Said and read – July 2020

Standard

“Being traumatized means continuing to organize your life as if the trauma were still going on—unchanged and immutable—as every new encounter or event is contaminated by the past.” The Body Keeps Score: Brain, Mind, and Body in the Healing of TraumaBessel A. van der Kolk

Image by S Donaghy

Right up until the 20th of July time seemed to fly. Then, inexplicably, it slowed. There’s no accounting for this shift. Is it that so many other people are on holiday? Is it that the passage of time is an illusion subject to how preoccupied (or not) we are? This slowdown at least afforded me the opportunity to reflect a bit earlier than I have in previous months on the month’s reading. I thought this would make for a more timely book report, but it hasn’t. It’s already almost mid-August. I’ve failed to write about July reading or even read much so far in August.

Previous book reports: 2020 – June, May, April, March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for July:

Highly recommended

*Scots: The Mither TongueBilly Kay

One of the most debilitating phenomena of Scottish society is the false notion that to get on you have to get out. English hegemony is so all pervasive in our society that a sign of success and sophistication among some is to attempt to erase signs of Scottishness from their public persona. The implications of such an attitude for Scottish culture are drastic, not to mention wrong-headed. The linguistic tension is often not resolved at one particular time and can be an ongoing choice throughout one’s life.

By far my favorite book this month. I love this kind of thing. It’s all about the Scots language, its status, its diversity and it use, and how it is essential to the linguistic, national and cultural history of Scotland. Historical and linguistic hostility at its persistent use and existence continues — but the language itself has become a subject of vivid study and much-needed focus.

If using your first language is classed as the equivalent of sticking your tongue out at the teacher, there is little ground for fruitful dialogue. Educationalists often refer to the ‘inarticulate Scot’ as if it were a hereditary disease, instead of the effect of shackling people to one language when they are much more articulate in another. The omnipotent standard of having one correct way of speaking colours our society’s attitude and results in false value judgements about people. These value judgements are made in every sector of society, not just in education.

“Politics, in support or suppression, are central to the fate of languages. Yet political support at a given time is not in itself enough to guarantee a language’s survival if the historical process which has eroded it has been unrelenting over centuries and has pushed the language to a geographical and psychological periphery in the nation’s consciousness. That is certainly the case with Irish and until recently was certainly the case with Gaelic. The principal reason why Welsh is in a much stronger position than Scottish Gaelic today is that the Welsh had not posed a political threat to the British state for hundreds of years, while Gaelic was the language of the Jacobite forces which almost overthrew the state in the rebellions of the eighteenth century.”

If you’re interested in the way propaganda, linguistic subjugation, politics and other factors convince people their language is wrong, is dying and is not important, this is a great, and entertaining, study.

Being an honorary Glaswegian who thinks of Edinburgh a bit as “England number two”, the passages about Glaswegian gave me particular joy.

“The huge Edinburgh middle class tends to speak Standard English or Scottish Standard English. Scots is there too; a friend who was born and bred in the Southside speaks good Scots, so much so that people presume she is not a native of the city. Edinburgh is so dominated by the values of the middle classes, that working-class culture and speech had very low prestige even among the working class. This has changed in recent years due to the phenomenal success of Irvine Welsh’s brilliant novel Trainspotting and the movie that emerged from it. The Edinburgh dialect now had street cred, but that is something the weejies of the west have always had in abundance. West Central Scots Whereas in Edinburgh the working class are defined by the predominant middle-class culture, in Glasgow the opposite prevails and the professional classes have some of the street wisdom and gallusness of the predominant working-class ethos of the city. The result of this is that almost everyone from Glasgow is recognisably Scottish in speech. In Edinburgh, it is sometimes difficult to tell if someone is Scottish or English by their accent; in Glasgow, that confusion rarely exists. The middle classes may not like the Glasgow dialect but they are influenced by it. Years ago, when I lived in South Carolina, I often heard elderly white gentlemen apologise for the fact that their speech had been influenced by their close associations with the blacks. The inhabitants of Glasgow’s leafy suburbs are in a similar relationship with the speech of the masses. Glaswegian has enormous internal prestige.”

“The ultimate test of a dialect’s worth is its ability to communicate, and there are few more extrovert communicators than Glaswegians.”

*The Body Keeps Score: Brain, Mind, and Body in the Healing of TraumaBessel A. van der Kolk

“Being able to feel safe with other people is probably the single most important aspect of mental health; safe connections are fundamental to meaningful and satisfying lives.”

A fascinating exploration of how trauma visits and expresses itself in a person’s physiology and psychology and can change “the brain’s alarm system, an increase in stress hormone activity, and alterations in the system that filters relevant information from irrelevant. We now know that trauma compromises the brain area that communicates the physical, embodied feeling of being alive”.

Trauma appears to never disappear and the traumatic event (or events) live on, triggered for decades after (and epigenetics indicates that trauma lives on in the genes)… but a complete understanding of this, while continually emerging, is incomplete.

“The body keeps the score: If the memory of trauma is encoded in the viscera, in heartbreaking and gut-wrenching emotions, in autoimmune disorders and skeletal/muscular problems, and if mind/brain/visceral communication is the royal road to emotion regulation, this demands a radical shift in our therapeutic assumptions.”

*One Day We’ll All Be Dead and None of This Will Matter: EssaysScaachi Koul

“Plenty of us are fighting for structural changes, but a firmer solution has more to do with correcting human behaviour in general. No one learns how to be mean at twenty-five. No one actually becomes a hardline racist in their thirties. These are beliefs and behaviours we inherit from our bloodlines, from the people who raised us, and the internet is just another way to put those beliefs to work. The troubling part is not that there are people online who feel comfortable—vindicated and strong—in calling me a cum-bucket. What scares me is that those people go out into the world, holding these convictions secretly or otherwise, and exist around me physically. I see them at the bank and they go to my dentist and I might end up working with them. What they say to me online is the purest distillation of the rage they feel—statements that would get them fired or arrested in real life but get them a moderate fan base or begrudging attention online.

I didn’t expect this collection of essays to be as engaging as it turned out to be.

