Said and read – May 2020

Standard

“Culture wasn’t just a set of rules or rituals, she realized. It could also be a set of chains that individuals dragged around with them after the prison wardens more or less fled the scene.”” Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

Image by S Donaghy, April 2020

We’re heading into another month of a pandemic that more and more people choose to ignore as though it’s over, while tensions simmered and civil unrest exploded, like a pressure cooker. It occurs to me more clearly than ever that the problems, addictions, insanities, lack of control that defined people’s lives before the various levels of quarantine not only remain but become outsized, as though studied under a microscope. If you are an aggressive, angry person prone to lose your temper, all of this feels likelier to boil over in these pent-up conditions. If you are an addict, attempting to run from yourself and the pain and anxiety that ail you, there is no worse time than being trapped in your home, alone with your thoughts.

I suspect we’re in for many more months of uncertainty; people’s anger at having made sacrifices (particularly in the face of loss) while their ‘fearless leaders’ did not leads to deeper and more fractious divides. People’s anger at the ineptitude of a federal government and its refusal to act at all during a pandemic, coupled with increasing anger about the abundant inequalities of the criminal justice system (e.g., how many black people must be murdered by police before something changes?), has made clear the brokenness of the United States, long in the making, a catastrophic implosion precipitated … protests, riots, and … what more? We don’t yet know the outcome, but it hurts to say that I fear things will go on being exactly the same or worse.

So, I read. I read so much that I find it difficult to find time to catalog my thoughts on the previous month’s reading. But I try. Each month I only capture here the things that struck me in some way, but this is never a complete rendering of all the things I’ve read.

I’ve ended up finishing these ramblings so far into June that it’s already my birthday; therefore, I’ve lived to pulse ocho for another year.

Here’s what you missed in previous months and years: 2020 – April, March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for May:

Highly recommended

*The Subjection of WomenJohn Stuart Mill

“Some will object, that a comparison cannot fairly be made between the government of the male sex and the forms of unjust power which I have adduced in illustration of it, since these are arbitrary, and the effect of mere usurpation, while it on the contrary is natural. But was there ever any domination which did not appear natural to those who possessed it?” –The Subjection of WomenJohn Stuart Mill

I dreamt of writing something thoughtful about John Stuart Mill’s The Subjection of Women. I found, however, that I become too frustrated and angry to properly formulate thoughts. The fact that this was written in 1869, followed by very slow change, almost immovable thinking, and a continued cultural conditioning about women’s inferiority, infuriates me. On reflection, there are material differences between what women could do in 1869 and now, but the underlying value assigned to women, their bodies, their experiences, their contributions continues to be underestimated, if considered at all. I urge careful reading and re-reading of this. And then reflect on the age-old arguments on nature and nurture. That is, recognizing the “eminently artificial” nature of women created by “forced repression in some directions, unnatural stimulation in others”, and the assertion that women, being physically weaker, are somehow unequal to men, and for it to be otherwise would be “unnatural”, although “unnatural generally means only uncustomary, and that everything which is usual appears natural. The subjection of women to men being a universal custom, any departure from it quite naturally appears unnatural.”

“If anything conclusive could be inferred from experience, without psychological analysis, it would be that the things which women are not allowed to do are the very ones for which they are peculiarly qualified; since their vocation for government has made its way, and become conspicuous, through the very few opportunities which have been given; while in the lines of distinction which apparently were freely open to them, they have by no means so eminently distinguished themselves. We know how small a number of reigning queens history presents, in comparison with that of kings. Of this smaller number a far larger proportion have shown talents for rule; though many of them have occupied the throne in difficult periods. It is remarkable, too, that they have, in a great number of instances, been distinguished by merits the most opposite to the imaginary and conventional character of women: they have been as much remarked for the firmness and vigour of their rule, as for its intelligence.”

*Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

“My own lived experience was the guide here, and all I needed was a willingness to meet it, to allow myself to ask certain kinds of questions and be willing to hear the answers that might follow, no matter how disconcerting those answers might be. This, then, was the real test of faith—not whether I was willing to change my beliefs but, rather, whether I was willing to give language to that which I had already begun to experience as truth.” –Surprised by God: How I Learned to Stop Worrying and Love ReligionDanya Ruttenberg

Much like Ruttenberg as a young woman, I was never religious. I’ve never actively claimed to be an atheist, but because I don’t believe it’s possible to know (which is why we call it faith) for certain, religious and spiritual questions have rarely engaged me in more than a cursory and academic way. But faith and religion are powerful markers of identity and community, making them inspirational topics for thought and research, but also fascinating in grappling with the grittiest questions about oneself. I continue to come back to the big questions myself, particularly in terms of how I’ve lived and how I want to live, and this is tightly wound with ideas of community, isolation (self-imposed or societal), intention and compassion.

“What religion changes is not just our identity, our relationships, our politics, our sense of what the world is and how we move in it, but also, potentially, every small decision that we make. What religion changes, if we let it, is not just ourselves, not just our smaller home culture, but the world as a whole and the power structures that run it.”

Throughout my life, despite not being Jewish, I have been drawn time and again to progressive interpretations of Judaism and, for inexplicable reasons, I identify with this particular faith more than any other. Ruttenberg herself outlines succinctly exactly why it speaks to her, and it happens to apply just as well to me (and probably to many others who choose to be Jewish, whether they are actively embracing the faith into which they were born or adopt it much later as a conscious and conscientious choice):

“I can find a lot of different ways to explain why I was drawn to Judaism. There’s a strong ethical tradition, but also a tremendous awe for the transcendent. It’s a faith that is comfortable with debate and a diversity of opinion—of five thousand legal disagreements recorded in the Talmud, only fifty or so are settled on the page, leaving open the possibility that the “right” answer isn’t so obvious.”

This sense of needing to know about and experience Judaism has grown over time, and it has only been in the last few years that I have recommitted to exploring this feeling more seriously. I started this journey half-jokingly, half-curious in my youth, attending various courses at a Reform synagogue near where I grew up. But I didn’t take it further until recently, when I started studying psychology, then the psychology of religion, and then theology in the context of peace and conflict.

And while I frequently jest that I would like to become a rabbi, it would certainly help if I were first Jewish.

And before taking any conversion-related steps, I needed to dive deeply into the literature and truly understand what I feel and might want to be a part of. Happily, somewhere in this neverending journey, I stumbled across a lengthy reading list compiled by Rabbi Danya Ruttenberg, and I’ve been making my way through it. This particular book, her own, was on the list, and I found that the rabbi had undergone a spiritual transformation herself, during which she dabbled in atheism and studied philosophy, and voiced many of the same complaints I’ve always had about my own academic aspirations, e.g. “I found that I was perfectly capable of unpacking Hegel or Hobbes, but that it just wasn’t all that much fun once the big ideas became too abstract, too disconnected from human lives.”; “Religious studies, on the other hand, was philosophy and anthropology and literature and history all rolled up in one.” This is the kind of interdisciplinary thinking that has driven most of my scholarly and life choices. Where some might see a dilettante who can’t commit (and I do self-flagellate on this), I see someone whose curiosity cannot be contained. Where some might see a lack of willingness to dive deeply into the minutiae of one thing, I see someone who cares more about the human and person-centered roots of almost every discipline. It’s always about getting back to humanity.

When it comes to religious faith and practice, it can be deeply individual, particularly when its nascent and uncertain. And yet in some ways, at some point, it may become very public (if you begin to practice in a community). This can pose a barrier, but again, it is about getting in touch with humanity.

“Thomas Merton talks about the “tremendous, agonizing embarrassment and self-consciousness which [those new to religion] feel about praying publicly . . . The effort it takes to overcome all the strange imaginary fears that everyone is looking at you, and that they all think that you are crazy or ridiculous, is something that costs a tremendous effort.”

First you must decide whether your pursuit is satisfying a curiosity or is actually driven by something deeper. Then, should you decide that it’s deeper, you must overcome the idea that you’re an impostor, that you’re “doing it” or “believing” wrong. And finally when you can start to let down the walls, softening yourself to hear and accept answers you needed to hear — but only after doing the sometimes painful and arduous work of waking up truly.

“Years down the road, I would learn how hard it could be to follow my intuition, to feel whatever was buried deep within my fettered heart, to try to meet God without denial. But I would discover that fear and pain were a hundred thousand times better than this unconscious sleepwalking through parties and distraction—that even when it was harder, I would prefer to be awake, and alive. But that was all later.”

Perhaps most powerful here, and there were a lot of resonant ideas, was Ruttenberg’s call to action, which aligns with so much of what I’ve been reading (and writing about here): transformation and change, social justice, community, and the detached ways we live today. We can defy the way our culture aims to commoditize humanity, innoculating us against the idea that our community and true spirituality can feed us in ways that consumerism and individualism cannot.

“The dominant culture depends on our sense of isolation. As long as spirituality remains an individualized, personal experience, chances remain good that the inherently revolutionary potential of religious work will sit forever inert and untapped. That is to say, those who practice their spirituality without community are much less likely to demand change in and upheaval to the status quo, or feel that they have the power to do so.”

“More often than not, the places where it’s necessary to mobilize for transformation in religion reflect our contemporary understanding of morality and compassion.”

*Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

“Real, evidence-driven analysis, they believed, would overturn one of modernity’s most deeply held principles: that science will tell us which individuals and groups are naturally smarter, abler, more upstanding, and fitter to rule. Their response was that science pointed in precisely the opposite direction, toward a theory of humanity that embraces all the many ways we humans have devised for living. The social categories into which we typically divide ourselves, including labels such as race and gender, are at base artificial—the products of human artifice, residing in the mental frameworks and unconscious habits of a given society.”

“…in order to live intelligently in the world, we should view the lives of others through an empathetic lens. We ought to suspend our judgment about other ways of seeing social reality until we really understand them, and in turn we should look at our own society with the same dispassion and skepticism with which we study far-flung peoples. Culture, as Boas and his students understood it, is the ultimate source for what we think constitutes common sense. It defines what is obvious or beyond question. It tells us how to raise a child, how to pick a leader, how to find good things to eat, how to marry well. Over time these things change, sometimes slowly, sometimes rapidly. Yet there is no more fundamental reality in the social world than the one that humans themselves in some measure create.” –Gods of Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth CenturyCharles King

The development of anthropology as a discipline isn’t something I gave a great deal of thought to until I started studying communication for development, which focuses on the so-called “developing world” (and queries whether it should even be called “developing world”). Later my psychology and theology studies crossed into anthropological territory, but it still never occurred to me to look more carefully at its theoretical and historical origins.

An anthropological quest crosses multiple disciplines: linguistics, sociology, psychology, theology, among others, and like most fields of academic inquiry, its methodology, its merit, its subjects have shifted alongside the people within the field and the cultures to which they belong. At its core, according to its founding proponents, such as Franz Boas, cultural anthropology required acknowledging one’s own ignorance and one’s own worldview and preconceived ideas, placing oneself in unfamiliar surroundings and observing in as scientific and objective a way as possible. It provided, as anthropology pioneer Ruth Benedict put it, “illumination that comes of envisaging very different possible ways of handling invariable problems” and demanded the realization that nothing about culture is universal, i.e. cultural relativity.

“…no society, including our own, is the endpoint of human social evolution. We aren’t even a distinct stage in human development. History moves in loops and circles, not in straight lines, and toward no particular end. Our own vices and blind spots are as readily apparent as those of any society anywhere.”

I greatly enjoyed this book, and could endlessly ramble about it — but won’t. It’s worth reading, and in particular its discussion on Zora Neale Hurston’s anthropological work shines a light on her journey as a folklorist and writer in a new context; she is the most fascinating among the book’s “characters” and, while not orthodox or organized in her methodology and data collection, she captured the most living, breathing, startling accounts and observations in her anthropological work, such as in Haiti, which ring true through American society today:

“FREDERICK DOUGLASS, WHO SERVED as the U.S. minister and consul-general in Haiti, once said that tracing the country’s history was like following a wounded man through a crowd: you just needed to follow the blood.”

