The single woman: Alone with strangers

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“I started to think about how people say that the trouble with two strangers getting married isn’t necessarily that the woman has to marry someone she doesn’t know but that she has to learn to love someone she doesn’t know…But I think it must be easier for a girl to marry someone she doesn’t know, because the more you get to know men, the harder it is to love them.” –Strangeness in My Mind, Orhan Pamuk

“But how was one to be an adult? Was couplehood truly the only appropriate option? (But then, a sole option was no option at all.)” –A Little Life, Hanya Yanagihara

Changing space and place

In writing an earlier post, The silent woman, about being middle-aged, or just being a woman who is trying to make her voice heard in the world we live in (it’s easy for me to forget that this is difficult, but then the news turns up some corporate jackass says women talk too much or one of the only hard-charging questioners, Senator Kamala Harris, was repeatedly interrupted by men at Jeff Sessions’s session in the hot seat at recent US Senate Intelligence Committee hearings), it started off with my thinking about the choices we, as women, have. The choices I, as an individual have – as a woman, as a middle-aged woman, in the position, station and circumstances in which I find myself now. I am fortunate; I cannot complain. I may always have been somewhere near invisible, but I’ve oddly been able to do most things my own way. I have never been railing against a system that is stacked against me. I run afoul of many of society’s expectations and have never cared what other people thought.

So when considering a woman’s place, a woman’s ‘requirement’ to marry or to bend to the conventions of society, I have never felt bound to these ‘norms’. Many of Erica Jong’s assertions in Fear of Flying, which may well have been the norm in 1973 (and in many cases remain so today), were thus memos I shredded in favor of doing whatever I wanted.

She wrote:

“Solitude is un-American. It may be condoned in a man—especially if he is a “glamorous bachelor” who “dates starlets” during a brief interval between marriages.”

Bullshit. Solitude may well be un-American, maybe even inhuman. But I prefer solitude and embraced it.

She also wrote:

“…be alone as a result of abandonment, not choice. And she is treated that way: as a pariah. There is simply no dignified way for a woman to live alone.”

Perhaps as a function or fact of the time, this was true. But I failed to embrace this.

She further wrote:

“Her friends, her family, her fellow workers never let her forget that her husbandlessness, her childlessness—her selfishness, in short—is a reproach to the American way of life.”

This is also not something that remains intact as fact today. Yes, a few people regard me as selfish for my lack of marriage and lack of children, and I occasionally confront the pity people direct toward me for these things I lack. But I understand in equal measure the envy that people also feel that I am free, and always have been. It’s a mixed reaction going both ways.

But then it’s not all about me. I am fully aware that I can only speak for myself and my own rather non-linear and unique experience. What Jong experienced and wrote about 40+ years ago is something different from what we have today, even if we can all cite 1,000 moments each day that we individually experience or witness more of the bitter sameness of obliquely discriminatory behavior. It is easy to dismiss what Jong, mid-20th century feminists or even my older female colleagues when I first joined the corporate workforce write or say as passé because many of us no longer experience the overt discrimination they exposed and fought against. But we see evidence every day, often not overt, but nevertheless pervasive, that there is still plenty of need for feminism and awareness-building. For society and for individuals and their choices.

Feminism, though it can be individual, is largely not about an individual perspective or experience. Each individual may need to define what feminism is for her, but on a more universal level, we are all responsible for making the world safe for women to make those self-determinations. Even if that choice is to follow a prescribed societal view of her own place and space. That means that sometimes we are not going to be on the same page just because we are women, e.g. some of the most vocal anti-choice activists are women; Donald Trump would not have become US president if it weren’t for white women in the United States. Do I agree with those women’s views? No. But do I feel that their right to believe what they believe is valid? Yes, insofar as it does not infringe on others’ rights (which, unfortunately, it often does).

Keeping pace: The marriage question – But who am I, and who are you? Who knows?

Many of Jong’s suppositions are tied to the search for love and the ultimate ‘subjugation’ of marriage. But most of us are not required to marry or pair off for material reasons or other obligations. Yet we do. By choice.

