Said and read – July 2020

Standard

“Being traumatized means continuing to organize your life as if the trauma were still going on—unchanged and immutable—as every new encounter or event is contaminated by the past.” The Body Keeps Score: Brain, Mind, and Body in the Healing of TraumaBessel A. van der Kolk

Image by S Donaghy

Right up until the 20th of July time seemed to fly. Then, inexplicably, it slowed. There’s no accounting for this shift. Is it that so many other people are on holiday? Is it that the passage of time is an illusion subject to how preoccupied (or not) we are? This slowdown at least afforded me the opportunity to reflect a bit earlier than I have in previous months on the month’s reading. I thought this would make for a more timely book report, but it hasn’t. It’s already almost mid-August. I’ve failed to write about July reading or even read much so far in August.

Previous book reports: 2020 – June, May, April, March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for July:

Highly recommended

*Scots: The Mither TongueBilly Kay

One of the most debilitating phenomena of Scottish society is the false notion that to get on you have to get out. English hegemony is so all pervasive in our society that a sign of success and sophistication among some is to attempt to erase signs of Scottishness from their public persona. The implications of such an attitude for Scottish culture are drastic, not to mention wrong-headed. The linguistic tension is often not resolved at one particular time and can be an ongoing choice throughout one’s life.

By far my favorite book this month. I love this kind of thing. It’s all about the Scots language, its status, its diversity and it use, and how it is essential to the linguistic, national and cultural history of Scotland. Historical and linguistic hostility at its persistent use and existence continues — but the language itself has become a subject of vivid study and much-needed focus.

If using your first language is classed as the equivalent of sticking your tongue out at the teacher, there is little ground for fruitful dialogue. Educationalists often refer to the ‘inarticulate Scot’ as if it were a hereditary disease, instead of the effect of shackling people to one language when they are much more articulate in another. The omnipotent standard of having one correct way of speaking colours our society’s attitude and results in false value judgements about people. These value judgements are made in every sector of society, not just in education.

“Politics, in support or suppression, are central to the fate of languages. Yet political support at a given time is not in itself enough to guarantee a language’s survival if the historical process which has eroded it has been unrelenting over centuries and has pushed the language to a geographical and psychological periphery in the nation’s consciousness. That is certainly the case with Irish and until recently was certainly the case with Gaelic. The principal reason why Welsh is in a much stronger position than Scottish Gaelic today is that the Welsh had not posed a political threat to the British state for hundreds of years, while Gaelic was the language of the Jacobite forces which almost overthrew the state in the rebellions of the eighteenth century.”

If you’re interested in the way propaganda, linguistic subjugation, politics and other factors convince people their language is wrong, is dying and is not important, this is a great, and entertaining, study.

Being an honorary Glaswegian who thinks of Edinburgh a bit as “England number two”, the passages about Glaswegian gave me particular joy.

“The huge Edinburgh middle class tends to speak Standard English or Scottish Standard English. Scots is there too; a friend who was born and bred in the Southside speaks good Scots, so much so that people presume she is not a native of the city. Edinburgh is so dominated by the values of the middle classes, that working-class culture and speech had very low prestige even among the working class. This has changed in recent years due to the phenomenal success of Irvine Welsh’s brilliant novel Trainspotting and the movie that emerged from it. The Edinburgh dialect now had street cred, but that is something the weejies of the west have always had in abundance. West Central Scots Whereas in Edinburgh the working class are defined by the predominant middle-class culture, in Glasgow the opposite prevails and the professional classes have some of the street wisdom and gallusness of the predominant working-class ethos of the city. The result of this is that almost everyone from Glasgow is recognisably Scottish in speech. In Edinburgh, it is sometimes difficult to tell if someone is Scottish or English by their accent; in Glasgow, that confusion rarely exists. The middle classes may not like the Glasgow dialect but they are influenced by it. Years ago, when I lived in South Carolina, I often heard elderly white gentlemen apologise for the fact that their speech had been influenced by their close associations with the blacks. The inhabitants of Glasgow’s leafy suburbs are in a similar relationship with the speech of the masses. Glaswegian has enormous internal prestige.”

“The ultimate test of a dialect’s worth is its ability to communicate, and there are few more extrovert communicators than Glaswegians.”

*The Body Keeps Score: Brain, Mind, and Body in the Healing of TraumaBessel A. van der Kolk

“Being able to feel safe with other people is probably the single most important aspect of mental health; safe connections are fundamental to meaningful and satisfying lives.”

A fascinating exploration of how trauma visits and expresses itself in a person’s physiology and psychology and can change “the brain’s alarm system, an increase in stress hormone activity, and alterations in the system that filters relevant information from irrelevant. We now know that trauma compromises the brain area that communicates the physical, embodied feeling of being alive”.

Trauma appears to never disappear and the traumatic event (or events) live on, triggered for decades after (and epigenetics indicates that trauma lives on in the genes)… but a complete understanding of this, while continually emerging, is incomplete.

“The body keeps the score: If the memory of trauma is encoded in the viscera, in heartbreaking and gut-wrenching emotions, in autoimmune disorders and skeletal/muscular problems, and if mind/brain/visceral communication is the royal road to emotion regulation, this demands a radical shift in our therapeutic assumptions.”

*One Day We’ll All Be Dead and None of This Will Matter: EssaysScaachi Koul

“Plenty of us are fighting for structural changes, but a firmer solution has more to do with correcting human behaviour in general. No one learns how to be mean at twenty-five. No one actually becomes a hardline racist in their thirties. These are beliefs and behaviours we inherit from our bloodlines, from the people who raised us, and the internet is just another way to put those beliefs to work. The troubling part is not that there are people online who feel comfortable—vindicated and strong—in calling me a cum-bucket. What scares me is that those people go out into the world, holding these convictions secretly or otherwise, and exist around me physically. I see them at the bank and they go to my dentist and I might end up working with them. What they say to me online is the purest distillation of the rage they feel—statements that would get them fired or arrested in real life but get them a moderate fan base or begrudging attention online.

I didn’t expect this collection of essays to be as engaging as it turned out to be.

I happened to read this book first while sitting in a grocery store parking lot waiting for it to open and then while binge-watching the tv show Shrill. This reading was timely — so much of what the book addresses was being elevated in the popular media — from race and privileged spaces (as Koul writes about all kinds of groups: “All of us struggle towards whiteness”) to chemical skin whitening products in South Asia (“Fair & Lovely is a popular brand of skin-whitener in South Asia, marketed with crummy little ads where a girl gets the guy after she slathers these chemicals on her face and turns into some ghost-like version of her former self. You can buy it for your face or your body, creams to remove “facial discolouration or brown spots,” or to lighten all the skin you have, one big body-wide brown spot.”), from the deceptive idea of Canada as a multicultural haven (“The white majority doesn’t like being reminded that the cultural landscape is still flawed, still broken, and while my entry into something like Canadian media, for instance, hasn’t been an easy ride, it has been made more palatable for other people because I am passable. I’m not white, no, but I’m just close enough that I could be, and just far enough that you know I’m not. I can check off a diversity box for you and I don’t make you nervous—at least not on the surface. I’m the whole package!”) to immigration (“So much of immigration is about loss. First you lose bodies: people who die, people whose deaths you missed. Then you lose history: no one speaks the language anymore, and successive generations grow more and more westernized. Then you lose memory: throughout this trip, I tried to place people, where I had met them, how I knew them. I can’t remember anything anymore.”).

The Shrill parallels come up when Koul writes about the identities we forge online. This opens us up to all manner of abuse, which is something Lindy West, the author of Shrill: Notes from a Loud Woman, has written about extensively both in Shrill and the more recent The Witches Are Coming, which discusses the MeToo movement in great detail. It’s all on display, illustrated in the tv adaptation of Shrill, in which the lead character, Annie, experiences monumental levels of (violent/threatening) online trolling. Treading similar ground, Koul writes:

“I sometimes try to understand how people formed their identities in eras before the internet existed. What did teenagers do to carve out a sense of self in the world? So often, the people screaming at me online seem to derive their selfhood from being internet aggressors, and the more time I spend on any given online platform, the more my identity is marked by defending myself.”

“We love to talk about the web as if it’s a limitless resource, like the only barriers we put on it are what the government will allow, what money will buy, what manpower can create. But all things built by humans descend into the same pitfalls: loathing, vitriol, malicious intent. All the things we build in order to communicate, to connect, to find people like us so we feel less alone, and to find people not like us at all so we learn how to adapt, end up turning against us. Avoiding human nature at its most pure and even at its worst is pointless. No one deserves your attention, but no one has earned your withdrawal.”

Every message we receive — both online and in real life (as women, but particularly for women of color) is that we are not good enough, in one way or another, and something about us needs to change. We are objects, and that is why the rape culture, which Koul writes about with both clarity and rage, is pervasive. Once women have been objectified, they are easier to surveil and monitor and take advantage of. Rape culture likes to blame women for being in the wrong place, wrong time, wearing the wrong thing,  and drinking the wrong amount. It blames the victim (we all know this). Koul points out something that society as a whole doesn’t talk about even if all women know it:

“Surveillance feeds into rape culture more than drinking ever could. It’s the part of male entitlement that makes them believe they’re owed something if they pay enough attention to you, monitor how you’re behaving to see if you seem loose and friendly enough to accommodate a conversation with a man you’ve never met. He’s not a rapist. No, he’s just offering to buy you a beer, and a shot, and a beer, and another beer, he just wants you to have a really good time. He wants you to lose the language of being able to consent. He’s drunk too, but of course, you’re not watching him like he’s watching you.”

