Random gum: Halloween 2017

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The Good Goo of Random Gum – Halloween 2017
The Last Toast to the World & Cosmos

So, even though we are a full month out from Halloween, I have been extraordinarily organized and have finished putting together my Halloween CD mix for this year quite early. The mailings have begun going out in the post.

And, as I have written in the note that accompanies the CD, the time has come at last – this will be the last of my random gum CD mixes. At least of the physical, postal-mail variety. As technology has rendered the CD a useless would-be Frisbee, I am looking for another solution for sharing music (other than Spotify playlists at least). I may still send cards/greetings by post because I’m still old-fashioned like that. But continuing this effort is fruitless. It has been a roller coaster of randomness these 13 years that I’ve been making and sending these mixes. And to reflect an end as random as this gum has always been, I’ve chosen fittingly strange and random music.

Although I have not expressed these sentiments in the letter I included with the CD, I do feel like I am shedding a skin – or some kind of layer(s) – again – as though I am preparing for something else. I don’t know what it is. But I have largely left behind my TV addiction, my baking addiction, and now this (and most of my postal letter writing in general). I don’t know why these things no longer interest me the way they used to, except to say that my disconnection from feeling and indeed, often, from actually living, has dissipated. The end of the embargo against living, I suppose, means that new things and new people occupy my time and, more importantly, my heart.

Until I do find a better and personal sharing solution, you can follow me on Spotify and also find the full track listings and descriptions on my blog. Normally I seek out and post the YouTube video of these tracks, but instead… here is the list.