How, then, with all these communication-based minefields in our paths do we reach a point that it makes sense to us to marry? Who and where are we as individuals that we think, Yes, this makes perfect sense? I get it – feelings and lust and all these other heady things cloud our logical judgment. It’s not that marriage and companionship are wrong or troublesome. They can be pleasurable, supportive and all kinds of other good stuff. But what is the need, at a certain point? Maybe it is not a question of need any more, unlike for example, the scenes described in Fear of Flying:

“Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones.”

No, instead of ‘need’, I see a few clear paths people take. Among them (and these are only examples):

Those who don’t find a voice or identity, so seek a voice in another. One is essentially alone with a stranger – but that stranger isn’t the person she has coupled up with, but herself. And in some cases (leaving aside the equality of Scandinavian countries, which is atypical of the rest of the world), it is the preference. She may want to subsume her half-baked identity in the identity of another. (“But I have lost my being in so many beings” -Sophia de Mello Breyner.) Maybe she still, in this day and age (and again, outside Sweden this stuff may still be true), buys into the myths:

“What all the ads and all the whoreoscopes seemed to imply was that if only you were narcissistic enough, if only you took proper care of your smells, your hair, your boobs, your eyelashes, your armpits, your crotch, your stars, your scars, and your choice of Scotch in bars—you would meet a beautiful, powerful, potent, and rich man who would satisfy every longing, fill every hole, make your heart skip a beat (or stand still), make you misty, and fly you to the moon (preferably on gossamer wings), where you would live totally satisfied forever. And the crazy part of it was that even if you were clever, even if you spent your adolescence reading John Donne and Shaw, even if you studied history or zoology or physics and hoped to spend your life pursuing some difficult and challenging career—you still had a mind full of all the soupy longings that every high-school girl was awash in.” –Fear of Flying

Then there are those who find someone who loves and cherishes the voice and identity she has cultivated for herself. Something akin to two complete and fulfilled people trying to enhance their lives with the presence of someone else who, by all accounts, understands and appreciates them in a way that no one else does. Illusion? Maybe. After all, understanding may be an illusion:

“What elaborate misconceptions form other people’s understanding of us! The joy of being understood by others cannot be had by those who want to be understood, for they are too complex to be understood; and simple people, who can be understood by others, never have the desire to be understood. Nobody achieves anything … Nothing is worth doing.” –The Book of Disquiet, Fernando Pessoa

The single misunderstanding

Perhaps these pursuits are doomed to be fruitless, but we can delude ourselves. Quite happily, maybe for a lifetime. We may never understand another and maybe we do not need to, completely, to find a kind of fulfillment in another.

“…is always myself that I seek in other people—my enrichment, my fulfilment. Once everyone grasps this, the logic of ‘every man for himself’, carried to its logical conclusion, will be transformed into the logic of ‘all for each’.” –The Revolution of Everyday Life, Raoul Vaneigem

And further, we may not discover or know ourselves, but fool ourselves that we have; we may not truly connect with another – because we are not really listening, not really seeing, but marry anyway, probably blind, often miserable, perhaps someday concluding that we are marrying strangers, or living with the stranger that is ourself, or something similar to what Pessoa cautions:

“Have you ever considered, beloved Other, how invisible we all are to each other? Have you ever thought about how little we know each other? We look at each other without seeing. We listen to each other and hear only a voice inside ourself. The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe in our meanings of other people’s words. We hear death in words they speak to express sensual bliss. We read sensuality and life in words they drop from their lips without the slightest intention of being profound.” -Fernando Pessoa

after hell

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my dreams, my works, must wait till after hell
Gwendolyn Brooks
I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
No man can give me any word but Wait,
The puny light. I keep eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love.

The silent woman

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“The real trouble about women is that they must always go on trying to adapt themselves to men’s theories of women.” —D. H. Lawrence

“It has taken me most of my 40 or so years as a conscious person to realize: I don’t owe anyone an explanation.” – Me

Today I read an article by Danish writer Dorthe Nors on the invisibility of middle-aged and older women. She writes: “A middle-aged woman who’s not preoccupied with handling herself or taking care of someone else is a dangerous, erratic being. What is she up to? And what’s the point of her being up to anything?” It fell in my lap at the right time, seeing as how I’m sidled right up to middle age, and have always been a bit invisible anyway.

