until next

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Next, Please
Philip Larkin
Always too eager for the future, we
Pick up bad habits of expectancy.
Something is always approaching; every day
Till then we say,

Watching from a bluff the tiny, clear
Sparkling armada of promises draw near.
How slow they are! And how much time they waste,
Refusing to make haste!

Yet still they leave us holding wretched stalks
Of disappointment, for, though nothing balks
Each big approach, leaning with brasswork prinked,
Each rope distinct,

Flagged, and the figurehead with golden tits
Arching our way, it never anchors; it’s
No sooner present than it turns to past.
Right to the last

We think each one will heave to and unload
All good into our lives, all we are owed
For waiting so devoutly and so long.
But we are wrong:

Only one ship is seeking us, a black-
Sailed unfamiliar, towing at her back
A huge and birdless silence. In her wake
No waters breed or break.

Photo by Diego Catto on Unsplash

inanimate dregs

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Narcolepsy
Ann Lauterbach
Comes sarcastic November in mummy garb, hauling,
same old same old what laid bare
what totaled. Sees thru the estimated costs, stench
collisions, inanimate dregs, remembers
the bruised figures, their
numerology as stars. Up up, down down
is how she counts as the hunters begin to hunt.

This is the plot of erasure, this the lavender bath.
Truth be known, the dark won by a landslide.

Yet friends in far January
await news of the front, cycling up the snow-clad hills.
They are to be exhumed from the grail of the keeper,
he who heralds what’s here. To them, send dreams
that pop open when breathed on
and ask them to complete this sentence:
If God is in the details, then …

But in the end there was only a chair covered in velvet
and the sibling, dark as a forest, turned into words.
There were the stamps with monsters
and the stamps with flowers,
there was a dumpster of old paint.
Even the egalitarian whimsy of the gold rush
is in partial view: harbor’s sleek hulls,
willow disintegrating in drapery and nonce.
What others did
taking us to task in the field, into archival maps
along a bank. What is it they wanted?
Among strangers, beyond the stamina of pictures
—the dancer on stage, his ruined feet,

                              as they would flail crops
                when the spring comes, and flood, and tassels
                                   rise, as my head—

Across the ballast’s drab plaster
a colder moment assumes shape.
And Thee, found inside eternity’s crawl space,
midget doctrine of reckless variety,
homing pigeon of whatever returns,
what is your method now and
how do you know when it is finished?
When it detaches, when it comes to life at the edge of time.

Photo by Kim Gorga on Unsplash

soil-oiling the dirt

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The Dead
Don Paterson

Our business is with fruit and leaf and bloom;
though they speak with more than just the season’s tongue—
the colours that they blaze from the dark loam
all have something of the jealous tang

of the dead about them. What do we know of their part
in this, those secret brothers of the harrow,
invigorators of the soil—oiling the dirt
so liberally with their essence, their black marrow?

But here’s the question. Are the flower and fruit
held out to us in love, or merely thrust
up at us, their masters, like a fist?

Or are they the lords, asleep amongst the roots,
granting to us in their great largesse
this hybrid thing—part brute force, part mute kiss?

love is an ill wind

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Adage
Billy Collins
When it’s late at night and branches
Are banging against the windows,
you might think that love is just a matter

of leaping out of the frying pan of yourself
into the fire of someone else,
but it’s a little more complicated than that.

It’s more like trading the two birds
who might be hiding in that bush
for the one you are not holding in your hand.

A wise man once said that love
was like forcing a horse to drink
but then everyone stopped thinking of him as wise.

Let us be clear about something.
Love is not as simple as getting up
on the wrong side of the bed wearing the emperor’s clothes.

No, it’s more like the way the pen
feels after it has defeated the sword.
It’s a little like the penny saved or the nine dropped
stitches.

You look at me through the halo of the last candle
and tell me love is an ill wind
that has no turning, a road that blows no good,

but I am here to remind you,
as our shadows tremble on the walls,
that love is the early bird who is better late than never.

Photo by Toa Heftiba on Unsplash

only false images

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A Good Day
Norman MacCaig

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clouded glass

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Through the Looking Glass
Veronica Forrest-Thomson
Mirror, mirror on the wall
show me in succession all
my faces, that I may view
and choose which I would like as true.