01 Aliza Gabbai – “Mimigdal Shalom”
Israeli pop from the 1960s. Too cute
02 Rola Saad – “Min Bein Alkoul”
Because Lebanon
03 DIANA – “What You Get” …Echo comes back to your lonely room/Said my head, my heart, I can’t take it anymore…
Stuck so much in 2017 on the concept of place – real, imagined; in the world or in the mind
04 Savoy Motel – “Souvenir Shop Rock”
Nashville is for dancing
05 Tindersticks – “My Sister” …Here I am, this is me/I am yours and everything about me,/everything you see,/If only you look hard enough/I never could…
Had this spun up but was unsure til I talked to a Norwegian in the mountains who was listening to Tindersticks. “Our life was a pillow fight…”
06 Trio Esperança – “Filme Triste”
Yummy 50s-60s Brazilian pop. Can you see where we’re going here?
07 Dean & Britta – “Night Nurse” …I am the night nurse, I am the most/I am the visitor, you are the host…
08 Blouse – “1000 Years” …I move the furniture around/And trick you into lying down…
“I would never hurt you/Or disappear/I’ll love you for a thousand years”
09 Jillian & the Giants – “Mr Airplane” …I don’t even mind…
Up in the air. “Here we go again, sure was nice for a little while/That rosy pink glow/turns red hot when you go/Too high into the other side”
10 Aquaserge – “Virage sud”
Vive la France
11 Connie Kim – “Lý Luận Tình Yêu”
Vietnam. The 70s. What more can one say?
12 Snail Mail – “Thinning” …I don’t think there’s anything wrong…
13 The Horrors – “Sea Within a Sea” …So you might say/The path we share is one of danger/And of fear/Until the end…
For J, the sea within my sea – a sea of constant gentle waves interrupted with the occasional giant waves
14 Lindstrøm – “I Feel Space”
For me, it’s Norway meets Chicago
15 Melike Demirağ – “Hasret”
Türkiye!
16 Meshell Ndegeocello, Sinéad O’Connor – “Don’t Take All Night”
For the love of all that is good in the world
17 Weyes Blood – “Names of Stars”
Places like beauty, simplicity and the cosmos
18 U.N.P.O.C. – “Beautiful to Me” …From time to time I think I must be going blind…
The dear, green place that is Glasgow
19 Evinha – “Vou Seguindo”
Year 2000! Goin’ to Rio! (Naomi)… and our ears take us back to some other time (SD: “I’ll get a job some other time!”)
20 Palace Winter – “Soft Machine”
Not frequent that I get to include Denmark (especially with a dose of Australia). “Acting so obscene/Well by all means/Now that you and I are free/And I’m off my knees”
21 Kristin Hersh – “Nerve Endings” …We’re idiotic optimistics/Rubbing salt into my wrists/Till I feel almost nothing…
So far from soft-eject beige
22 Damien Jurado – “QACHINA”
Seattle. “I lost my mind, so I stepped out for a time/Went for a walk on a long road to unwind”
23 Khruangbin – “Ma Be Ham Nemiresim”
Texas, if you can believe it
24 Destroyer – “Hey, Snow White” …When the company goes public, you’ve got to learn to love what you own…
Oh, Canada…
25 Solar Bears – “Cosmic Runner”
Ireland
26 First Hate – “The One” …You treated me so carelessly/You kept imagining the one…
Copenhagen… another Danish set… so much like the 80s
27 Lea Porcelain – “Out Is In”
My sort of cities (Berlin/London)
28 Moon Duo – “Cold Fear”
Portland
29 Monomono – “Tire Loma Da Nigbehin”
Nigeria… and memories of Billy, Travis and me in happening Årjäng
30 Luna – “Chinatown”
Winter 2017
31 Suburban Lawns – “Flavor Crystals”
Sounds sort of fresh but is almost as old as I am; everything old is new again
32 The Breeders – “Fortunately Gone” …I wait for you in heaven/On this perfect string of love…
It’s so good those days are gone. The past, too, is a place. Both distant and near
33 Richard & Linda Thompson – “I Want to See the Bright Lights Tonight”
34 Mary Timony – “Return to Pirates”
Lost in the particular Mary Timony sound. “I cannot love you more/Said the doctor to the whore/I wanna be in the garden of love/Led by a lamb and a little white dove/I know you can/But I don’t think I can/Swim in your river/And sleep on your sand”
35 Miss Universum – “Fertilize” …I need a man, I need him quick/I need his sperm, I need his dick/I do not need to be seduced/I just need to be reproduced…
When I first heard this, I didn’t really expect it to be Swedish.
36 Hand Habits – “All the While”
“Bring me to the deepest pit/You can push me right off the edge/And when I show up in your dreams/You got away with it”
37 Eefje de Visser – “Ongeveer”
Dutched up. Almost convinced Dutch could be pretty…
38 Mark Eitzel – “The Last Ten Years” …Spent the last ten years/Trying to waste half an hour…
39 Aimee Mann – “Labrador”
“Daisy, you/shouldn’t do the things you do/but you’re just so incapable of changing/you lie so well/I could never even tell/what were facts in your artful rearranging”
40 Joel Alme – “The Way We Used to Beg”
Göteborg. “You were a cold hard stone/But how does it feel to be alone”
41 Teleman – “Glory Hallelujah” …However do you haunt me…
42 San Mei – “Until You Feel Good”
Thank you to Travis
43 Mallu Magalhães – “Culpa do Amor”
Gone back to Brazil, yet again
44 Mazzy Star – “Blue Flower”
Kitchen singalongs and traumatic high-school-era memories
45 Wooden Shjips – “Everybody Knows” …The longing for home/We’re only alone…
46 Aamina Camaari – “Rag waa Nacab iyo Nasteexo”
Bet you couldn’t have guessed I’d take us to Somalia?
47 Blonde Redhead – “Where Your Mind Wants to Go” …If it’s not me or you, then why?…
48 Jane Weaver – “The Architect”
Be the architect of your spaces and places
49 The Bombay Royale – “I Love You Love You”
Melbourne
50 Yma Sumac – “Karibe Taki”
51 Feist – “I Wish I Didn’t Miss You” …I was so disappointed I didn’t know what to do…
52 Young Marble Giants – “Brand – New – Life”
Cymru am byth
53 Eerie Wanda – “I Am Over Here” …And I found you and we make/Sweetest memories/Now I’m here and you are overseas…
We are the world: Dutch band, Dutch-Croatian singer
54 Hater – “Cry Later”
Malmö
55 Richard Hawley – “Tonight the Streets are Ours”
56 Tennis – “Night Vision”
Can’t listen to Tennis without thinking of Esteban
57 Guided by Voices – “Game of Pricks”
“Prick with fork” – love to my mom and to Naomi
58 The Novacs – “Found”
Airdrie! (The Scottish one, not the weird, middle-of-nowhere Airdrie in the Edmonton-Calgary, Alberta corridor)
59 Haifa Wehbe – “Albi Habb”
もう少し Lebanon
60 The Kills – “Monkey 23”
61 Big Thief – “Shark Smile” …she said woo/baby take me…
“She held us, gunning out 90 miles down the road of a dead end dream
she looked over with her part smile, caught up in the twinkle it could take awhile”
62 Linda McCartney – “I Got Up”
Getting up is also a place, a real place
63 Haley Bonar – “Kismet Kill”
“I was impossible when I was beautiful and now/Cartoon deaths just don’t seem so funny”
64 Blouse – “Trust Me”
Famous last words: “Trust me, I’m the one who loves you”
65 Globelamp – “Washington Moon” …I want a California sun/And a Washington moon…
66 Jessica Pratt – “Bushel Hyde” …Words mean more that they did before/In that other place…
67 Robyn Hitchcock – “Sayonara Judge”
October in Oslo
68 Linda Perhacs – “Chimacum Rain”
Lichen. Lichen. Lichen. Oh, dear T’Pow
69 Amália Rodrigues – “Abril”
I love Amália Rodrigues and was surprised to see that that particular tune was one of the least-ever listened to on Spotify. I decided to remedy that all on my own
70 Life Without Buildings – “Sorrow” …Difficult people slip away…
Glesga Glesga Glesga (Glasgow for those not in-the-know)
71 J&L Defer – “Hard Fiction Road”
For SD: Refer to theme song of Canadian children’s show “The Littlest Hobo” at this time. How’s that for random? Even though this is a band from Winterthur, Switzerland, y’know?
72 Wand – “Melted Rope”
“Desire, I barely thinking/In the dark/And life, life is what you wanted/It’s what you are”
73 Koncz Zsuzsa – “Keresem a szót”
Hungarian. And had to choose… for the name Zsuzsa. Just for Martina.
74 She-Devils – “I Wanna Touch You” …can you read my mind?…
Montréal
75 Kikagaku Moyo (幾何学模様)- “Kogarashi”
Tokyo
76 The Limiñanas feat Peter Hook – “Garden of Love”
To France and beyond
77 Yasmine Hamdan – “Samar – Oriental Skeee Remix”
No escape from Lebanon
78 Cold Beat – “62 Moons” …It’s cold but I don’t mind/I’m accustomed to ice…
The Bay Area…
79 Kerem Güney – “Sicak Bir Sevda”
Istanbul grooves
80 Alvvays – “In Undertow” …You made a mistake you’d like to erase and I understand
“What’s left for you and me?”…
On, on Toronto – pulled in and pulled under
81 The Magnetic Fields – “Strange Powers”
Song is so New York, so Las Vegas, so outer space
82 Cults – “Go Outside” …I think I want to live my life and you’re just in my way…
83 ShitKid – “Sugar Town”
Sweden remakes
84 Santo & Johnny – “Pineapple Princess”
Aloha from this arctic hula doll
85 Sam Cohen – “Kepler 62”
“Strange neighbors as you know/They come and go/They live in a world without you”
86 Imarhan – “Assossamagh”
Algeria/Tuareg
87 Whyte Horses – “The Snowfalls”
Manchester
88 Rana Alagöz – “Vah Bacim Vah Mehmedim”
That’s nobody’s business but the Turks…
89 EL VY – “Paul is Alive” …Nobody stays above/Out in the waves of love…
90 Carla dal Forno – “What You Gonna Do Now?”
Aussie. Transcends
91 Sanisah Huri – “Joget Malam Berinai”
Singapore/Malaysia. I said I’d show you the world, baby. I just didn’t say it’d be through your ears
92 Monument Valley – “Dear John Letters”
93 Lea Porcelain – “The Love”
94 Grizzly Bear – “Mourning Sound” …Let love age/And watch it burn out and die…
“I stare at the face/Looking through my eyes/I move at a pace/That I cannot survive”
95 Marjan – “Kee Seda Kard Mano”
Iran
96 Heavens to Betsy – “Axemen”
Like being in a high school gym pep rally (as in the song) or first miserable year of uni
97 Mia Doi Todd – “Pancho and Lefty”
A pretty version of best-songwriter-ever (and now-near-ubiquitous) Townes van Zandt tune
98 Pridjevi – “Ako Je”
Hrvatska
99 Widowspeak – “When I Tried” …I was more alive when I tried…
100 The Proper Ornaments – “Cremated (Blown Away)”
London. “I would like to be cremated and blown away…”
101 Věra Příkazská, Plzeňský lidový soubor, Lidová chodská, Zdenek Blaha – “Ó radost má”
Czech check. Love to Martina, Anne
102 Cigarettes after Sex – “Nothing’s Gonna Hurt You Baby”
“Whispered something in your ear/It was a perverted thing to say/But I said it anyway/Made you smile and look away”. Lovely but also sounds like it belongs in an 80s John Hughes romance
103 Adia Victoria – “Mortimer’s Blues” …Heaven help me how it hurts…
Back to Nashville
104 Patti Smith – “My Madrigal” …You pledged me your heart/Till death do us part…
“We waltzed beneath motionless skies/All heaven’s glory turned in your eyes”