I happened to read this book first while sitting in a grocery store parking lot waiting for it to open and then while binge-watching the tv show Shrill. This reading was timely — so much of what the book addresses was being elevated in the popular media — from race and privileged spaces (as Koul writes about all kinds of groups: “All of us struggle towards whiteness”) to chemical skin whitening products in South Asia (“Fair & Lovely is a popular brand of skin-whitener in South Asia, marketed with crummy little ads where a girl gets the guy after she slathers these chemicals on her face and turns into some ghost-like version of her former self. You can buy it for your face or your body, creams to remove “facial discolouration or brown spots,” or to lighten all the skin you have, one big body-wide brown spot.”), from the deceptive idea of Canada as a multicultural haven (“The white majority doesn’t like being reminded that the cultural landscape is still flawed, still broken, and while my entry into something like Canadian media, for instance, hasn’t been an easy ride, it has been made more palatable for other people because I am passable. I’m not white, no, but I’m just close enough that I could be, and just far enough that you know I’m not. I can check off a diversity box for you and I don’t make you nervous—at least not on the surface. I’m the whole package!”) to immigration (“So much of immigration is about loss. First you lose bodies: people who die, people whose deaths you missed. Then you lose history: no one speaks the language anymore, and successive generations grow more and more westernized. Then you lose memory: throughout this trip, I tried to place people, where I had met them, how I knew them. I can’t remember anything anymore.”).

The Shrill parallels come up when Koul writes about the identities we forge online. This opens us up to all manner of abuse, which is something Lindy West, the author of Shrill: Notes from a Loud Woman, has written about extensively both in Shrill and the more recent The Witches Are Coming, which discusses the MeToo movement in great detail. It’s all on display, illustrated in the tv adaptation of Shrill, in which the lead character, Annie, experiences monumental levels of (violent/threatening) online trolling. Treading similar ground, Koul writes:

“I sometimes try to understand how people formed their identities in eras before the internet existed. What did teenagers do to carve out a sense of self in the world? So often, the people screaming at me online seem to derive their selfhood from being internet aggressors, and the more time I spend on any given online platform, the more my identity is marked by defending myself.”

“We love to talk about the web as if it’s a limitless resource, like the only barriers we put on it are what the government will allow, what money will buy, what manpower can create. But all things built by humans descend into the same pitfalls: loathing, vitriol, malicious intent. All the things we build in order to communicate, to connect, to find people like us so we feel less alone, and to find people not like us at all so we learn how to adapt, end up turning against us. Avoiding human nature at its most pure and even at its worst is pointless. No one deserves your attention, but no one has earned your withdrawal.”

Every message we receive — both online and in real life (as women, but particularly for women of color) is that we are not good enough, in one way or another, and something about us needs to change. We are objects, and that is why the rape culture, which Koul writes about with both clarity and rage, is pervasive. Once women have been objectified, they are easier to surveil and monitor and take advantage of. Rape culture likes to blame women for being in the wrong place, wrong time, wearing the wrong thing,  and drinking the wrong amount. It blames the victim (we all know this). Koul points out something that society as a whole doesn’t talk about even if all women know it:

“Surveillance feeds into rape culture more than drinking ever could. It’s the part of male entitlement that makes them believe they’re owed something if they pay enough attention to you, monitor how you’re behaving to see if you seem loose and friendly enough to accommodate a conversation with a man you’ve never met. He’s not a rapist. No, he’s just offering to buy you a beer, and a shot, and a beer, and another beer, he just wants you to have a really good time. He wants you to lose the language of being able to consent. He’s drunk too, but of course, you’re not watching him like he’s watching you.”

It is not an accident. It has all been carefully planned.

“And yet, being surveilled with the intention of assault or rape is practically mundane, it happens so often. It’s such an ingrained part of the female experience that it doesn’t register as unusual. The danger of it, then, is in its routine, in how normalized it is for a woman to feel monitored, so much so that she might not know she’s in trouble until that invisible line is crossed from “typical patriarchy” to “you should run.””

“The mistake we make is in thinking rape isn’t premeditated, that it happens by accident somehow, that you’re drunk and you run into a girl who’s also drunk and half-asleep on a bench and you sidle up to her and things get out of hand and before you know it, you’re being accused of something you’d never do. But men who rape are men who watch for the signs of who they believe they can rape. Rape culture isn’t a natural occurrence; it thrives thanks to the dedicated attention given to women in order to take away their security. Rapists exist on a spectrum, and maybe this attentive version is the most dangerous type: women are so used to being watched that we don’t notice when someone’s watching us for the worst reason imaginable. They have a plan long before we even get to the bar to order our first drink.”

*Confession of the LionessMia Couto

“Every morning the gazelle wakes up knowing that it has to run more swiftly than the lion or it will be killed. Every morning the lion awakens knowing that it has to run faster than the gazelle or it will die of hunger. It doesn’t matter whether you’re a lion or a gazelle: When the Sun rises, you’d better start running. —AFRICAN PROVERB”

I can’t really tell what it is about Mia Couto’s work that I find so compelling. Something about Couto’s writing style generally draws me in.

“Genito Mpepe was a tracker—he knew all the invisible signs of the savanna. He had often told me: Only humans recognize silence. For all the other creatures, the world is never silent and even the grass growing and the petals opening make a huge noise. In the bush, the animals live by listening. That’s what my father envied at that moment: He wished he were an animal. And far from human beings, to be able to return to his lair and fall asleep without pity or guilt. I know you’re there!”

In Confession, a small (fictional) village in Mozambique, Kulumani, is gripped with fear by a sudden spate of lion attacks on the village women. A hunter is employed to kill the lion, with a writer accompanying the hunter to chronicle the ‘adventure’. But there are other forces at work, and like much of Couto’s writing, lines between the literal and figurative are blurred. Women characters talk of themselves as though they are already dead — or are animals living within human bodies, while the language used to describe how events unfold hint at the possibility that there have been no lions at all attacking women, and perhaps something more mundane, but more horrible, such as men killing women, is happening. No definitive answers appear, but answers aren’t important. It’s more the setting of the scene and realizing what years of civil war and violence have done to the people and the place that make up this work.

*A Black Women’s History of the United StatesDaina Ramey Berry

Black women are at the core of – and key to – American history. This book explains how. Also included in my “Confront head-on our white racist BS” reading list.

*Washington BlackEsi Edugyan

“The skin around his eyes tightened. He shook his head. “Negroes are God’s creatures also, with all due rights and freedoms. Slavery is a moral stain against us. If anything will keep white men from their heaven, it is this.””

The story of a boy who, almost by chance, manages to escape slavery on a Barbados sugar plantation. I am not sure what I expected when I started reading this, but it was so much more than I imagined. It was engrossing.

“Death was a door. I think that is what she wished me to understand. She did not fear it. She was of an ancient faith rooted in the high river lands of Africa, and in that faith the dead were reborn, whole, back in their homelands, to walk again free. That was the idea that had come to her with the man in white, like a thread of poison poured into a well.”

