being woman: me too

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The rush to exclaim “me too” on social media channels this past week, with the flood of Harvey Weinstein sexual assault/harassment claims, has exasperated me. Because I am so tired. I am tired of asking day after day, “Why are we here… still at this place?” I keep reading book after book, witnessing event after event, moment after moment, of both subtle and overt sexual discrimination, sexual harassment, gender-based undermining. I am guilty of trying to ignore it, as though it does not exist. And this cascade of voices – literally every woman (and many men) I know – claiming, “Me too” almost grows hollow through its very echo.

Being female in the world is a battle for survival in a way that it just isn’t for a man. Worse yet, even when we occasionally think we’ve got an ally in this man or that, he doesn’t really get it or thinks he is an exception. Or is actually one of the smug male masses who call themselves feminists but make snide remarks about things like a “me too” social media campaign, women who supposedly bring down ‘good guys’ with false or misremembered accusations or the ‘overblown’ nature of sexual harassment in general (i.e. “it doesn’t happen nearly as often as women claim it does”). Are you fucking kidding me?

And these are women’s lives in the best of circumstances. What about those who live in the worst?

“Out of necessity’s hard stones we suck
what water we can and so we have survived,
women born of women.”

The Moon is Always Female
Marge Piercy
The moon is always female and so
am I although often in this vale
of razorblades I have wished I could
put on and take off my sex like a dress
and why not? Do men always wear their sex
always? The priest, the doctor, the teacher
all tell us they come to their professions
neuter as clams and the truth is
when I work I am pure as an angel
tiger and clear is my eye and hot
my brain and silent all the whining
grunting piglets of the appetites.
For we were priests to the goddesses
to whom were fashioned the first altars
of clumsy stone on stone and leaping animal
in the wombdark caves, long before men
put on skirts and masks to scare babies.
For we were healers with herbs and poultices
with our milk and careful fingers
long before they began learning to cut up
the living by making jokes at corpses.
For we were making sounds from our throats
and lips to warn and encourage the helpless
young long before schools were built
to teach boys to obey and be bored and kill.

I wake in a strange slack empty bed
of a motel, shaking like dry leaves
the wind rips loose, and in my head
is bound a girl of twelve whose female
organs all but the numb womb are being
cut from her with a knife. Clitoridectomy,
whatever Latin name you call it, in a quarter
of the world girl children are so maimed
and I think of her and I cannot stop.
And I think of her and I cannot stop.

If you are a woman you feel the knife in the words.
If you are a man, then at age four or else
at twelve you are seized and held down
and your penis is cut off. You are left
your testicles but they are sewed to your
crotch. When your spouse buys you, you
are torn or cut open so that your precious
semen can be siphoned out, but of course
you feel nothing. But pain. But pain.

For the uses of men we have been butchered
and crippled and shut up and carved open
under the moon that swells and shines
and shrinks again into nothingness, pregnant
and then waning toward its little monthly
death. The moon is always female but the sun
is female only in lands where females
are let into the sun to run and climb.

A woman is screaming and I hear her.
A woman is bleeding and I see her
bleeding from the mouth, the womb, the breasts
in a fountain of dark blood of dismal
daily tedious sorrow quite palatable
to the taste of the mighty and taken for granted
that the bread of domesticity be baked
of our flesh, that the hearth be built
of our bones of animals kept for meat and milk,
that we open and lie under and weep.
I want to say over the names of my mothers
like the stones of a path I am climbing
rock by slippery rock into the mists.
Never even at knife point have I wanted
or been willing to be or become a man.
I want only to be myself and free.

I am waiting for the moon to rise. Here
I squat, the whole country with its steel
mills and its coal mines and its prisons
at my back and the continent tilting
up into mountains and torn by shining lakes
all behind me on this scythe of straw,
a sand bar cast on the ocean waves, and I
wait for the moon to rise red and heavy
in my eyes. Chilled, cranky, fearful
in the dark I wait and I am all the time
climbing slippery rocks in a mist while
far below the waves crash in the sea caves;
I am descending a stairway under the groaning
sea while the black waters buffet me
like rockweed to and fro.

