untitled

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Untitled
Nikita Gill

Take this as your warning,
This book will pick out the bones
within you as it picked out the bones
within me.

We are the closets
we hold our skeletons in.
And now they are knocking,
asking to get out.

Photo by Nino Liverani on Unsplash

 

take a left here

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Take a Left Here
Jess Rizkallah

i climb mountains with monasteries
named for the moon

and the moon whispers
a secret to the tides                There. That’s The Beginning.

Photo by CDC on Unsplash

givingly

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Givingly
Carl Phillips

– So here we are again, one-handedly fingering
the puckered edges of the exit-wounds
memory leaves behind, he said, and he tossed
his leash made of stars, then tightened it,

around the antlers it seems I forget, always,
about having. Smell of nightfall when it
hasn’t settled yet. Insatiability and
whatever else hidden behind the parts

that hide it. Surely any victim – sacrificial
or not – deserves better, I thought, him leading me
meanwhile toward the usual place, the branches
grow more givingly apart, there, as if to say

Let pass. The wind was clean. The wind
was a good thing, in his hair, and across our faces.

Photo by Derick Daily on Unsplash

elegy

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Elegy
Natasha Trethewey

For my father

I think by now the river must be thick
        with salmon. Late August, I imagine it
as it was that morning: drizzle needling
        the surface, mist at the banks like a net
settling around us — everything damp
        and shining. That morning, awkward
and heavy in our hip waders, we stalked
        into the current and found our places —
you upstream a few yards and out
        far deeper. You must remember how
the river seeped in over your boots
        and you grew heavier with that defeat.
All day I kept turning to watch you, how
        first you mimed our guide’s casting
then cast your invisible line, slicing the sky
        between us; and later, rod in hand, how
you tried — again and again — to find
        that perfect arc, flight of an insect
skimming the river’s surface. Perhaps
        you recall I cast my line and reeled in
two small trout we could not keep.
        Because I had to release them, I confess,
I thought about the past — working
        the hooks loose, the fish writhing
in my hands, each one slipping away
        before I could let go. I can tell you now
that I tried to take it all in, record it
        for an elegy I’d write — one day —
when the time came. Your daughter,
        I was that ruthless. What does it matter
if I tell you I learned to be? You kept casting
        your line, and when it did not come back
empty, it was tangled with mine. Some nights,
        dreaming, I step again into the small boat
that carried us out and watch the bank receding —
        my back to where I know we are headed.

 

Photo by Tim Foster on Unsplash

parting song

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Parting Song
Jill Alexander Essbaum

First
it is one day without you.
Then two.
And soon,
our point: moot.
And our solution, diluted.
And our class action (if ever was)
is no longer suited.
Wherewith I give to looting through
the war chest of our past
like a wily Anne Bonny
who snatches at plunder or graft.
But the wreck of that ransack,
that strongbox, our splintering coffer,
the claptrap bastard
of the best we had to offer,
is sog-soaked and clammy,
empty but for sand.
Like the knuckle-white cup
of my urgent, ghastly hands
in which nothing but
the ghost of love is held.
Damn it to hell.

 

Photo by Marcial Bollinger on Unsplash

July

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July
Maggie Nelson

Photo by Samuel Ramos on Unsplash

 

the game we’re in

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The Game We’re In
Juan Gelman

If they told me to choose, I’d choose
That wellness of knowing how sick we are,
The bliss of unhappiness.
If they told me to choose, I’d choose
The innocence of not being innocent,
The purity I wallow in for my sins.

If they told me to choose, I’d choose
The very love I hate with,
This hope feeding on desperate loaves.
What’s happening here, gentlemen,
Is that I’m playing the game of death.

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El juego en que andamos

Si me dieran a elegir, yo elegiría
esta salud de saber que estamos muy enfermos,
esta dicha de andar tan infelices.
Si me dieran a elegir, yo elegiría
esta inocencia de no ser un inocente,
esta pureza en que ando por impuro.

Si me dieran a elegir, yo elegiría
este amor con que odio,
esta esperanza que come panes desesperados.
Aquí pasa, señores,
que me juego la muerte.

Photo by Riho Kroll on Unsplash

the secret of soil

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The Secret of Soil
Aimee Nezhukumatathil

The secret of smoke is that it will fill
any space with walls, no matter
how delicate: lung cell, soapy bubble
blown from a bright red ring.

The secret of soil is that it is alive-
a step in the forest means
you are carried on the back
of a thousand bugs. The secret

I give you is on page forty-two
of my old encyclopedia set.
I cut out all the pictures of minerals
and gemstones. I could not take

their beauty, could not swallow
that such stones lived deep inside
the earth. I wanted to tape them
to my hands and wrists, I held

them to my thin brown neck.
I wanted my mouth to fill
with light, a rush of rind
and pepper. I can still taste it

like a dare across a railroad track,
sure with solid-feet steps. I’m not
allowed to be alone with scissors.
I always find a way to dig.

Photo by Pascal Meier on Unsplash

 

The Edges of Time

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The Edges of Time
Kay Ryan

It is at the edges
that time thins.
Time which had been
dense and viscous
as amber suspending
intentions like bees
unseizes them. A
humming begins,
apparently coming
from stacks of
put-off things or
just in back. A
racket of claims now,
as time flattens. A
glittering fan of things
competing to happen,
brilliant and urgent
as fish when seas
retreat.

 

customer loyalty program

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Customer Loyalty Program
Brandon Amico

The opposite of not existing

is shopping. I am less the name
given me than my portion
of our nation’s GDP. Student loan
interest rates and 401(k) projections
tangle on a graph, spurring one another
toward climax. I am my credit score
(777, which means I can afford
to gamble) by way of most common
denominator: the easiest consistent definition
for those who pass me on the street,
who sneeze into my collar, who walk
their dogs like their own sovereign nations.
The main export of dogs is love, because
that’s all we’ll take from them. I withhold.
I charitable contribution. I put into
a MEEK fund so I inherit whatever’s left me
when the wars are done. Take
the whips and minimum gags allowed
by law and say thank you, chew
on the inside of my cheek. I am alive
when restrained, know my body
by what it pushes up against.
I am putting in my dues, stretching
my life out till next week’s paycheck,
and the next; withhold a little bit
every other Thursday until
refund time, that time of year
all the S&M shops dream of, for we buy
new, plastic-smelling gags, we buy leather,
our own handcuffs. Will the nation
spoon us after? Do we need
SSN safewords? Are we expected to speak
with all this debt in our mouths, and what
would we say if it’s removed?

Photo by Bruno Kelzer on Unsplash