*The Housekeeper and the ProfessorYoko Ogawa

“I remembered something the Professor had said: “The mathematical order is beautiful precisely because it has no effect on the real world. Life isn’t going to be easier, nor is anyone going to make a fortune, just because they know something about prime numbers. Of course, lots of mathematical discoveries have practical applications, no matter how esoteric they may seem.”

“The Professor never really seemed to care whether we figured out the right answer to a problem. He preferred our wild, desperate guesses to silence, and he was even more delighted when those guesses led to new problems that took us beyond the original one. He had a special feeling for what he called the “correct miscalculation,” for he believed that mistakes were often as revealing as the right answers. This gave us confidence even when our best efforts came to nothing.”

A young housekeeper is assigned by her agency to clean and care for a mathematician who, due to a brain injury, loses short-term memory every 80 minutes (if I recall correctly). Each day when the housekeeper turns up for work, the whole introduction begins again. At some point she begins to bring her son along to work with her because the professor has insisted, and there develops an unusual kinship among the three. There isn’t necessarily a deep plot here, but it was still engaging.

“He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world.”

*Angela’s Ashes: A MemoirFrank McCourt

I didn’t expect to be including Angela’s Ashes among the things I found best during July. By the time I got around to reading it, it had, of course, already hit best-seller lists and been adapted into a film (which I’ve never seen).

It’s one of those things I wouldn’t normally read, but for some reason I did. It’s an easy read in the sense that one can tear through it quickly because it’s that readable; on the other hand, the subject matter is difficult in that it describes abject poverty and people trying to live in the midst of that. What makes it readable and compelling is the fact that McCourt has told it from the perspective of a child. Despite the fact that this is a brutal account of growing up in extreme poverty in Ireland – and misery pervades — it’s in some ways so innocent, such as when the narrator recounts everything from having mustard for the first time (and uses “sangwidge” to write “sandwich”, which is one of those things I’ve always found cute among Glaswegians as well), to, more broadly, the matter-of-fact way of reporting daily realities and speech.

“There are Thursdays when Dad gets his dole money at the Labour Exchange and a man might say, Will we go for a pint, Malachy? and Dad will say, One, only one, and the man will say, Oh, God, yes, one, and before the night is over all the money is gone and Dad comes home singing and getting us out of bed to line up and promise to die for Ireland when the call comes.”

*I’ll Be Gone in the DarkMichelle McNamara

I remember many years ago having a very brief conversation with a Dutch guy, and when I told him a bit about myself and my youth growing up around Seattle, I happened to say a few words about the proliferation of serial killers from the area (both Ted Bundy and Gary Ridgway – the Green River Killer come from there). The guy I was talking to flipped out and decided I was “sick” for talking about such things so casually and for knowing so much about serial killers in the first place. It struck me as a strange overreaction, but I didn’t really know anyone else who had an academic interest in serial killers. But this was the dawn of the internet true crime genre — before Michelle McNamara and others like her took to the internet to write about and discuss these cases and mysteries ad nauseam. Through McNamara’s work, I think a lot of people realized that they were not alone.

“The truth, of course, was much weirder: I was foregoing a fancy Hollywood party to return not to my sleeping infant but my laptop, to excavate through the night in search of information about a man I’d never met, who’d murdered people I didn’t know.

Violent men unknown to me have occupied my mind all my adult life—long before 2007, when I first learned of the offender I would eventually dub the Golden State Killer. The part of the brain reserved for sports statistics or dessert recipes or Shakespeare quotes is, for me, a gallery of harrowing aftermaths: a boy’s BMX bike, its wheels still spinning, abandoned in a ditch along a country road; a tuft of microscopic green fibers collected from the small of a dead girl’s back.

To say I’d like to stop dwelling is beside the point. Sure, I’d love to clear the rot. I’m envious, for example, of people obsessed with the Civil War, which brims with details but is contained. In my case, the monsters recede but never vanish. They are long dead and being born as I write.

The first one, faceless and never caught, marked me at fourteen, and I’ve been turning my back on good times in search of answers ever since.”

That said, I’ve never been that passionate about the subject. I have a passing interest in true crime – and my knowledge of and interest in Bundy and Ridgway were “local interest” stories more than any fascination with rapists and killers. It’s similar to my passing interest in the bizarre story of the Enumclaw animal-sex case in which a bunch of men were having sex with horses until one of the men died. The story is horrible, and I am not interested in the details — it’s just that that was a local stomping ground, so it was of interest when it was an anonymous blurb in the local paper as much as when it became a national story and eventually a documentary called Zoo. I read the stories; I saw the documentary. But I won’t be visiting or starting any online communities dedicated to that or serial murderers.

With all of that background out of the way, though, let’s just take a moment to revel in Michelle McNamara’s glorious voice. Voice is one of the most challenging things to tackle in writing – but she had a distinctive, powerful, clear voice that was recognizably hers. In the parts of the book that she had painstakingly written, the strength of her inimitable voice shone through. Her blog had always showcased this, but writing a book is different. So much more scrutiny, deadlines, expectation. I imagine that some of this pressure and perfectionism is what led to her overuse of the drugs that eventually took her life. And that perfectionism is what made everyone around her miss all the signs that something was wrong. I didn’t know her, but both her writing — and the accompanying documentary about the book and her life — make it clear that she was meticulous. You would only see what she wanted you to see, and if she was even aware of how dependent she had become on various pharmaceuticals, she would have downplayed it (as her husband Patton Oswalt described in the docu).

*The Poems of Octavio PazOctavio Paz

*Hotel InsomniaCharles Simic

*Beautiful False Things: PoemsIrving Feldman

*Where Now: New and Selected PoemsLaura Kasischke

All poetry. All necessary.

Good – or better than expected

*Going Home: A Walk Through Fifty Years of OccupationRaja Shehadeh

“Clothes are like houses, objects we cover ourselves with and often dwell in so as to create an impression for others and not just for the comfort they provide. My different lives are represented by the different clothes I have worn, as by the homes located in different parts of the city where I have lived. To this day I have my writerly clothes and my lawyerly ones, some from when I started my career thirty-seven years ago – shirts, belts, trousers and jackets.”

A journey through Ramallah in the West Bank – emotional but almost journalistic. I happened to read this at the same time as I watched several Israeli TV shows that inevitably depict aspects of the occupation… and how it is a central function, or determinant, of Palestinian life.

“My jar is now whole again. You can see the individual pieces when light shines through the holes which I failed to fill, but you can appreciate the effort of rebuilding the whole after the disastrous breaking. Perhaps one day this will be the fate of Palestine too. It will become whole again, far more appreciated after going through wars and massacres before being reconstructed kintsugi-style.”