Image by S Donaghy 2017

Lunchtable TV Talk: Nashville redux

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When a show I really love is cancelled, I mourn it a little bit (Terriers, for example). When a show I love is renewed and then the renewal is inexplicably withdrawn (The Brink), I am furious.

Nashville is not one of these shows. My reaction to its existence and eventual cancellation was as muffled as the run-of-the-mill, trope-filled show itself. I liked the show at first. This did not last.

What started out as an entertaining, if soapy, look at a bunch of fictional country music stars became a ludicrous, predictable mockery of storytelling. I, for one, was pleased to see that it was finally put out of its misery. Only then to be disappointed that CMT decided to revive the show as one of the network’s offerings in original programming, claiming, “We will treasure Nashville like no other network”. Every other network and online platform is doing it, so why not CMT?

The only possible bright spot and hope for redemption is that the show was self-aware enough to know it was circling the drain and needed immediate therapy. It had already begun to significantly retool itself, gearing up for a kind of reboot in its fifth season. Nashville’s previous network. ABC, brought in veteran showrunners, Marshall Herskovitz and Ed Zwick, to shake things up (they are both still on board with the CMT move). We’ll see if this makes a difference (and, despite low expectations, I will watch). After all, I love Connie Britton (was she not amazing in her small role as Faye Resnick in The People vs OJ Simpson?), actually want to see what happens with Hayden Panettiere’s difficult Juliette character and perhaps most crucially am interested in the way the character Will Lexington continues his coming-out journey. I have read that some of the neglected and/or mishandled characters and their stories will be gone (i.e., Layla Grant and her whiny, sniveling, overprivileged troublemaking – highly annoying because just when you wanted to root for her, she did something to ruin it; Luke Wheeler – after his engagement to Britton’s Rayna broke apart, he has just been hanging around for no apparent reason).