“The key to understanding zombies, Hurston concluded, lay not in finding a secret potion or in debunking another people’s mythology. It was actually believing in them. Felix-Mentor wasn’t a person who was said to be a zombie. She wasn’t a make-believe one, like her fictional counterpart in a Hollywood film. She really was one. If you could twist your brain into seeing that fact, then you had taken a giant step toward seeing Haiti—and most important, its spirituality—from the inside.”

“A woman disappeared—conveniently, for her brother and her husband—and then reappeared and started causing trouble until she was put away in a mental institution, cowering, distraught, wordless, no longer herself, alive yet dead. Religions survive not because people love the faith of their fathers but because they help us navigate the world as we find it.”

“Magical thinking was as close to a human universal as you could imagine, and it existed in modern societies, too. Gambling, the stock market, even the concept of private property—the belief that I can expand my sense of self to include an inanimate object, the loss of which would induce deep displeasure and anxiety—all depend to a degree on magical belief systems. They are ways of summoning the unlikely and the invisible in order to control the tangible world.”

““Gods always behave like the people who make them,” Hurston wrote in her notes from Haiti. A boisterous spirit could say the thing a peasant couldn’t. A person mounted by a loa could curse a field boss or a pith-helmeted American. Possession by unseen forces, escaping into a kind of death, could be a way of being truly, deeply alive, especially in places where it was hard to speak the truth in any other way. That was the real story of Felicia Felix-Mentor. Put away, disregarded, institutionalized, forgotten, willed by others to be effectively dead—her condition was very much like that of many people Hurston knew, the black women and men she had met from Florida labor camps to whites-only universities. It was just that Haitians had invented a word for it.”

*The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

“The gentrification mentality is rooted in the belief that obedience to consumer identity over recognition of lived experience is actually normal, neutral, and value free.” –The Gentrification of the Mind: Witness to a Lost ImaginationSarah Schulman

I can’t explain why, but this book almost immediately had me in tears. I think it’s attributable in part, once more, to the inevitable dilution of historical events. Things that were intense, painful, sweeping — things I can’t even describe in words, such as the AIDS epidemic of the 1980s and 90s — have become anodyne footnotes accompanied by inoffensive elevator music. I was a child during this epidemic, but watching it unfold affected me at such a fundamental level that I still cry uncontrollably watching footage of protests juxtaposed with images of the march of slow, excruciating and senseless death. As I say, I was a child. I can’t begin to imagine what this period was like for people most affected by it, those like Schulman and her community in New York at the height of the crisis.

“Bizarrely, this very day is the twentieth anniversary of AIDS. Decontextualized by palm trees, I listen. The announcer is discussing events that I know intimately, organically, that have seared the emotional foundation of my adult life. And yet there is a strangely mellow tone to the story. It’s been slightly banalized, homogenized. This is the first time I’ve heard AIDS being historicized, and there is something clean-cut about this telling, something wrong. Something…gentrified. “At first America had trouble with People with AIDS,” the announcer says in that falsely conversational tone, intended to be reassuring about apocalyptic things. “But then, they came around.” I almost crash the car.”

Thus I comprehend her bewildered reaction: “But then, they came around“?!

What!?

When did “they” ever come around? Had, as Schulman pondered, her community – what remained of it – failed to show exactly how much they had suffered, how much they had lost? What the world, in fact, lost, to this epidemic that was “caused by governmental and familial neglect”?

Schulman’s book deals mostly with the gentrification process — but not just the material gentrification we can see in cities like New York, but rather a brainwashing of sorts: the gentrification of the culture, and the gentrification of the mind. It is woven into the institutionally sanctioned happiness-industry culture we are a part of in which we willingly become a part of a herd and ignore what we give up to be a part of that — both on an individual level and as a society. Individually we — this is truer for some than others — may, for example, as Schulman writes, come to expect that one’s “teacher does not remember them, even after intimate direct conversations in class about their lives and work” because somehow the individual is not important enough to remember, particularly if they have always been part of a marginalized group. Societally, we find ourselves acting against the community and its interests because we are encouraged and incentivized to participate in a culture that endlessly craves manufactured happiness and comfort — and the only way to achieve this, according to the rules of this society, is to compete or step on someone else, or in some cases, merely tolerate injustices that we see but don’t speak out against.

“Gentrified happiness is often available to us in return for collusion with injustice. We go along with it, usually, because of the privilege of dominance, which is the privilege not to notice how our way of living affects less powerful people. Sometimes we do know that certain happiness exists at the expense of other human beings, but because we’re not as smart as we think we are, we decide that this is the only way we can survive. Stupidity or cruelty become the choice, but it doesn’t always have to be that way. After all, people and institutions act on and transform each other. So, it’s not happiness at the expense of the weaker versus nothing, right? And yet we are led to feel this way.”

Schulman is writing from her own experience and taking back the narrative that homogenizes the AIDS struggle, but her theses are widely applicable in terms of discussing gentrification, privatization, privilege and — of course — the commodification of humanity and individual identities. Everything about this book commands attention and compels… action. Action toward empathy, compassion and intervention.

“Autobiographically, the AIDS experience may be where I came to understand that it is a fundamental of individual integrity to intervene to stop another person from being victimized, even if to do so is uncomfortable or frightening.”

“Gentrification culture makes it very hard for people to intervene on behalf of others. The Nasdaq value system is and was a brutal one. Being consumed by it and being shut out of it are both deadening and result in distorted thinking about private sectors, economic and emotional. Gentrification culture is rooted in the ideology that people needing help is a “private” matter, that it is nobody’s business. Taking their homes is called “cleaning up” the neighborhood. ACT UP was the most recent American social movement to succeed, and it did so because AIDS activist culture of the 1980s was the opposite of Gentrification culture.”

“Gentrification culture was a twentieth-century, fin de siècle rendition of bourgeois values. It defined truth telling as antisocial instead of as a requirement for decency. The action of making people accountable was decontextualized as inappropriate. When there is no context for justice, freedom-seeking behavior is seen as annoying. Or futile. Or a drag. Or oppressive. And dismissed and dismissed and dismissed and dismissed until that behavior is finally just not seen. Every historical moment passes.”

*Playing in the Dark: Whiteness and the Literary ImaginationToni Morrison

“A criticism that needs to insist that literature is not only “universal” but also “race-free” risks lobotomizing that literature, and diminishes both the art and the artist.” –Playing in the Dark : Whiteness and the Literary ImaginationToni Morrison

This is a unique moment to survey Morrison’s work on literary criticism and African-American literature. She calls out the “polite” color blindness of the dominant cultural system and exposes it as a thick layer of white paint that has for so long covered over necessary calls to consciousness, assessment and action. Today it is embodied in Black Lives Matter, and this must be named, seen, and understood by those who cannot understand it because the responsibility rests with them, i.e., the most dangerous being the white liberal self-proclaimed “ally” who nevertheless never questions and furthers systems of what Morrison refers to as “intellectual domination”.

“Above all I am interested in how agendas in criticism have disguised themselves and, in so doing, impoverished the literature it studies. Criticism as a form of knowledge is capable of robbing literature not only of its own implicit and explicit ideology but of its ideas as well; it can dismiss the difficult, arduous work writers do to make an art that becomes and remains part of and significant within a human landscape. It is important to see how inextricable Africanism is or ought to be from the deliberations of literary criticism and the wanton, elaborate strategies undertaken to erase its presence from view.”

“One likely reason for the paucity of critical material on this large and compelling subject is that, in matters of race, silence and evasion have historically ruled literary discourse.”

“It is further complicated by the fact that the habit of ignoring race is understood to be a graceful, even generous, liberal gesture. To notice is to recognize an already discredited difference. To enforce its invisibility through silence is to allow the black body a shadowless participation in the dominant cultural body.”

Violence against black bodies is the most immediate emergency, of course, but as a reflection of a comprehensively racist system, we must also dig into things as esoteric as literary criticism to understand the depth of the problem.

“Like thousands of avid but nonacademic readers, some powerful literary critics in the United States have never read, and are proud to say so, any African-American text. It seems to have done them no harm, presented them with no discernible limitations in the scope of their work or influence. I suspect, with much evidence to support the suspicion, that they will continue to flourish without any knowledge whatsoever of African-American literature. What is fascinating, however, is to observe how their lavish exploration of literature manages not to see meaning in the thunderous, theatrical presence of black surrogacy—an informing, stabilizing, and disturbing element—in the literature they do study. It is interesting, not surprising, that the arbiters of critical power in American literature seem to take pleasure in, indeed relish, their ignorance of African-American texts.”

*Pale Colors in a Tall Field: PoemsCarl Phillips

Poetry, of course.

*The FallD. Nurkse

More poetry. Always poetry.

*The Kingdom of Ordinary Time: PoemsMarie Howe

My life was a story, dry as pages. Seems like he should have known/enough to like them even lightly with his thumb/ But he didn’t. /And I have to admit I didn’t much like the idea/of telling him how.” –The Kingdom of Ordinary Time: PoemsMarie Howe

And yet more poetry. Every day is poetry.

Good – or better than expected

*Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

“The opposite of addiction, I have learned, is not sobriety but choice.” –Never Enough: The Neuroscience and Experience of AddictionJudith Grisel

All I can say about Never Enough is that it balances the author’s own experience with addiction with the neuroscience behind addiction. It reinforces what much of science and social science instructs about addiction: addiction often escalates when faced with a lack of acceptance and community – seeing no alternatives or no possible way out – in a judgmental society that criminalizes addiction and in which some substance abuse (particularly alcohol) is second nature and not seen at all as abuse or troublesome (until it is). Grisel’s account states:

“Though there were several turning points in my trajectory, it seems profoundly significant that the material change began a few months after the ghost-in-the-mirror episode, when my father inexplicably changed course and took me out for my twenty-third birthday. Federal agents, friends’ deaths, expulsions and evictions, physical withdrawal, and myriad other tragedies weren’t enough to propel me to change; instead, it was human love and connection. My father’s willingness to be seen with me and to treat me with kindness split open my defensive shell of rationalizations and justifications. It broke open the lonely heart that neither of us knew I still had.”

She never claims that this turning point made her choice easy, but it was about choice — and it required connection and compassion to reach that stage. Having some meaning seems to be a deciding factor for many addicts, which is backed up by work from both Dr Gabor Maté and Dr Carl Hart, who also specialize in addiction. A unique part of the book is that it covers different categories of drug and in some cases proposes ways we might mitigate some of the pitfalls of use — that is, make alcohol-free spaces more common, find ways to cope with and treat pain, see others with compassion and look at what can be done rather than what cannot.

“So, who’s to blame for the epidemic of addiction? The truth is no one is to blame, but we are all responsible. Our collective shadow supports addiction because we must have a scapegoat even as we deny, or embrace, the many strategies of escape we employ ourselves. We support the tools of addiction, including pathological individualism that leads to alienation, widespread and enthusiastic endorsement of avoidance, and a smorgasbord of consumptive excess and self-medication. Though any search for a cause (or a cure) is bound to fall short, one source of this epidemic is our unwillingness to bear our own pain, along with our failure to look upon the suffering of others with compassion.”

*Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

“The triumph of exchange values over experiential values changed the world both for the better and for the worse. On the one hand, with the commodification of goods, land, and labor came an end to the oppression, injustice, and wretchedness of serfdom. A new concept of freedom was born, along with the possibility of abolishing slavery and the technological capability to produce enough goods for all. On the other hand, it prompted unprecedented new forms of misery, poverty, and potential slavery.” –Talking to My Daughter About the Economy: or, How Capitalism Works – and How It FailsYanis Varoufakis

After reading Doughnut Economics: Seven Ways to Think Like a 21st-century Economist last month and continuing to think about the up-and-down waves of collapsing capitalism, Varoufakis’s simplified take on economics and capitalism would be a good addition to the basics, boiled down to the simple premise: ““My reason for writing it was the conviction that the economy is too important to leave to the economists.” This is much the same argument that guided the research and thinking behind Doughnut Economics.

“Today’s economic experts are not much different. Whenever they fail to predict properly some economic phenomenon, which is almost always, they account for their failure by appealing to the same mystical economic notions that failed them in the first place. Occasionally, new notions are created in order to account for the failure of the earlier ones.”

How far removed from human life and needs can economics — ostensibly the study of the production, distribution, and consumption of goods and services, which are produced, distributed and consumed by people — get?