It is not an accident. It has all been carefully planned.

“And yet, being surveilled with the intention of assault or rape is practically mundane, it happens so often. It’s such an ingrained part of the female experience that it doesn’t register as unusual. The danger of it, then, is in its routine, in how normalized it is for a woman to feel monitored, so much so that she might not know she’s in trouble until that invisible line is crossed from “typical patriarchy” to “you should run.””

“The mistake we make is in thinking rape isn’t premeditated, that it happens by accident somehow, that you’re drunk and you run into a girl who’s also drunk and half-asleep on a bench and you sidle up to her and things get out of hand and before you know it, you’re being accused of something you’d never do. But men who rape are men who watch for the signs of who they believe they can rape. Rape culture isn’t a natural occurrence; it thrives thanks to the dedicated attention given to women in order to take away their security. Rapists exist on a spectrum, and maybe this attentive version is the most dangerous type: women are so used to being watched that we don’t notice when someone’s watching us for the worst reason imaginable. They have a plan long before we even get to the bar to order our first drink.”

*Confession of the LionessMia Couto

“Every morning the gazelle wakes up knowing that it has to run more swiftly than the lion or it will be killed. Every morning the lion awakens knowing that it has to run faster than the gazelle or it will die of hunger. It doesn’t matter whether you’re a lion or a gazelle: When the Sun rises, you’d better start running. —AFRICAN PROVERB”

I can’t really tell what it is about Mia Couto’s work that I find so compelling. Something about Couto’s writing style generally draws me in.

“Genito Mpepe was a tracker—he knew all the invisible signs of the savanna. He had often told me: Only humans recognize silence. For all the other creatures, the world is never silent and even the grass growing and the petals opening make a huge noise. In the bush, the animals live by listening. That’s what my father envied at that moment: He wished he were an animal. And far from human beings, to be able to return to his lair and fall asleep without pity or guilt. I know you’re there!”

In Confession, a small (fictional) village in Mozambique, Kulumani, is gripped with fear by a sudden spate of lion attacks on the village women. A hunter is employed to kill the lion, with a writer accompanying the hunter to chronicle the ‘adventure’. But there are other forces at work, and like much of Couto’s writing, lines between the literal and figurative are blurred. Women characters talk of themselves as though they are already dead — or are animals living within human bodies, while the language used to describe how events unfold hint at the possibility that there have been no lions at all attacking women, and perhaps something more mundane, but more horrible, such as men killing women, is happening. No definitive answers appear, but answers aren’t important. It’s more the setting of the scene and realizing what years of civil war and violence have done to the people and the place that make up this work.

*A Black Women’s History of the United StatesDaina Ramey Berry

Black women are at the core of – and key to – American history. This book explains how. Also included in my “Confront head-on our white racist BS” reading list.

*Washington BlackEsi Edugyan

“The skin around his eyes tightened. He shook his head. “Negroes are God’s creatures also, with all due rights and freedoms. Slavery is a moral stain against us. If anything will keep white men from their heaven, it is this.””

The story of a boy who, almost by chance, manages to escape slavery on a Barbados sugar plantation. I am not sure what I expected when I started reading this, but it was so much more than I imagined. It was engrossing.

“Death was a door. I think that is what she wished me to understand. She did not fear it. She was of an ancient faith rooted in the high river lands of Africa, and in that faith the dead were reborn, whole, back in their homelands, to walk again free. That was the idea that had come to her with the man in white, like a thread of poison poured into a well.”

*The Housekeeper and the ProfessorYoko Ogawa

“I remembered something the Professor had said: “The mathematical order is beautiful precisely because it has no effect on the real world. Life isn’t going to be easier, nor is anyone going to make a fortune, just because they know something about prime numbers. Of course, lots of mathematical discoveries have practical applications, no matter how esoteric they may seem.”

“The Professor never really seemed to care whether we figured out the right answer to a problem. He preferred our wild, desperate guesses to silence, and he was even more delighted when those guesses led to new problems that took us beyond the original one. He had a special feeling for what he called the “correct miscalculation,” for he believed that mistakes were often as revealing as the right answers. This gave us confidence even when our best efforts came to nothing.”

A young housekeeper is assigned by her agency to clean and care for a mathematician who, due to a brain injury, loses short-term memory every 80 minutes (if I recall correctly). Each day when the housekeeper turns up for work, the whole introduction begins again. At some point she begins to bring her son along to work with her because the professor has insisted, and there develops an unusual kinship among the three. There isn’t necessarily a deep plot here, but it was still engaging.

“He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world.”

*Angela’s Ashes: A MemoirFrank McCourt

I didn’t expect to be including Angela’s Ashes among the things I found best during July. By the time I got around to reading it, it had, of course, already hit best-seller lists and been adapted into a film (which I’ve never seen).

It’s one of those things I wouldn’t normally read, but for some reason I did. It’s an easy read in the sense that one can tear through it quickly because it’s that readable; on the other hand, the subject matter is difficult in that it describes abject poverty and people trying to live in the midst of that. What makes it readable and compelling is the fact that McCourt has told it from the perspective of a child. Despite the fact that this is a brutal account of growing up in extreme poverty in Ireland – and misery pervades — it’s in some ways so innocent, such as when the narrator recounts everything from having mustard for the first time (and uses “sangwidge” to write “sandwich”, which is one of those things I’ve always found cute among Glaswegians as well), to, more broadly, the matter-of-fact way of reporting daily realities and speech.

“There are Thursdays when Dad gets his dole money at the Labour Exchange and a man might say, Will we go for a pint, Malachy? and Dad will say, One, only one, and the man will say, Oh, God, yes, one, and before the night is over all the money is gone and Dad comes home singing and getting us out of bed to line up and promise to die for Ireland when the call comes.”

*I’ll Be Gone in the DarkMichelle McNamara

I remember many years ago having a very brief conversation with a Dutch guy, and when I told him a bit about myself and my youth growing up around Seattle, I happened to say a few words about the proliferation of serial killers from the area (both Ted Bundy and Gary Ridgway – the Green River Killer come from there). The guy I was talking to flipped out and decided I was “sick” for talking about such things so casually and for knowing so much about serial killers in the first place. It struck me as a strange overreaction, but I didn’t really know anyone else who had an academic interest in serial killers. But this was the dawn of the internet true crime genre — before Michelle McNamara and others like her took to the internet to write about and discuss these cases and mysteries ad nauseam. Through McNamara’s work, I think a lot of people realized that they were not alone.

“The truth, of course, was much weirder: I was foregoing a fancy Hollywood party to return not to my sleeping infant but my laptop, to excavate through the night in search of information about a man I’d never met, who’d murdered people I didn’t know.

Violent men unknown to me have occupied my mind all my adult life—long before 2007, when I first learned of the offender I would eventually dub the Golden State Killer. The part of the brain reserved for sports statistics or dessert recipes or Shakespeare quotes is, for me, a gallery of harrowing aftermaths: a boy’s BMX bike, its wheels still spinning, abandoned in a ditch along a country road; a tuft of microscopic green fibers collected from the small of a dead girl’s back.

To say I’d like to stop dwelling is beside the point. Sure, I’d love to clear the rot. I’m envious, for example, of people obsessed with the Civil War, which brims with details but is contained. In my case, the monsters recede but never vanish. They are long dead and being born as I write.

The first one, faceless and never caught, marked me at fourteen, and I’ve been turning my back on good times in search of answers ever since.”

That said, I’ve never been that passionate about the subject. I have a passing interest in true crime – and my knowledge of and interest in Bundy and Ridgway were “local interest” stories more than any fascination with rapists and killers. It’s similar to my passing interest in the bizarre story of the Enumclaw animal-sex case in which a bunch of men were having sex with horses until one of the men died. The story is horrible, and I am not interested in the details — it’s just that that was a local stomping ground, so it was of interest when it was an anonymous blurb in the local paper as much as when it became a national story and eventually a documentary called Zoo. I read the stories; I saw the documentary. But I won’t be visiting or starting any online communities dedicated to that or serial murderers.

With all of that background out of the way, though, let’s just take a moment to revel in Michelle McNamara’s glorious voice. Voice is one of the most challenging things to tackle in writing – but she had a distinctive, powerful, clear voice that was recognizably hers. In the parts of the book that she had painstakingly written, the strength of her inimitable voice shone through. Her blog had always showcased this, but writing a book is different. So much more scrutiny, deadlines, expectation. I imagine that some of this pressure and perfectionism is what led to her overuse of the drugs that eventually took her life. And that perfectionism is what made everyone around her miss all the signs that something was wrong. I didn’t know her, but both her writing — and the accompanying documentary about the book and her life — make it clear that she was meticulous. You would only see what she wanted you to see, and if she was even aware of how dependent she had become on various pharmaceuticals, she would have downplayed it (as her husband Patton Oswalt described in the docu).