“How extensive has been Israel’s success. This woman who now lives in a Jewish settlement in the West Bank is working in the department that exercises so much power over us and determines which Palestinian can or cannot live in the city of their birth with their spouse. Not only have we failed to end the occupation, but every year it seems to be ever more entrenched. Almost daily now we hear of killings of young men who attempt to stab Israelis.”

*Last Night in NuukNiviaq Korneliussen

Unusual, brief book delivering a slice of life look at young life in Greenland. Perhaps it’s not perfect – drags on a bit in places, and the stream of consciousness style and point-of-view changes don’t always lend a lot to the story, but it’s a debut novel that shows promise and gives us a glimpse into something we never hear about – life in Greenland.

*Born in SarajevoSnježana Marinković

I will read almost anything I find about the breakup of the former Yugoslavia and the subsequent war and forming of new states. This is a memoir both of the breakup of the country and disintegration of a family told through the eyes of one girl experiencing what became a familiar story as Yugoslavia split and violence ensued. The story itself was very personal but could at times be frustrating.

*Gravel HeartAbdulrazak Gurnah

“‘No one bid the British to come here,’ my mother’s father said. ‘They came because they are covetous and cannot help wanting to fill the world with their presence.’”

A boy grows up in a changing Zanzibar and doesn’t, as a child, understand why his father has abandoned the family or why his mother makes seemingly selfish decisions. He is sent to live with his shady uncle in London, and his life completely changes. He doesn’t get the answers he seeks until much later in life… too late to completely make amends.

“Everything is complicated and questions simplify what is only comprehensible through intimacy and experience. Nor are people’s lives free from blame and guilt and wrong-doing, and what might be intended as simple curiosity may feel like a demand for a confession. You don’t know what you might release by asking a stupid question. It was best to leave people to their silences.”

*Several books by Israeli-Arab writer Sayed Kashua, e.g. Let It Be Morning and Dancing Arabs

I read several books by Sayed Kashua, and in reading about him stumbled on this lovely but heartbreaking letter exchange between Israeli author Etgar Keret and Kashua after Kashua left for a sabbatical in the US.

*A Carnival of Losses: Notes Nearing NinetyDonald Hall

“You are old when you learn it’s May by noticing that daffodils erupt outside your window. You are old when someone mentions an event two years in the future and looks embarrassed. You are old when the post office delivers your letters into a chair in your living room and picks up your letters going out. You are old when you write letters.”

The best parts of this book were excerpted liberally upon publication and around Hall’s death. But there were nevertheless a few important thoughts that still gave this book something extra. Perhaps it is just that one feels Hall’s observations naturally, inevitably, as one ages: the speed of time but the slowing down of so many of life’s things (and the value of that slowness), the coming of old age, the growing delight of solitude that is interrupted only by those moments when another’s presence brings momentary relief…

“I look forward to her presence and feel relief when she leaves. Now and then, especially at night, solitude loses its soft power and loneliness takes over. I am grateful when solitude returns.”

“When I was sixteen I read ten books a week: E. E. Cummings, William Faulkner, Henry James, Hart Crane, John Steinbeck. I thought I progressed in literature by reading faster and faster—but reading more is reading less. I learned to slow down.”

“An athlete goes professional at twenty. At thirty he is slower but more canny. At forty he leaves behind the identity that he was born to and that sustained him. He diminishes into fifty, sixty, seventy. Anyone ambitious, who lives to be old or even old, endures the inevitable loss of ambition’s fulfillment.”

Entertaining/informative/thoughtful or some combination thereof

*A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage and My LifeAyelet Waldman

I have read many books by Waldman – some I’ve liked more than others, but overall there is such a needy quality to her, particularly when she writes autobiographically — like this book. Her insistence on writing about her near-obsession with her husband seems…troubling. This book chronicles day by day her experience with a total of 30 days of microdosing with LSD to see if it would help her moodiness and near-debilitating depression. It seems like it helped, and there are interesting passages in the book about the discovery and possibilities of LSD for clinical use. But the book overall was hard to get through, mostly because of this aforementioned neediness and intense… reliance on one’s spouse for a sense of self-worth (while also seeming to — probably due to depression — behave… badly toward that spouse. I get it — sort of. But I guess it just doesn’t make good reading for me. But it probably is great for someone — as I said, there is a lot of good information here. Just hard to sort it out from the rest.

*Last Witnesses: An Oral History of the Children of World War IISvetlana Alexievich

“I am a person without childhood. Instead of childhood, I had war.”

Children will witness war and suffer just as adults do – prematurely losing the innocence associated with childhood. Alexievich’s ability to bring a variety of people’s recollections and stories to life is remarkable and makes even difficult subject matter easy to read and feel.

“What do I have left from the war? I don’t understand what strangers are, because my brother and I grew up among strangers. Strangers saved us. But what kind of strangers are they? All people are one’s own. I live with that feeling, though I’m often disappointed. Peacetime life is different…”

Told from POV of children and adolescents as they realized war was happening, what that meant to them. It’s heartbreaking (as most of Alexievich’s books are).

*Women, Race & ClassAngela Y. Davis

Davis’s take on the women’s movement and how it has been slowed by the lack of acknowledging intersectional concerns.

“This bears repeating: Black women were equal to their men in the oppression they suffered; they were their men’s social equals within the slave community; and they resisted slavery with a passion equal to their men’s. This was one of the greatest ironies of the slave system, for in subjecting women to the most ruthless exploitation conceivable, exploitation which knew no sex distinctions, the groundwork was created not only for Black women to assert their equality through their social relations, but also to express it through their acts of resistance. This must have been a terrifying revelation for the slaveowners, for it seems that they were trying to break this chain of equality through the especially brutal repression they reserved for the women. Again, it is important to remember that the punishment inflicted on women exceeded in intensity the punishment suffered by their men, for women were not only whipped and mutilated, they were also raped.”

*Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War IIDouglas A. Blackmon

“Beginning in the late 1860s, and accelerating after the return of white political control in 1877, every southern state enacted an array of interlocking laws essentially intended to criminalize black life.”

Since the end of slavery, we’ve lived in an era of “neo-slavery” — the creation of a new form of enslavement that is enshrined in the legal system, corporate greed, suppression of black citizenship and participation. Very clear manipulation of the system to engineer continued oppression of an entire group of people and a consistent supply of free labor on which capitalism relies.