“With time, I recognized something else, a delicious contradiction about my own profession that reinforced this belief: the more scientific our models of the economy become, the less relation they bear to the real, existing economy out there. This is precisely the opposite of what obtains in physics, engineering…”

Very much aligned with the questions I continue to ask myself as I make reading and study choices: what are my values, what are society’s collective values? And Varoufakis does the same, hitting the nail right on the head — we live in a time in which experience holds no value, and everything is commodified and assigned a market value. People fall right into this — from assigning a salary, fair or not, to their time and labor (which do, in fact, belong to them) to turning people themselves into products and market experiments (how can we influence consumers, how much can be extract from them either in the form of direct consumption or in the data they generate and unwittingly share with us)?

“Oscar Wilde wrote that a cynical person is someone who knows the price of everything but the value of nothing. Our societies tend to make us all cynics. And no one is more cynical than the economist who sees exchange value as the only value, trivializing experiential value as unnecessary in a society where everything is judged according to the criteria of the market. But how exactly did exchange value manage this triumph over experiential value? The commodification of everything…”

Entertaining/informative/thoughtful or some combination thereof

*What Gandhi SaysNorman Finkelstein

“If Gandhi despised one thing more than cowardice, it was cowardice wrapping itself in the mantle of nonviolence.” –What Gandhi SaysNorman Finkelstein

No stranger to controversy, Finkelstein provides analysis of the tenets for which Gandhi is best known globally… not diving too deeply into the more controversial and troubling aspects of Gandhi the man. Finkelstein focuses squarely on Gandhi’s words and their constant contradictions, emphasizing Gandhi’s predilection for action over consistency of expression. While other readings I’ve highlighted here suggest that inconsistent expression is a hallmark of the dictator, I doubt anyone would claim Gandhi had dictatorial aspirations, even if it seems he had a control-freak streak (and preoccupation with sex and attempting to control it). In fact, according to Finkelstein, Gandhi’s commitment to acting on non-violent resistance came from the need to throw off colonial chains and rulers, not to grab power for himself once these occupiers were successfully resisted.

“Gandhi devoted the whole of his adult life to organizing the powerless 99 percent against the greedy 1 percent. He aspired in the first place to end the British occupation of India, but he also recoiled at the prospect of a corrupt clique of native Indians replacing the foreign occupiers.”

“He was convinced not only that the old world could be extirpated and a new world be brought into being nonviolently, but also that unless it was done nonviolently, the new world would hardly differ from the old world it superseded.”

Finkelstein attempts to show that Gandhi was not passive, and did not advocate being passive. He in fact would advocate violence if and when there were no other alternative.

“The real Gandhi did loathe violence but he loathed cowardice more than violence. If his constituents could not find the inner wherewithal to resist nonviolently, then he exhorted them to find the courage to hit back those who assaulted or demeaned them.”

The unfortunate problem here is that one cannot rely on the judgment of an individual that there “was no alternative”. We can see, despite the very different conditions and circumstances, that a number of police officers in the United States justify murder because they claim to have had no other recourse, and felt that their own lives were threatened. Never mind that they are in positions of power, authority and are armed. I use this example only to illustrate the subjectivity of the perceived alternatives.

Finkelstein also explores the limitations and contradictions of Gandhi’s teachings, which makes this book a worthwhile endeavor.

*Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

“All animals need time, experiences, practice, and failure to become mature adults.” –Wildhood: The Epic Journey from Adolescence to Adulthood in Humans and Other AnimalsBarbara Natterson-Horowitz and Kathryn Bowers

Oh, adolescence.

“It seems tragically counterintuitive that the most vulnerable and underprepared individuals would be thrown into the riskiest possible situations. But facing mortal danger while still maturing is a fact of life for adolescents and young adults across species.”

Natterson-Horowitz and Bowers explore the fraught period of human and other species adolescent period, which is fascinating overall but a few key points stand out, in particular the question of what happens to humans once old risks are eliminated, when there is capacity to manage more than just basic survival.

“What happens when brains and bodies that evolved in environments full of predators and other threats find those dangers removed? A similar question was posed thirty years ago by a British epidemiologist who noticed a rise in autoimmune diseases like lupus and Crohn’s. David Strachan wondered what happens to immune systems that evolved in environments with many varied pathogens when the world gets cleaner. The “hygiene hypothesis” suggested that human immune systems, unchallenged in overly clean environments, turn inward and begin to attack their own bodies, mistaking normal tissue for pathogens. Might a similar process be driving anxiety in modern adolescents and other individuals? Lars Svendsen, a Norwegian philosopher at the University of Bergen who studies fear, thinks yes. He believes that many modern humans have a “surplus of consciousness” that gets directed into imagining risks.”

“Safer than ever before, with more “brain space” to devote to thinking about risks that don’t pan out, we live in a state of what Svendsen calls “permanent fear.” Permanent fear, believes Svendsen, isolates individuals and creates anxious, lonely societies because “living a life of fear is incompatible with living a life of happiness.””

“Adolescents and adults who seem to have it all still get sad, sometimes even truly depressed. A human being’s internal self-perception can be very different from how others see them. Social experiences during adolescence shape individuals’ views of their status in ways that sometimes continue into adult life. The happiness that might come from success in adult life may be blunted by the enduring effects of social defeats during adolescence.”

Another key point, which seems obvious, but isn’t — based on how critically “sexual compliance” is handled in society. Overt threats are not required in a world that does not believe women, does not understand the subtlety of covert threats, and in which violence is glorified and some people feel entitled to “take”. That is, as Natterson-Horowitz and Bowers share:

“Sex between two animals that appears to be non-coerced, because physical force is not observed, may actually be coercive in a less visible way if the female has been harassed into submitting. Some males may persistently badger unreceptive females for sex, preventing them from foraging and feeding—a phenomenon documented in dolphins, sheep, quail, and coho salmon. Sexually harassed elephant seals, fallow bucks, and female tortoiseshell butterflies ultimately relent, submitting to sex simply so they can go about their lives. An uninformed observer, who sees no resistance or physical restraint, might not recognize these encounters as the coercive events they are. This is especially true because the intimidation and threats of violence may take place hours or even days before the sexual encounter.”

“Conventional wisdom of the time held that fertile female chimpanzees were choosing the mates they preferred. But Wrangham and Muller realized these females weren’t choosing; they were complying.”

*The Seven Good YearsEtgar Keret

“The timing of my new mustache—ten days after my wife miscarried, a week after I injured my back in a car crash, and two weeks after my father found out he had inoperable cancer—couldn’t have been better. Instead of talking about Dad’s chemo or my wife’s hospitalization, I could divert all small talk to the thick tuft of facial hair growing above my upper lip. And whenever anyone asked, “What’s with the mustache?” I had the perfect answer, and it was even mostly true: “It’s for the boy.” A mustache is not just a great distraction device; it’s also an excellent icebreaker. It’s amazing how many people who see a new mustache in the middle of a familiar face are happy to share their own private mustache stories.” –The Seven Good YearsEtgar Keret

I discovered Etgar Keret by accident – happy surprise, entertaining fiction, clear voice. That’s all.

“In the Middle East, people feel their mortality more than anywhere else on the planet, which causes most of the population to develop aggressive tendencies toward strangers who try to waste the little time they have left on earth.”

*Everything in Its Place: First Loves and Last TalesOliver Sacks

“Much of this, remarkably, was envisaged by E. M. Forster in his 1909 short story “The Machine Stops,” in which he imagined a future where people live underground in isolated cells, never seeing one another and communicating only by audio and visual devices. In this world, original thought and direct observation are discouraged—“Beware of first-hand ideas!” people are told. Humanity has been overtaken by “the Machine,” which provides all comforts and meets all needs—except the need for human contact. One young man, Kuno, pleads with his mother via a Skype-like technology, “I want to see you not through the Machine. I want to speak to you not through the wearisome Machine.”” –Everything in Its Place: First Loves and Last TalesOliver Sacks

Most of what Sacks produced is worth reading, and while this was not his best collection, I was mostly struck by his references to how public everything is now. Privacy, as we all know, is dead. And now that we lead almost entirely public lives, we have created identities for others to consume, and we create data that makes us consumable. An endless cycle of (false?) identity creation followed by someone mining that false or aspirational identity data followed by someone trying to sell or selling us something based on that data followed by the consumption and use that lends credence and authority to the identity we created for public consumption, reinforcing the whole cycle repeatedly. Do we consider the trade-offs? It is too late to opt out. How do we want to be — whom do we want to be — in this world we’ve created and submitted to?

“Everything is public now, potentially: one’s thoughts, one’s photos, one’s movements, one’s purchases. There is no privacy and apparently little desire for it in a world devoted to nonstop use of social media. Every minute, every second, has to be spent with one’s device clutched in one’s hand. Those trapped in this virtual world are never alone, never able to concentrate and appreciate in their own way, silently. They have given up, to a great extent, the amenities and achievements of civilization: solitude and leisure, the sanction to be oneself, truly absorbed, whether in contemplating a work of art, a scientific theory, a sunset, or the face of one’s beloved.”

*The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

“But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack. It lasers in on what you perceive your personal shortcomings and failures to already be, and then emphasizes them for you.” –The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good LifeMark Manson

While not surprising, and leaning a bit heavily on the mild shock value of its profanity-inspired title, this book more or less catalogs the complaint I, and many others, have had about the always-booming self-help industry. Not only does it create and inflate unrealistic expectations within the very population (usually vulnerable) that can least afford to sink a bunch of money and misguided hope into snake-oil in repetitive mantra form, it does, as Manson clearly broadcasts, project that “the desire for more positive experience is itself a negative experience. And, paradoxically, the acceptance of one’s negative experience is itself a positive experience”. YES.

Sure, I know I’ve been chastised and criticized for my “negativity” pretty much all my life. But I don’t care because I’m content, I’m realistic, I’m pragmatic. I have enough, and I am not on an endless and probably fruitless quest for “happiness”, which has become entirely meaningless because being “happy” has been warped by BS ideas about consuming, having, owning and usurped by the constant need for more. Happiness is different from meaning derived from experience, where I see great value. Manson quotes Albert Camus and Charles Bukowski in an admonishment not to seek out happiness; equating happiness with conformity and need to succeed or perform according to society’s arbitrary standards is probably what Camus, Bukowski and Manson would refer to as “giving too many fucks”.

“Pain is an inextricable thread in the fabric of life, and to tear it out is not only impossible, but destructive: attempting to tear it out unravels everything else with it. To try to avoid pain is to give too many fucks about pain. In contrast, if you’re able to not give a fuck about the pain, you become unstoppable.”

Not giving a fuck is not about indifference; in fact, it is having the fortitude, maturity and strength of identity to be able to stand alone, to weather difficulties and to be comfortable with uncertainty and with being oneself, even if that means going against the rest of the herd (perhaps by trying, however futile it is, to opt out of the always-on public life).

*Stiff: The Curious Lives of Human CadaversMary Roach

“Life contains these things: leakage and wickage and discharge, pus and snot and slime and gleet. We are biology. We are reminded of this at the beginning and the end, at birth and at death. In between we do what we can to forget.” –Stiff: The Curious Lives of Human CadaversMary Roach

An irreverent look at the body once it becomes…uninhabited. Unlike Bill Bryson’s book on the anatomy and functions of the human body, Roach dissects (not literally) the things that may happen to a human body after death.

Yes, irreverent.

“Not that there’s anything wrong with just lying around on your back. In its way, rotting is interesting too, as we will see. It’s just that there are other ways to spend your time as a cadaver. Get involved with science. Be an art exhibit. Become part of a tree. Some options for you to think about. Death. It doesn’t have to be boring.”

Yes, oddly filled with chicken-adjacent stories.

“The human head is of the same approximate size and weight as a roaster chicken. I have never before had occasion to make the comparison, for never before today have I seen a head in a roasting pan. But here are forty of them, one per pan, resting face-up on what looks to be a small pet-food bowl. The heads are for plastic surgeons, two per head, to practice on.

The heads have been put in roasting pans—which are of the disposable aluminum variety—for the same reason chickens are put in roasting pans: to catch the drippings.”

