leaky

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The Leaky Faucet
Ted Kooser
All through the night, the leaky faucet
searches the stillness of the house
with its radar blip: who is awake?
Who lies out there as full of worry
as a pan in the sink? Cheer up,
cheer up, the little faucet calls,
someone will help you through your life.

dark chocolate tarts

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While I had been sort of hoping to veganize my standard dark chocolate mini tart recipe, I sort of ran out of time and made the regular ones. I changed the recipe just slightly from the old one I’ve shared before.

I mailed some of these to an office where most of the employees are distributed, so a lot of employees miss out on the final results. One employee misread the label on these as “farts” rather than “tarts”, giving him a small chuckle – that was as sweet as my shared baking ended up being for him.

Dark chocolate tarts
Tart shells
1 ½ cups chocolate cookie crumbs (or 1 cup cookie crumbs and ½ cup ground hazelnuts).
1/3 cup melted butter
1 tablespoon sugar

The change I implemented here was simply throwing whole Oreo cookies into my food processor and making them into crumbs. I didn’t fool around looking for some other chocolate cookies or removing the middle filling of the Oreo. This might have made the final shells more structurally sound.

Preheat oven to 190C. Lightly spray muffin tins (regular size or mini ones, as I usually use) with nonstick spray (I usually do not use the spray because the mixture uses a lot of butter; I did use some non-stick spray this time because I was not sure that keeping the filling from the Oreos in the mix would not stick to the pan).

Mix the cookie crumbs (and ground hazelnuts, if you are using them – I did this time) with the melted butter and sugar. Press the mixture into the muffin tins. Bake approx. 5 minutes in preheated oven.

While baking, prepare the filling. Remove from oven and lower oven temperature to 160C.

Filling
10 to 10 ½ ounces of dark chocolate (at least 70% cocoa) – 280 to 300 grams
¾ cup heavy cream
½ cup whole milk
3 tablespoons honey (flavored honey can be nice here)
1 egg, beaten slightly

The difference this time is that I used only heavy cream and no milk in the exact same proportion (so 1 1/4c cream – minus all milk).

Over a double boiler (or glass bowl over a pan of boiling water) mix chocolate with milk and cream. Stir until chocolate is melted and fully mixed together with cream and milk (smooth consistency). Stir in honey.

Slightly beat the egg in a medium-sized bowl. Gradually stir a small stream of the melted chocolate mixture into the egg, whisking the egg and chocolate together the whole time (to temper to make sure the egg does not become like scrambled eggs). Do this with just some of the chocolate until enough chocolate has been mixed with egg to ensure that the egg will not cook. Then add the egg-chocolate mixture to the bowl of melted chocolate.

Spoon the chocolate mixture into the chocolate tart shells. Bake 25 minutes, cool for at least 30 minutes before removing from tin.

adultery

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to the endless paranoiac suspicion

In Defense of Adultery
Julia Copus
We don’t fall in love: it rises through us
the way that certain music does –
whether a symphony or ballad –
and it is sepia-coloured,
like spilt tea that inches up
the tiny tube-like gaps inside
a cube of sugar lying by a cup.
Yes, love’s like that: just when we least
needed or expected it
a part of us dips into it
by chance or mishap and it seeps
through our capillaries, it clings
inside the chambers of the heart.
We’re victims, we say: mere vessels,
drinking the vanilla scent
of this one’s skin, the lustre
of another’s eyes so skilfully
darkened with bistre. And whatever
damage might result we’re not
to blame for it: love is an autocrat
and won’t be disobeyed.
Sometimes we manage
to convince ourselves of that.

Photo by Mae Mu on Unsplash

cease not

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We Shall Not Cease (from Little Gidding)
T.S. Eliot
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, remembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.

mirages

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Mirages
Kapka Kassabova
Waking up in the same skin isn’t enough.
You need more and more evidence
of who it is that
wakes up in the same skin.

But what evidence?
Reality is unreliable: a whirlwind
of dust that appears
and disappears every day.

Your thirst stretches out its white dunes.

Every day in the dust
you distinguish

not islands but their darkness
heaped on the polished mirror of a sea.

Not doors but their shadows
slammed in the house of wind.

Not lighthouses but their half-second SOS
in red, green and yellow.

Not language but languages.

Not a hand closing a curtain
but a hand.

And the day is over,
not wiser than the night in which
you waited for someone
who came and wasn’t what you waited for.

exilo

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Exile
Sophia de Mello Breyner Andresen

When we don’t have the fatherland that we have
Lost by silence and by resignation
Even the voice of the sea renders itself exile
And the light that surrounds us is like a lattice

Original

Exilo
Quando a pátria que temos não a temos
Perdida por silêncio e por renúncia
Até a voz do mar se torna exílio
E a luz que nos rodeia é como grades

“rooting in the rich recesses”

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Soixante-Neuf
Ellen Bass
Yesterday, rooting in the rich recesses,
tending each ridge and furrow,
I thought how like two farmers we were,
digging and planting, each working
our own corner of the field.

animals

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Animals
Frank O’Hara
Have you forgotten what we were like then
when we were still first rate
and the day came fat with an apple in its mouth

it’s no use worrying about Time
but we did have a few tricks up our sleeves
and turned some sharp corners

the whole pasture looked like our meal
we didn’t need speedometers
we could manage cocktails out of ice and water

I wouldn’t want to be faster
or greener than now if you were with me O you
were the best of all my days

Photo by Alan Biglow on Unsplash

war is continued

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A better patriotism…

Every Day
Ingeborg Bachmann
War is no longer declared,
only continued. The monstrous
has become everyday. The hero
stays away from battle. The weak
have gone to the front.
The uniform of the day is patience,
its medal the pitiful star of hope above the heart.

The medal is awarded
when nothing more happens,
when the artillery falls silent,
when the enemy has grown invisible
and the shadow of eternal armament
covers the sky.

It is awarded
for desertion of the flag,
for bravery in the face of friends,
for the betrayal of unworthy secrets
and the disregard
of every command.

alluring woods

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Bon Courage
Amy Gerstler
Why are the woods so alluring? A forest appears
to a young girl one morning as she combs
the dreams out of   her hair. The trees rustle
and whisper, shimmer and hiss. The forest
opens and closes, a door loose on its hinges,
banging in a strong wind. Everything in the dim
kitchen: the basin, the jug, the skillet, the churn,
snickers scornfully. In this way a maiden
is driven toward the dangers of a forest,
but the forest is our subject, not this young girl.

She’s glad to lie down with trees towering all around.
A certain euphoria sets in. She feels molecular,
bedeviled, senses someone gently pulling her hair,
tingles with kisses she won’t receive for years.
Three felled trees, a sort of chorus, narrate
her thoughts, or rather channel theirs through her,
or rather subject her to their peculiar verbal
restlessness …    our deepening need for non-being intones
the largest and most decayed tree, mid-sentence.
I’m not one of you squeaks the shattered sapling,

blackened by lightning. Their words become metallic
spangles shivering the air. Will I forget the way home?
the third blurts. Why do I feel like I’m hiding in a giant’s nostril?
the oldest prone pine wants to know. Are we being   freed
from matter? the sapling asks. Insects are well-intentioned,
offers the third tree, by way of consolation. Will it grow
impossible to think a thought through to its end? gasps the sapling,
adding in a panicky voice, I’m becoming spongy! The girl
feels her hands attach to some distant body. She rises
to leave, relieved these trees are not talking about her.