The thing about Nashville is that maybe it’s not safe to count it out, which is another reason I will watch again. After all, it started out well and pulled me in. It pulled a lot of people in. I just hope that it doesn’t go the way, say, a bad job does. I was reminded today as I started writing this about how sometimes you start a new job, and because it’s new and different, you get into it and really like it, but soon all the weaknesses show up and the structure starts creaking. Day by day (or in the case of Nashville, episode by episode), you grow more disillusioned and unhappy. You stick with it in the absence of something else but feel yourself growing numb. Then when you try to quit, someone in the organization convinces you to stay (or the network promises big changes, as ABC was working on for Nashville). You have your doubts but agree. And immediately regret it. It’s time to cancel. In the case of the job, I cancelled. But I will still give Nashville another shot, hoping that it follows a happier trajectory than an unhappy corporate job.

Photo (c) 2010 Emily Carlin

Lunchtable TV Talk: The West Wing

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I force-fed myself seven annoying seasons of The Gilmore Girls recently, thinking it could play unassumingly in the background while I did other things. But it was so annoying with too many fast-talking, high-pitched, histrionic characters that I could neither concentrate on and absorb it nor concentrate on everything else I was meant to be doing.

The West Wing, also seven seasons long, 22 episodes per season, is the opposite. (Hard to believe that it has been almost ten years since it ended!) It’s equally fast-talking and sometimes a bit preachy, but it is designed in a way that I can pay attention to it and do whatever else I need to do and get the most from both. I even heard Rob Lowe exclaim in exasperation, “Good night, nurse!” – an expression I had only ever heard my grandmother (and the character Mike Sloan in the long-gone but much-loved show Homefront) use (most people don’t believe me when I tell them that yes, in fact, this is a real expression).

I had seen isolated episodes of The West Wing during its original run, but most of it happened during a period when I did not watch much telly, much less ingest it like a pig at the trough as I do now. I was always impressed with The West Wing – its stories, its cast, its pace – but only now, thanks to Netflix, am I watching it from end to end. And it’s providing sheer contentment. I haven’t reached the point yet where Rob Lowe leaves or where John Spencer dies, depriving the show of one of its greatest assets.

Can you argue with a show that at its worst seems a little like a “very special episode” on some issue – but never overdoes it, really? And at its best, weaves words like “ensorcelled” into the script? Or with a show that during its run had a stellar leading cast and unparalleled caliber of guest stars (Oliver Platt, Edward James Olmos – he’s Admiral Adama now and forever for me, or Jaime Escalante!, Mary Louise Parker, John Larroquette, – great in his recent role in The Brink, Marlee Matlin, Gerald McRaney – who turns up everywhere, usually as a former or current military guy – and an insane, bursting list of others) but many others who were virtually unknown at the time but went on to other, big things (Ty Burrell of Modern Family, Evan Handler of Sex and the City and Californication, Nick Offerman of Parks & Recreation, Clark Gregg of Agents of S.H.I.E.L.D., Danny Pudi of Community, Felicity Huffman of Desperate Housewives and American Crime, Lisa Edelstein of House and the mercilessly shitty Girlfriends Guide to Divorce, Jorja Fox of CSI, Lance Reddick of The Wire and Fringe and Connie Britton, looking teenager-young, of Friday Night Lights, American Horror Story and Nashville…). And more… so many more.

This show encapsulates Aaron Sorkin‘s golden age. America wasn’t ready for him or his style in the too-clever but too-soon Sports Night, and he went too far with the overblown The Newsroom. But The West Wing was the pinnacle.

Lunchtable TV Talk – Nashville: Music pulls you in

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I am happy when a same-sex couple shares some kind of intimacy on television. On the most recent episode of Nashville, closeted and conflicted character Will Lexington (Chris Carmack) kisses a man in whom he has interest. Will’s journey to self-acceptance has maybe only just begun (he does not want to jeopardize his career by coming out) but at least he is not trying to throw himself in front of trains, acting out in homophobic self-hate or getting married to women to conceal his true self. He seems to be moving slowly toward coming out, which required a lot of self-searching and bad decisions – and most of all, coming to accept himself as a gay man. Maybe coming out is coming next.

I like seeing these personal evolutions of all kinds on tv, and I am especially happy when “minority” storylines play out alongside the rest of the stories. Will’s reluctance to come out has a lot to do with believing his doing so will jeopardize his burgeoning country music career. A somewhat similar story unfolds in Empire, in which one of the characters, Jamal (Jussie Smollett), is proudly gay and out to his family, but his father – the head of an entertainment empire, doesn’t want Jamal to come out publicly (Jamal is a musician), and the father holds this over Jamal’s head (along the lines of, “If you come out, I will cut you off…”). These experiences share similarities and differences, and seeing them on television will further the case for equality – and for letting people be who they are (and see representations of that on TV).

I saw a quote from Ellen DeGeneres today that summed up my thinking exactly: “Whenever people act like gay images in the media will influence kids to be gay I want to remind them that gay children grew up with only straight people on television.” The important thing – what we need to move toward – is showing representations of all kinds of people so that all kinds of viewers can relate.

ellen

In many ways Nashville is an annoying soap opera, but I keep watching because I like Connie Britton, because I mostly like the positive changes that Hayden Panettiere’s character has undergone, because I sometimes hope there will be some kind of semi-redemptive qualities in characters like Oliver Hudson’s Jeff Fordham, and mostly because I really enjoy the music. It’s the music that has always pulled me in and kept me coming back.