“Eventually the taxi pulled up outside a brightly lit fried chicken establishment, the sort of place that in the United States might proclaim “We Do Chicken Right!” but here proclaimed “Do Me Chicken!” The cabdriver turned to collect his fare. We shouted at each other for a while, and eventually he got out and walked over to a tiny, dim storefront next to the chicken place and pointed vigorously to a sign. Designated Foreign-Oriented Tourist Unit, it said. Well, do me chicken. The man was right.”

*Sapiens: A Brief History of HumankindYuval Noah Harari

“Yet none of these things exists outside the stories that people invent and tell one another. There are no gods in the universe, no nations, no money, no human rights, no laws, and no justice outside the common imagination of human beings.” –Sapiens: A Brief History of HumankindYuval Noah Harari

As I ponder throughout this post, history is a moving target, and one experience is not representative of all, or universal, experience. This book manages somehow to be an example both of attempting to fit all of history into a single interpretation while also calling out how a multiplicity of experiences shelter under different umbrellas. After all, a book purporting to be a history of humankind will by necessity take a broad perspective. A dense and fascinating overview, it covers expansive ground, from money to religion, from the pace of change (the social order is in a state of “permanent flux”) to the accumulation of wealth and whether change and wealth have made us happier or more relaxed or “advanced”. It asks questions I wouldn’t (and Harari probably wouldn’t, based on the final words quoted below) expect of a book of this kind.

“But are we happier? Did the wealth humankind accumulated over the last five centuries translate into a new-found contentment? Did the discovery of inexhaustible energy resources open before us inexhaustible stores of bliss? Going further back, have the seventy or so turbulent millennia since the Cognitive Revolution made the world a better place to live? Was the late Neil Armstrong, whose footprint remains intact on the windless moon, happier than the nameless hunter-gatherer who 30,000 years ago left her handprint on a wall in Chauvet Cave? If not, what was the point of developing agriculture, cities, writing, coinage, empires, science and industry? Historians seldom ask such questions.”

Perhaps most appropriate and more specifically, Harari explores the always-controversial (although it should not be) debate (and it should not be one) about determining what is biological and what is “justified through biological myths”. An example here is the tendency to discuss concepts like race and gender in quite general, overarching terms while not completely making them reductive.

“How can we distinguish what is biologically determined from what people merely try to justify through biological myths? A good rule of thumb is ‘Biology enables, Culture forbids.’ Biology is willing to tolerate a very wide spectrum of possibilities. It’s culture that obliges people to realise some possibilities while forbidding others. Biology enables women to have children – some cultures oblige women to realise this possibility. Biology enables men to enjoy sex with one another – some cultures forbid them to realise this possibility. Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition. No culture has ever bothered to forbid men to photosynthesise, women to run faster than the speed of light, or negatively charged electrons to be attracted to each other. In truth, our concepts ‘natural’ and ‘unnatural’ are taken not from biology, but from Christian theology. The theological meaning of ‘natural’ is ‘in accordance with the intentions of the God who created nature’.”

“Different societies adopt different kinds of imagined hierarchies. Race is very important to modern Americans but was relatively insignificant to medieval Muslims. Caste was a matter of life and death in medieval India, whereas in modern Europe it is practically non-existent. One hierarchy, however, has been of supreme importance in all known human societies: the hierarchy of gender. People everywhere have divided themselves into men and women. And almost everywhere men have got the better deal, at least since the Agricultural Revolution.”

I took many points away from this book, but it’s this last point — about the gender hierarchy — that struck me most of all. I find myself getting angrier about gender inequality as I get older, and the historical record justifies this anger. There is no biological basis for relegating women to a position of inferiority, and yet, throughout societies the world over, that’s exactly where women exist.

“How did it happen that in the one species whose success depends above all on cooperation, individuals who are supposedly less cooperative (men) control individuals who are supposedly more cooperative (women)? At present, we have no good answer.”

*The Fracture ZoneSimon Winchester

“…and for years the Balkans faded into our collective memories. No one ever said: “Remember the man who filled up the car in Pec?” or, “Remember the field by that cement factory called General Jankovic?”—because the Balkans were peaceful in those times, and we had no compelling reason to think of them.” –The Fracture ZoneSimon Winchester

I didn’t love this book but tend to read everything about the former Yugoslavia, its breakup, and different “western” takes on “Balkan drama”. I don’t generally buy into a lot of the analysis, but I nevertheless feel compelled to be steeped in it, if only to have close-to-the-skin reminders of what it was like to be there (by “there” I mean Bosnia, not so much Kosovo, as Winchester does) in the post-war period: the “fixers” that would get hired to act as… well, fixers, drivers and interpreters, even though their real jobs were as engineers, students or farmers, the Turkish-style coffee, the mélange of foods (I lived on shopska salad myself), people, styles, a kind of clash of old and new world (a man driving his horse and buggy along the same road down which a cadre of Bosnian politicians gunned their motorcade of brand-new Audi A8s while making a campaign stop), the random marriage proposals from strangers who simply sought an easy exit, intermittent electricity, random security evacuation exercises, and civil sector bureaucracy.

Reading this and similar accounts of the end of Yugoslavia, I can’t help but feel my age, but much more acutely, I feel the squeeze of insignificance… how diluted historical events become with time. I wouldn’t claim that I knew a lot of people outside certain circles who felt concerned about the situation in former Yugoslavia even at the time, but now, with the war well outside the living memory of young adults, I meet many young people who have never heard of Yugoslavia at all and had nebulous notions, if any idea at all, that a war was fought in this place that they associate vaguely (again, if they have any associations whatsoever) with the filming locations for Game of Thrones (Croatia) and coastal holidays.

*Recollections of My NonexistenceRebecca Solnit

“Your credibility arises in part from how your society perceives people like you, and we have seen over and over again that no matter how credible some women are by supposedly objective standards reinforced by evidence and witnesses and well-documented patterns, they will not be believed by people committed to protecting men and their privileges. The very definition of women under patriarchy is designed to justify inequality, including inequality of credibility. Though patriarchy often claims a monopoly on rationality and reason, those committed to it will discount the most verifiable, coherent, ordinary story told by a woman and accept any fantastical account by a man, will pretend sexual violence is rare and false accusations common, and so forth. Why tell stories if they will only bring forth a new round of punishment or disparagement?” –Recollections of My NonexistenceRebecca Solnit

Referring again to the idea that some people (men, white) have unlimited space to tell stories and be believed, few voices chronicle the struggle to be taken seriously, to be heard and to be respected as well as Rebecca Solnit. The ways women’s experiences have been distorted by the collective voice of dominance insisting that women are “crazy” have enabled the control men continue to have over women — and society as a whole. We can read about (and feel) the injustice of this in all kinds of discourse — some even dating back more than 150 years (see The Subjection of Women by John Stuart Mill, listed above), and some much more recent, such as Sapiens, listed below, by Yuval Noah Harari.

“It was a kind of collective gaslighting. To live in a war that no one around me would acknowledge as a war—I am tempted to say that it made me crazy, but women are so often accused of being crazy, as a way of undermining their capacity to bear witness and the reality of what they testify to. Besides, in these cases, crazy is often a euphemism for unbearable suffering. So it didn’t make me crazy; it made me unbearably anxious, preoccupied, indignant, and exhausted. I was faced with either surrendering my freedom in advance or risking losing it in the worst ways imaginable. One thing that makes people crazy is being told that the experiences they have did not actually happen, that the circumstances that hem them in are imaginary, that the problems are all in their head, and that if they are distressed it is a sign of their failure, when success would be to shut up or to cease to know what they know.”

*Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

“Tyrants trust no one, least of all their allies. Duvalier disposed of friends and foes alike, striking down anyone he thought was too ambitious or might develop a separate power base. No one was indispensable.” –Dictators: The Cult of Personality in the Twentieth CenturyFrank Dikötter

We’re living through a time in which we are surrounded by a number of would-be dictators. For this reason alone, a chronicle of the lives of dictators in the 20th century is both timely and instructive. I could list off the present-day dictator wanna-be candidates, and I could list off their slogans. But we don’t need to amplify these names and their dictates further.

The takeaway here is confirmation of the many traits we can associate with and by which we can identify tyranny and tyrants: narcissism, penchant for performance/spectacle, ‘govern’ by slogans, practice and encourage inconsistency, personalize their power (“I alone can do…”), surround oneself with sycophants and ass-kissers and dismiss and discredit anyone who goes against you. The true believers will, like cult members, drink the Kool Aid, no matter what a tyrant does, and for everyone else, who sees the reality, a tyrant will “sow confusion, to destroy common sense, to enforce obedience, to isolate individuals and crush their dignity” to ensure that he isn’t credibly threatened by being removed.

Dikötter writes of Mussolini’s regime; sound familiar?:

“People had to self-censor, and in turn they monitored others, denouncing those who failed to appear sufficiently sincere in their professions of devotion to the leader. Underneath the appearance of widespread uniformity, there was a broad spectrum, ranging from those who genuinely idealised their leader – true believers, opportunists, thugs – to those who were indifferent, apathetic or even hostile.”

“For almost two decades Mussolini had encouraged the idea that he alone could be trusted and could do no wrong. He had used the cult of the leader to debase his competitors, ensuring every potential rival in the Fascist Party was edged out of the limelight. Those who remained were united in their devotion to the Duce, sycophants determined to outdo one another in praising his genius. They lied to him, much as he lied to them. But most of all, Mussolini lied to himself. He became enveloped in his own worldview, a ‘slave to his own myth’ in the words of his biographer Renzo de Felice. He knew that those around him were flatterers who withheld information that could provoke his ire. He trusted no one, having no true friends, no reliable companion to whom he could speak frankly. As the years passed Mussolini isolated himself from others, becoming a virtual prisoner within the walls of the Palazzo Venezia.”

*Transforming Glasgow: Beyond the Post-Industrial CityKeith Kintrea and Rebecca Madgin, editors

“Ours is a city which perhaps more than any other of our size, shaped the Industrial Revolution, along with all of the great positive and negative forces that it unleashed.”

I binge and gorge on all things Glasgow – even urban planning and its history. I don’t expect others to care for this in the way I did, so it’s not exactly a recommendation unless you’re obsessed with Glasgow and the post-industrial transformation of once-heavily-industrialized cities.

On the other hand, many works I read this month, and more generally, deal with impoverishment of the urban landscape, de-industrialization with nothing to replace it, meaning that poverty almost inevitably travels hand-in-hand with some of these economic upheavals. Glasgow was once the “Second City of the Empire“, but you’d never know it if you were to witness the parts of the city hammered hardest by poverty and dilapidation that came with de-industrialization and privatization. Photographer Raymond Depardon captured this side of Glasgow in 1980 (it’s worth looking at the photos). To some degree, Glasgow has experienced many of the growing pains and tragedies that other cities have and do – and much of it boils down to misguided attempts at “modernizing” (in Glasgow’s case, people were moved out of the city to live in giant, horrible tower blocks and manufactured “communities” – and in so doing, much of Glasgow’s storied architecture was lost, and more appallingly, communities were torn apart. I’d argue that while Glasgow has not been as deeply affected by the powers of gentrification (essentially a destructive force masquerading as progress) as cities like New York (which is dealt with in Schulman’s The Gentrification of the Mind above), it is nevertheless a factor in Glasgow’s drive to redefine and reshape itself.

*Where the Wild Cooks Go: Recipes from My Travels in Food and MusicCerys Matthews

Not much to say here except that this was an enjoyable mix of recipes and music from all over the world; a nice tonic for not being able to travel anywhere.

*Salt HousesHala Alyan

“Easier, she thinks, to remember nothing, to enter a world already changed, than have it transform before your eyes. In the palaces, the grandparents must sit in their extravagant rooms, remembering sand. Nostalgia is an affliction.”

A beautiful book – evoking the pain and suffering of human memory and nostalgia.

“Poor innocent things, he thinks. What is a life? A series of yeses and noes, photographs you shove in a drawer somewhere, loves you think will save you but that cannot. Continuing to move, enduring, not stopping even when there is pain. That’s all life is, he wants to tell her. It’s continuing.”

*I Will Never See the World Again: The Memoir of an Imprisoned WriterAhmet Altan

“Forgetting is the greatest source of freedom a person can have. The prison, the cell, the walls, the doors, the locks, the problems and the people – everything and everyone placing limits on my life and telling me “you cannot go beyond” is erased and gone.”