*The Poems of Octavio PazOctavio Paz

*Hotel InsomniaCharles Simic

*Beautiful False Things: PoemsIrving Feldman

*Where Now: New and Selected PoemsLaura Kasischke

All poetry. All necessary.

Good – or better than expected

*Going Home: A Walk Through Fifty Years of OccupationRaja Shehadeh

“Clothes are like houses, objects we cover ourselves with and often dwell in so as to create an impression for others and not just for the comfort they provide. My different lives are represented by the different clothes I have worn, as by the homes located in different parts of the city where I have lived. To this day I have my writerly clothes and my lawyerly ones, some from when I started my career thirty-seven years ago – shirts, belts, trousers and jackets.”

A journey through Ramallah in the West Bank – emotional but almost journalistic. I happened to read this at the same time as I watched several Israeli TV shows that inevitably depict aspects of the occupation… and how it is a central function, or determinant, of Palestinian life.

“My jar is now whole again. You can see the individual pieces when light shines through the holes which I failed to fill, but you can appreciate the effort of rebuilding the whole after the disastrous breaking. Perhaps one day this will be the fate of Palestine too. It will become whole again, far more appreciated after going through wars and massacres before being reconstructed kintsugi-style.”

“How extensive has been Israel’s success. This woman who now lives in a Jewish settlement in the West Bank is working in the department that exercises so much power over us and determines which Palestinian can or cannot live in the city of their birth with their spouse. Not only have we failed to end the occupation, but every year it seems to be ever more entrenched. Almost daily now we hear of killings of young men who attempt to stab Israelis.”

*Last Night in NuukNiviaq Korneliussen

Unusual, brief book delivering a slice of life look at young life in Greenland. Perhaps it’s not perfect – drags on a bit in places, and the stream of consciousness style and point-of-view changes don’t always lend a lot to the story, but it’s a debut novel that shows promise and gives us a glimpse into something we never hear about – life in Greenland.

*Born in SarajevoSnježana Marinković

I will read almost anything I find about the breakup of the former Yugoslavia and the subsequent war and forming of new states. This is a memoir both of the breakup of the country and disintegration of a family told through the eyes of one girl experiencing what became a familiar story as Yugoslavia split and violence ensued. The story itself was very personal but could at times be frustrating.

*Gravel HeartAbdulrazak Gurnah

“‘No one bid the British to come here,’ my mother’s father said. ‘They came because they are covetous and cannot help wanting to fill the world with their presence.’”

A boy grows up in a changing Zanzibar and doesn’t, as a child, understand why his father has abandoned the family or why his mother makes seemingly selfish decisions. He is sent to live with his shady uncle in London, and his life completely changes. He doesn’t get the answers he seeks until much later in life… too late to completely make amends.

“Everything is complicated and questions simplify what is only comprehensible through intimacy and experience. Nor are people’s lives free from blame and guilt and wrong-doing, and what might be intended as simple curiosity may feel like a demand for a confession. You don’t know what you might release by asking a stupid question. It was best to leave people to their silences.”

*Several books by Israeli-Arab writer Sayed Kashua, e.g. Let It Be Morning and Dancing Arabs

I read several books by Sayed Kashua, and in reading about him stumbled on this lovely but heartbreaking letter exchange between Israeli author Etgar Keret and Kashua after Kashua left for a sabbatical in the US.

*A Carnival of Losses: Notes Nearing NinetyDonald Hall

“You are old when you learn it’s May by noticing that daffodils erupt outside your window. You are old when someone mentions an event two years in the future and looks embarrassed. You are old when the post office delivers your letters into a chair in your living room and picks up your letters going out. You are old when you write letters.”

The best parts of this book were excerpted liberally upon publication and around Hall’s death. But there were nevertheless a few important thoughts that still gave this book something extra. Perhaps it is just that one feels Hall’s observations naturally, inevitably, as one ages: the speed of time but the slowing down of so many of life’s things (and the value of that slowness), the coming of old age, the growing delight of solitude that is interrupted only by those moments when another’s presence brings momentary relief…

“I look forward to her presence and feel relief when she leaves. Now and then, especially at night, solitude loses its soft power and loneliness takes over. I am grateful when solitude returns.”

“When I was sixteen I read ten books a week: E. E. Cummings, William Faulkner, Henry James, Hart Crane, John Steinbeck. I thought I progressed in literature by reading faster and faster—but reading more is reading less. I learned to slow down.”

“An athlete goes professional at twenty. At thirty he is slower but more canny. At forty he leaves behind the identity that he was born to and that sustained him. He diminishes into fifty, sixty, seventy. Anyone ambitious, who lives to be old or even old, endures the inevitable loss of ambition’s fulfillment.”

Entertaining/informative/thoughtful or some combination thereof

*A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage and My LifeAyelet Waldman

I have read many books by Waldman – some I’ve liked more than others, but overall there is such a needy quality to her, particularly when she writes autobiographically — like this book. Her insistence on writing about her near-obsession with her husband seems…troubling. This book chronicles day by day her experience with a total of 30 days of microdosing with LSD to see if it would help her moodiness and near-debilitating depression. It seems like it helped, and there are interesting passages in the book about the discovery and possibilities of LSD for clinical use. But the book overall was hard to get through, mostly because of this aforementioned neediness and intense… reliance on one’s spouse for a sense of self-worth (while also seeming to — probably due to depression — behave… badly toward that spouse. I get it — sort of. But I guess it just doesn’t make good reading for me. But it probably is great for someone — as I said, there is a lot of good information here. Just hard to sort it out from the rest.

*Last Witnesses: An Oral History of the Children of World War IISvetlana Alexievich

“I am a person without childhood. Instead of childhood, I had war.”

Children will witness war and suffer just as adults do – prematurely losing the innocence associated with childhood. Alexievich’s ability to bring a variety of people’s recollections and stories to life is remarkable and makes even difficult subject matter easy to read and feel.

“What do I have left from the war? I don’t understand what strangers are, because my brother and I grew up among strangers. Strangers saved us. But what kind of strangers are they? All people are one’s own. I live with that feeling, though I’m often disappointed. Peacetime life is different…”

Told from POV of children and adolescents as they realized war was happening, what that meant to them. It’s heartbreaking (as most of Alexievich’s books are).

*Women, Race & ClassAngela Y. Davis

Davis’s take on the women’s movement and how it has been slowed by the lack of acknowledging intersectional concerns.

“This bears repeating: Black women were equal to their men in the oppression they suffered; they were their men’s social equals within the slave community; and they resisted slavery with a passion equal to their men’s. This was one of the greatest ironies of the slave system, for in subjecting women to the most ruthless exploitation conceivable, exploitation which knew no sex distinctions, the groundwork was created not only for Black women to assert their equality through their social relations, but also to express it through their acts of resistance. This must have been a terrifying revelation for the slaveowners, for it seems that they were trying to break this chain of equality through the especially brutal repression they reserved for the women. Again, it is important to remember that the punishment inflicted on women exceeded in intensity the punishment suffered by their men, for women were not only whipped and mutilated, they were also raped.”

*Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War IIDouglas A. Blackmon

“Beginning in the late 1860s, and accelerating after the return of white political control in 1877, every southern state enacted an array of interlocking laws essentially intended to criminalize black life.”

Since the end of slavery, we’ve lived in an era of “neo-slavery” — the creation of a new form of enslavement that is enshrined in the legal system, corporate greed, suppression of black citizenship and participation. Very clear manipulation of the system to engineer continued oppression of an entire group of people and a consistent supply of free labor on which capitalism relies.

“A world in which the seizure and sale of a black man—even a black child—was viewed as neither criminal nor extraordinary had reemerged. Millions of blacks lived in that shadow—as forced laborers or their family members, or African Americans in terror of the system’s caprice. The practice would not fully recede from their lives until the dawn of World War II, when profound global forces began to touch the lives of black Americans for the first time since the era of the international abolition movement a century earlier, prior to the Civil War.”

*TriesteDaša Drndić

“History, an ornate lady who does not die easily, dresses again and again in new costumes, but keeps telling the same story. History as Dracula, History as the Vampire, the vampiric fate of history, History the Bloodsucker, that great mistress of humanity.”

I think if I had been in another frame of mind when I read this, it would have been one of my favorites of the month. But I read it at the wrong time, and it struck me as dense and fascinating… and worth a second read.

“Conversations about the past are like little confessions, like unburdenings, after which the soul returns to the present on angel wings, fluttery and luminous.”

In Trieste, Drndić grapples with history — examining 20th century events almost like a historian while weaving in storytelling about victims and villains. And sometimes how history is elastic — it is eroded enough that it’s not fully erased. We might be able to trace it and find surprising things hidden in the faded past.