“A world in which the seizure and sale of a black man—even a black child—was viewed as neither criminal nor extraordinary had reemerged. Millions of blacks lived in that shadow—as forced laborers or their family members, or African Americans in terror of the system’s caprice. The practice would not fully recede from their lives until the dawn of World War II, when profound global forces began to touch the lives of black Americans for the first time since the era of the international abolition movement a century earlier, prior to the Civil War.”

*TriesteDaša Drndić

“History, an ornate lady who does not die easily, dresses again and again in new costumes, but keeps telling the same story. History as Dracula, History as the Vampire, the vampiric fate of history, History the Bloodsucker, that great mistress of humanity.”

I think if I had been in another frame of mind when I read this, it would have been one of my favorites of the month. But I read it at the wrong time, and it struck me as dense and fascinating… and worth a second read.

“Conversations about the past are like little confessions, like unburdenings, after which the soul returns to the present on angel wings, fluttery and luminous.”

In Trieste, Drndić grapples with history — examining 20th century events almost like a historian while weaving in storytelling about victims and villains. And sometimes how history is elastic — it is eroded enough that it’s not fully erased. We might be able to trace it and find surprising things hidden in the faded past.

“Haya learns of Tom Stoppard, too. She hears that Stoppard was born Tomás Straussler in the town of Zlin, Moravia, where Bata sets up his famous shoe factory. She learns that until 1999 Tom Stoppard has no clue he is Jewish; then (by chance) he finds out that he is. Tomás’ father Eugene Straussler works at the factory hospital as a physician. Immediately after the German occupation of Czechoslovakia, in 1939, Mr Bata decides to save his employees, including the physicians, by sending them off to the branch offices he owns all over the world. The Straussler family relocate to Singapore, but before the Japanese occupation, Marta Beck (Straussler by marriage) leaves with her two sons and goes first to Australia, then to India, while Eugene Straussler boards a ship full of refugees somewhat later. The Japanese shell his ship and with it sinks Eugene. In India, Marta Straussler meets a British officer by the name of Stoppard who asks her to marry him. He gives her boys his last name and together they return to his homeland, England, where they live happily ever after, as if their earlier life had never happened, as if there had never been a family, a war, camps, another language, memories, not even a little Czech love. In 1996 Marta Beck (Straussler by marriage, Stoppard by marriage) dies, and at that moment Tomás, no longer a boy, born Straussler, re-born Stoppard, starts digging through his past now that he is tired of writing plays or now that his inspiration has dried up—who knows?—and time unfolds before him. In the Czech Republic Tomás learns that his grandfathers and grandmothers, uncles and aunts, cousins, all of them disappeared as if they had never lived, which, as far as he is concerned…”

*Inconspicuous Consumption: The Environmental Impact You Don’t Know You HaveTatiana Schlossberg

I think more than I should about the invisible things we do that have incredible environmental footprints. One thing is the constant use of the internet – especially now that we are streaming all of our entertainment. This requires a shocking amount of energy — but it’s not as conspicuous or easy to calculate as the carbon debt we run up when we drive a car or take a flight somewhere. No, much of the physical infrastructure of the internet and what makes it run is hidden from site and euphemistically called “the cloud”. But the infrastructure — and all its energy-thirsty demands still exist. And we’re adding to that consumption every day.

“…the physical things we interact with every day and lots of our daily activities don’t exist in a vacuum—they’re much more connected to each other, to global climate change, and to each one of us than we think. The story of climate change—and all of our stuff—is actually a story about everything: science, health, injustice, inequality, national and international politics, the natural world, business, normal life. Climate change affects everyone constantly, but, until very recently, we usually only talked about it for a few days when some natural disaster happened or a particularly scary report by government scientists came out—if then—before we moved on to something else.”

Schlossberg takes on the less obvious energy and resource guzzlers in this book, looking in some depth at everything from ICT costs to the staggering costs of the fashion industry, among others.

*Superbugs: The Race to Stop an EpidemicMatt McCarthy

Any book on a superbug or virus… I tend to grab and read them all. I’ve been thinking a lot about antibiotic resistance for years, although this important and ongoing crisis tends to be forgotten and overshadowed when we find ourselves in times of more urgent crises, e.g. coronavirus. But, as McCarthy points out: More than 20,000 people die in the United States each year because of an antibiotic-resistant infection. And there are not enough new antibiotics in the pipeline to keep up with the growing ineffectiveness of the antibiotics we do have. Most tellingly – and this will surprise no one in our capitalist societies – antibiotics are expensive to develop, don’t have a long life (because we wear them out to the point of resistance) and are not money makers. Even with active antibiotic stewardship programs, where infectious disease experts make determinations about antibiotic prescriptions, there aren’t enough antibiotics now or in the offing.

A few crossover points with current events and other reading… McCarthy’s discussion on the shortage of infectious disease specialists makes us appreciate Dr Anthony Fauci even more (he is, of course, mentioned in this book):

“Infectious diseases specialists have become a dying breed in some parts of the country, cast aside by modern medicine. Most doctors are now compensated based on the types (and cost) of procedures they perform, and infectious diseases doctors don’t really perform procedures. Ours is a cognitive specialty, providing expert consultation, and reimbursement schemes haven’t figured out how to keep up with the tremendous demands of the work. The field is experiencing a brain drain, and every year, it gets a bit worse. Specialists still flock to big cities on the coasts, but the middle of the country has been hit hard by the changing economics of medicine. Young doctors are less interested in infectious diseases than their predecessors were, and this presents a problem: once lysin is approved, there need to be specialists who know how to use it.”

Also, McCarthy writes:

“Pharmaceutical research and development has the highest failure rate for new products of any industry, which raises important questions: How far should we go to incentivize the production of new drugs?”

This ties in with another book I read this month:

*Rigor Mortis: How Sloppy Science Creates Worthless Cures, Crushes Hope, and Wastes Billions  — Richard F. Harris

Not only are there limited private funds for certain kinds of pharma research (no one wants to fund research for drugs that won’t turn a handsome and relatively quick profit), but public taxpayer funded research isn’t easy to come by.

“Taxpayers fund medical research – but what good is it, how effective is that spending – if most of the science produced – or how results are interpreted – turns out to be skewed to support the goals of the researchers rather than finding actual answers?”

“The ecosystem in which academic scientists work has created conditions that actually set them up for failure. There’s a constant scramble for research dollars. Promotions and tenure depend on their making splashy discoveries. There are big rewards for being first, even if the work ultimately fails the test of time. And there are few penalties for getting it wrong.”

Similarly,  despite peer review, there does not seem to be adequate oversight or rigor (hence the book’s title) required to make research results reliable — and replicable. Replicability of results is a major crisis across the disciplines — as the book highlights, one study with faulty (but “positive”) results can often go undetected when other scientists begin citing those research findings even without testing for themselves to see if they can reproduce the same results or find the same significance.

