At the End of the Day I Am An Animal
–Sierra DeMulder
Photo by Austin Ban on Unsplash
At the End of the Day I Am An Animal
–Sierra DeMulder
Photo by Austin Ban on Unsplash
far memory
–Lucille Clifton1conventmy knees recall the pocketsworn into the stone floor,my hands, tracing againstthe wall their original name, rememberthe cold brush of brick, and the smellof the brick powdery and wetand the light finding its way inthrough the high bars.and also the sisters singingat matins, their sweet musicthe voice of the universe at peaceand the candles their light the lightat the beginning of creationand the wonderful simplicity of prayersmooth along the wooden beadsand certainly attended.2someone inside me remembersthat my knees must be hidden awaythat my hair must be shornso that vanity will not test methat my fingers are places of prayerand are holy that my body is promisedto something more certainthan myself3againborn in the year of waron the day of perpetual help.come from the houseof stillnessthrough the soft gateof a silent mother.come to a betraying father.come to a husband who would one dayrise and enter a holy house.come to wrestle with you again,passion, old disobedient friend,through the secular days and nightsof another life.4trying to understand this lifewho did i fail, whodid i cease to protectthat i should wake each morningfacing the cold north?perhaps there is a cartsomewhere in historyof children crying “sistersave us” as she walks away.the woman walks into my dreamsdragging her old habit.i turn from her, shivering,to begin another afternoonof rescue, rescue.5sinnermanhorizontal one eveningon the cold stone,my cross burning intomy breast, did i dreamthrough my veilof his fingers diggingand is this the dreamagain, him, collarlessover me, calling me backto the stones of this worldand my own whisperedhosanna?6karmathe habit is heavy.you feel its weightpulling around your anklesfor a hundred years.the broken vowshang against your breasts,each bead a wordthat beats you.even nowto hear the wordsdefendprotectgoodbyelost oraloneis to be washed in sorrow.and in this lifethere is no retreatno sanctuaryno whole abidingsister.7gloria mundiso knowing,what is known?that we carry our baggagein our cupped handswhen we burst throughthe waters of our mother.that some are bornand some are broughtto the glory of this world.that it is more difficultthan faithto serve only one callingone commitmentone devotionin one life.
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Problems of Translation: Problems of Language
1I turn to my Rand McNally Atlas.Europe appears right after the Map of the World.All of Italy can be seen page 9.Half of Chile page 29.I take out my ruler.In global perspective Italyamounts to less than half an inch.Chile measures more than an inch and a quarterof an inch.ApproximatelyChile is as long as Chinais wide:Back to the Atlas:Chunk of China page 17.All of France page 5: As we say in New York:Who do France and Italy knowat Rand McNally?2I see the four mountains in Chile higherthan any mountain of North America.I see Ojos del Salado the highest.I see Chile unequivocal as crystal thread.I see the Atacama Desert dry in Chile more than the restof the world is dry.I see Chile dissolving into water.I do not see what keeps the blue land of Chileout of blue water.I do not see the hand of Pablo Neruda on the blue land.3As the plane flies flat to the treesbelow Brazilbelow Boliviabelow five thousand miles belowmy Brooklyn windowsand beside the shifted Pacific waterswelled away from the Atlantic at Cape HornLa Isla Negra that is not an island LaIsla Negrathat is not blackis stone and stone of Chilefeeding clouds to colorscale and undertake terrestrial formsof everything unspeakable4In your countryhow do you say copperfor my country?5Blood rising under the Andes and abovethe Andes bloodspilling down the rockcorrupted by the amoralityof so much spacethat leaves such little trace of bloodrising to the irritated skin the faceof the confession farfrom home:I confess I did not resist interrogation.I confess that by the next day I was no longer sureof my identity.I confess I knew the hunger.I confess I saw the guns.I confess I was afraid.I confess I did not die.6What you Americans call a boycottof the junta?Who will that feed?7Not just the message but the sound.8Early morning now and I remembercorriendo a la madrugada from a differentEnglish poem,I remember from the difficulties of the talkan argumentathwart the wine the dinner and the dancingmeant to welcome youyou did not understand the commonplace expressionof my heart:the truth is in the life
la verdad de la vidaEarly morning:do you say la mañanita?But then we losethe idea of the sky uncurling to the light:Early morning and I do not think we lose:the rose we left behindbroken to a glass of water on the tableat the restaurant standseven sweeterpor la mañanita
Unlearning
–Nikita Gill
Not Forgotten
–Toi DerricotteI love the way the black ants use their dead.They carry them off like warriors on their steelbacks. They spend hours struggling, lifting,dragging (it is not grisly as it would be for us,to carry them back to be eaten),so that every part will be of service. I think ofmy husband at his father’s grave—the grass had closedover the headstone, and the name had disappeared. He took outhis pocket knife and cut the grass away, he swept itwith his handkerchief to make it clear. “Is this the waywe’ll be forgotten?” And he bent down over the grave and wept.
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The Condition
–Marvin Bell
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An Aspect of Love, Alive in the Ice and Fire
–Gwendolyn BrooksIn a package of minutes there is this We.How beautiful.Merry foreigners in our morning,we laugh, we touch each other,are responsible props and posts.A physical light is in the room.Because the world is at the windowwe cannot wonder very long.You rise. Althoughgenial, you are in yourself again.I observeyour direct and respectable stride.You are direct and self-accepting as a lionin Afrikan velvet. You are level, lean,remote.There is a moment in Camaraderiewhen interruption is not to be understood.I cannot bear an interruption.This is the shining joy;the time of not-to-end.On the street we smile.We goin different directionsdown the imperturbable street.
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Joyous Work
–Michael Lee
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Coherence in Consequence
–Claudia RankineImagine them in black, the morning heat losing within this day that floats. And always there is the being, and the not-seeing on their way to—
The days they approach and their sharpest aches will wrap experience until knowledge is translucent, the frost on which they find themselves slipping. Never mind the loose mindless grip of their forms reflected in the eye-watering hues of the surface, these two will survive in their capacity to meet, to hold the other beneath the plummeting, in the depths below each step full of avoidance. What they create will be held up, will resume: the appetite is bigger than joy. indestructible. for never was it independent from who they are. who will be.
Were we ever to arrive at knowing the other as the same pulsing compassion would break the most orthodox heart.
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