I have swum the upper waters leaping
in dolphin’s skin for joy equally into the nec-
cessary air and the tumult of the powerful wave.
I am entering the chambers I have visited.
I have floated through them sleeping and sleep-
walking and waking, drowning in passion
festooned with green bladderwrack of misery.
I have wandered these chambers in the rock
where the moon freezes the air and all hair
is black or silver. Now I will tell you
what I have learned lying under the moon
naked as women do: now I will tell you
the changes of the high and lower moon.
Out of necessity’s hard stones we suck
what water we can and so we have survived,
women born of women. There is knowing
with the teeth as well as knowing with
the tongue and knowing with the fingertips
as well as knowing with words and with all
the fine flickering hungers of the brain.

tall ashes of loneliness

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Goodbye to the Poetry of Calcium
James Wright

Dark cypresses–
The world is uneasily happy;
It will all be forgotten.
–Theodore Storm

Mother of roots, you have not seeded
The tall ashes of loneliness
For me. Therefore,
Now I go.
If I knew the name,
Your name, all trellises of vineyards and old fire
Would quicken to shake terribly my
Earth, mother of spiraling searches, terrible
Fable of calcium, girl. I crept this afternoon
In weeds once more,
Casual, daydreaming you might not strike
Me down. Mother of window sills and journeys,
Hallower of searching hands,
The sight of my blind man makes me want to weep.
Tiller of waves or whatever, woman or man,
Mother of roots or father of diamonds,
Look: I am nothing.
I do not even have ashes to rub into my eyes.

Shot in the face

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Who remembers the story of the Long Island Lolita, Amy Fisher? A Long Island high school girl who had an affair with a car mechanic, Joey Buttafuoco, and then when he dumped her, she went to the Buttafuoco house and shot Joey’s wife, Mary Jo, in the face. What in the hell did Mary Jo have to do with this conflict? Sure, the teenage girl is unhinged and somehow sees the wife as the hindrance keeping her away from her lover. But it wasn’t the wife. It was the man: blaming his inability to know what he wants, playing all sides, having cake and eating it. But the women pay the price.

It was a long time ago, and you would be forgiven to have forgotten this sordid, ripped-from-the-headlines, made-for-tv tale. It was mined once more in a recent season of Mozart in the Jungle, but even that is not a must-watch for most, so the Buttafuoco/Fisher story isn’t immediately at the ready in most people’s memories. No matter – it is just an extreme example of the cautionary tale that we’re fed: women are jealous; women are crazy; women will try to kill each other over a man and imagine the worst intentions in the other woman. In fact, the other woman may be completely in the dark.

So often, it’s not the women. It’s almost always the men. The men are the ones making poor choices, misleading women… and then these blind women, who never have all the facts, end up doing stupid shit like shooting each other in the face.

Most are not shooting anyone in the face. Nothing quite so dramatic… or criminal. But I wonder about the majority of the women I know. There’s a lot of lip service about being supportive of women, being feminists, believing and listening to other women. But in practice, even the most reasonable of women are always suspicious of and placing blame on another (or ‘the other’) woman. But I don’t think the majority of women would, for example, actively pursue someone (male or female) whom they knew to be already involved/unavailable.

I wonder today, along these lines, how could woman A (a nameless/faceless woman) read book after book, all feminist manifestos and dialectics of women supporting women, and yet be so territorial about the man she lived with and supposedly didn’t even love or want? Woman B is simply told that man Z has split up with woman A. But woman A apparently has a different understanding of the situation. Why does she then blame woman B, who does not have accurate or truthful information about where things stand? Woman B has stumbled into a situation about which she does not have, well… any information. (Although that does not become totally clear until the end, when it no longer matters.) The problem always comes back to man Z. And why would either woman, given how they are being played and given false or incomplete information, even want man Z?

How could woman A, apparently intelligent, thoughtful and brilliant, after reading so much about women, act as though and treat other women – strangers, in most cases – as though they were enemies to her cause? As standing in her way? As trying to steal from her? Women so often, especially when someone else is in the middle, do not have all the information they need.

And the world goes on being a horrible place for women not only because of men’s oppression, which of course is in the news now – dominating headlines – but also because of women’s suspicion about each other and what they do to and how they treat and view each other.

inflamed frame

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Synopsis
Amir Or
You put on your gorgeous
fornicating body
wear it like a tiger
wears its pounce.

I dig in your wound
toward the capsule of morphine
splash in the gorgeous plague
squirt meta-pain sparks

into the inflamed frame,
bounce from trampoline of skies
taut to the limit–
shoot
a last rain
definitely last.
Now
a long shot
roams the nebulas of flesh;

now it is permissible
to fold the skies
break the frame

edit memories
pay

Like a tiger its pounce
I take off your gorgeous
fornicating body.

being useful shortly

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“Someone had once said to him, It’s hard to be sad when you’re being useful. And he liked that idea. That service to others brought happiness. It was self-involvement that led to depression, to spiraling questions about the meaning of things.”Before the Fall, Noah Hawley

As he streamed into my life, I recognized shortness. Shortness of breath, as in having breath being taken away. Shortness of time, as in how did we not find our way here sooner. Shortness of distance, as in needing to reduce the space, literal and figurative, between where we found ourselves. Shortness of blissful moments, as in the longer and more frequent darkness that crept in on the back of insularity.