The pain of memory, the relief of erasure. A different kind of freedom.

“There is a cure for everything. Except longing.”

Turkish political prisoner and journalist Ahmet Altan writes of being imprisoned and the conditions within the country that enabled his imprisonment. Sometimes with humor, fearlessly, and sometimes sparking emotion — both sadness and anger.

“While the policemen searched the apartment, I put the kettle on. “Would you like some tea?” I asked. They said they would not. “It is not a bribe,” I said, imitating my late father, “you can drink some.” Exactly forty-five years ago, on a morning just like this one, they had raided our house and arrested my father. My father asked the police if they would like some coffee. When they declined, he laughed and said, “It is not a bribe, you can drink some.” What I was experiencing was not déjà vu. Reality was repeating itself. This country moves through history too slowly for time to go forward, so it folds back on itself instead. Forty-five years had passed and time had returned to the same morning. During the space of that morning which lasted forty-five years, my father had died and I had grown old, but the dawn and the raid were unchanged.”

*The Body: A Guide for OccupantsBill Bryson

“As with so much else, you experience the world that your brain allows you to experience.” –The Body: A Guide for OccupantsBill Bryson

I have never liked the self-satisfied and judgmental Bill Bryson, and some of his books betray these personality defects more than others. I include The Body here in spite of its writer, as I think the book simplified the human body in an engaging way — exploring anatomy through relatable language and analogies. Some interesting language and analogies, even if not new, included:

  • Color isn’t a fixed reality but a perception
  • “The upshot is that memory is not a fixed and permanent record, like a document in a filing cabinet. It is something much more hazy and mutable. As Elizabeth Loftus told an interviewer in 2013, “It’s a little more like a Wikipedia page. You can go in there and change it, and so can other people.””
  • “It will not have escaped your attention that the mouth is a moist and glistening vault.”
  • the antibiotic crisis is already here – it’s not a looming crisis
  • ““You can make a real mess of yourself, but you are very likely to survive. Killing yourself is actually difficult.”
  •  “A meta-analysis showed that for older people the risk of a heart attack was raised for up to three hours after sex, but it was similarly raised for shoveling snow, and sex is more fun than shoveling snow.”
  • “It’s remarkable that bad things don’t happen more often. According to one estimate reported by Ed Yong in The Atlantic, the number of viruses in birds and mammals that have the potential to leap the species barrier and infect us may be as high as 800,000. That is a lot of potential danger.” (We’re seeing this now, aren’t we?)
  • “When I met Washington University’s Michael Kinch in St. Louis, I asked him what he believed was the greatest disease risk to us now. “Flu,” he said without hesitation. “Flu is way more dangerous than people think. For a start, it kills a lot of people already—about thirty to forty thousand every year in the United States—and that’s in a so-called good year. But it also evolves very rapidly, and that’s what makes it especially dangerous.”
  • “Two things can be said with confidence about life expectancy in the world today. One is that it is really helpful to be rich. If you are middle-aged, exceptionally well-off, and from almost any high-income nation, the chances are excellent that you will live into your late eighties. The second thing that can be said with regard to life expectancy is that it is not a good idea to be an American. Compared with your peers in the rest of the industrialized world, even being well-off doesn’t help you here.”
  • Your lifestyle is the most likely thing to kill you, and many of the cultural and socioeconomic inequalities facing society now contribute to this. “IN 2011, AN interesting milestone in human history was passed. For the first time, more people globally died from non-communicable diseases like heart failure, stroke, and diabetes than from all infectious diseases combined. We live in an age in which we are killed, more often than not, by lifestyle. We are in effect choosing how we shall die, albeit without much reflection or insight.”
  • “It is an extraordinary fact that having good and loving relationships physically alters your DNA. Conversely, a 2010 U.S. study found, not having such relationships doubles your risk of dying from any cause.”

Coincidences

*Walking on the CeilingAyşegül Savaş

“M. sometimes referred to our shared memory palace, where the two of us had invented our own times of day (he always found a different way to bring up “The Invention of Midnight”). The rooms of this building, he said, which contained replicas of the most unremarkable sights, had turned into treasures.”

“This idea of a palace has stayed with me, even if I believe it is too neatly constructed to shed light on the devious ways of memory. Its innocent sleight of hand is only in the amplification of what is remembered, when the truth has so much more to do with hiding and forgetting.” –Walking on the CeilingAyşegül Savaş

In asking ourselves questions about who we are as individuals and in relation to others, and how we are woven into, or fraying at the edges of, the wider tapestry of our familial and social circles, and more broadly into society, we may neglect to look at a lot of factors because they seem far removed from our own daily realities. Depending on who we are, these factors could include socioeconomic class, race, gender, our relationship to faith or religion, geography, and our place in the culture in which we live, even if we feel that we are not included in it. These considerations generate deeper questions that, even if painful, begin to free us to find out who we really are – outside the rules of traditional economics, outside the boundaries of consumer culture, outside of our relationships with others.

While Walking on the Ceiling did not delve into any of these questions, its inclusion in this list comes as a kind of meeting point among the uniting themes of the other works that influenced me this month. We are examining and re-examining the stories we’ve told ourselves as cultures and nations, and there’s a reckoning underway: who has the voice and privilege to define and decide what these stories are? Who will re-contextualize incomplete, one-sided histories? Who creates and enforces collective memory and how? For example, as the nefarious US attorney general, Bill Barr, alarmingly stated not long ago, “History is written by the winners, so it largely depends on who is writing the history.” Or, as musician Sam Phillips wrote, “History is written to say, ‘It wasn’t our fault, wasn’t our fault…”, which inevitably means that someone is on the other side of that equation taking the blame.

For more than two centuries of US history at least, history has been created (yes, created, because it is an interpretation) by those with the loudest voices, ownership, most to protect/lose – power – and this has in many cases become a kind of brainwashing-induced mythology by which Americans define their identities and their so-called “freedom”. But this history is not every American’s story, not every American’s history. Perhaps this is changing now, as at least large swathes of the population begin to confront the ugliness of history and how it continues to pervade, influence and oppress other large swathes of the population who have been systematically disenfranchised, ignored or abused. Even if memory, which underpins what we call history, is perhaps challenging and deceptive, and susceptible to corruption, it still cannot be erased or debased en masse. There can always be a counterbalance to the dominant retelling of the story. If, as Savaş insists in Walking, “…people lived their whole lives telling stories, and by story he meant something like delusion. Everyone, he said, had a story of themselves. They told it again and again, at every chance they got”, we should always have multiple narratives and voices to help define the story – and history, Bill Barr and his ilk be damned.

As a side note, I highlighted this book in the first place as coincidental because it featured the “memory palace” (method of loci) concept that also came up in tv’s Dispatches from Elsewhere.

Biggest disappointment

*The Days of AbandonmentElena Ferrante

“What a mistake it had been to close off the meaning of my existence in the rites that Mario offered with cautious conjugal rapture. What a mistake it had been to entrust the sense of myself to his gratifications, his enthusiasms, to the ever more productive course of his life. What a mistake, above all, it had been to believe that I couldn’t live without him, when for a long time I had not been at all certain that I was alive with him.” –The Days of AbandonmentElena Ferrante

While I didn’t hate this book, my lack of appreciation probably represents a kind of fatigue after reading too much Ferrante in short succession. It’s not even that this book is bad – perhaps it is more my dislike for the shrill and shallow nature of the main character, who comes completely undone when her husband reveals he has been unfaithful and is leaving her. Over the course of the story more hurtful details emerge about the infidelity, and indeed cause the character near-breakdown-level grief.

I think what was remarkable about the book and its characterization this breakdown – filled with angst, regret, anger, jealousy and the whole gamut of (sometimes contradictory) emotions people feel when a relationship ends – is how well it describes what one must confront in the face of such a rupture. Over the course of a long relationship, one doesn’t see clearly how intertwined their life has become with that of the other. And sometimes, as was the case here – that life is not even combined or co-lived but is lost within and subsumed by the life and desires of the other.

When these realizations hit, it’s powerful, painful and starts an examination of the past, when the only way forward is to think instead of the future. While there’s not necessarily anything wrong with having merged two lives together, the loss of identity (which I recently highlighted as a theme from tv’s imaginative and unusual Dispatches from Elsewhere) is crushing, all the more because its erosion is so gradual one doesn’t realize it until reality is shaken. Infidelity, as explored by Esther Perel in The State of Affairs: Rethinking Infidelity, is complex: it violates not only the sense of self and security of the “betrayed” (“being chosen has taken on an importance it never had before. Monogamy is the sacred cow of the romantic ideal, for it confirms our specialness. Infidelity says, You’re not so special after all“), but can also reflect the fragmentation of the “betrayers” identity (“Sometimes, when we seek the gaze of another, it isn’t our partner we are turning away from, but the person we have become. We are not looking for another lover so much as another version of ourselves“). Coming to terms with what was thought to be reality versus what actually was can create deep estrangement from…everyone, including oneself, and create obstacles to moving forward.

I didn’t enjoy this book in a standard way, but appreciate that Ferrante has captured in visceral color what it feels like to go through this.

“No, I thought, squeezing the rag and struggling to get up: starting at a certain point, the future is only a need to live in the past. To immediately redo the grammatical tenses.” –The Days of AbandonmentElena Ferrante

*Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

Interesting book – but not as interesting as I had hoped. Some interesting ideas here, for example citing Jared Diamond’s hypothesis that intercontinental inequality has more to do with plants, animals and agriculture than with culture. Culture, meanwhile, doesn’t explain everything.

“Is the culture hypothesis useful for understanding world inequality? Yes and no. Yes, in the sense that social norms, which are related to culture, matter and can be hard to change, and they also sometimes support institutional differences, this book’s explanation for world inequality. But mostly no, because those aspects of culture often emphasized—religion, national ethics, African or Latin values—are just not important for understanding how we got here and why the inequalities in the world persist. Other aspects, such as the extent to which people trust each other or are able to cooperate, are important but they are mostly an outcome of institutions, not an independent cause.” –Why Nations Fail: The Origins of Power, Prosperity and PovertyDaron Acemoğlu

Free for a storytelling spree

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Another one of those aimless, sprawling collections of thoughts, quotations, snippets floating freely in my brain … all on the vast topic of writing and reading. Thinking about how ideas come to fruition and lead to a story or a storytelling spree of some kind. I know I am doing little more than collecting a bunch of random quotations and thoughts – not doing anything particularly creative myself, and certainly not weaving together a story. But I am, as I write about below, creating new links and networks in my brain… which I guess is part of my process (also noted below).

The ability to tell your own story, in words or images, is already a victory, already a revolt.” Men Explain Things to Me, Rebecca Solnit

“In the place of the ever-changing cloud that we carried in our heads until the other day, the condensing and dispersal of which we attempted to understand by describing impalpable psychological states and shadowy landscapes of the soul—in the place of all this we now feel the rapid passage of signals on the intricate circuits that connect the relays, the diodes, the transistors with which our skulls are crammed. Just as no chess player will ever live long enough to exhaust all the combinations of possible moves for the thirty-two pieces on the chessboard, so we know (given the fact that our minds are chessboards with hundreds of billions of pieces) that not even in a lifetime lasting as long as the universe would one ever manage to make all possible plays.” –The Uses of Literature, Italo Calvino

To write is to embrace a certain freedom and break free from constraints you did not even know were there. Sometimes to write is to buckle down and find your way. Free to write our stories, or some story, we have to find the way to do it – and seize the freedom that allows us to… even if, as Calvino cautions, we shall never live long enough to make ‘all possible plays’.

This can be a considerable enterprise, depending on how you experience writing, the process of writing and creativity. And the how you do it does not even begin to touch the why.

The write way

For some, writing is like giving difficult birth, laborious, long and painful. Or like a marathon, tapping into the reserves of the entire being while also still being a one-foot-in-front-of-the-other exercise.