“Haya learns of Tom Stoppard, too. She hears that Stoppard was born Tomás Straussler in the town of Zlin, Moravia, where Bata sets up his famous shoe factory. She learns that until 1999 Tom Stoppard has no clue he is Jewish; then (by chance) he finds out that he is. Tomás’ father Eugene Straussler works at the factory hospital as a physician. Immediately after the German occupation of Czechoslovakia, in 1939, Mr Bata decides to save his employees, including the physicians, by sending them off to the branch offices he owns all over the world. The Straussler family relocate to Singapore, but before the Japanese occupation, Marta Beck (Straussler by marriage) leaves with her two sons and goes first to Australia, then to India, while Eugene Straussler boards a ship full of refugees somewhat later. The Japanese shell his ship and with it sinks Eugene. In India, Marta Straussler meets a British officer by the name of Stoppard who asks her to marry him. He gives her boys his last name and together they return to his homeland, England, where they live happily ever after, as if their earlier life had never happened, as if there had never been a family, a war, camps, another language, memories, not even a little Czech love. In 1996 Marta Beck (Straussler by marriage, Stoppard by marriage) dies, and at that moment Tomás, no longer a boy, born Straussler, re-born Stoppard, starts digging through his past now that he is tired of writing plays or now that his inspiration has dried up—who knows?—and time unfolds before him. In the Czech Republic Tomás learns that his grandfathers and grandmothers, uncles and aunts, cousins, all of them disappeared as if they had never lived, which, as far as he is concerned…”

*Inconspicuous Consumption: The Environmental Impact You Don’t Know You HaveTatiana Schlossberg

I think more than I should about the invisible things we do that have incredible environmental footprints. One thing is the constant use of the internet – especially now that we are streaming all of our entertainment. This requires a shocking amount of energy — but it’s not as conspicuous or easy to calculate as the carbon debt we run up when we drive a car or take a flight somewhere. No, much of the physical infrastructure of the internet and what makes it run is hidden from site and euphemistically called “the cloud”. But the infrastructure — and all its energy-thirsty demands still exist. And we’re adding to that consumption every day.

“…the physical things we interact with every day and lots of our daily activities don’t exist in a vacuum—they’re much more connected to each other, to global climate change, and to each one of us than we think. The story of climate change—and all of our stuff—is actually a story about everything: science, health, injustice, inequality, national and international politics, the natural world, business, normal life. Climate change affects everyone constantly, but, until very recently, we usually only talked about it for a few days when some natural disaster happened or a particularly scary report by government scientists came out—if then—before we moved on to something else.”

Schlossberg takes on the less obvious energy and resource guzzlers in this book, looking in some depth at everything from ICT costs to the staggering costs of the fashion industry, among others.

*Superbugs: The Race to Stop an EpidemicMatt McCarthy

Any book on a superbug or virus… I tend to grab and read them all. I’ve been thinking a lot about antibiotic resistance for years, although this important and ongoing crisis tends to be forgotten and overshadowed when we find ourselves in times of more urgent crises, e.g. coronavirus. But, as McCarthy points out: More than 20,000 people die in the United States each year because of an antibiotic-resistant infection. And there are not enough new antibiotics in the pipeline to keep up with the growing ineffectiveness of the antibiotics we do have. Most tellingly – and this will surprise no one in our capitalist societies – antibiotics are expensive to develop, don’t have a long life (because we wear them out to the point of resistance) and are not money makers. Even with active antibiotic stewardship programs, where infectious disease experts make determinations about antibiotic prescriptions, there aren’t enough antibiotics now or in the offing.

A few crossover points with current events and other reading… McCarthy’s discussion on the shortage of infectious disease specialists makes us appreciate Dr Anthony Fauci even more (he is, of course, mentioned in this book):

“Infectious diseases specialists have become a dying breed in some parts of the country, cast aside by modern medicine. Most doctors are now compensated based on the types (and cost) of procedures they perform, and infectious diseases doctors don’t really perform procedures. Ours is a cognitive specialty, providing expert consultation, and reimbursement schemes haven’t figured out how to keep up with the tremendous demands of the work. The field is experiencing a brain drain, and every year, it gets a bit worse. Specialists still flock to big cities on the coasts, but the middle of the country has been hit hard by the changing economics of medicine. Young doctors are less interested in infectious diseases than their predecessors were, and this presents a problem: once lysin is approved, there need to be specialists who know how to use it.”

Also, McCarthy writes:

“Pharmaceutical research and development has the highest failure rate for new products of any industry, which raises important questions: How far should we go to incentivize the production of new drugs?”

This ties in with another book I read this month:

*Rigor Mortis: How Sloppy Science Creates Worthless Cures, Crushes Hope, and Wastes Billions  — Richard F. Harris

Not only are there limited private funds for certain kinds of pharma research (no one wants to fund research for drugs that won’t turn a handsome and relatively quick profit), but public taxpayer funded research isn’t easy to come by.

“Taxpayers fund medical research – but what good is it, how effective is that spending – if most of the science produced – or how results are interpreted – turns out to be skewed to support the goals of the researchers rather than finding actual answers?”

“The ecosystem in which academic scientists work has created conditions that actually set them up for failure. There’s a constant scramble for research dollars. Promotions and tenure depend on their making splashy discoveries. There are big rewards for being first, even if the work ultimately fails the test of time. And there are few penalties for getting it wrong.”

Similarly,  despite peer review, there does not seem to be adequate oversight or rigor (hence the book’s title) required to make research results reliable — and replicable. Replicability of results is a major crisis across the disciplines — as the book highlights, one study with faulty (but “positive”) results can often go undetected when other scientists begin citing those research findings even without testing for themselves to see if they can reproduce the same results or find the same significance.

“There she saw one big problem with cancer research: scientists were not approaching many studies with enough rigor. Each scientist had his or her own way of working, but those were not standardized or often repeatable. That’s the culture of biomedical science today—researchers are individual entrepreneurs, each attacking a small piece of the problem with gusto. Barker says that unfortunately the quality of the work is all over the map—and there’s typically no way to tell which studies you can believe and which you can’t, especially when scientists try to add together results from different laboratories, each of which has used its own methods.”

And this is…well, again, it’s in the title: sloppy at best, and a waste of tens of millions of research dollars at worst.

“Begley said one of the studies he couldn’t reproduce has been cited more than 2,000 times by other researchers, who have been building on or at least referring to it, without actually validating the underlying result.”

Harris lays out the stark choice scientists are often forced to make: reporting rigorous results openly to advance medical science OR do what’s best for their career, which may require secrecy, fudging of results (or willfully deceiving oneself about the results or how to report them). And, as Harris reports, the time to make this choice is now:

“Arturo Casadevall at the Johns Hopkins Bloomberg School of Public Health shares that sense of alarm. “Humanity is about to go through a couple of really rough centuries. There is no way around this,” he said, looking out on a future with a burgeoning population stressed for food, water, and other basic resources. Over the previous few centuries, we have managed a steadily improving trajectory, despite astounding population growth. “The scientific revolution has allowed humanity to avoid a Malthusian crisis over and over again,” he said. To get through the next couple of centuries, “we need to have a scientific enterprise that is working as best as it can. And I fundamentally think that it isn’t.””

*Mindwise: How We Understand What Others Think, Believe, Feel and WantNicholas Epley

And so, with the obvious benefits that come from social understanding, you and I and nearly every other human being on the planet have become so well practiced at reading the minds of others that our sixth sense operates almost invisibly. As philosopher extraordinaire Jerry Fodor has written, “Commonsense psychology works so well, it disappears.” Only at the rare times when it is stretched beyond its limits, or is proven to be profoundly mistaken, does its existence come back into view.”

I kind of expected this book to be a surface-level, self-help, best-seller type thing, so I didn’t think I’d invest a lot of effort into reading it. It turned out to be a little bit like what I expected but it dives into much more. First and foremost – addressing the overconfidence people have about their ability to read and understand others (particularly those they are closest to).

“Getting to know someone, even over a lifetime of marriage, creates an illusion of insight that far surpasses actual insight.”

And at the root of this is understanding oneself — Epley writes that the disconnect between what people think about themselves and how they actually behave is one of the most common things found about perceptions of self when studied by psychologists. One of the most prominent studies, though largely seen as unethical by today’s standards, is the Milgram experiments. I’ve written about this SO MANY times before because it comes up in virtually every psychology textbook, course and discussion, whether it’s on experimental design and ethics, about obedience to authority or about the sense of self. It is cited in all kinds of pop culture, including tv shows like Law & Order SVU. You can’t escape Milgram.

And in Epley’s book it is a good illustration of exactly how misaligned our own ideas about ourselves are with what we actually do. In the Milgram experiment, most participants would likely have classified themselves as nice/good people who would never cause intentional harm to anyone else. But the experiment pushed the limits of what people were willing to do if they were being given instructions by someone who appeared to be in a position of authority. More than 60% of participants in Milgram’s study willingly pushed a button that they were told would shock a person in another room (even to the point of death) because they were “just following orders”. We are seeing things play out similarly in society right now — people who love to claim that they would have resisted Nazi terror are at best silent now and at worst buying into patently fascist and dictatorial moves in US politics.

