Yesterday, rooting in the rich recesses,
tending each ridge and furrow,
I thought how like two farmers we were,
digging and planting, each working
our own corner of the field.
year after immortal year. How even in the thick
heat of summer, when bees swarm in the broad leaves
and figs swell like aroused women, even then
sorrow coats you like salt,
a white residue on the rich black furrows.
And life will never be the same. Even
when you get her back. Hell leaves its mark.
Your heart, like mine, is shattered, an ancient urn.
I have pieced the shards together,
but much is dust. Even in summer
wind blows through the cracks.
They begged you to allow the corn to grow again.
They write that you were kind
but I think kindness had little to do with it.
You’d done what you could.
People may as well eat.
The Thing Is
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
Rushing around these days preparing for an intense next (at least) six months, I feel a sense of premature loss. I know that I will be unable to continue reading as much or at the furious pace I have maintained for the last (almost) two years. This may, in fact, even be the last of these recap posts that I put together for a while because I simply doubt that I will have the time, nor will I have read enough to make these recaps worthwhile. This is not to say that they have been worthwhile in a wider sense (as in, useful to anyone but me). Indulgence at its finest. And now, I shall not have time to indulge in quite this way.
Knowing that this moment of bittersweet “parting” from leisurely, if voracious and greedy, reading was coming to an end, I spent most of August trying to work my way through things I’d begun reading and hadn’t finished, and through the list of books I’d already purchased but hadn’t seen fit to dive into yet. As of August 20, when I started drafting this, I had read 32 books, which is a good bit more ambitious than July’s 23 books. I hope to finish at least 10 more before the month ends (done). I don’t necessarily place stock in keeping a running tally on this, and it is not about quantity, as I keep having to explain to people. It’s just so satisfying to keep devouring such different writings from all over the world. Just this month, to note the diversity, I swung from Novica Tadić‘s spare poetry to Ousmane Sembène‘s Xala, both loved, from the complete Martha Quest/Children of Violence series by Doris Lessing (which I mostly disliked, wanting to kill Quest by the end, but nevertheless persevered) to non-fiction about hormones…
I don’t really know how much or what kinds of things I will find time to read, as I will be up to my eyeballs in formal study. That said, I am still the kind of weirdo who gets distracted looking for one thing – a poem I thought was written by Irving Feldman but was actually written by Michael Ryan that references semen – only to stumble on a good many clinical studies on semen quality, and I was drawn to/nearly obsessed with reading all those studies and their outcomes. And why? Who knows? Why was I so obsessed with teeth last year (and still)?
How difficult will it be to feel as though I am (if temporarily) giving this up?
Thoughts on reading for August:
I don’t have words for this, for William Stafford. Unrivaled beauty, poetry… the only book I read in August to which I gave a five-star (of five) rating – without reservation.
Laux’s poetry often sets me on fire. I have to read the work again and again, and find my throat has gone dry.
Good – really good
While I didn’t love White is for Witching, it – like Boy, Snow, Bird (which I loved last month) – delivered unusual characters that kept me in the story and unable to stop until the end. I think that’s what I enjoy about Oyeyemi – characters and character development.
“White is for witching, a colour to be worn so that all other colours can enter you, so that you may use them. At a pinch, cream will do.”
It was one of those nights when I found myself revisiting the poetry of Tomaž Šalamun – probably my favorite poet from Slovenia – when I was reminded of Andrej Blatnik. For me, these are the true exports of Slovenia – not a certain “be best” First Lady.
I was charmed by Blatnik’s ability to write a complete short story in often only a few words. Not perfect but quite arresting in its way.
Entertaining/informative/thoughtful or some combination thereof
Poetry – poetry – poetry. Usually the poetry I read makes it into the “highly recommended” (must not miss) category, but this month I read a lot of solid poetry that is nevertheless nothing I want to revisit and don’t necessarily think anyone else needs to either. But poetry is very personal, if you like it at all, so it’s not really for me to say.
I don’t think I ran into any coincidences this month… at least none worth noting.
Biggest disappointment (or hated/disliked)
*The entire Children of Violence series – Doris Lessing
It probably isn’t so much disappointment because I had no expectations, but by the time I finished reading Doris Lessing’s Children of Violence series, I wanted to kill Martha Quest and all the other characters populating these books. Still, I could not quite not finish… I also cannot say what it is about them/this series that I hate so much. Not that there are not flashes of what the Nobel committee must have seen when they gave Lessing her Nobel for lit – although who can trust that institution these days? Some timely and timeless observations:
“He went so far, carried away by the official in him, as to make various sound remarks about the unsuitability of danger for women. She thought he must be joking; nothing is more astonishing to young women than the ease with which men, even intelligent and liberal-minded men, lapse back into that anonymous voice of authority whenever their own personal authority is threatened, saying things of a banality and a pomposity infinitely removed from their own level of thinking.” – from A Proper Marriage
Better to have kisses crushed in our mouths than cheesy poofs covered in the dust that makes up Trump’s skin pigment.
Imperfection of love in middle age, as we hit (anti-)Valentine’s Day.
At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he’d just staggered off the boat at Ellis Island,
like she’d been released at last from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.
Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
her saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning,
the way it gathers and swells, sucking
each rock under, swallowing it
again and again. We were all watching–
passengers waiting for the delayed flight
to San Jose, the stewardesses, the pilots,
the aproned woman icing Cinnabons, the man selling
sunglasses. We couldn’t look away. We could
taste the kisses crushed in our mouths.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still open from giving birth,
as your mother must have looked at you, no matter
what happened after–if she beat you or left you or
you’re lonely now–you once lay there, the vernix
not yet wiped off, and someone gazed at you
as if you were the first sunrise seen from the Earth.
The whole wing of the airport hushed,
all of us trying to slip into that woman’s middle-aged body,
her plaid Bermuda shorts, sleeveless blouse, glasses,
little gold hoop earrings, tilting our heads up.
Photo (c) 2018 S Donaghy