“Writing novels, to me, is basically a kind of manual labor. Writing itself is mental labor, but finishing an entire book is closer to manual labor. It doesn’t involve heavy lifting, running fast, or leaping high. Most people, though, only see the surface reality of writing and think of writers as involved in quiet, intellectual work done in their study. If you have the strength to lift a coffee cup, they figure, you can write a novel. But once you try your hand at it, you soon find that it isn’t as peaceful a job as it seems. The whole process—sitting at your desk, focusing your mind like a laser beam, imagining something out of a blank horizon, creating a story, selecting the right words, one by one, keeping the whole flow of the story on track—requires far more energy, over a long period, than most people ever imagine. You might not move your body around, but there’s grueling, dynamic labor going on inside you. Everybody uses their mind when they think. But a writer puts on an outfit called narrative and thinks with his entire being; and for the novelist that process requires putting into play all your physical reserve, often to the point of overexertion.” –What I Talk About When I Talk About Running, Haruki Murakami

For others, it’s almost dissociative, but still subject to much self-doubt and criticism as well as somewhat cynical self-reflection.

“…there is always a point in the writing of a piece when I sit in a room literally papered with false starts and cannot put one word after another and imagine that I have suffered a small stroke, leaving me apparently undamaged but actually aphasic.” –Slouching Toward Bethlehem, Joan Didion

“My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests. And it always does. That is one last thing to remember: writers are always selling somebody out.” –Slouching Toward Bethlehem, Joan Didion

For others, it’s casual and easy. (I tend to fall into this category but only because most of what I write is not ‘personal’ and I am not personally invested in it.)

No matter what the process is like, or what the results, it’s still a process. Entirely unique to the storyteller. This is true whether the story is a work of fiction that many will read or a technical manual that only a handful will read. Being able to delve into and engage in this process is a kind of privilege, necessarily implying that the abilities and time exist to produce – something.

The process

When I think of the “process” I think of two different things. One is the literal process of sitting down and being surrounded by certain comforts or habits, which many writers discuss. I suppose mine is closest to that offered by Gary Shteyngart: “I write in bed next to a coffee machine.” There are so many other well-thought-out and explained processes (or non-processes), when for some, it’s literally, in the end, just rolling over, grabbing the computer and putting the coffee machine to work. (Admittedly I don’t have a coffee machine next to my bed, but I make cafetiere after cafetiere and bring them with me to the bedside table where I think, read, work and write most of the time.) Each person has his or her routine, largely, I assume, governed by the impulses that inspire or force one to write and by the aforementioned way a writer experiences writing (hard work, escape, etc.).

The second part of the “process” relates to everything that leads up actual creation and development. How do ideas form – how do they grow from embryonic seeds into a multicellular life?

The eyes and ears have it

“There are days when everything I see seems to me charged with meaning: messages it would be difficult for me to communicate to others, define, translate into words, but which for this very reason appear to me decisive.” –If on a winter’s night a traveler, Italo Calvino

This stage can start out in the vaguest of ways. For example, I see something or hear something and jot it down, whether it’s the URL on the side of a van: eloped.se (which I figured would not be about eloping but about an electric moped), or a much fuller vignette. In the case of the URL, it is not that I will write about the URL, the van, or even the misunderstanding/difference in the language but only the fact that some piece of cognitive dissonance jolted me out of the moment, stuck in traffic, to think about other connections and linguistic associations. It’s about keeping the brain working and linking seemingly disconnected concepts together.

The ‘sprout’ of a fuller idea might be planted by a conversation. For example, when someone told me that he ended up with a copy of Pink Floyd‘s Dark Side of the Moon album in every breakup he ever had, without ever having had the album himself in the first place. Now the proud owner of six copies, all of which were relics of relationships gone by, existing on media ranging from vinyl to cassette to CD, representative of the eras of which they – and the failed relationships – were a part. Perhaps a flimsy premise for anything, but certainly a human anecdote to fill in the flesh of a skeletal character.

The read way

Every writer is a reader first.”

The other part of this ‘germinating ideas’ is preparation, however unconscious. It’s sparking the brain constantly to think in different ways, walking down new paths. This is largely done with (excessive) reading. It doesn’t matter if you remember everything you read: “Books also change, via our mental models, the very reality that we perceive.

And this is the whole point. Changing the perception of the world around you, the people around you, taking on understandings you did not have before… and applying this newfound understanding to your own creativity – freely.

Reading is a form of forgetting – and remembering:

“Curiously enough, one cannot read a book: one can only reread it.” -“When we read a book for the first time”, Vladimir Nabokov

It is a process, according to Nabokov: you may know how to read, but are you a careful reader – have you read and reread and viewed it through the aforementioned microscope? Have you asked the right questions of it? In this way, the reading and examining process, too, is like writing. And it’s through this other level of understanding, of seeing the written word presented in many unexpected and unusual ways, defying expectation, that the freedom of creativity is cultivated.

The freedom of creativity

“No one, no matter how alienated, is without (or unaware of) an irreducible core of creativity, a camera obscura safe from intrusion by lies and constraints.”The Revolution of Everyday Life, Raoul Vaneigem

Regardless of what hard work it can be, the ability to create at all confers a form of freedom.

That is, when I reach a stage in my mind when I am ready to finally throw my hands up in the air at the powerlessness of having to tow the line, speak the party line full of marketing gobbledygook and corporate branding BS, of feeling rendered inert by the anodyne ‘voice’ of large corporations – either silencing me from within (restraint at being able to only say so much) or outside (as academics and journalists experience when entities like Google have outsized influence on what they can publish. Don’t be evil, my ass),  I am asking ‘what for’? To go on, continuing down this path of non-creativity forever until self-respect shrivels up and dies a merciful but none-too-early death? No. This is not what I was made for. I was, like many others, made to tell stories. I was not made to censor. I was made to create characters. I was not made to sit silently in offices and nod while someone describes another ‘campaign’ that will lead nowhere.

“Is there a limit to the imagination of a writer who takes real facts and uses them to construct a world where truth and fiction coexist? What right does one have to play around with collective memory? Is there any credibility in getting these sometimes-disparate characters in tune? The starting point for all these characters was the thirst in them.” –Tram 83, Fiston Mwanza Mujila

Yes, I live in the real world, and for now, my creativity has to be partly channeled into this environment. And sometimes, strangely enough, reaching this stage of frustration, as described, opens the door to new clarity, a new approach to communicating in different terms, circumventing the “rules” imposed in these narrow frameworks. And isn’t that what true creativity is? Being able to find a completely fresh way to describe or communicate about something?

I’m producing too many stories at once because what I want is for you to feel, around the story, a saturation of other stories that I could tell and maybe will tell or who knows may already have told on some other occasion, a space full of stories that perhaps is simply my lifetime, where you can move in all directions, as in space, always finding stories that cannot be told until other stories are told first, and so, setting out from any moment or place, you encounter always the same density of material to be told.” –If on a winter’s night a traveler, Italo Calvino

Rousing sessions, furious responses

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“Part of what interests me is the impulse to dismiss and how often it slides into the very incoherence or hysteria of which women are routinely accused.” –Men Explain Things to Me, Rebecca Solnit

When not enunciated clearly, “betrayal” and “portrayal” sound very much the same. And in reality, they are.

Applicable in many situations, it seems most apt when thinking about the portrayal women must give so often in the world, consciously or not, in the workplace, in their private lives, even in their friendships. And in giving this portrayal (or portrayals), she performs or reflects a kind of betrayal – of herself, other women and even the truth of what women are or can be. I wrote a bit about this – or about false feminism – or carrying the flag of feminism only when it is convenient or aligns with one’s own individual conception of feminism. But I can think of very little that betrays oneself and womankind – and does the least amount of good for all of humanity – than the idea of portraying a role, fitting into a mold, being or showing some unreality to the world and perpetuating it. At the same time, though, it is so ingrained as the expectation that it’s hard to do otherwise. After all, no one appears ready to take a woman at her word.

“I told you, but what does the proverb say? A woman’s prophecy is always taken lightly until it comes to pass.” –The Dance of the Jakaranda, Peter Kimani

At face value

I think of this often: we don’t take what women say at face value. Even if we believe them, and even if what they tell us bears out, e.g. Bill Cosby’s many accusers, Cosby’s own admissions of what he had done (without accepting any culpability, i.e. “I did it but it wasn’t wrong; it was consensual”), we still don’t apply the logic or truths of what women say, we still don’t hold anyone accountable for what women endure, reinforcing the idea that we might as well just shut up or contentedly portray our role.

“If we could recognize or even name this pattern of discrediting, we could bypass recommencing the credibility conversation every time a woman speaks. One more thing about Cassandra: in the most famous version of the myth, the disbelief with which her prophecies were met was the result of a curse placed on her by Apollo when she refused to have sex with the god. The idea that loss of credibility is tied to asserting rights over your own body was there all along. But with the real-life Cassandras among us, we can lift the curse by making up our own minds about who to believe and why.” –Men Explain Things to Me, Rebecca Solnit

Crazy label: Unspoken message

“As you know, men are apt to idolize or fear that which they cannot understand, especially if it be a woman.” –Cane, Jean Toomer

I read this week about Sylvia Plath, and how she is widely regarded in academia and in general as a gifted but troubled woman. Clearly if you’d commit suicide, you must have been crazy. She was just a jealous woman who had been cheated on, like so many before her, and could not handle it. Unhinged. Hysterical. But is any story or person that simple? It’s so easy to dismiss her this way because this is what evidence we have; this is the narrative that her ex-husband sought to craft in her death. Not to preserve her reputation as a literary voice but to protect his.

The article I read asks: “Why are we so unwilling to take Sylvia Plath at her word?” The “crazy label” assigned to her (which, granted, is not hard to assign when a person kills herself and is therefore left defenseless; any written evidence she left behind was destroyed by the aforementioned ex-husband) automatically makes her an unreliable witness to her own existence, all the more so because she was a woman. The hushed-up, unspoken message is clear: You don’t need to listen to a woman if she’s crazy, and much of the language used to describe women and their behavior (as if it can be so easily classified and compartmentalized) makes all women seem crazy in some way. All women then are unreliable or biased witnesses. When an individual woman’s own situation becomes unbearable and visible to others, it is demanded: “But why didn’t you say anything?” Answer: “I did and no one listened/believed me” or eventually, “Who would have believed me?” When their prescience comes to prove itself, later people ask, “But why didn’t anyone say anything?” Well, we did. It went unheard until it came to pass.

Uncontrollable circumstances, self-blame

As Dorthe Nors writes in So Much for that Winter, “and it is woman’s weakness to believe it’s because she isn’t good enough that things don’t go according to plan (and it is woman’s weakness that things should go according to plan).” Perhaps it is this near-built-in inferiority coupled with the idea that somehow you (as a woman) should be perfect that makes one seem crazy. Even though this is exactly the portrayal women are asked to give every single day.

Meanwhile, as Alice Munro writes on men in Hateship, Courtship, Loveship, Marriage:

“Men were not like this, in my experience. Men looked away from frightful happenings as soon as they could and behaved as if there was no use, once things were over with, in mentioning them or thinking about them ever again. They didn’t want to stir themselves up, or stir other people up.”

(Wo)man with a plan

It’s overly simplified and not universally true (in other words: here are some sweeping generalizations for you), but in very broad strokes, women plan and then feel guilty and inadequate when that plan does not work precisely, dwelling on the consequences (even if they often have also performed risk assessment and made contingency plans even for the simplest of maneuvers). Men do not plan, and walk away without a second thought when the things around them fall apart, feeling no connection at all to the consequences.

Or, men’s and women’s idea of what constitutes a “plan” are fundamentally different: A man makes a plan, points A through Z. He rarely seems to follow the threads of what happens if any of those alphabetical points does not go to plan, which is where many women excel. She is thinking about point A1, and the contingency plans A2, A3 and how those interact and meet with the next possible steps in the plan, points B-Z and their subplans. If she thinks this way, how can she not foresee and foretell pitfalls and disasters? It’s a bit like a Choose Your Own Adventure book but without any real surprises. A bit like a woman’s life at times: chaos and silence, ignoring and being ignored and many rousing sessions and furious responses that lead nowhere.