Epley shows time and again, in different ways, that we are not who we say or think we are. One way we all do this is through “the planning fallacy”. Most of us underestimate how long it will take to get things done. Do we really just not know how long tasks take or are other factors at play? We all struggle with this at times, but some people are much more likely to fall prey than others (to my frustration).

“What’s surprising is how easily introspection makes us feel like we know what’s going on in our own heads, even when we don’t. We simply have little awareness that we’re spinning a story rather than reporting the facts.”

Fascinating book that simplifies some of the constructive work the brain is always — and almost effortlessly — doing. And how the effortlessness of that work can fool us until thinking we know a great deal more than we actually know.

*They Fight Like Soldiers, They Die Like Children: The Global Quest to Eradicate the Use of Child SoldiersRoméo Dallaire

I did not “enjoy” this book – in fact it’s very disturbing. But we need to remind ourselves, or in some cases learn for the first time, about the atrocities of the world, of recent history. I know plenty of people who blindly ignore these kinds of things because they don’t want to see the darkness of the world – the true darkness. But how can we prevent further such atrocities if we don’t come to terms with their existence and how horrific they actually are? Recently I had a number of long discussions about ethnic cleansing and civil wars that almost no one seems to remember (Sierra Leone, Rwanda, etc.). The 25-year anniversary of Srebrenica recently passed, and I cannot count the number of people I mentioned it to who claimed never to have heard of it. These are brutal, gruesome events in recent history, but for some, these are relics of a long-distant past… and for others, things that never registered for them in the first place. I find the indifference and ignorance… more than painful.

Biggest disappointment (or disliked)

*A Confederacy of DuncesJohn Kennedy Toole

I could barely get through this. I don’t know why it’s so widely lauded. I could be missing something. I might have read it at the wrong time and not given it enough time to land. But every time I sat down to read, I wanted to give up. And that doesn’t usually happen to me.

*Becoming Cliterate: Why Orgasm Equality Matters – And How to Get ItLaurie Mintz

You’d have to be totally uninformed to find this book informative. Then again I am constantly surprised by how mysterious people find their own bodies, so how could a partner find another’s body any less so? The book does at least acknowledge that much of this ignorance comes from the misinformation and a lack of education that exist around female bodies, sex and orgasms … both formally and in the media and cultural realm. But I am not sure it delivered on the promise of the title. Does it really explain why its author believes “orgasm equality” matters?

*Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s PainAbby Norman

“I’ve often found it curious that when a woman is suffering, her competence is questioned, but when a man is suffering, he’s humanized. It’s a gender stereotype that hurts both men and women, though it lends itself to the question of why there is a proclivity in health care, and in society, to deny female pain.”

I was keen to read this book because the title promised something. There are a lot of voices in the media and even in medicine speaking up about the imbalance between how men and women are treated by the medical system. This ranges from how clinical trials are run to how drug dosing recommendations are made. Because men are always seen as the default, everything comes back to them. On an individual level, there are countless stories of women whose pain is discounted, disbelieved and dismissed. In this story, the writer keeps fighting back. As you discover as you read, she has very little choice but to keep advocating for herself, despite how her life otherwise falls apart.

“…she glanced down at my notepad where I’d scribbled something about the patriarchy of medicine. She pointed to it and just gave me a simple, but bold and resounding, “Yes.” “I think perhaps my biggest take as a woman is that I have so many people come to me who are willing to tolerate so much, or they have tolerated so much,” Dr. Marin began in our discussion of female pain. “Either because no one was willing to listen to them, or just because they thought it was normal, or that was the price of being a woman—that they don’t have to tolerate.””

“The problem with a woman’s “blood” was really not the problem at all: vaginas were the problem. To extrapolate, women’s sexuality was the problem. Women having agency of their bodies was the problem.”

Still, even with all this background, and the timeliness of the theme, I thought this book would be a lot more interesting. Of course I don’t want to criticize the author. I believe in her pain and the ordeal she went through to get diagnosed, to get treatment, to live without pain, and most of all, to be believed. The book probably needed excruciating detail of everything she went through to show how far women have to go to find relief. But I guess I’m hypersensitive to people’s illnesses and propensity to never stop talking about them, which should lead me away from reading books like this. But here we are.

Said and read – May 2019

Standard

By making one’s reading public, it becomes performative – by default – and that is not to everyone’s taste. We read a book; we tell other people; they infer what they will. What alters the meaning of the transaction is context. There is a substantive difference between recommending a book to a friend in conversation and publishing an illustrated recommendation on the Internet. But why keep that enthusiasm bottled up? Why hoard it?” –Andy Miller, essay, Boundless

I haven’t been bottling up or hoarding my renewed passion for reading, and I have never cared about the reactions. But I had also never really considered that anyone would have a reaction – at least not as strong a reaction as Miller describes. More on that later…

May did not start off by yielding much time for reading, and what reading I did ended up feeling like a chore. I continued on the tear through Joyce Carol Oates territory, as I did last month, and quickly tired of her style, which – prior to this extensive reading – I had somehow believed to be more wide-ranging than it proved to be. But once I started, much like with hated television shows or unpleasant experiences, I could not stop. I just have to complete the mission and see how it turns out (even if I am reasonably sure that it will turn out exactly as badly as the entire journey has gone). I also, for some reason, wasted a lot of time reading works by the Marquis de Sade – something I had thought I would do in high school; having now read them, I think they read as the complete vulgarity that would provoke much-craved shock value… in high school.

I knew that I would have limited time and thus did not want to invest in picking up books I was truly excited about (perhaps these kinds of books can wait for a bit of summer holiday), and instead took e-books from the library that held no meaning or excitement for me at all. And it’s in this way that I thought my reflections from May reading would be as lacklustre as the things I ended up reading.

But toward the latter half of the month, things started to pick up (coinciding, I suppose, with loads of two and three-hour flights I had to take, which always lead to uninterrupted concentration for reading and absolutely no other distractions or things to do instead). May, then, didn’t turn out too badly in terms of reading; I’ve come closing to catching up to the pace I prefer (approximately one book per day) without going overboard.

Anyway, previous Said and Read blog posts to see what I was reading and rambling about in the past can be found here: 2019 – April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for May:

“No matter what the grief, its weight, we are obliged to carry it” –Dorianne Laux

Sometimes reading feels like a distraction in which one can lose herself completely to escape everything else. We may, as Dorianne Laux has written, be obliged to carry our grief, but does that mean we must face it? When one has a world of books to insert oneself into and feed on, one need not face any reality all the time.

Highly recommended

*My Name is Asher LevChaim Potok

*The ChosenChaim Potok

“I am not satisfied with it, either, Reuven. We cannot wait for God. If there is an answer, we must make it ourselves.” I was quiet. “Six million of our people have been slaughtered,” he went on quietly. “It is inconceivable. It will have meaning only if we give it meaning. We cannot wait for God.”

It was a random choice to pick up Potok’s The Chosen, but it inspired me enough to get My Name is Asher Lev. Both are steeped in the unfamiliar but fascinatingly rigid worlds of Hasidic and Orthodox Judaism, and the personal/identity conflicts that come about both within these communities and navigating outside of them.

*Are We Smart Enough to Know How Smart Animals Are?Frans de Waal

I don’t really have my own words to describe why I loved this. I like Frans de Waal in general; I love animals – and as naive as these descriptors sound, I don’t think it needs more embellishment.

I don’t think we can deny the intelligence of animals, and we do so only out of some weird need to feel superior. Intelligence, we must recognize, exists in so many different ways that we as humans are too arrogant sometimes to realize or even understand. Indeed there are kinds of cognition that certain animals have that we as humans never needed to develop because they would be irrelevant to our experience and environment (“Cognitive evolution is marked by many peaks of specialization.“)

Every species deals flexibly with the environment and develops solutions to the problems it poses.

But what about skeptics who believe that animals are by definition trapped in the present, and only humans contemplate the future? Are they making a reasonable assumption, or are they blinkered as to what animals are capable of? And why is humanity so prone to downplay animal intelligence?

Again and again, de Waal posits that our ‘tests’ of intelligence, instead of proving that an animal does not understand the problem we want it to solve proves that we do not understand the animal. Reimagining tests often produces very different results (and this is probably true when testing intelligence in people with different kinds of cognitive ability/strength).

Researchers concluded that they just didn’t get the problem. It occurred to no one that perhaps we, the investigators, didn’t get the elephant. Like the six blind men, we keep turning around and poking the big beast, but we need to remember that, as Werner Heisenberg put it, “what we observe is not nature in itself, but nature exposed to our method of questioning.”

This book, too, informed much of what I was doing in my psychology studies, including interesting thoughts on the “theory of mind” concept that dominates much of developmental psychology. As de Waal points out, can we eliminate the idea that animals (or small children) hold a theory about the minds of others? But this terminology, as he argues, makes the whole enterprise entirely scientific and disembodied. Even completely formed adults don’t contemplate that they grasp the mental states of others at an abstract level – so it ends up further questioning and assigning attributes that are meant to conclude that the lack of “rational evaluation” in perceiving something like theory of mind equals a lack of intelligence.

Good – or better than expected

*The Woman in the DunesKobo Abe

Atmospheric, vividly claustrophobic and terrifying.