“There she saw one big problem with cancer research: scientists were not approaching many studies with enough rigor. Each scientist had his or her own way of working, but those were not standardized or often repeatable. That’s the culture of biomedical science today—researchers are individual entrepreneurs, each attacking a small piece of the problem with gusto. Barker says that unfortunately the quality of the work is all over the map—and there’s typically no way to tell which studies you can believe and which you can’t, especially when scientists try to add together results from different laboratories, each of which has used its own methods.”

And this is…well, again, it’s in the title: sloppy at best, and a waste of tens of millions of research dollars at worst.

“Begley said one of the studies he couldn’t reproduce has been cited more than 2,000 times by other researchers, who have been building on or at least referring to it, without actually validating the underlying result.”

Harris lays out the stark choice scientists are often forced to make: reporting rigorous results openly to advance medical science OR do what’s best for their career, which may require secrecy, fudging of results (or willfully deceiving oneself about the results or how to report them). And, as Harris reports, the time to make this choice is now:

“Arturo Casadevall at the Johns Hopkins Bloomberg School of Public Health shares that sense of alarm. “Humanity is about to go through a couple of really rough centuries. There is no way around this,” he said, looking out on a future with a burgeoning population stressed for food, water, and other basic resources. Over the previous few centuries, we have managed a steadily improving trajectory, despite astounding population growth. “The scientific revolution has allowed humanity to avoid a Malthusian crisis over and over again,” he said. To get through the next couple of centuries, “we need to have a scientific enterprise that is working as best as it can. And I fundamentally think that it isn’t.””

*Mindwise: How We Understand What Others Think, Believe, Feel and WantNicholas Epley

And so, with the obvious benefits that come from social understanding, you and I and nearly every other human being on the planet have become so well practiced at reading the minds of others that our sixth sense operates almost invisibly. As philosopher extraordinaire Jerry Fodor has written, “Commonsense psychology works so well, it disappears.” Only at the rare times when it is stretched beyond its limits, or is proven to be profoundly mistaken, does its existence come back into view.”

I kind of expected this book to be a surface-level, self-help, best-seller type thing, so I didn’t think I’d invest a lot of effort into reading it. It turned out to be a little bit like what I expected but it dives into much more. First and foremost – addressing the overconfidence people have about their ability to read and understand others (particularly those they are closest to).

“Getting to know someone, even over a lifetime of marriage, creates an illusion of insight that far surpasses actual insight.”

And at the root of this is understanding oneself — Epley writes that the disconnect between what people think about themselves and how they actually behave is one of the most common things found about perceptions of self when studied by psychologists. One of the most prominent studies, though largely seen as unethical by today’s standards, is the Milgram experiments. I’ve written about this SO MANY times before because it comes up in virtually every psychology textbook, course and discussion, whether it’s on experimental design and ethics, about obedience to authority or about the sense of self. It is cited in all kinds of pop culture, including tv shows like Law & Order SVU. You can’t escape Milgram.

And in Epley’s book it is a good illustration of exactly how misaligned our own ideas about ourselves are with what we actually do. In the Milgram experiment, most participants would likely have classified themselves as nice/good people who would never cause intentional harm to anyone else. But the experiment pushed the limits of what people were willing to do if they were being given instructions by someone who appeared to be in a position of authority. More than 60% of participants in Milgram’s study willingly pushed a button that they were told would shock a person in another room (even to the point of death) because they were “just following orders”. We are seeing things play out similarly in society right now — people who love to claim that they would have resisted Nazi terror are at best silent now and at worst buying into patently fascist and dictatorial moves in US politics.

Epley shows time and again, in different ways, that we are not who we say or think we are. One way we all do this is through “the planning fallacy”. Most of us underestimate how long it will take to get things done. Do we really just not know how long tasks take or are other factors at play? We all struggle with this at times, but some people are much more likely to fall prey than others (to my frustration).

“What’s surprising is how easily introspection makes us feel like we know what’s going on in our own heads, even when we don’t. We simply have little awareness that we’re spinning a story rather than reporting the facts.”

Fascinating book that simplifies some of the constructive work the brain is always — and almost effortlessly — doing. And how the effortlessness of that work can fool us until thinking we know a great deal more than we actually know.

*They Fight Like Soldiers, They Die Like Children: The Global Quest to Eradicate the Use of Child SoldiersRoméo Dallaire

I did not “enjoy” this book – in fact it’s very disturbing. But we need to remind ourselves, or in some cases learn for the first time, about the atrocities of the world, of recent history. I know plenty of people who blindly ignore these kinds of things because they don’t want to see the darkness of the world – the true darkness. But how can we prevent further such atrocities if we don’t come to terms with their existence and how horrific they actually are? Recently I had a number of long discussions about ethnic cleansing and civil wars that almost no one seems to remember (Sierra Leone, Rwanda, etc.). The 25-year anniversary of Srebrenica recently passed, and I cannot count the number of people I mentioned it to who claimed never to have heard of it. These are brutal, gruesome events in recent history, but for some, these are relics of a long-distant past… and for others, things that never registered for them in the first place. I find the indifference and ignorance… more than painful.

Biggest disappointment (or disliked)

*A Confederacy of DuncesJohn Kennedy Toole

I could barely get through this. I don’t know why it’s so widely lauded. I could be missing something. I might have read it at the wrong time and not given it enough time to land. But every time I sat down to read, I wanted to give up. And that doesn’t usually happen to me.

*Becoming Cliterate: Why Orgasm Equality Matters – And How to Get ItLaurie Mintz

You’d have to be totally uninformed to find this book informative. Then again I am constantly surprised by how mysterious people find their own bodies, so how could a partner find another’s body any less so? The book does at least acknowledge that much of this ignorance comes from the misinformation and a lack of education that exist around female bodies, sex and orgasms … both formally and in the media and cultural realm. But I am not sure it delivered on the promise of the title. Does it really explain why its author believes “orgasm equality” matters?

*Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s PainAbby Norman

“I’ve often found it curious that when a woman is suffering, her competence is questioned, but when a man is suffering, he’s humanized. It’s a gender stereotype that hurts both men and women, though it lends itself to the question of why there is a proclivity in health care, and in society, to deny female pain.”

I was keen to read this book because the title promised something. There are a lot of voices in the media and even in medicine speaking up about the imbalance between how men and women are treated by the medical system. This ranges from how clinical trials are run to how drug dosing recommendations are made. Because men are always seen as the default, everything comes back to them. On an individual level, there are countless stories of women whose pain is discounted, disbelieved and dismissed. In this story, the writer keeps fighting back. As you discover as you read, she has very little choice but to keep advocating for herself, despite how her life otherwise falls apart.