That’s Entertainment – Binge Viewing

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Funny thing about going on TV and movie-viewing binges – there are so many threads that connect so many things together. This past two weeks, for example, I have not seen a single TV show that did not use a reference to someone being another person’s “wing man”. It started when I went on a Suits-watching marathon, and there was an entire episode in which the characters were excessively quoting Top Gun (which is not even a film with dialogue – just a long series of annoying one-liners). After that, every show has referenced the ubiquitous “wing man” and in some other show (unfortunately I have half-watched so much TV that I don’t remember which show), the characters argued about who was Maverick and who was Goose.

Smaller connections can be seen if paying attention – binge watching allows for sewing together disconnected threads in specific series – but it also allows for small connections and thematic linking between things where there really is no reason to believe there are connection. For example, the obsession with Quaaludes in The Wolf of Wall Street pops up again in HBO’s True Detective, where Matthew McConaughey’s character wants to get some Quaaludes. Not to mention that McConaughey turns up briefly in The Wolf as a drug-obsessed Wall Street guy schooling Leonardo DiCaprio in how to behave (that is, take drugs, more drugs and only care about making money for yourself). And frankly, how often do you hear about Quaaludes in everyday life? Never. Now it’s twice in one day – thanks to entertainment.

TV

In the midst of other things, I have done a lot of wasteful TV and movie viewing lately. It’s on in the background while I do a million other things. There are plenty of other things I have been watching and love (not listed here, such as Shameless, House of Lies, Episodes, Justified, etc.), but I am only listing things that I have not really written much about elsewhere – new shows or things that I have something to say about them.

Among the dumbest or most infuriating shows:

The Following: This show just makes law enforcement look like it is all bumbling idiots, always ten steps behind. But the bad guy never quite seems like he could be smart enough to pull it off. In general the show just makes no sense to me because it is just not believable.

The Fosters: This is classic-style ABC network family programming with a “clever” (or not) title (the titular Foster family are also foster parents) and lots of hot-button topics (lesbian, biracial couple with a bunch of kids – one biological and the others adopted fosters). The good part is that this backdrop is not overdone or made to seem unusual. This is just the way it is. But the storytelling is one step away from overdramatic soap opera with too much shit going on to be real. So I don’t like the show, and both the leads (Teri Polo and Sherri Saum) lack the personal warmth to make them seem like loving parents – they try to oversell it to the detriment of the end effect.

Helix: I keep waiting for it to get better and it isn’t. I felt the same way about Caprica. And is it just me or is Billy Campbell becoming a worse and more false actor as he gets older? The only good thing is the actress who was Kat in Battlestar Galactica. I did not like her that much in BSG, but here she’s tough without the immature, annoying, extreme edge she had as Kat. Oh, and Jeri Ryan is going to show up any minute now, so that’s a good thing, right?

Looking: I don’t know – a show about a group of gay friends in San Francisco. Would be fine as a premise, but it just feels so pointless every week.

The Crazy Ones: I keep trying to watch this and this is not funny. The end.

How I Met Your Mother: I started watching this only around the time that the show was in its sixth season on TV. It could be quite funny for network comedy, but this last season is dragging out in the worst way. Boring and unfunny to an unmanageable degree.

Not bad but not good:

Nashville: This gets worse all the time. I want to like it because I really like Connie Britton. But every storyline is annoying and over-the-top. While all are annoying, the worst one is Rayna’s determination to start her own record label. It belies the whole direction of the music industry – and I refuse to believe that a huge star that this character is supposed to be would be that blind to the trends of the industry. Or that she would be so naive as to not realize the intricacies of the business and getting out of her contract. There is something naive about the whole story – her former label maneuvers against her by making a couple of phone calls (as if it is as easy as that) after we have just heard from another businessman that deals are made and cemented months or years in advance for retail shelf space. And the whole thing comes down to – who the hell needs retail shelf space any more? That’s the thing – why not try to move forward with your new, innovative, fresh label using the new, innovative, fresh tools that the modern music industry is built on? Most people are downloading and streaming. Getting distribution at Wal-mart or wherever is still part of the strategy for a huge star – but a huge, veteran star starting up a label would not be so completely blind to the business end of the business. And if she were, she would have lined up a lot more industry-specific advisers (rather than her sketchy sister?!) to help her plan and get the whole thing off the ground. She would not just mouth off at her music label and leave and decide to fly by the seat of her pants and suddenly find that she is stuck.

If they stuck with the music, this would be a better show.

Trophy Wife: Surprisingly funnier than I expected but still not something I cannot live without. I find myself questioning the man in the story – how is it that he just keeps getting married – and is he so lacking in discernment or so desperate not to be alone or just so open-minded that he married these three massively different women? I can’t figure that out. I mean really – who would marry that second wife? He seems too normal and put together to marry someone like that unless it was a whimsical rebellion after the uptight, driven and mean first wife? I don’t know, I really don’t.