*Juliet, NakedNick Hornby

I had never read Nick Hornby and mostly got from his writing what I expected – a quick read and a hearty helping of manchild BS. I was ‘rewarded’ with having my expectations met, particularly in the book A Long Way Down, which just felt… sloppy? It had one redeeming thought amidst describing the criss-crossing of the lives of a diverse suicidal group who end up not … ending it.

The guy who jumped had two profound and apparently contradictory effects on us all. Firstly, he made us realize that we weren’t capable of killing ourselves. And secondly, this information made us suicidal again. That isn’t a paradox, if you know anything about the perversity of human nature.” (from A Long Way Down)

Having nothing to compare it to, especially since my Hornby knowledge is mostly based on film and television adaptations, I got exactly what I expected. Which, I guess, was kind of disappointing (because one hopes that their low expectations will be exceeded).

Thus when I read Juliet, Naked, I expected more of the same but was somewhat surprised to find that the book was slightly more engaging and its characters slightly more alive. Am I alone in picturing the single-minded obsessive but otherwise unmotivated Duncan, despite his clearly being English, as some variation of Rainn Wilson? No idea why he came to mind. Side note: I guess I never knew until I just Googled Wilson that he’s from Seattle, which is itself a mecca for a lot of obsessive music types like Duncan. Perhaps because this book was told largely from the point of view of a put-upon, tired, supportive-to-a-fault girlfriend who finally breaks free of the boyfriend’s near-lifelong obsession with a somewhat obscure musician who disappeared into the mythology created by those obsessive fans who try to keep them alive via obsessive internet forums, it was more relatable than much of Hornby’s catalog.

When the girlfriend finds her voice, calling Duncan out on the fact that he wouldn’t have a personality at all were it not for his obsession with this phantom musician, we begin to see some of the pains of the kinds of halfhearted relationships that outlive their efficacy, if not their use (even the dead relationships that live too long – one-third too long, if you believe Ayelet Waldman – have some use to us), and never quite reach one’s aspirations. It hits home in its discussion of the never-had conversations about having children and the suppression of some very strong desires because one partner has put the other to sleep, as Hornby phrases it.

In this book, in fact, Hornby captures best of all the distance we grow to feel from ourselves, our feelings and our own lives – the way things we should feel become symbolic and abstract, whether because we have insulated ourselves or have been self-centered – we end up at the same place:

Anyone can say they haven’t done anything. Today I learned that I am going to be a grandfather. As I don’t really know the pregnant daughter in question—I don’t really know four of my five children, by the way—I was not able to feel joyful. For me, the only real emotional content of the news was the symbolism, what it said about me. I don’t feel bad about that, particularly. There’s no point in pretending to feel joy when someone you don’t know very well tells you she’s pregnant, although I suppose I do feel bad that various decisions I’ve made and avoided have reduced my daughter to the status of a stranger.

*Love and TreasureAyelet Waldman

I have not enjoyed previous meanderings into Waldman’s writing, but this book used aspects of World War II as a backdrop, which is generally a storytelling draw. Here Waldman has woven together a contemporary story with a historical one, and it’s through the historical detail that she pulls you in:

The wealth of the Jews of Hungary, of all of Europe, was to be found not in the laden boxcars of the Gold Train but in the grandmothers and mothers and daughters themselves, in the doctors and lawyers, the grain dealers and psychiatrists, the writers and artists who had created a culture of sophistication, of intellectual and artistic achievement. And that wealth, everything of real value, was all but extinguished.

Waldman does have something of a gift for dialogue that casually casts out nominally philosophical, hard-won, life-experience-style gems:

“I am developing a theory of relationships. Would you like to hear it?” “I would.” “It’s called the Principle of One-Third. Each and every love affair lasts for precisely one-third longer than it should. If you’ve been together for three years, then the last year was a waste of time, more pain than pleasure.” “And if you’ve been together for thirty years?” “Shame about that last decade.” He laughed. “Okay, then. What about a week?” “You should have gotten out midmorning on the fourth day. I’m telling you, the theory works for every relationship. The only problem with the Principle of One-Third is that it’s only once the relationship is over that you know how much time you’ve wasted. You don’t know that the last decade was pointless until you’ve been with someone for the whole thirty years. And you definitely don’t know that your husband will start fucking an ERISA lawyer in year ten until you get to year twelve and realize that the last four were a farce.”

Or:

“Sort of. We lived together, but we went to different schools. He went to Boston University. I went to Harvard.” “You are smarter than he is.” “I got better grades, that’s all.” “This is something so curious to me about women. If it were Daniel who went to Harvard he would say, ‘Yes, I am smarter.’ But because you are a woman, you say only ‘I got better grades.’ ” “You think that’s gender related?” “Men are more confident than women.” “Maybe some men are more confident than some women.” “Maybe most men are more confident than most women.” “Okay,” she said. “I think I can give you that.”

*The Satanic VersesSalman Rushdie

Certain words are ruined for me.

Whether it is the hypochondriac repeating words like “agony” and “excruciating”, stripping them of all meaning, or the overenthusiastic reader who strikes gold in some concept he has never heard of before and therefore overuses. I think here of a guy I met who constantly referred in his own writing to the djinn/jinn, leading me to think, knowing what I knew of this particular guy, that he either just read a bit of Salman Rushdie or read/watched American Gods. I can no longer, in my intolerance, see or hear those words again. Each time the word “djinn” turns up anywhere, I am reminded of this man and how readable were his motives, how transparent his immediate influences. But he is not unusual in this.

We all learn things and come to love them and cannot help ourselves from repeating them to death. Or maybe we latch onto things we never thought we would care about because someone we love loves them. By extension we come to love or care about them. I am trying to figure out where the line is – where does it pivot from someone loving or learning about something sincerely into someone overusing, performing ‘fandom’ or love, showing off? As Andy Miller describes about sharing his passion for reading, it can come across as ‘performative’; he also writes in his book (discussed below), which is the perfect encapsulation of the more charitable interpretation I wish I were always capable of ascribing to repeat offenders: “When we find a painting or a novel or a musical we love, we are briefly connected to the best that human beings are capable of, in ourselves and others, and we are reminded that our path through the world must intersect with others. Whether we like it or not, we are not alone.”

I cannot describe or see the performative pivot, but I can always feel where and when the turn comes.

Awkward pivot

Using the word “pivot”, incidentally, makes me think both of a former colleague who kept pronouncing the word as PIE-vot, as well as a newer (and very young) colleague citing an episode of Friends and Ross’s forceful, impatient instructing, “PIVOT! PIVOT!” when the characters were attempting to move a couch (which is what we were doing in the office – it was a fitting use of the reference).

https://www.youtube.com/watch?v=R2u0sN9stbA

Strange to think of the enduring – even fervent – popularity of Friends. All these youthful colleagues streaming it obsessively and telling me about it like they’ve discovered something new. I finally understand how my Boomer parents and their ilk felt when kids tried to introduce them to music from the 60s (or newer music that was blatantly mimicking 1960s-era originals). There’s validity in remembering and even enjoying some of Friends, but so much of it is outdated – not in the sense that you look at it and think you’re watching a relic of a bygone era, but so much of the homophobia and archetypal tropes feel insensitive and painful – they did then, too, but it was not as “done” to say so then. I recently read a thoughtful take on this in the award-winning Everywhereist blog – all about Monica’s imperfections, but most of all her history as a ‘fat girl’.

Geraldine (that’s the Everywhereist, don’t you know?) hits the nail on the head:

“The fat girl inside of me really wants to go,” Monica says. “I owe her this. I never let her eat.

The audience laughs, but it is a singularly heartbreaking sentiment. Monica is a chef, constantly surrounded by food she will never touch. It’s a modern-day Greek tragedy. The idea is never said explicitly, but it is there: that no matter how kind and loyal and giving you are, fatness will make you an outsider, fatness will make you weird and flawed. And even if you lose the weight, you can’t get rid of that.

As Naomi Wolf writes in The Beauty Myth, our cultural obsession with female thinness “is not an obsession about female beauty, but an obsession about female obedience.” Monica suppressed a part of herself that was never problematic to begin with. And she genuinely seemed less joyous as a result.”

Thank you, Geraldine. Thing is, though… this particular discrimination is just as accepted and encouraged now – as well as being mined for throwaway but cruel laughs – as when the show originally ran. I am sure there are a lot of people who watch Friends reruns and take away the same kind of feelings Geraldine put into words. But there are a whole lot more who never thought about this at all, and still won’t.

“I don’t think it’s going to pivot any more” “You think?

Why am I awkwardly pivoting from how words get ruined to how TV shows get ruined to the complete lack of compassion we feel, how inured we are to the experiences of people we see and judge only based on what is right in front of our faces? Especially when this is ostensibly a description of why The Satanic Verses surprised me by being enjoyable? I wish I had an expert way to weave into words all the threads that connect this in my mind, but it remains a roundabout that can’t be sewn into a wearable garment. Incidentally I dreamt last night that I was going to “fix” a pair of tights and rapidly ran them through a sewing machine, essentially making one of the legs unusable. That’s a bit how I feel about having introduced all this information into what has turned into absolutely nothing about The Satanic Verses.