In that sense I, perhaps wrongly, feel like I can see this clearly and objectively, but I doubt this is true. Perhaps it is, as one dear friend commented when I shared this article, “I think middle age must come as much more of a shock to women who fit the current standards of beauty. For someone to whom men have never paid much attention, there is not much difference in how we are considered in middle age. While difficult to deal with when young, you are forced to find your self-worth outside of a man and man’s view of you at an earlier age.”

This article arrived at a moment when I was otherwise contemplating commitment and choice. We are led, at least by the media, to believe that our choices become ever-more limited, and scarcity rears its terrifying head – in the workplace, in terms of potential relationship or sexual partners, even in our friendships. I don’t think any of this is as acute as we’re told, but it is also not universal. It depends on you, where you are, what you are doing, what you want and all kinds of other factors. In the midst of all the infernal thinking, someone said to me, referring to more specific things than I thus applied it to, “There are still a number of points ahead of you at which your life branches off in multiple directions. You still have options, choices.” Logically I know this but a combination of inertia and grief, and a soupçon of fear, has stopped me in my tracks. I feel a bit like I have been shaken awake and have no time to lose.

But a lot of sluggish meandering through literary contemplations on women, communication, relationships and marriage had to happen first.

Finding a voice

For a lot of women, finding their voice – the voice that represents them truly, not just the voice and content she uses as a conciliatory mediator, but the voice and content as the one who gets labeled as a bitch or troublemaker or a roadblock simply because she actually is the smartest one in the room, knows what she is doing and has thought through all the potential outcomes and problems. The voice that is not just a cushion, a boomerang, a mirror for something a man says or does, but the voice that is not afraid of or concerned with how she is perceived. This is mined with risk. It is all easier said than done. It’s not just having the knowledge and eloquence to hold forth on a given subject, it’s as Rebecca Solnit posits, just being able to assert the right or space to say anything at all:

Most women fight wars on two fronts, one for whatever the putative topic is and one simply for the right to speak, to have ideas, to be acknowledged to be in possession of facts and truths, to have value, to be a human being. Things have gotten better, but this war won’t end in my lifetime.” –Men Explain Things to Me, Rebecca Solnit

I am not sure how much of my own difficulty in asserting myself is rooted in age-old shyness (as opposed to my being female). But, as an adult, I also live in Sweden, so I don’t find that men are quite as domineering, particularly when they have sought out my expertise in my own field. Right after I wrote that sentence I happened to see this opinion piece by Paulina Porizkova on feminism. She realized when she moved to Sweden as a child that suddenly “my power was suddenly equal to a boy’s”. In the Swedish world, “the word ‘feminist’ felt antiquated; there was no longer a use for it”; after all, “Women could do anything men did, but they could also — when they chose to — bear children. And that made us more powerful than men.”

It was only later, in comparing the roles of women in her native Czech Republic, in Sweden, in France and finally the United States that she could embrace the need for feminism:

“In the Czech Republic, the nicknames for women, whether sweet or bitter, fall into the animal category: little bug, kitten, old cow, swine. In Sweden, women are rulers of the universe. In France, women are dangerous objects to treasure and fear. For better or worse, in those countries, a woman knows her place.

But the American woman is told she can do anything and then is knocked down the moment she proves it.” –Paulina Porizkova

I also tend to have the upper hand in business dealings because everyone else is using English as a second or third language, and it’s my first. But I certainly recognize that battle of trying to gain the right to speak. And the ability to say what I want or need to say without being interrupted or talked over or “mansplained to”. This isn’t scientific, my observations/thoughts. But being this insular, shy person for my entire life, while teeming with vociferous opinions, thoughts and ideas, I experience the ongoing struggle, but then I also experience this with louder, more domineering women who stubbornly want to hear the sounds of their own voices and repetitive thoughts (they’ve probably learned to behave this way because they too are fighting for a space for their voices). I also keenly feel that these communication difficulties (not mine specifically but more general, gender-related mismatches) have informed my opinions on male-female communication, relationships, and have contributed a lot to my desire to be alone.