“…she glanced down at my notepad where I’d scribbled something about the patriarchy of medicine. She pointed to it and just gave me a simple, but bold and resounding, “Yes.” “I think perhaps my biggest take as a woman is that I have so many people come to me who are willing to tolerate so much, or they have tolerated so much,” Dr. Marin began in our discussion of female pain. “Either because no one was willing to listen to them, or just because they thought it was normal, or that was the price of being a woman—that they don’t have to tolerate.””

“The problem with a woman’s “blood” was really not the problem at all: vaginas were the problem. To extrapolate, women’s sexuality was the problem. Women having agency of their bodies was the problem.”

Still, even with all this background, and the timeliness of the theme, I thought this book would be a lot more interesting. Of course I don’t want to criticize the author. I believe in her pain and the ordeal she went through to get diagnosed, to get treatment, to live without pain, and most of all, to be believed. The book probably needed excruciating detail of everything she went through to show how far women have to go to find relief. But I guess I’m hypersensitive to people’s illnesses and propensity to never stop talking about them, which should lead me away from reading books like this. But here we are.

Said and read – April 2020

Standard

“What would it be like if a Level 4 virus event occurred and the Ancient Rule arrived in the supercity of New York? It wouldn’t take much to produce the Ancient Rule in New York City. A dry virus with high mortality that infects people through the lungs. No vaccine, no medical treatment for the virus. If you take the subway, if you ride in an elevator, you can be infected, too. If the Ancient Rule came to New York City, we can imagine people lying face down on the street or in Central Park, crowds staring and hanging back. People begging for help, no one willing to help. Police officers wearing full PPE gear. People needing ambulances. No ambulances. Hospitals gone medieval. Medical staff absent, dying, overwhelmed. All hospital beds full. People being turned away on the street from Bellevue Hospital. Medical examiner facilities gone hot as hell and crammed with corpses.” Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come Richard Preston

Image courtesy of S Donaghy

What kinds of things defined April for you? Budgets cut, marriages ended, and we wonder… how many of these things were hastened – how many would have happened at all – if we had been distracted by all the things that normally make up our daily lives? Do we live more authentically in an era when we are forced to have no other distractions? Do we succumb to identity crises because so many of us were defined by the things we did that kept us busy? Is it painful that now, perhaps, we face our unvarnished selves for the first time without the filter of all those intermediary people and acts?

Life slowed down in April, affording me the ability to read an unthinkable amount. And as always, it was richly varied – some exceptional, some disappointing, some timely, some timeless.

We remain in the limbo of not knowing where the COVID-19 virus will take us, “guided” by leadership that, at best, leaves much to be desired. During these April weeks, I have – for some reason – read various books about epidemics, pandemics, epidemiology and a variety of other seemingly unrelated topics, such as economics and politics. Before this pandemic, I had rarely, if ever, heard the name “Anthony Fauci“, in much the same way that you don’t expect to be familiar with the names of public servants who aren’t, for example, presidents, prime ministers or cabinet-level ministers. Yet, suddenly, Fauci was everywhere. In a Larry Kramer documentary, and several books I read about the AIDS crisis, the Ebola crisis… and any book that mentions the NIH/NIAID.

In the end everything is interrelated. The more I read, obviously the more connections I find. So many books from both the near and distant past warn us of impending crises of all kinds. It’s hard to read these and know what to do; helplessness is paralyzing.

Here’s what you missed in previous years: 2020 – March, February, January. 2019 – December, November, October, September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for April:

Highly recommended

“I don’t remember a time when I felt safe in America, but I remember when I thought it was possible I would be, someday. The nostalgia for what never was is a familiar feeling for those born in the opening salvo in the symphony of American decline.” –Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of AmericaSarah Kendzior

*Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of AmericaSarah Kendzior

“One of the most horrific realizations when your government is hijacked from the inside is that there is no official to whom you can turn—because it is rare to find an official who cannot be turned by a corrupt operator. Living for legacy, living for security, living for money—it makes no difference, they are not living for you. There had been a coup, and we were on our own.”

All I can say about Hiding in Plain Sight is that you must read it.

“What Americans rejected in 2016 was not trust but discernment. A criminal can bury the truth in a conspiracy because no one will believe it except those accustomed to parsing absurdities, who are then mocked as insane.”

To understand more about how we got here (in part because “American exceptionalism—the widespread belief that America is unique among nations and impervious to autocracy—is the delusion that paved Trump’s path to victory”) you must also read Kendzior’s earlier book, The View from Flyover Country: Dispatches from the Forgotten America.

“The only honest line of Trump’s campaign was that America was broken. Trump would know: he helped break it, and now he and his backers sought to capitalize off the wreckage. Trump did not strike me as stupid, like pundits kept proclaiming, but as a master manipulator who preyed on pain like a vulture.”

While you’re at it, you also need to invest time in the Gaslit Nation podcast, also brought to us by Sarah Kendzior and Andrea Chalupa. Both Kendzior and Chalupa present their hard-won expertise, analysis and insight, which emerge from their backgrounds in academic and journalistic research. That is, the real kind of research – not the “I looked at the internet and found something to support my beliefs” kind we now blindly accept as we devalue education, expertise in specific disciplines, journalistic integrity, historical accuracy and truth. Kendzior’s area of expertise is in authoritarian states/dictatorships (this is, again, simplifying it), while Chalupa is a writer and journalist.

“I took a picture of an anti-Trump protester holding a sign that said THE BANALITY OF EVIL—a reference to Hannah Arendt, the philosopher who said of life under the Nazi regime: “The sad truth is that most evil is done by people who never make up their minds to be good or evil.” The Trump rally was a study in how people capable of compassion can turn cruel in response to the rhetoric of their chosen leader or in retaliation to those who dare oppose him.”

““You were right two years ago, but this isn’t going to be Nixon. This is American authoritarianism, and they are going to tell us ‘That’s not possible’ until nothing else is.””

None of what Kendzior has predicted (repeatedly) will seem unfamiliar to you in hindsight. Much of it may seem unbelievable when reflected upon, but we’ve been on the slippery slope, being primed for this nightmare for a long time.