I know what a ghost is, the old woman affirmed silently. Her name was Rosa Diamond; she was eighty-eight years old; and she was squinting beakily through her salt-caked bedroom windows, watching the full moon’s sea. And I know what it isn’t, too, she nodded further, it isn’t a scarification or a flapping sheet, so pooh and pish to all that bunkum. What’s a ghost? Unfinished business, is what.

I suppose the only real connection I can make is that I have tried to read The Satanic Verses and other Rushdie works many times over the years. I kept coming back but it was never compelling enough. And it has haunted me (i.e., unfinished business).

Finally it stuck this year, and I suppose that’s the pivot here – and ties together all this senseless rambling, if loosely. One can see something, like Friends, or words, or one’s overly enthusiastic/performative way of using them, in one way at one juncture – and in entirely another way – later, with more experience and compassion. That’s how I approach my reading here.

Not being versed in any kind of religious teaching, nor being religious, I don’t really know what I’d consider “offensive” about this book. It’s filled with sex – that’s all I can think of. I cannot reflect analytically about this book, but I found it enjoyable, and a few passages thought-provoking, if only because they reminded me so much of people in my life and their own experiences.

The avalanche of sex in which Gibreel Farishta was trapped managed to bury his greatest talent so deep that it might easily have been lost forever, his talent, that is, for loving genuinely, deeply and without holding back, the rare and delicate gift which he had never been able to employ. By the time of his illness he had all but forgotten the anguish he used to experience owing to his longing for love, which had twisted and turned in him like a sorcerer’s knife. Now, at the end of each gymnastic night, he slept easily and long, as if he had never been plagued by dream-women, as if he had never hoped to lose his heart.

But then, it also seems like a work that garnered a lot of unwarranted attention (certainly more than it would have received without the fatwa issued against Rushdie), exerting an outsized cultural influence and reach to which the actual work can never live up. I wonder if, in that sense, Friends somehow enjoys more cultural currency – well, certainly it does since it’s made for the masses, but even in its undeserved but potentially lasting cross-generational potency and legacy, it outlives the infamy/notoriety of a solid book that misses ‘greatness’.

Entertaining/informative/thoughtful or some combination thereof

*Your Brain’s PoliticsGeorge Lakoff

Reading anything by Lakoff always sets my brain on fire. When I think about how intertwined metaphors are with our existence, and how we are producing them unconsciously, I reignite so many intellectual paths never-followed from my youth, but also – at least briefly – consider language on a deeper level. This, too, has informed a great deal of the psychology study I’ve done in the last year.

Today we know that metaphors are by no means a matter of “language and language only”. Metaphors structure our everyday cognition, our perception of reality. They are a matter of thought, they are a matter of language, and they are a matter of actions.

What are ‘metaphors’ (literally)?

Let me tell you, then, what is written across busses in Athens, “metaphoroi”. The word “metaphor” stems from Greek and literally means, “to carry things to another place.” Metaphoric cognition, thus, means that we resort to elements from one cognitive domain—commonly one that we can directly experience in the world—in order to reason about another cognitive domain—commonly one that is more abstract.

I could easily ramble about this, but it’s perhaps better to limit writing on this subject to how little the average person thinks about how linguistic framing and selective metaphoric use shapes the way we think about things (and can thus be manipulated). Lakoff has argued that conservatives/Republicans (whatever you want to call the right) have used this to their advantage, and the left has struggled because they haven’t mastered this framing.

In the US, for instance, conservatives do a great job of implementing their own frames in public debate, while progressives lag behind in terms of proactively framing issues in terms of their worldview. Moreover, progressives often negate the frames that conservatives use. They constantly get caught up in arguing against conservative ideas. And they lack a well-functioning communication infrastructure that ensures adequate, moral framing of issues across progressive groups on a daily basis. Conservatives are just much better organized when it comes to these things.

*Zora and Langston: A Story of Friendship and Betrayal Yuval Taylor

Perhaps a bit of a dramatic title, I discovered this book by accident while browsing the online library. Zora Neale Hurston has always been something of a mystery – a staple of American high school reading lists with her classic Their Eyes Were Watching God, undeniably one of the greats to which I can return again and again, Hurston herself feels elusive. Even after reading this book that chronicled the friendship and falling out between two of the Harlem Renaissance‘s central figures, Hurston and Langston Hughes, Hurston feels distant. As much as is made of Hughes’ distance and keeping people at arms’ length, it is still Hurston who feels mysterious. She remains the force one wants to know about; her work endures, both within literature and anthropology. During her lifetime, she fell from favor, perhaps because she refused to embody the anger and resentment her contemporaries exhibited toward white people; because she refused the ‘fight’ without accepting the idea of being ‘lesser than’. She didn’t write about race and discrimination or being black in relation to a predominantly white society – she wrote about life and what she observed, in many cases in all-black communities. This voice was unique, and has finally been recognized as such, even if it didn’t fit the narrative for what black writers were “supposed to” produce. Hurston didn’t do anything according to what anyone expected:

Moreover, what Zora’s black critics failed to grasp was the reason behind Zora’s lifelong practice of minimizing the resentment of African Americans in her work. It was a simple one, really: “Bitterness,” as she put it in Dust Tracks on a Road, “is the graceless acknowledgment of defeat.” Zora recognized that those who are bitter and resentful are seen by themselves and others as victims, and the very existence of victims justifies, in a real way, the acts of the victimizers.”

*HungerKnut Hamsun

It is hard to imagine a time when wealthy, well-heeled, socialist Norway was the hard-up, impoverished farmer/fisherman cousin to Sweden. While not everyone suffered terrible privations, Norway was only ushered into the era of ‘too much’ in recent decades. Hamsun’s chronicle of experiencing hunger – both figurative and literal – is gripping.

A quick but engrossing read – as usual taken in while flying here or there. As the narrator attempts to keep a roof over his head and keep himself fed while making a “living” (you could never really call it that) while submitting articles for a few kroner here, a few kroner there, one gets a sense of how much he will give up for his work – and exactly what phases of delirium and want someone starving will go through. Its vivid characterizations of feelings and perceptions, filtered through this hunger, bring both the mental state and the scene to life.

The word stood out sharply against the darkness before me. I sit with open eyes, amazed at my find and laughing for joy. Then I start whispering: they might be spying on me, and I intended to keep my invention a secret. I had passed over into the sheer madness of hunger; I was empty and without pain and my thoughts were running riot. I debate with myself in silence. With the oddest jumps in my line of thought, I try to ascertain the meaning of my new word. It didn’t have to mean either God or amusement park, and who had said it should mean cattle show?

*The Sorrows of Young WertherJohann Wolfgang von Goethe

Must it be, that what makes for man’s happiness becomes the source of his misery?

I didn’t really enjoy this book, but it was filled with thoughts I found myself nodding along to and wanting to quote. Most notably, which I immediately used elsewhere:

“People would have fewer pains if—God knows why they are made this way—their imaginations were not so busily engaged in recalling past trials rather than bearing an indifferent present.

Or, as I often wonder why people are obsessed with wanting to live forever, particularly when they are obsessed with youth – and the longer they live, the further they get from this mythical youth – and the more poor is quality of life. But does quality of life truly matter to most other than as a slogan?

When I observe the restrictions that lock up a person’s active and probing powers, when I see how all activity is directed toward achieving the satisfaction of needs that in turn have no goal but to prolong our miserable existence, and that all reassurance about certain points of inquiry is only a dreaming resignation, since one paints with colorful figures and airy views the walls within which one sits imprisoned

After all, we are essentially cogs in wheels and not at all aware of the lack of freedom we have – and we would not know what to do if we found it:

I don’t know what it is about me that attracts people; so many like and attach themselves to me, and it pains me when our paths coincide for only a short stretch. If you ask what people are like here, I have to say: like everywhere! The human race is a monotonous thing. Most people work most of the time in order to live, and the little freedom they have left over frightens them so, that they will do anything to get rid of it. Oh, the regimentation of mankind!

Coincidences

*The Year of Reading DangerouslyAndy Miller

“The trick is to keep reading.”

I had pretty much thought I was done with May reading when my friend, Mr Nichols, he of deeply impeccable taste, sent a link to an article (cited above) about one man’s ‘excessive’ reading and how “something so innocuous can provoke such a range of strong responses”. Andy Miller shares in essay form how he feels compelled to redact the number of books he has read because it seems to provoke disbelief, anger, accusations of all kinds, and much more. Mr Nichols said it reminded him of my monthly collection of random thoughts (yes, this very post and its predecessors) on my own excessive reading (which has mostly generated the ‘wow! that’s shocking!’ response from people and very little of the anger or accusatory rhetoric Miller has experienced, although I suspect if I were actually known by anyone and this experiment of mine had more visibility, the negativity could get ugly).

I thanked Miller for sharing his relatable experiences; he thanked me and stated that he is glad not to be alone in this. He definitely isn’t – there are loads of us out here.