Teach me skill to disguise
what’s not pleasing to the eyes,
with faith, that life obeys the rules,
in man or God or football pools.

Always keep me well content
to decorate attitude and event
so that somehow behind the scene
I may believe my actions mean;

that one can exercise control
in playing out a chosen role;
rub clouded glass and then,
at will, write self on it again.

But if, in some unlucky glance,
I should glimpse naked circumstance
in all its nowhere-going-to,
may you crack before I do.

found out

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He Speaks of Her Accommodations
Irving Feldman
What I have sought, passage outward
into the garden, where, terror surrendered,
the soul reverts in a shower of seed
–this she presents, dreaming
salvations, appearances, answering
at cave’s mouth, tower window,
vocations of hammer, stylus, string,
and shows, in every pose, her happy accident:
trou: trouvaille, the lucky hole-in-One.

Photo by FuYong Hua on Unsplash

loss and mending

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Woman
charles bukowski
this head like a saucer
decorated with everything
as lip to lip we hang
in mechanical joy;
my hands blaze with arias
but i think of books
on anatomy,
and i fall from you
as nations burn in anger…

to recover from most pitiful error
and rebuild, this is it
loss and mending
until they take us in.

the glory of a saturday afternoon
like biting into an old peach
and you walk across the room
heavy with everything
except my love.

Photo by Brooke Lark on Unsplash

unfittest and unmourned

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Complete Semen Study
Michael Ryan

morphology: “pinheads”: 2 percent

Laborious, stumpy, droopy, askew,
blundering into one another
while the healthy sperm zips by like the varsity water polo team
on their way to a party with the best-looking cheerleaders —
unbeautiful losers, unfittest and unmourned,
O my five-hundred-thousand-or-so pinheads
floundering in this plastic cup’s murky bottom,
what would you do to be half of someone?
Wank it sitting on the toilet in a fluorescent
pea-green hospital bathroom while learning to juggle one-handed
one cup and three brown-bagged Penthouses
offered by the deadpan female lab attendant?
You’d want it anyplace, I think.
They’d tie your wrists if you had wrists
to stop your rubbing off on fireplugs and brick buildings,
much less on a hand’s elastic flesh
you’re too dim to recognize is your own.
You’re the ones who can’t be taken to church
because you hump the pew cushions
while the rest of us are praying,
and try to straddle the priest’s leg like a puppy
while he exchanges an inspirational word or two
with each of his congregation as they file from the service.
I, on the other hand, am too mature for this.
The Pet-of-the-Month could almost be my granddaughter.
My metabolism has decelerated
to that of an elderly Galapagos tortoise
I could do very well all day sunning myself
under a thick, warm shell, and could easily take the next century
to burn the calories in a slice of pizza.
In the world for which my body was designed
I would have checked out long ago,
immolated at the ritual bonfire by my two hundred great-grandchildren
roasting a mammoth in my honor,
dancing for days stoned on sacred leaf juice,
and intermarrying like howler monkeys in the bushes.
It’s no doubt due to nights like this
that you weakened and malformed
and case your own watery tails until you decompose
into what the complete semen study classifies as “debris.”
The doctors say it’s age or car exhaust or groundwater toxins
or they-don’t-know-what, but eons ago there must have been a boy
waiting for the dopey old patriarch to die
so he could do his sister sweaty and writhing in the firelight.
If their child, slow-witted and guileless,
showed the endearing but useless gift
to greet everyone’s spirit no matter their status,
they might have thrown him the bones the dogs had finished with,
which is how they fed the shunned and the shamed,
unbeautiful losers, unfittest and unmourned,
O my five-hundred-thousand-or-so pinheads
floundering in this plastic cup’s murky bottom
I hereby hand over or removal and disposal
to the now surgically gloved
deadpan female lab attendant.

dreams bite

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Dreams Bite
Audre Lorde

I

Dreams bite.
The dreamer and his legends
arm at the edge of purpose.

Waking
I see the people of winter
put off their masks
to stain the earth red with blood
while
on the outer edges of sleep
the people of sun
are carving
their own children
into monuments
of war.

II

When I am absolute
at once
with the black earth
fire
I make
my nows
and power is spoken
peace
at rest and
hungry means never
or alone
I shall love
again

When I am obsolete.