It often takes us such a long time as people to find our true voices, to be ourselves, that it’s a shame that it’s twice as hard for women of all ages under most circumstances, and that by the time we as middle-aged women find our voice and claim the agency to speak openly and freely and to demand the floor, so to speak, we are silenced by this invisibility (or as Alex Qin explains in her SkillShare TechSummit 2017 keynote, linked above, being hypervisible and invisible at the same time).

Self-betrayal

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Untitled
Agneta Ara
Longing is betrayal of oneself
Longing is longing for pictures grown old
Longing dims the Now turning it into longing
for old images
It is so quiet that it burns
Flowers rot, they don’t burn
Human beings burn, it’s so quiet
when somebody burns, it’s so quiet
you can hear
somebody burning

Original

Längtan är sveket mot dig själv
Längtan är längtan efter gamla bilder
Längtan skymmer nuet som blir längtan
efter gamla bilder
Det är så tyst att det brinner
Blommor ruttnar, brinner inte
Människan brinner, det är så tyst
när en människa brinner, det är så tyst

att man kan höra
att en människa brinner.

possess around dispossession

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“Because what if instead of a story told in consecutive order, life is a cacophony of moments we never leave? What if the most traumatic or the most beautiful experiences we have trap us in a kind of feedback loop, where at least some part of our minds remains obsessed, even as our bodies move on?” –Before the Fall, Noah Hawley

I Feel the Dead
Sophia de Mello Breyner

I feel the dead in the cold of violets
And that great vagueness in the moon.

The earth is doomed to be a ghost,
She who rocks all death in herself.

I know I sing at the edge of silence,
I know I dance around suspension,
Possess around dispossession.

I know I pass around the mute dead
And hold within myself my own death.

But I have lost my being in so many beings,
Died my life so many times,
Kissed my ghosts so many times,
Known nothing of my acts so many times,
That death will be simply like going
From inside the house into the street.

Original

Sinto os mortos no frio das violetas
E nesse grande vago que há na lua.

A terra fatalmente é um fantasma,
ela que toda a morte em si embala.

Sei que canto à beira de um silêncio,
Sei que bailo em redor da suspensão,
E possuo em redor da impossessão.

Sei que passo em redor dos mortos mudos
E sei que trago em mim a minha morte.

Mas perdi o meu ser em tantos seres,
Tantas vezes morri a minha vida,
Tantas vezes beijei os meus fantasmas,
Tantas vezes não soube dos meus actos,
Que a morte será simples como ir
Do interior da casa para a rua.

Chocolate tears and suck pipes

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A native speaker of a language, unless s/he is interested in such things, rarely thinks about the construction of words in his/her own language.

When I recently started reading Swedish-language books, I was delighted to see that the word for “straw” (that you would put into a drink) is sugrör. Despite never knowing or seeing this word before (I’ve never been in a situation where I needed to ask for or was offered a straw), I knew immediately from context and from its component parts that it means “straw”. But what do its component parts mean? Suck pipe.

I mentioned this to a few Swedes, and they were amused because they had “never thought about it”. But leave it to me to recognize a suck pipe when I see it.

I also come across these kinds of interpretations and misinterpretations when I see subtitles or closed captioning. I saw a video of the online news-opinion program, Young Turks, when Emmanuel Macron won the French presidency. They were trying to explain that Macron’s wife’s family is wealthy because of chocolate. Not, as they opined, from ‘dirty money’ but rather by being oh-so-innocuous chocolatiers. The subtitles, though, read “chocolate tears”.

Yes, I suppose if the Young Turks had been interested in presenting the true history of cocoa plantations, we might have some chocolate tears to talk about. But they made it sound like the money comes from fairy dust and Disneyland-like joy because of course chocolate is sweet. Sounds foolish, naive and not at all worldly to act like chocolate is somehow so clean. Cocoa plantations: wouldn’t this wealth be soaked in ill-gotten gains, labor of an exploited colonial workforce and child labor, as well as the whole dark side of land-resource management. It’s not as pretty and sweet as it all sounds (or tastes).

Ensnared

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The cat, as usual, has the right idea. Succumb not to fear, to limiting love, to dreading all the things that hamper our ability to move forward, to embrace joy and goodness.

When, oh when, will I populate my own homestead with black cats?