But me being me, Miller’s essay was not enough. Reading it through on my phone while waiting for a bus on a sunny but windy Oslo day, I knew I must get the book. Getting into the book was even more of a delight because immediately, Miller starts off sharing that he had modest ambitions in getting back into reading but then could not stop. I could have written this myself: three years ago when I came out of an embarrassingly long non-reading coma, I thought 26 books was a reasonable goal for a year (even if I continue to say that it’s not about quantity – because it isn’t). My own journey is completely devoid of theme or goal, but the non-existent endpoint is… not being able to stop.

I did attempt a kind of theme last year – still limiting myself to 26 books (which I blew through within the first month of the year) – but insisting that they must be in non-English languages. The only reason I note this is because Miller starts off his own journey with Bulgakov‘s The Master and Margarita, which is a book I read in English translation for the first time over 20 years ago and have since reread and gifted copies of to all kinds of people. But the idea that I should attempt it in its original Russian crossed my mind more than once. I abandoned this idea quickly in favor of simpler Solzhenitsyn prose in tackling Russian. (Miller, incidentally, also reads Anna Karenina during this period of reviving his passion for reading, reveling in its “like the real world, only better” quality; it is one of those I am making my way through in the original – it’s just taking a long time.) I am not sure I will ever again have the wherewithal even to even think of Margarita in this way. Miller gets it right: the book is difficult and absurd, very difficult to dive right into and stick with, but with patience is transcendent. When he noted that he didn’t know what “Komsomol” was when he started reading, I realized that there is the additional layer of difficulty if one isn’t already ‘indoctrinated’ to the Soviet/Russian period and its institutions. I luckily had that going in, but would this have proved to be a barrier otherwise? I consider this as I think of all the people on whom I’ve forced this book. But, as Miller writes, those readers who follow through do not need the definitions and minutiae of institutions; this book endures because “words are our transport, our flight and our homecoming in one. Which you don’t get from Dan Brown.” So true.

In fact there are so many strange parallels in this book that it’s as though it’s an alternate version of what I could have written myself. From the travel to East Germany as the teenage human embodiment of the dour nature of the country itself to skipping Bukowski because it was the go-to for a certain type of male reader and, indeed, reading more than one (which I’ve done) would be a waste of time because they are like carbon copies of each other. In my case, strangely, I bought a bunch of Bukowski for an East German guy with whom I had a Russian class in college. Seems like a lot of crossed threads there. I actually ended the school year by buying books for my professor and the other person in my class – I just don’t remember which books I bought for them. It was years before I bothered to read Bukowski myself – I don’t mind being able to say I read him, but it’s still time I am not getting back.

It also delighted me to see that someone else is nerdy enough to write ‘fan mail’ to a writer. Miller wrote to Michel Houellebecq; I did so a couple of times last year, but not to the writers one would expect. I don’t engage much with bestsellers and mainstream/popular fiction (even if there is nothing at all wrong with it); even if I do, I don’t imagine that those writers need more praise piled on. No, instead, I wrote, for example, to a professor who studies teeth through the lens of evolutionary biology (I loved and learned so much from two books he wrote) to profess my fascination for his work/field; he wrote back thanking me because I guess, as he wrote, I made his day. I don’t imagine that such diligent and passionate researchers get much recognition or fan letters from outside their discipline, so I was pleased to contribute that little bit because -seriously- TEETH!

And it further delighted me to read (bold text is mine), despite my own proclivity for the convenience of e-books (I still love the real thing so much more, even if I’ve mostly eschewed collecting them as I move from country to country):

I accept that this story illustrates that it is technically possible to buy a copy of Moby-Dick on what passes for the high street. It might also be advanced as further evidence of the adaptability of the book. But to me it demonstrates how marginal good books might become in the future. Surely Moby-Dick deserves to be something more than just a sliver of content on a screen? I feel much the same when I see books piled up on pallets in big-box stores, like crates of beer or charcoal briquettes, and I am shocked to be reminded that there is nothing intrinsically special about books unless we invest them with values other than ‘value’ and we create spaces in which to do it.

Reading is a broad church. But it is still a church.

Biggest disappointment (or hated/disliked)

The artificial endures. Living wears out.” –Black Dahlia, White RoseJoyce Carol Oates

I have already stated above that I hated my Joyce Carol Oates and Marquis de Sade readings. I read a lot of things this month that bored me (Bright Lights, Big City, for example), but nothing worth capturing here at any further length. Oh, no… I despised Chuck Palahniuk‘s Beautiful You; not that I expected otherwise. It was beyond stupid – felt like the scribblings of someone who thought maybe he could put one over on everyone. That is, let’s write something outlandish and exaggeratedly sophomoric and see if someone is dumb enough to publish it.

quietly in a room

Standard

“All human miseries derive from not being able to sit quietly in a room alone.” –Sepharad, Antonio Muñoz Molina

I have never been one to make grand declarations about my plans or hopes (at least not since reaching the trials of adulthood, watching hopes and plans be beaten like a piñata – what you end up with in life is some of the candies and tchotchkes that fall from the piñata. Pieces of your hopes and moments of sweetness in unexpected flavors that you’ve scrambled to pick up before someone else does), knowing that change will come regardless of what I do. I might be able to guide the changes that occur, making decisions and taking actions that will influence outcomes. But claiming – ‘everything changes and is different from today’ is a dangerous and foolhardy path. And yet, without sometimes taking leaps, if not always the grandest or furthest, palpable change isn’t possible. Sometimes to agitate movement, you have to force things through. Sometimes you have to do things that are uncomfortable or that hurt.

And this week I’ve had to do something that I long ago should have done – something that does hurt, but the longer-term effects of not taking this course of action will hurt much more. The last three years have been a long process of slow change, acceptance and finding contentment. Now, the trick is to move forward with longer, faster strides – and this is not possible with lingering elements grabbing at my ankles and trying to trip me up.

I can and do sit, happily, quietly, in a room alone. I can no longer invite those who cannot into my room with me.

The other day I was thinking about the creation of “victim selfhood”. I know a lot of people who create their own miseries (in a host of different ways). I think and write a lot about this, but reflect also on the fact that it’s not as though I am immune. We can all see our own actions and behaviors through a prism that relieves us of blame or absolves us of responsibility. I try exceptionally hard not to do this now – possibly even to the point of being annoying to the people around me who would rather that I not analyze my own actions and motivations in such detail.

Looking at youth (and this could be anything between childhood and one’s early 20s), in particular, we can, in our naivete and inexperience, really believe we were in the right and not reflect on all the things that we did wrong, excusing them, if acknowledging them at all, with mild self-exculpations: “I was a child. I didn’t know what I was doing.” I’ve written my side of many stories involving my long-ago friends, examining my own feelings and reactions – but not necessarily divining all the details of things I did to set things in motion. Yes, for example, I was competitive with others for the attentions of the one friend we all wanted to love us best; yes, I was messed up and trying to escape in my own way, leading me to slip in and undermine a close friend in a situation neither one of us should have been in at all, and then, to my own detriment, took that situation further, creating a reality that was not real, doing all kinds of things that, while they seemed innocuous to me at the time, still surface and haunt me and make me want to apologize to people 30 years after the fact. (In fact I already have – years ago, even if there is some part of me that realizes as a 40-something woman that children cannot be held accountable for emotional repercussions that they do not have the maturity and experience to understand.)

But on some level, of course we know what we are doing. But being young and inexperienced, I didn’t comprehend the seriousness of the things I did – not just in the moment, how some of my actions could lead to perilous consequences, but also further-reaching repercussions – toying with the psyches of fragile, damaged, middle-aged men (for example), but in truth, despite living with one of the most troubled, damaged people I have ever known and seeing other evidence of it all around me, I somehow didn’t really believe that adults could be that fragile – and felt that the silly games of a bored 13-year-old girl couldn’t possibly wound anyone so very deeply that it would matter and would in fact harm the trust they were able to place in all the future relationships they tried to build. It is almost as though the life I led, that all people led, before adulthood, wasn’t even real life. So much of life during that time felt surreal and out of my hands and control, that the things I could control – as destructive as they might be – were seized, eagerly, giving me a (false) sense of maturity and power.

It’s rather stream of consciousness, this whole thing. I am just coming to terms with finding strength in considering these flaws and mistakes of youth – borne as they were of youthful insecurity (wanting to be liked?), fear and fragility. It’s a strange dawning – daunting, even – to recognize how fragile people are. And how willing they are to put their fragility on display.

“How could she allow herself to break down like that, in front of everybody? Jane had never understood this willingness on the part of these from-aways to peel up the scabs of their emotions and let everyone see their festering sores. They were like children that way. They had no shame and even less self-control.” –Red Hook Road, Ayelet Waldman

Even the strongest ones. But the strongest ones have ways to cope and get through; they have people they can turn to. The weakest, well, they don’t have reserves to deplete. And some of them, like parasites, move on to deplete others of their reserves. Once depleted, though, there is just nothing left. Each experience leaves us empty, feeling as though we will never feel again. Sure, we will feel. We will make long strides. We will sprout a joystick. We will feel enthusiasm and excitement and stirring.

But to get there, we (I) must (know how to) walk away, whatever it costs. And sit alone, quietly, in a room.