death

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Death
Bill Knott

Going to sleep, I cross my hands on my chest.
They will place my hands like this.
It will look as though I am flying into myself.

Photo by Bruno Figueiredo on Unsplash

 

encounter

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Encounter
Czeslaw Milosz

We were riding through frozen fields in a wagon at dawn.
A red wing rose in the darkness.
And suddenly a hare ran across the road.
One of us pointed to it with his hand.
That was long ago. Today neither of them is alive,
Not the hare, nor the man who made the gesture.
O my love, where are they, where are they going
The flash of a hand, streak of movement, rustle of pebbles.
I ask not out of sorrow, but in wonder.

Photo by Randy Fath on Unsplash

 

middle age

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Middle Age
Carlos Drummond de Andrade

Translation

Idade madura

Photo by Davide Zeri on Unsplash

Amor Fati

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Amor Fati
Sandra Lim

Inside every world there is another world trying to get out,
and there is something in you that would like to discount this world.
The stars could rise in darkness over heartbreaking coasts,
and you would not know if you were ruining your life or beginning a real one.
You could claim professional fondness for the world around you;
the pictures would dissolve under the paint coming alive,
and you would only feel a phantom skip of the heart, absorbed so in the colors.
Your disbelief is a later novel emerging in the long, long shadow of an earlier one—
is this the great world, which is whatever is the case?
The sustained helplessness you feel in the long emptiness of days is matched
by the new suspiciousness and wrath you wake to each morning.
Isn’t this a relationship with your death, too, to fall in love with your inscrutable life?
Your teeth fill with cavities. There is always unearned happiness for some,
and the criminal feeling of solitude. Always, everyone lies about his life.

Photo by Bastien Nvs on Unsplash

sleeping

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Sleeping
Jane Hirshfield

 

 

riddle

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Riddle
Laura Kasischke

I am the mirror breathing above the sink.

There is a censored garden inside of me.

Over the worms someone has thrown
a delicately embroidered sheet, and
also the child at the rummage sale—

more souvenirs than memories.

I am the cat buried beneath the tangled ivy. And also

the white weightless egg floating over it, which is
the cat’s immortal soul. Snow

where there were leaves.
Empty plastic cups after the party on the beach.
The ash rising above the fire, like a flame.
The Sphinx with so much sand
blowing vaguely in her face. The last
shadow that passed over the blank
canvas in the empty art museum.

I am the impossibility of desiring the person you pity.

The petal of the Easter lily—

O, that ghost of a tongue.
O, that tongue of a ghost.
What would I say if I spoke?

I am the old lady in a wheelchair
in the corner of the nursing home, like

a star flung up into the infinite, the infinite, cold
silent darkness of this universe. I am

that old woman as a little girl
in brilliant shoes
some beautiful summer afternoon,
laughing bitterly.

Photo by Christian Mackie on Unsplash

from below

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From Below
Denise Levertov

I move among the ankles
of forest Elders, tread
their moist rugs of moss,
duff of their soft brown carpets.
Far above, their arms are held
open wide to each other, or waving
what they know, what
perplexities and wisdoms they exchange,
unknown to me as were the thoughts
of grownups when in infancy I wandered
into a roofed clearing amidst
human feet and legs and the massive
carved legs of the table,
the minds of people, the minds of trees
equally remote, my attention then
filled with sensations, my attention now
caught by leaf and bark at eye level
and by thoughts of my own, but sometimes
drawn to upgazing-up and up: to wonder
about what rises so far above me into the light.

 

 

Photo by Eric Prouzet on Unsplash

untitled

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Untitled
Nikita Gill

Take this as your warning,
This book will pick out the bones
within you as it picked out the bones
within me.

We are the closets
we hold our skeletons in.
And now they are knocking,
asking to get out.

Photo by Nino Liverani on Unsplash

 

take a left here

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Take a Left Here
Jess Rizkallah

i climb mountains with monasteries
named for the moon

and the moon whispers
a secret to the tides                There. That’s The Beginning.

Photo by CDC on Unsplash

givingly

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Givingly
Carl Phillips

– So here we are again, one-handedly fingering
the puckered edges of the exit-wounds
memory leaves behind, he said, and he tossed
his leash made of stars, then tightened it,

around the antlers it seems I forget, always,
about having. Smell of nightfall when it
hasn’t settled yet. Insatiability and
whatever else hidden behind the parts

that hide it. Surely any victim – sacrificial
or not – deserves better, I thought, him leading me
meanwhile toward the usual place, the branches
grow more givingly apart, there, as if to say

Let pass. The wind was clean. The wind
was a good thing, in his hair, and across our faces.

Photo by Derick Daily on Unsplash