Almost good, but not totally sure:

Orphan Black: I never planned to watch this but recently watched the whole thing – I was entertained, surprised and impressed with Tatiana Maslany’s performance in multiple, quite different roles in the same show. I will give the second series a whirl. I am interested in the ethics of cloning and identity, and this show has started to explore some of the issues that come to light as a result of this kind of scientific experimentation.

Suits: As a kind of entertaining filler, I am enjoying Suits. It can be a laugh, but it’s not classic television or anything. I enjoy the constant movie quoting and references the characters make to other things (Top Gun, Mississippi Burning as examples), but that’s the best it gets for me.

The best shows:

True Detective: By far the best new show I have seen. Understated, great cinematography, great soundtrack, great dialogue and superb performances. The tense relationship between the two leads, Matthew McConaughey and Woody Harrelson, and their outstanding verbal exchanges, makes the show worth watching. I never imagined in my life that I would claim McConaughey had done something great, but in truth, he has actually built a fairly impressive resume without my paying attention. (His role in Dallas Buyers Club was pretty powerful, but I have not seen him do something as inspired as his role in True Detective.)

Movies

I watched a bunch of movies in recent weeks – but I have not really kept track of them. I saw Dallas Buyers Club, 12 Years a Slave, the recent Mandela movie starring Idris Elba… but there is not much to say about these films. It’s difficult to distill a film into just key points. And films like these – well, they’re kind of Oscar bait, meaning that everyone writes about them.

I saw the film The Wolf of Wall Street, and hated it. Frankly I don’t like stuff like this. Movies in which people behave stupidly, get all fucked-up on drugs and live and die by their own greed and excesses don’t do anything for me. I am only interested in the fact that Kyle Chandler is in a small role as a tenacious FBI agent. He’s just so bloody cute! Happily he will be in a new Netflix series soon.

TV overdoses, past and present – Random stream of consciousness

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According to HuffPost the best line uttered on tv in 2013 was, “Not great, Bob!”

““Not great, Bob!” It was only three words, spoken by an angry Pete Campbell as he joined the ever-sunny Bob Benson in an elevator on Mad Men.””

As someone who loves any line that involves “Bob” (e.g. “I used to have a pretty good pen, Bob.” Or “Scarves, Bob? His life will be filled with scarves?”), I agree. Especially because I am, like most, a Mad Men fan – and possibly an even bigger fan of the work James Wolk has done on Mad Men, the entertaining and mostly underrated Political Animals and The Crazy Ones – he and Hamish Linklater are the best parts of that show.

I get roped into a lot of television shows – not just because television is improving and offers a depth and breadth that seemed unimaginable a decade ago. I live in the middle of the Swedish woods and am a workaholic multitasker. I need some noise going on in the background all the time, and when it’s not music, it’s television shows. Mostly I carefully select the shows to which I become devoted – but in the interim, I watch a lot of stuff halfheartedly (like the aforementioned The Crazy Ones, which is not very good and only offers a funny line now and then or –puke, puke – guest appearances from – PUKE – Josh Groban. I watch, I judge, I keep watching sometimes even when a show sucks or even after it loses the plot (example, Revenge) or becomes passé (case in point – Grey’s Anatomy). Some stuff is middling all the time – entertaining but nothing extraordinary (Elementary, Grimm, Revolution – stuff that does not require careful attention, enabling my half-watching notice, mostly things I will refer to as “network stuff”. As much as the major networks are trying to be edgy, they are still just middle-ground followers. Half-baked ideas relying on shock value, soapy dramatics, riding the coattails of the deserved success of edgier, deeper, different storytelling from free and premium cable channels. (Not that all non-network tries are successful. The US version of The Killing started off with promise, dragged its feet with sloppy storytelling and carried its first-season mystery into season two without resolution – never a good idea, right David Lynch/Twin Peaks/Who killed Laura Palmer? People extended the show goodwill enough to give it a third season, which was arguably much better than the second season, but it was really too late.)

Speaking of killing, I also caught a brief article on TV characters who should be killed off. I found that I agreed with the majority. The article also brought up some other random thoughts – because that is what a multitasker does – lots of different things at once, with disconnected thoughts shooting through the brain at lightning speed. Sometimes I capture them – sometimes not (but they were not likely worth capturing).

I only recently started watching Scandal – rapidly caught up on the previous seasons over holiday break. I dislike Quinn – never had a liking for her, but it has gotten worse. I agree that she can go anytime. I have trouble with Tony Goldwyn in general – he is a good actor but for me, he is Carl the bad guy from Ghost (a film I hated). I cannot do anything except make fun of Ghost. Everything about it was so cheesy, and the villains (Willie Lopez!? Carl!). I also remember ghosts of TV’s past when Tony Goldwyn was a guest star on Designing Women, asking the women to design his funeral. He played a gay man who was going to die from AIDS, and the episode ended with his funeral. Designing Women was a preachy show and brought up a lot of issues of the day (mid/late 80s issues). Not that AIDS is not an issue today – but the issue and the illness – or approach to the illness – have changed, maybe in part because of mainstream treatment of the disease?

