“Caught in our archaic caresses”


Irving Feldman
Strange to be remembering how
—was it twenty-odd years ago?—
you drew back from one of our kisses,
your head turning half away so that
I saw in our bedroom’s half light
your lovely profile and eye staring
out toward and into a passing thought.
Then all of half your mouth to mine again
with overwhelmed gentleness.
We both were overwhelmed and pulled under.
Strange suddenly to remember this
after so many, many kisses,
after such years of rupturing.
Caught in our archaic caresses
(you know, that same old, old thing):
a space of five seconds of fresh time,
when nothing was happening
and nothing was happening yet.
And I now its voluptuary.

“cloud where he was hidden”


The Recognitions
Irving Feldman
Not the god, though it might have been,
savoring some notion of me
and exciting the cloud where he was hidden
with impetuous thunder
strokes of summoning

it was merely you who recognized me,
speaking my name in such a tone
I knew you had been thinking it
a long, long time, and now revealed yourself
in this way. Because of this, suddenly
who I was was precious to me.

Photo by Medena Rosa on Unsplash


praise be


Praising Opens
Irving Feldman
I praise you and my heart opens.
You are admirable
–and small tender brave mortal.
I hide you in my praises.
I preserve you.
You grow in safety.
And, mortal, my heart opens.

“my existence is benign”


Irving Feldman
To move forward with the world, to be
in time with time … is innocence.
For a thousand miles the wave keeps pace,
strokes smoothly on in phase with force,
at one with the festive crowd
and one of its joyous more and more;
it buoys itself and drives ahead,
renews in the trough the power it
expends at the crest, shape it then
surpasses and leaves to lapse behind.
I love my innocence, it chants,
see my transparence, I have nothing to hide,
therefore, I cannot ever die;
my existence is benign, the air
I breathe is borrowed from no one;
the drowning see my breath, and smile
— except the evil, whose badness starves them,
monsters, they merit their bulging eyes.
I bask and sing, am smooth and shine.

The figure in the wave, kneeling, half dazed,
half drowned, battering its head on the ground,
lifted and pushed forward inches, chokes
and blusters into the water running down…
Out of time, sea-sick, sucking
the slack scum between wave and wave, here
is when you discover in the reflux
the theme of age: the falsity of innocence
— your every breath an act of power,
you live to injure, survive by murder;
while you were lethal, you were innocent;
floundering in the raging slop,
powerless now, you grasp the fact of power.
Your lung half bitter broth, you blurt:
Existence is my enemy, my life
attacks me; my past, maimed and vengeful,
returns in a wave, is heaving inside me;
my retching rises to possess me — the dead,
large with my past power, overpower me.
Grievance is death usurping my throat,
is death already speaking out as me.
— And you struggle to spit it all out,
you struggle not to go under, struggle
to assent to indeed go under as
an equal who negotiates with death.