The silent woman

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“The real trouble about women is that they must always go on trying to adapt themselves to men’s theories of women.” —D. H. Lawrence

“It has taken me most of my 40 or so years as a conscious person to realize: I don’t owe anyone an explanation.” – Me

Today I read an article by Danish writer Dorthe Nors on the invisibility of middle-aged and older women. She writes: “A middle-aged woman who’s not preoccupied with handling herself or taking care of someone else is a dangerous, erratic being. What is she up to? And what’s the point of her being up to anything?” It fell in my lap at the right time, seeing as how I’m sidled right up to middle age, and have always been a bit invisible anyway.

In that sense I, perhaps wrongly, feel like I can see this clearly and objectively, but I doubt this is true. Perhaps it is, as one dear friend commented when I shared this article, “I think middle age must come as much more of a shock to women who fit the current standards of beauty. For someone to whom men have never paid much attention, there is not much difference in how we are considered in middle age. While difficult to deal with when young, you are forced to find your self-worth outside of a man and man’s view of you at an earlier age.”

This article arrived at a moment when I was otherwise contemplating commitment and choice. We are led, at least by the media, to believe that our choices become ever-more limited, and scarcity rears its terrifying head – in the workplace, in terms of potential relationship or sexual partners, even in our friendships. I don’t think any of this is as acute as we’re told, but it is also not universal. It depends on you, where you are, what you are doing, what you want and all kinds of other factors. In the midst of all the infernal thinking, someone said to me, referring to more specific things than I thus applied it to, “There are still a number of points ahead of you at which your life branches off in multiple directions. You still have options, choices.” Logically I know this but a combination of inertia and grief, and a soupçon of fear, has stopped me in my tracks. I feel a bit like I have been shaken awake and have no time to lose.

But a lot of sluggish meandering through literary contemplations on women, communication, relationships and marriage had to happen first.

Finding a voice

For a lot of women, finding their voice – the voice that represents them truly, not just the voice and content she uses as a conciliatory mediator, but the voice and content as the one who gets labeled as a bitch or troublemaker or a roadblock simply because she actually is the smartest one in the room, knows what she is doing and has thought through all the potential outcomes and problems. The voice that is not just a cushion, a boomerang, a mirror for something a man says or does, but the voice that is not afraid of or concerned with how she is perceived. This is mined with risk. It is all easier said than done. It’s not just having the knowledge and eloquence to hold forth on a given subject, it’s as Rebecca Solnit posits, just being able to assert the right or space to say anything at all:

Most women fight wars on two fronts, one for whatever the putative topic is and one simply for the right to speak, to have ideas, to be acknowledged to be in possession of facts and truths, to have value, to be a human being. Things have gotten better, but this war won’t end in my lifetime.” –Men Explain Things to Me, Rebecca Solnit

I am not sure how much of my own difficulty in asserting myself is rooted in age-old shyness (as opposed to my being female). But, as an adult, I also live in Sweden, so I don’t find that men are quite as domineering, particularly when they have sought out my expertise in my own field. Right after I wrote that sentence I happened to see this opinion piece by Paulina Porizkova on feminism. She realized when she moved to Sweden as a child that suddenly “my power was suddenly equal to a boy’s”. In the Swedish world, “the word ‘feminist’ felt antiquated; there was no longer a use for it”; after all, “Women could do anything men did, but they could also — when they chose to — bear children. And that made us more powerful than men.”

It was only later, in comparing the roles of women in her native Czech Republic, in Sweden, in France and finally the United States that she could embrace the need for feminism:

“In the Czech Republic, the nicknames for women, whether sweet or bitter, fall into the animal category: little bug, kitten, old cow, swine. In Sweden, women are rulers of the universe. In France, women are dangerous objects to treasure and fear. For better or worse, in those countries, a woman knows her place.

But the American woman is told she can do anything and then is knocked down the moment she proves it.” –Paulina Porizkova

I also tend to have the upper hand in business dealings because everyone else is using English as a second or third language, and it’s my first. But I certainly recognize that battle of trying to gain the right to speak. And the ability to say what I want or need to say without being interrupted or talked over or “mansplained to”. This isn’t scientific, my observations/thoughts. But being this insular, shy person for my entire life, while teeming with vociferous opinions, thoughts and ideas, I experience the ongoing struggle, but then I also experience this with louder, more domineering women who stubbornly want to hear the sounds of their own voices and repetitive thoughts (they’ve probably learned to behave this way because they too are fighting for a space for their voices). I also keenly feel that these communication difficulties (not mine specifically but more general, gender-related mismatches) have informed my opinions on male-female communication, relationships, and have contributed a lot to my desire to be alone.

It often takes us such a long time as people to find our true voices, to be ourselves, that it’s a shame that it’s twice as hard for women of all ages under most circumstances, and that by the time we as middle-aged women find our voice and claim the agency to speak openly and freely and to demand the floor, so to speak, we are silenced by this invisibility (or as Alex Qin explains in her SkillShare TechSummit 2017 keynote, linked above, being hypervisible and invisible at the same time).

Frightening times: Tyranny

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“You submit to tyranny when you renounce the difference between what you want to hear and what is actually the case.” -from On Tyranny, Timothy Snyder

“When anticipation of, and salivation over, the trickle of power sinks to the level of cruelty to helpless children, one is tempted to accept that all that is left to say is—nothing. The rest is silence. It is an admission that humanity has finally touched the peak of apprehension and the nadir of impotence.” -from Climate of Fear, Wole Soyinka

This is not the most coherent “essay” but I am overflowing with thoughts I don’t have the time or wherewithal to organize. I am thinking: What is terrorism? It is a form of tyranny – the uncertainty and fear created by unstable and unpredictable forces, among which, to my mind, the United States government/president can be counted at present. Anything that creates terror in or threatens a whole population or group.

Watching the new iteration of The Handmaid’s Tale, after having re-read the book a few weeks ago, I’m struck (as most people are) by the depiction of how easy it would be to end up with a society as extreme and dramatically transformed as that in the show/book. It would be not entirely different from what is happening in the US today. Make a few changes in society that anger people but don’t ultimately send a big enough alarm through the population – stage an attack, blame some false perpetrator, declare martial law and claim it’s only temporary. We’ve seen some version of this play out in countries we’ve widely regarded with dismay as “uncivilized” or “in need of American intervention”. Would Americans even be prepared, or would they, like in The Handmaid’s Tale, be meek, “Well, it’s only temporary…” and “Let’s wait and see…”? Incrementally it’s not so bad, it seems. After all, it’s only temporary, right? Surely someone else will do something about it. And by the time they felt the true violations of their individual sovereignty encroaching, it would already be too late. They’d try to protest but be met with violence against which they have no defense. Some would try to escape; many would wait too long and wonder why they had not gone sooner. Probably because these things never seem like they can happen. (Our real-life comparative equivalent being late 1930s/early 1940s Germany.)

As in The Handmaid’s Tale, a new order would soon exist, and people would wonder how they got there. Living in a bubble of ‘false safety’, as if nothing can go wrong, believing that democracy and its accompanying institutions are strong enough to withstand any onslaught, without guarding it closely, is how a society ends up here. As Yale professor Timothy Snyder writes in his recent book, On Tyranny:

“We tend to assume that institutions will automatically maintain themselves against even the most direct attacks.”

“The American abolitionist Wendell Phillips did in fact say that “eternal vigilance is the price of liberty.” He added that “the manna of popular liberty must be gathered each day or it is rotten.””

Angling language

“Language is power. When you turn “torture” into “enhanced interrogation,” or murdered children into “collateral damage,” you break the power of language to convey meaning, to make us see, feel, and care. But it works both ways. You can use the power of words to bury meaning or to excavate it.” -from Men Explain Things to Me, Rebecca Solnit

“Be alert to the use of the words extremism and terrorism. Be alive to the fatal notions of emergency and exception. Be angry about the treacherous use of patriotic vocabulary.” -from On Tyranny, Timothy Snyder

It is easy to make people believe what you want them to believe – especially if you are confirming their biases or existing suspicions, stoking their biggest fears. Someone like Donald Trump (and his proponents/adherents) can somehow play both sides of the same counterfeit coin: on one side, America is the greatest country in the world (it’s not); on the other, America is a hellscape of unemployment and ‘nothing good’ awaiting the historical inheritors of its greatness (hetero white men and, to some extent, women – who maybe in the minds of these people gain their ‘greatness’ by proxy through these men and the children to which they give birth). But you can’t honestly, fully believe both things at once: the country is the best but is also the worst? It’s not as simple as that, but it underlines the agenda of manipulating language to manipulate people. Especially people who aren’t generally all that analytical or looking at a broad range of sources for information. Seduced by hearing everything they’ve always wanted to hear, it doesn’t matter if it’s factual or honest. It makes them feel good/right/understood.

“To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. The biggest wallet pays for the most blinding lights.” -from On Tyranny, Timothy Snyder

“The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The second mode is shamanistic incantation.” -from On Tyranny, Timothy Snyder

Language of anger: Where we are now

Everyone is angry about something, and half of America, arguably, is angry about the way the most recent presidential election turned out. (Most of those, however, aren’t likely to react in a violent way, which is an interesting point.) Of course that is not all that is at stake. Essentially, the pervasive anger that marked the campaign, to which Trump and Bernie Sanders gave voice on either side of the aisle, is symptomatic of a populace that knows it lives under a completely broken system. The idea that either party or individual candidate could truly fix the ills of a fundamentally flawed system is also an illusion. I’d argue that this is what fuels the anger to the levels it has reached. Anger and fear, like that of an animal caught in a trap. The recent past has created a (false) sense of entitlement, envy and irrational hatred (ressentiment, as Pankaj Mishra writes about at length in his recent book, The Age of Anger).

“This bizarre indifference to a multifaceted past, the Cold War fixation with totalitarianism, and more West-versus-the-Rest thinking since 9/11 explains why our age of anger has provoked some absurdly extreme fear and bewilderment, summed up by the anonymous contributor to The New York Review of Books, who is convinced that the West cannot ‘ever develop sufficient knowledge, rigor, imagination, and humility to grasp the phenomenon of ISIS’. The malfunctioning of democratic institutions, economic crises, and the goading of aggrieved and fearful citizens into racist politics in Western Europe and America have now revealed how precarious and rare their post-1945 equilibrium was.” -from The Age of Anger: A History of the Present, Pankaj Mishra

The false sense of security – the cost of “freedom” – is never really calculated. Even if there were consensus as to what “freedom” actually means. It certainly means different things to different people.

But, as Tocqueville warned, ‘to live in freedom, one must grow used to a life full of agitation, change and danger’. Otherwise, one moves quickly from unlimited freedom to a craving for unlimited despotism. As he explained: When no authority exists in matters of religion, any more than in political matters, men soon become frightened in the face of unlimited independence. With everything in a perpetual state of agitation, they become anxious and fatigued. With the world of the intellect in universal flux, they want everything in the material realm, at least, to be firm and stable, and, unable to resume their former beliefs, they subject themselves to a master.” -from The Age of Anger: A History of the Present, Pankaj Mishra

Nothing new

“… ‘the tyranny of the quantifiable,’ of the way what can be measured almost always takes precedence over what cannot: private profit over public good; speed and efficiency over enjoyment and quality; the utilitarian over the mysteries and meanings that are of greater use to our survival and to more than our survival, to lives that have some purpose and value that survive beyond us to make a civilization worth having.” -from Men Explain Things to Me, Rebecca Solnit

“Rousseau understood ressentiment profoundly, even though he never used the word – Rousseau, the first outraged diagnostician of commercial society and of the wounds inflicted on human souls by the task of adjusting to its mimetic rivalries and tensions. Kierkegaard first used the term precisely in The Present Age (1846) to note that the nineteenth century was marked by a particular kind of envy, which is incited when people consider themselves as equals yet seek advantage over each other. He warned that unreflexive envy was ‘the negatively unifying principle’ of the new democratic ‘public’. Tocqueville had already noticed a surge in competition, envy and rivalry resulting from the democratic revolution of the United States. He worried that the New World’s ‘equality of conditions’, which concealed subtle forms of subjugation and unfreedom, would make for immoderate ambition, corrosive envy and chronic dissatisfaction. Too many people, he warned, were living a ‘sort of fancied equality’ despite the ‘actual inequality of their lives’. Having succumbed to an ‘erroneous notion’ that ‘an easy and unbounded career is open’ to their ambition, they were hedged in on all sides by pushy rivals. For the democratic revolutionaries, who had abolished ‘the privileges of some of their fellow-creatures which stood in their way’, had then plunged into ‘universal competition’.” -from The Age of Anger: A History of the Present, Pankaj Mishra

The future past

“We in ancient countries have our past—we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.” –Reading Lolita in Tehran, Azar Nafisi

But this is not so now – there is a tug-of-war between those who are looking to the promise of the future (or at least trying to safeguard it beyond the foreseeable future) and those who want to greedily live in the now with an eye full of envy and nostalgia, on a past that probably never existed but which they nevertheless elevate. And it’s everywhere. As a woman I don’t go through the world imagining that every man sees me as an equal, but I usually don’t imagine that people like my own father, who constantly praised my brain and smarts when I was a child, telling me I could do whatever I wanted, or his friends are longing for some 1950s-era period where women would be forced to stay at home, pop out children and have dinner on the table. Or that they would sit around spewing hateful condemnations of all women, especially those who have achieved any kind of power or influence.