Savoir Faire
Claribel Alegría
My black cat doesn’t know
he will die one day
he doesn’t cling to life as I do
he leaps from the rooftop
light as air
climbs the tamarind tree
barely scratching it
doesn’t dread crossing bridges
or dark alleyways
nor the perfidious scorpion
my black cat falls in love
with every cat he meets
he refuses to be ensnared
by a single love
the way I was.

Original

Mi gato negro ignora
que va a morir un día
no se aferra a la vida
como yo
salta desde el tejado
ligero como el aire
se sube al tamarindo
arañándolo apenas
no lo amedrenta el paso de los puentes
ni el callejón oscuro
ni el pérfido alacrán
mi gato negro ama
a cuanta gata encuentra
no se deja atrapar
por un único amor
como lo hice yo.

Image (c) S Donaghy

for a birthday

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rhubarbchoco

What better thing is there for a birthday than a rhubarb chocolate bar?

For a Birthday
Thom Gunn
I have reached a time when words no longer
help:
Instead of guiding me across the moors
Strong landmarks in the uncertain out-of-doors,
Or like dependable friars on the Alp
Saving with wisdom and with brandy kegs,
They are gravel-stones, or tiny dogs which yelp
Biting my trousers, running round my legs.
Description and analysis degrade,
Limit, delay, slipped land from what has been;
And when we groan My Darling what we mean
Looked at more closely would too soon evade
The intellectual habit of our eyes;
And either the experience would fade
Or our approximations would be lies.
The snarling dogs are weight upon my haste,
Tons which I am detaching ounce by ounce.
All my agnostic irony I renounce
So I may climb to regions where I rest
In springs of speech, the dark before of truth:
The sweet moist wafer of your tongue I taste,
And find right meanings in your silent mouth.

 

Become what you are

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This poem has never been my favorite, but I like the imagery: “the island Iceland in a blind fog”. It reminds me so much of driving in the north of Iceland with my friend A, returning from the Verslunarmannahelgi weekend in Akureyri, driving back to Reykjavik in the middle of the night, creeping along, blind, through the thickest fog I’ve ever experienced.

I especially love how the poem closes on a geyser, a word we have co-opted into and mispronounce in English. One of the few words we take from Icelandic but didn’t bother to take its original pronunciation.

After All
Anna Hajnal
After all, what have I become?
The island Iceland in a blind fog.
Gliding in the far north.
I swim in mushy ice-water.
An ice-barrier surrounds me,
to protect me?
protect from what?
What boils in me darkly,
bubbling, swirling upward,
melting my thick cover:
the firmament may blanche
while being sliced upward to its lap
by a foaming, vapor-tressed head
ragingly crying: the geyser.

spinach kisses

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From a man of legendary, award-winning soup and unfathomable amounts of kale, I received spinach kisses, which suddenly reminded me of this poem (“chlorophyll kiss” came to mind immediately) from Michael Ondaatje.

Best known for The English Patient, Ondaatje has so much more to offer. Even if for me I have many lovely memories connected to The English Patient, such as seeing the film alone – I went alone and also was the only person in the cinema – on Thanksgiving Day 1996, knowing from the very first moment that I would be drawn in (thanks to the striking sounds of Muzsikás‘s “Szerelem, szerelem“). Or camping on my friend Kimberley’s couch in Auckland in 1999 and reading her copy of the book.

Notes For The Legend Of Salad Woman
Michael Ondaatje
Since my wife was born
she must have eaten
the equivalent of two-thirds
of the original garden of Eden.
Not the dripping lush fruit
or the meat in the ribs of animals
but the green salad gardens of that place.
The whole arena of green
would have been eradicated
as if the right filter had been removed
leaving only the skeleton of coarse brightness.

All green ends up eventually
churning in her left cheek.
Her mouth is a laundromat of spinning drowning herbs.
She is never in fields
but is sucking the pith out of grass.
I have noticed the very leaves from flower decorations
grow sparse in their week long performance in our house.
The garden is a dust bowl.

On our last day in Eden as we walked out
she nibbled the leaves at her breasts and crotch.
But there’s none to touch
none to equal
the Chlorophyll Kiss