wild is the wind

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Wild is the Wind
Carl Phillips

About what’s past, Hold on when you can, I used to say,
And when you can’t, let go, as if memory were one of those
mechanical bulls, easily dismountable, should the ride
turn rough. I lived, in those days, at the forest’s edge —
metaphorically, so it can sometimes seem now, though
the forest was real, as my life beside it was. I spent
much of my time listening to the sounds of random, un-
knowable things dropping or being dropped from, variously,
a middling height or a great one until, by winter, it was
just the snow falling, each time like a new, unnecessary
taxonomy or syntax for how to parse what’s plain, snow
from which the occasional lost hunter would emerge
every few or so seasons, and — just once — a runaway child
whom I gave some money to and told no one about,
having promised … You must keep what you’ve promised
very close to your heart, that way you’ll never forget
is what I’ve always been told. I’ve been told quite
a lot of things. They hover — some more unbidden than
others — in that part of the mind where mistakes and torn
wishes echo as in a room that’s been newly cathedraled,
so that the echo surprises, though lately it’s less the echo
itself that can still most surprise me about memory —
it’s more the time it takes, going away: a mouth opening
to say I love sex with you too it doesn’t mean I wanna stop
my life for it, for example; or just a voice, mouthless,
asking Since when does the indifference of the body’s
stance when we’re alone, unwatched, in late light, amount
to cruelty? For the metaphysical poets, the problem
with weeping for what’s been lost is that tears
wash out memory and, by extension, what we’d hoped
to remember. If I refuse, increasingly, to explain, isn’t
explanation, at the end of the day, what the sturdier
truths most resist? It’s been my experience that
tears are useless against all the rest of it that, if I
could, I’d forget. That I keep wanting to stay should
count at least for something. I’m not done with you yet.

 

Photo by Sachina Hobo on Unsplash

a double rapture

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A Double Rapture
Anna Swir
Because there is no me
and because I feel
how much there is no me.

Photo by yousef alfuhigi on Unsplash

after your death

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After Your Death
Natasha Trethewey

First, I emptied the closets of your clothes,
threw out the bowl of fruit, bruised
from your touch, left empty the jars

you bought for preserves. The next morning,
birds rustled the fruit trees, and later
when I twisted a ripe fig loose from its stem,

I found it half eaten, the other side
already rotting, or—like another I plucked
and split open—being taken from the inside:

a swarm of insects hollowing it. I’m too late,
again, another space emptied by loss.
Tomorrow, the bowl I have yet to fill.

Photo by Łukasz Rawa on Unsplash

flew by us

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I Don’t Know How a Day Flew By Us
Anna Kamieńska

 

Photo by Sophia Müller on Unsplash 

blizzard

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Blizzard
Henri Cole

As soon as I am doing nothing,
I am not able to do anything,
existing quietly behind lock and key,
like a cobweb’s mesh.
It’s four a.m.
The voices of birds do not multiply into a force.
The sun does not engross from the east.
A small fly ponders the fingers on my right hand
like fat worms. Somewhere, in an empty room, a phone rings.
On the street, a bare tree shadows a brownstone.
(Be precise about objects, but reticent about feelings,
the master urged.)
I need everything within
to be livelier. Infatuation, sadism, lust:

I remember them, but memory of feeling is not feeling,
a parasite is not the meat it lived on.

 

Photo by Erik Karits on Unsplash

fear

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Fear
Andrei Codrescu

fear is my way
of not being here although
i am afraid of falling asleep for fear
of a frightening thing taking place in my absence.
i am also
afraid of the axe i keep behind the bed hoping
that no one will come in or rather
that someone will
and there will be blood.
sitting there in the dark seeing myself kill
over and over
is not fear,
it is pleasure
though when the awareness of pleasure floats up
and i learn that it is pleasure
i become very afraid.
this new house is fear
of the unknown neighbors stretching for miles
in each direction with only
space for houses with no one in them
space for dark windows over basements filled with fear.
the long stone walk from the door
to the top of the stairs
has three major checkpoints of fear:
the cottage on the right where the spooks sit
on the bicycle chains,
the old jew’s apartment with the curtains drawn
over the candle light
and finally the stairs themselves going up
through minor and major stations of fear
which at the age of six are like the days themselves,
long, inexorable.
and now the fear of even writing about fear
the fear of awareness

Photo by Elmarie van Rooyen on Unsplash

encounter

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Encounter
Czeslaw Milosz

We were riding through frozen fields in a wagon at dawn.
A red wing rose in the darkness.
And suddenly a hare ran across the road.
One of us pointed to it with his hand.
That was long ago. Today neither of them is alive,
Not the hare, nor the man who made the gesture.
O my love, where are they, where are they going
The flash of a hand, streak of movement, rustle of pebbles.
I ask not out of sorrow, but in wonder.

Photo by Randy Fath on Unsplash

 

middle age

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Middle Age
Carlos Drummond de Andrade

Translation

Idade madura

Photo by Davide Zeri on Unsplash

sleeping

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Sleeping
Jane Hirshfield

 

 

from below

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From Below
Denise Levertov

I move among the ankles
of forest Elders, tread
their moist rugs of moss,
duff of their soft brown carpets.
Far above, their arms are held
open wide to each other, or waving
what they know, what
perplexities and wisdoms they exchange,
unknown to me as were the thoughts
of grownups when in infancy I wandered
into a roofed clearing amidst
human feet and legs and the massive
carved legs of the table,
the minds of people, the minds of trees
equally remote, my attention then
filled with sensations, my attention now
caught by leaf and bark at eye level
and by thoughts of my own, but sometimes
drawn to upgazing-up and up: to wonder
about what rises so far above me into the light.

 

 

Photo by Eric Prouzet on Unsplash