But even if only in short bursts, freeing ourselves from our selves and from each other, we could find our uses and usefulness; we could find our meaning and ephemeral completion in the world.

everywhere

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I read a book a few months ago by someone whose opinions and voice I generally and genuinely quite admire. She always has a point of view and often injects humor into even the most humorless subjects.

When she made the jump from blog to book, I was excited to read the book, much of it drawn from and expanded on from her blog. But there was at least one scene in the book that made her come off as such an unreasonable, entitled and histrionic moron who (mis)behaves inappropriately when things don’t go her way, and looks at the world through a strained and constrained lens. I was really disappointed. But then, we can all be that way – unfortunately.

But I would kind of expect an editor to clean that shit up.

discrepancies of translation

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When I selected this particular poem, Asher Reich‘s “The History of My Heart”, I had only read the translation by Tsipi Keller but when doing a bit of background research found another translation by Vivian Eden. As always, I was struck by how different the meaning can be depending on the interpretation of the translator. I have included both translations here (but cannot find the original Hebrew, and I would not be able to read the original anyway, so I don’t know which translation best reflects the closest literal meaning versus which best reflects intent/figurative meaning).

A good example here of what I mean is that in the Keller translation, it’s a line is translated: “dark ages of humiliating defeats” while the Eden translation cites “dark ages of shameful defeats”. Personally I feel that there is a vast difference between the meaning and nuance of these two word choices: humiliating versus shameful. Shame seems so much stronger, imbued with a much deeper sense of self-blame and guilt, while humiliating does not make me feel the same sense of ongoing ‘defeat’, i.e. humiliation will embarrass you in the moment but shame will stick with you and even alter the course of your actions, possibly even your life? What do you think? I prefer Keller’s version (shown below first), but I like both.

The History of My Heart
-Asher Reich
Screen Shot 2017-10-11 at 13.53.00
Screen Shot 2017-10-11 at 13.53.54

A second opinion:

Screen Shot 2017-10-11 at 13.51.13

Photo by gn dim on Unsplash

Seasoned departure

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“…I used to think we escape time by disappearing into beauty. Now I see the opposite. Beauty reveals time.” from “A Lesson from the Earth” -Anne Michaels

The last year has delivered quite a walloping in terms of death.

Most are not exactly sudden, as people in our periphery grow tired, frail, ill or some combination of these traits. None necessarily fatal on its own, together create a kind of fatigue that can trigger the onset of departure. Late last year, my mother’s brother died, which was devastating for her, and left a gaping wound in the heart of our small family. During 2017 many other people succumbed. My mother’s cousin Terry, unexpectedly. Then my father’s good friend, Larry, died, not necessarily expectedly, but his health had declined in recent years. Then my dad’s mother, about a week ago (and only a week before her own birthday). Then yesterday (on the aforementioned grandmother’s birthday), my mom’s best friend for more than 35 years, Sherry, died. I know it sounds like the set-up for a joke: Terry, Larry and Sherry walk into a bar. Well, for all I know, somewhere in this universe, they are. But that’s not the point.

Death had been so much on my mind last year, entering this year, forcing me at times to move my comfort zones and expand on my sense of space and time. That is, time is not unlimited – but at the same time, does not really exist. We float through a world in which all action is interaction. What are we – or were we – without interaction? We do or did not exist. I have let myself love and let myself get hurt and do and undo all the concomitant reactions (e.g. lashing out, crying, recomposing, moving forward, and so on). To feel – and to produce something from the feeling – is somehow all there is, and what proves we are alive, proves we still have something to give – whether to another person or to the world.

the king

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This year I have seen more moose than in all the years I have lived in Sweden combined.

 

robotic clasp

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This Evening
Shin Shifra
If things were tailored
tonight to fit my size
I’d put on a frock
of crimson
weaved of raw lust
like the scent of unruly chrysanthemum
harboring a promise
of rain.
Whomever I meet this evening
on my way
will be small for my size
and when I return I’ll be an old hag
and lust will turn
to longing

Every day the sun like a groom
toward me
and until night
I waited for you clad in white —
who is it tottering up the stairs
the voice of my love
your arms closed on me
in a robotic clasp