seeing what really happens (until it’s too late).

Plans, Reports
Adam Zagajewski

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Obituary

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Obituary
Artur Międzyrzecki
He knew how to barter
But he could not sell himself

He knew how to have his say
But he listened with just one ear

He could go to great lengths
But he couldn’t get back

His love was larger than life
But his life was very small.

frosting on the cake of imagination

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When Our Enemies Fall Asleep
Ewa Lipska
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Photo by Alex Loup on Unsplash

no excuse

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Untitled
Maria Bigoszewska

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Original

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“a bore bores after death”

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Proofs
Tadeusz Różewicz
Death will not correct
a single line of verse
she is no proof-reader
she is no sympathetic
lady editor

a bad metaphor is immortal

a shoddy poet who has died
is a shoddy dead poet

a bore bores after death
a fool keeps up his foolish chatter
from beyond the grave

Original

Korekta
Śmierć nie poprawi
w zwrotce ani jednej linijki
to nie korektorka
to nie życzliwa pani
redaktorka

zła metafora jest nieśmiertelna

kiepski poeta który umarł
jest kiepskim zmarłym poetą

nudziarz po śmierci nudzi
głupiec zza grobu
jeszcze głupstwa gada

stories from the sea

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“There is no song the sea will not put in its mouth.” –Anne Michaels, from “Fontanelles”

The Sea and the Man
Anna Swir
You will not tame this sea
either by humility or rapture.
But you can laugh
in its face.

Laughter
was invented by those
who live briefly
as a burst of laughter.

The eternal sea
will never learn to laugh.

voice

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A Voice
Tadeusz Rozewicz
They mutilate they torment each other
with silences with words
as if they had another
life to live

they do so
as if they had forgotten
that their bodies
are inclined to death
that the insides of men
easily break down

ruthless with each other
they are weaker
than plants and animals
they can be killed by a word
by a smile by a look