Which then led me to think about the show Life Goes On (not least because one of its principal actors, Patti LuPone, is now in the ensemble cast of American Horror Story: Coven. Not a favorite in the US although it went on for seasons and seasons. It was probably the first show that put a family front and center that included a member with Down Syndrome and prominently featured that character in the storylines. While that was probably groundbreaking at the time, the show also gave one of its main characters an HIV-positive teenage boyfriend (played by Chad Lowe – probably one of the only things I remember him doing since his career has been overshadowed by his brother Rob and his ex-wife, Hilary Swank – who would have imagined that when she was in one of the many Karate Kid sequels?). I thought about how this character introduction was also its own kind of groundbreaking. While Life Goes On was never actually what I could call “entertaining”, it somehow tackled big issues without being over the top or preachy. It’s no wonder it was not popular (I am told that it was popular in Iceland for some reason – so everyone remembers “Corky” – I suspect if I were to ask a representative sample of Americans if they remember Corky or Becca Thatcher, they would not).

Where is this line in television between entertainment and education? At times Designing Women just felt like a mouthpiece for the creator’s political views and feminist diatribes. Life Goes On, without being too heavy handed or dramatic, still felt a bit too real, making it too depressing to be a gripping drama. Meanwhile, something like The Wire can do both – “edutainment”. But, it is also true that The Wire was not exactly popular during its first run. It has more of the slow-burn quality that comes from being able to buy whole seasons of tv on DVD or online for streaming/download. Some things just don’t catch on until well after the fact. Some fall into obscurity (Homefront, anyone?) while others live on and gather a loyal, vocal following (Arrested Development, Friday Night Lights – note that I cite TWO Kyle Chandler classics!). Thanks to the push for original programming from unorthodox sources (Netflix), we got another season of Arrested Development after years of waiting. Was it worth it? Hard to say – need to watch it more than once to assess. That was the beauty of Arrested Development all along – you almost had to watch it more than once to catch everything. The show was laced with multilayered jokes and references, and without a pretty well-stocked brain bar, getting the perfectly hilarious mixed cocktail it intended could be challenging. It was funny on its surface in many cases but even funnier if you could unpack all the layers. (The Simpsons is a lot like that, too – albeit more so in its earlier years.)

But then so much of pop culture – any culture or discipline – relies on shared references.

For example, everyone needs to see the 1980s classic film, Fast Times at Ridgemont High – I do not know how many times I have referenced it lately and heard it referenced. There was a con mentioned in the show White Collar called “The Phoebe Cates” (referring to the most memorable scene in the film). There was a reference in The Crazy Ones to the scene-stealing Jeff Spicoli (played by then-unknown Sean Penn). Most good pop culture – even the not so good – plays on these references and adds a richness

For the sake of posterity and trying to remember how, when, where and on what I flushed so much time down the toilet, I’m listing as much as I can remember of television I recently ingested and random thoughts on some of them. There are way too many other shows I have not listed (like Mad Men, actually – because they are not on now or soon).

Nashville – Not great, not terrible. I like Connie Britton (thanks to her work in Friday Night Lights, American Horror Story and early Spin City) – not sure I buy this show but I actually like a lot of the music in the show.

The Crazy Ones – This show is all right but I don’t go out of my way to see it. James Wolk and Hamish Linklater make the show for me (really enjoyed both of their work in other things as well). Robin Williams is too over the top as usual and Sarah Michelle Gellar, whom I keep trying to like, is just not for me. I do love Brad Garrett in his role, though. The episodes seemed to get better when he arrived.

The Good Wife – New life breathed into this (not that it needed it) when main character goes off to form her own law firm.

Justified – can’t wait for the new season, coming up soon. I love everything about this show and all its characters. Agree with the writer of article cited above – do not want ANY of these characters to die.

Once Upon a Time – I admit that I have skipped the whole current season of this show. I gave up.

Californication – Thank god we are heading into the final season of this show that should have died ages ago. Sick of this story being rehashed of some loser middle-aged dude who manages to pull his head out of his ass long enough to do something artistically rewarding only to fuck up his personal life and screw over all the people in his fucked life again and again. It’s only funny or forgivable for so long…

House of Lies – Pretty entertaining because it plays on all the stereotypical business clichés and management consultant language. Don Cheadle plays a great asshole.

House of Cards – Entertaining remake of the UK version, proof that creativity can be launched from all kinds of wombs (Netflix original programming)

Episodes – Looking forward to new season. Have been surprised by how crass but simultaneously funny this show is.

Lilyhammer – Funny but also like being hit over the head with stereotypes. But then no one outside of Norway knows anything about Norway – but this might be the sort of thing they imagine. UDI (immigration directorate) might take offense to its treatment, but I’ve never heard a happy story coming out of there.

Shameless – Looking forward to the new season

Grey’s Anatomy – End already. It’s getting petty (or pettier) and duller by the minute

Revenge – It was always soapy but now it’s just ridiculous and has lost any edge it had. Best part is the ease with which character Nolan Ross switches between male and female love interests and it’s just no big deal to anyone. Perfect.

Parks and Recreation – Losing its comedic edge unfortunately.

Community – interested in seeing how this is rebooted now that its controversial creator is back at the helm. Fingers crossed after dismal previous season.

Scandal – Outlandish but a guilty pleasure.