And yet, this is literally what I hear from them, and sometimes I hear this from (American) men my own age and younger. Like the hypocrite of hypocrites Donald Trump is, he applies one standard to his daughter and denigrates the rest of womankind. My father, too, thinks this is fine – expected even – that I would have an independent, professional life full of my own choices. But every other woman is a “stupid bitch” (from Hillary Clinton to Pramila Jayapal, from Theresa May to Ivanka Trump) who does not belong in public life.

As long as we have this kind of man and this kind of thinking, particularly in decision-making roles, there will still be people obsessing over a mostly illusory past and trying to force people, women and men both, into certain (outdated) roles. Will we have the fortitude or agency to stop this force?

Abandoning humanity

I highlight and personalize points about women in particular, largely because The Handmaid’s Tale focuses on women’s subjugation and objectification. But the real story is an anti-human story. What becomes of humanity when it is divided by systematic inequality, by ideological warfare, the inability to perceive propaganda or discern fact from fiction, manipulated by language and how it is used?

“Is the spiral of antihumanism now unstoppable? If so, where will it lead? Constantly immersed in the cumulative denigration of human sensibilities, only to have one’s most pessimistic predilections topped again and again by new acts—or revelations—of the limitless depth to which the human mind can sink in its negative designs, one is tempted to declare simply that the world has now entered an irreversible state of global anomie.” -from Climate of Fear, Wole Soyinka

 

Expectation and the value of nothing

Standard

“Expectations carry the day, causing us to ignore contradictory data. We speak in conversations in incomplete thoughts and sentences but we do not perceive it that way. Oral conversation is full of holes, but we don’t hear it that way. If we did, it would be quite disruptive. It is usually efficient to perceive in terms of our expectations. On the other hand, it disguises just how much we actively share what we perceive to fit our image of what is there to be perceived.” – Awakening Your Psychic Powers

I think (and write) a lot about the concept of expectation – but what exactly is it?

We all seem to have an understanding of what ‘expectation’ means. We expect something to happen, to receive something, and there is a level of trust implied in that expectation because, as I have written elsewhere, expectation is on one end of the spectrum and hope is on the other. On both ends, some action or object is ‘promised’ – it’s just that with expectation, we have a stronger sense or assumption, or trust, that we will experience or receive the promised thing. With hope, it’s more distant, just a possibility, and often much more unrealistic. Is that how everyone perceives these concepts? Is expectation always in the “likely, unless…” (sometimes with caveats) column while hope resides usually in the “unlikely” column?

Sometimes it’s practical: things go as expected… until they don’t. And you wonder why. Promise theory aims to get to the root of some of these issues. Even if it won’t solve everything, it is an interesting enough concept to delve into briefly (with an handy animated video, no less!):

“No matter how good the plans or how detailed the instructions our expectations about the world have limitations. Our information is incomplete.

One answer to the question is that the world has both remarkable predictability but also maddening uncertainty. But that’s not helpful.”

Can we immunize against uncertainty?

“What did you expect?”

From Calvino’s Invisible Cities: ““I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear.”” “At times I feel your voice is reaching me from far away, while I am prisoner of a gaudy and unlivable present, when all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume. And I hear, from your voice, the invisible reasons which make cities live, through which perhaps, once dead, they will come to life again.”

It’s funny when you’re immersed in something, especially with another person, and when something changes, that other person – almost like an amnesiac, or a cold operator who shuts everything down with emotionless precision, now outside the sphere of shared feeling or experience, forgets or misplaces what the connection once (possibly only in a limited or illusory way) offered to both people. Or when you are part of a project or a job or any activity. Expectation boils down to – to be successful – a give and take.

But failing that, in essence, we can always expect inconsistency, a lack of transparency and, most of all, contradictions, particularly where people and feeling are involved.

Is anyone better at juxtaposing the contradictions and our propensity for fooling ourselves than Pessoa? At our expectation and desire for the new but then being exhausted and annoyed by having to actually deal with the details and complications of the new?

“I reject real life for being a condemnation; I reject dreaming for being an easy way out. But my real life couldn’t be more banal and contemptible, and my dream life couldn’t be more constant and intense.”

“This is true in the whole gamut of love. In sexual love we seek our own pleasure via another body. In non-sexual love, we seek our own pleasure via our own idea. The masturbator may be abject, but in point of fact he’s the perfect logical expression of the lover. He’s the only one who doesn’t feign and doesn’t fool himself. The relations between one soul and another, expressed through such uncertain and variable things as shared words and proffered gestures, are strangely complex. The very act of meeting each other is a non-meeting. Two people say ‘I love you’ or mutually think it and feel it, and each has in mind a different idea, a different life, perhaps even a different colour or fragrance, in the abstract sum of impressions that constitute the soul’s activity.”

“The tedium of the forever new, the tedium of discovering – behind the specious differences we see in things and ideas – the unrelenting sameness of everything…” “…the stagnation of everything that lives just because it moves…”

“To love is to tire of being alone; it is therefore a cowardice, a betrayal of ourselves. (It’s exceedingly important that we not love).” Yes, even within ourselves. We long for love, sometimes to not be alone, but at the same time, feel as though that longing is a betrayal or that we have succumbed to a great weakness. (See the poem “Longing is the betrayal of oneself…” by Agneta Ara for a more poetic take…)

Expectation of superfluity

“this syndrome is a war that nearly every woman faces every day, a war within herself too, a belief in her superfluity, an invitation to silence…” –Men Explain Things to Me

We can also – almost always – expect mansplaining and sexism. It’s almost always a given, unintentional or overt. Rebecca Solnit has published two whole collections of essays on how half the world’s population expects the worst – expects to be silenced or talked over or had its concerns ignored, at best, or expects to be raped or killed, at worst.

In Solnit’s Men Explain Things to Me, she pretty much hits all the nails right on the head:

“Yes, people of both genders pop up at events to hold forth on irrelevant things and conspiracy theories, but the out-and-out confrontational confidence of the totally ignorant is, in my experience, gendered. Men explain things to me, and other women, whether or not they know what they’re talking about. Some men.”

“…billions of women must be out there on this seven-billion-person planet being told that they are not reliable witnesses to their own lives, that the truth is not their property, now or ever.” “…And no man has ever apologized for explaining, wrongly, things that I know and they don’t.” “…Dude, if you’re reading this, you’re a carbuncle on the face of humanity and an obstacle to civilization. Feel the shame.” (Maybe I fell in love a little bit with this statement because I love starting statements with “dude” when I am at-the-end-of-my-rope frustrated and irritated.

“Think of how much more time and energy we would have to focus on other things that matter if we weren’t so busy surviving.”

Perhaps the remarkable thing about Solnit and her writing is that, despite describing the condition of – and expectation(s) – of, for and by women in society, she nevertheless explores the opposite end of the spectrum: hope. And why? Because, back to the principles of the aforementioned promise theory, of uncertainty:

“To me, the grounds for hope are simply that we don’t know what will happen next, and that the unlikely and the unimaginable transpire quite regularly. And that the unofficial history of the world shows that dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable. Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez’s resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don’t have that memory and that reality doesn’t necessarily match our plans; hope like creative ability can come from what the Romantic poet John Keats called Negative Capability.”

It is not blind hope, though. It, too, is informed by experience – the times we have ignored logic or signs to succumb to seeing only the reality we wanted – or expected – but if we were to marry the two, could we overcome the stumbling block of the ‘plan’ we can’t seem to abandon?:

“As I began writing this essay, I picked up a book on wilderness survival by Laurence Gonzalez and found in it this telling sentence: “The plan, a memory of the future, tries on reality to see if it fits.” His point is that when the two seem incompatible we often hang onto the plan, ignore the warnings reality offers us, and so plunge into trouble. Afraid of the darkness of the unknown, the spaces in which we see only dimly, we often choose the darkness of closed eyes, of obliviousness.”

“We are by nature optimists, if optimism means that we believe we see the world as it is. And under the influence of a plan, it’s easy to see what we want to see.”

The expected end

We expect death, but we hope it comes for us later, much later. But do we know what to expect within death? Is it, as I have asked before, just an expanse of nothingness forever?

What we do know, as William Empson writes in “Ignorance of Death“: death is “the trigger of the literary man’s biggest gun”. Too true – pondering its manifestations and meanings runs through everything. And yet, as Empson also wisely states, “Otherwise I feel very blank upon this topic,/And think that though important, and proper for anyone to bring up,/It is one that most people should be prepared to be blank upon.”

In Slaughterhouse Five it is: “At that moment, Billy’s high forehead is in the cross hairs of a high-powered laser gun. It is aimed at hm from the darkened press box. In the next moment, Billy Pilgrim is dead. So it goes.

So Billy experiences death for a while. It is simply violet light and a hum. There isn’t anybody else there. Not even Billy Pilgrim is there.

In Calvino’s Invisible Cities: “I thought: “Perhaps Adelma is the city where you arrive dying and where each finds again the people he has known. This means I, too, am dead.” And I also thought: “This means the beyond is not happy.””

In Pessoa: “I don’t mean the mystery of death, which I can’t begin to fathom, but the physical sensation of ceasing to live. Humanity is afraid of death, but indecisively. The normal man makes a good soldier in combat; the normal man, when sick or old, rarely looks with horror at the abyss of nothing, though he admits its nothingness. This is because he lacks imagination. And nothing is less worthy of a thinking man than to see death as a slumber. Why a slumber, if death doesn’t resemble sleep? Basic to sleep is the fact we wake up from it, as we presumably do not from death. If death resembles sleep, we should suppose that we wake up from it, but this is not what the normal man imagines; he imagines death as a slumber no one wakes up from, which means nothing. Death doesn’t resemble slumber, I said, since in slumber one is alive and sleeping, and I don’t know how death can resemble anything at all for us, since we have no experience of it, nor anything to compare it to.”

Also, even one of the new-age psychic books suggests that meditation is as close to near-death experience as we can get – makes me think of my questions on this very topic earlier.

When you can expect nothing: A gift horse, full of surprises

Maybe we don’t always have expectations – penis size, for example, is apparently a crapshoot. One can hope, of course, but pop culture will caution about expectation in either direction.

Vonnegut’s preternatural obsession with cocks and their sizes (appearing in both Slaughterhouse and in Breakfast of Champions) is another reflection on how our society prioritizes and values this all-important fact. Size matters, even when this particular size is confidential and invisible. He has just made it visible.

From Slaughterhouse: “Montana was naked, and so was Billy, of course. He had a tremendous wang, incidentally. You never know who’ll get one.”

No, in fact you just never know… until you know, that is. But you really cannot have any expectations in this department. In Breakfast, there are stats provided about multiple characters on these matters.

And then there is Lars von Trier, famously bizarre film director, who claimed that actor Willem Dafoe had a “confusingly large” member, which called for a “stunt cock” in Antichrist. (And this becomes slightly more confusing for me, reflecting on watching The Last Temptation of Christ and recently wrapping up my reading of Reza Aslan’s book Zealot about Jesus of Nazareth. By the way, even Aslan refers back to Dostoevsky when it comes to faith and religion – does anyone not fall back on Dostoevsky?! Hard to reconcile it all somehow.)

Oh, and then there are always the poor micropenises.