Hawaii Five-0 – another guilty pleasure. I like the chemistry among the cast. Alex O’Loughlin and Scott Caan together are pretty funny. I like some of the cheeky jokes, for example about Magnum PI – long ago and faraway Hawaii-based TV

Elementary – Big Jonny Lee Miller fan, like how Aidan Quinn is pretty much always a New York police captain in every show now, and Lucy Liu has grown on me in almost all the roles she has done since annoying Ally McBeal BS.

Downton Abbey – I could fully see where the popularity came from in the beginning but it is grating my nerves now

How I Met Your Mother – So glad this is coming to an end. It used to be quite funny at times but this last season feels like a stretch.

White Collar – Time filler. Sometimes quite entertaining. I like the characters but it’s a fairly straightforward show.

Veep – Caught up on this a few months ago and loved it. Laughed a lot at the awkwardness.

The Walking Dead – When it comes back, I wonder where the gang will go. I have always been happy that the show was not afraid to kill people off as they went – that’s realistic.

American Horror Story – Enjoying. I love the big ensemble cast and like that each season brings back the same people in different roles. I never used to like Jessica Lange but this has put a few points in her column. Angela Bassett is, for lack of a better word, amazing. She always is.

Treme – An abbreviated final season. Interested in seeing how it all turns out, even though things never quite “turn out” – I don’t expect finality.

Girls – Clever at first. Eventually just annoying as all fuck. The article above wants Marnie to die. I would not mind if they all did.

Top of the LakeJane Campion is a complicated filmmaker, and she is no different when introducing her storytelling to the small screen. Visually arresting backdrop to a complicated and ugly story, Elisabeth Moss takes center stage as a New Zealander/detective who goes home for the first time in years, dredging up some of the horrors of her own past. Excellent viewing.

Luther – The story is often really outlandish and unbelievable but we can’t help loving Idris Elba, can we? Or the troubled John Luther that he portrays.

Game of Thrones – I resisted. I tried to watch once but did not get far. I tried again and got sucked in this time. Much better. I am a Peter Dinklage fan anyway but came to appreciate the whole thing (even if I still acknowledge that he’s the best thing about the show)

Bron – Swedish/Danish original of the police show – great characters.

The Bridge – US version of Swedish/Danish police show. It took a while to accept Diane Kruger and her character, but I loved Demian Bichir’s character immediately. Also appreciated Ted Levine as the lieutenant – as I loved him in Monk – and Thomas M. Wright as Steven Linder – he also figured prominently into Top of the Lake.

Orange is the New Black – Binge watched. Mostly really enjoyed this – of course it’s not perfect but it was different from most of what else is out there. More accolades for Netflix taking a chance on its own programming.

Longmire – Just renewed for a third season. Can you argue with a show that has Lou Diamond Phillips in it? No.

Ray Donovan – Not sure about this show still. I like most of the characters, but all I can think of when I watch this is that the whole plot development is advanced almost entirely by people making phone calls on their mobiles – way too much time on the phone for everyone involved. Character development suffers a bit…

Homeland – Ok, this show went off the rails many times. I still enjoy it, largely because I have enjoyed the performances of Mandy Patinkin and F Murray Abraham (he will always be Salieri to me). But let’s hope that the next season takes a new direction in light of some of what transpired in the end of the latest season.

Masters of Sex – One of the best things to come along in the last round of shows. Excellent and likeable cast, a sensitive subject handled with sensitivity and a deft hand. Beautifully done. A lot of accolades have gone to star Lizzy Caplan (well-deserved), but other cast members, including virtually unrecognizable Julianne Nicholson and, as the repressed housewife discovering sexual secrets about her husband, the always great Allison Janney.

The Newsroom – My opinion is tipping toward dislike. The background music playing in many scenes tells too much of the story – soaring music that somehow betrays that Jeff Daniels’s character is going to do something liberal and benevolent that no one expects. Too much of the annoying Maggie (played by Alison Pill) and a whole stupid storyline there. I know this is Aaron Sorkin and his famous fast-talking, wordy spiels for all the characters, but I don’t buy the characters here. Mac (Emily Mortimer) is especially out there – someone is unlikely to ascend to her position if this insecure and flighty. Best characters – Sam Waterston, Jane Fonda, Hamish Linklater (a few episodes in the most recent season). They kept the thing grounded.

True Blood – End already? The recent season was a bit more entertaining than the previous two but I could do without this one.

Boardwalk Empire – One of my all-time favorites. I don’t actually know many people who like it, but I love it. I think it becomes more engrossing each season and love the actors they bring in. Somehow the vast ensemble does not get muddled – each character is distinct, even if it does mean that one needs to pay close attention to every moment of the show. Definitely a show not afraid to kill off important characters and fan favorites, which is sad but perhaps necessary to keep it going at the same level. (Actresses I have never liked, such as Patricia Arquette and Julianne Nicholson, turn in fabulous performances here.)

Sons of Anarchy – Also look forward to this ending. It has just become ridiculous. More ridiculous than it already was.

Revolution – Time filler-killer

Grimm – Time filler – like that it is set in Portland, though, so we get references to Portland’s weirdness and Voodoo Doughnut.

Hell on Wheels – I watch this almost entirely to see the performance of Christopher Heyerdahl as “The Swede”. That alone is worth the time.