“In 2002, Ron Suskind, a journalist for The New York Times, interviewed a Bush administration official later identified as adviser Karl Rove. Suskind recalls: [Rove] said that guys like me were “in what we call the reality-based community,” which he defined as people who “believe that solutions emerge from your judicious study of discernible reality.” I nodded and murmured something about enlightenment principles and empiricism. He cut me off. “That’s not the way the world really works anymore,” he continued. “We’re an empire now, and when we act, we create our own reality. And while you’re studying that reality—judiciously, as you will—we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors … and you, all of you, will be left to just study what we do.””

“This uncritical embrace of authority for its own sake is similar to the excuses given for the refusal of officials to address the attacks on the 2016 election in depth. (The Russians want us to distrust the integrity of the US election process, the pundit explains, therefore we must never, ever question what the Russians did to the election process!) The trustworthiness of a process or person was to be dictated from above by “history’s actors,” not decreed from below by the empirical observations of the masses. What Rove did in that interview—and what Trump does now—was take the ruse one step further, and admit to manipulation openly, not even giving the public the illusion of an honest broker.”

“This is not boldness: crime ceases to be risky when you know you will get away with it. In the twenty-first century, the corporate loopholes that enable white-collar crime double as nooses around the neck of Western democracy. In the Reagan era, Trump’s Republican backers helped devise the dissolution of corporate regulations. In the Bush era, they chipped away at political checks and balances, with the near elimination of accountability as a result. The Republican party provided the structure for an American autocracy enabled by corporate corruption. But it was television producers who gave the future autocrat his most important script.”

I could go on. Instead, you must read the book.

““In fall 2016, I said to a friend, “I don’t know who has it worse—the people who understand what is going to happen, or the people who don’t.” Her answer was simple: “Neither of them: it’s the kids.” For the past four years, I have been taking my children on road trips around America, in the event of its demise. This compulsion began in September 2016, when I became certain that American authoritarianism loomed. National landmarks that I had long taken for granted seemed newly vulnerable to destruction or desecration. It was important to me that my kids see America with their own eyes, and not through mine. I want my children to have their own memories of the United States, so that if they’re confronted with a false version years from now, they can say, “No, I saw it. We had that. This was real. That America was real.””

*Doughnut Economics: Seven Ways to Think Like a 21st-century EconomistKate Raworth

“…whenever I hear someone praising the ‘free market’, I beg them to take me there because I’ve never seen it at work in any country that I have visited.”

Doughnut Economics would have been an important book about how to think about and reform economics at any time. In this particular moment, which could be a crossroads, it is a vital contribution to rethinking what economics is and can be.

“‘As markets reach into spheres of life traditionally governed by nonmarket norms, the notion that markets don’t touch or taint the goods they exchange becomes increasingly implausible,’ warns Sandel. ‘Markets are not mere mechanisms; they embody certain values. And sometimes, market values crowd out nonmarket norms worth caring about.’”

“One thing that is clearly coming to an end is the credibility of general equilibrium economics. Its metaphors and models were devised to mimic Newtonian mechanics, but the pendulum of prices, the market mechanism and the reliable return to rest are simply not suited to understanding the economy’s behaviour. Why not? It’s just the wrong kind of science.”

“From this perspective, the 1989 fall of the Berlin Wall, the 2008 collapse of Lehman Brothers and the imminent collapse of the Greenland ice sheet have much in common. All three are reported in the news as sudden events but are actually visible tipping points that result from slowly accumulated pressure in the system—be it the gradual build-up of political protest in Eastern Europe, the build-up of sub-prime mortgages in a bank’s asset portfolio or the build-up of greenhouse gases in the atmosphere.”

“This should set the alarm bells ringing: in the early twenty-first century, we have transgressed at least four planetary boundaries, billions of people still face extreme deprivation and the richest 1 percent own half of the world’s financial wealth. These are ideal conditions for driving ourselves towards collapse. If we are to avoid such a fate for our global civilisation, we clearly need a transformation, and it can be summed up like this: Today’s economy is divisive and degenerative by default. Tomorrow’s economy must be distributive and regenerative by design. An economy that is distributive by design is one whose dynamics…”

When I took up the formal study of economics more than 20 years ago, I ran into walls  – walls that have grown taller and thicker over time. Mostly this is because, when I started, I was more willing to accept, as Raworth describes it, economics’ “long-established theories”, rather than the more sensible and just “humanity’s long-term goals”. It did not occur to me until I was, as Raworth also describes, deep in the abyss of trying to understand accepted theory, that there might be another way.

“I was so busy getting to grips with the theory of demand and supply, so determined to get my head around the many definitions of money, that I did not spot the hidden values that had occupied the economic nest. Though claiming to be value-free, conventional economic theory cannot escape the fact that value is embedded at its heart: it is wrapped up with the idea of utility, which is defined as a person’s satisfaction or happiness gained from consuming a particular bundle of goods.”

“It was only when I opted to study what was at the time an obscure topic—the economics of developing countries—that the question of goals popped up. The very first essay question that I was set confronted me head-on: What is the best way of assessing success in development? I was gripped and shocked. Two years into my economic education and the question of purpose had appeared for the first time. Worse, I hadn’t even realised that it had been missing. Twenty-five years later, I wondered if the teaching of economics had moved on by recognising the need to start with a discussion of what it is all for.”

How can future economists reclaim and reframe what economic success and progress look like, and espouse a way of “economic thinking that would enable us to achieve” and meet humanity’s needs and goals? Now more than ever, as unemployment numbers reach record territory, and when “full employment” doesn’t reflect the number of people in more than full-time employment who nevertheless live in poverty, how can we redefine economic prosperity to encompass human well-being instead of by impenetrable and meaningless GDP and stock market figures?

“And so, over half a century, GDP growth shifted from being a policy option to a political necessity and the de facto policy goal. To enquire whether further growth was always desirable, necessary, or indeed possible became irrelevant, or political suicide.”

“Donella Meadows—one of the lead authors of the 1972 Limits to Growth report—and she didn’t mince her words. ‘Growth is one of the stupidest purposes ever invented by any culture,’…”.

“response to the constant call for more growth, she argued, we should always ask: ‘growth of what, and why, and for whom, and who pays the cost, and how long can it last, and what’s the cost to the planet, and how much is enough?’

I am oversimplifying this book, and haven’t even mentioned its analysis or prescriptions. I would recommend that you read this if you have an abiding interest in economic justice and how we might reverse the trend of thinking about market norms as norms, placing human and societal needs as less important. In a consumer-oriented society, which is where we live, we aren’t taught to question the primacy of the market and its “health”, but this is akin to brainwashing.

This has been clear for a long time, but it takes extraordinary circumstances, such as the current COVID-19 pandemic to illustrate how exploitative, fragile and short-sighted the current system is. Whom does it serve? Who really enables it? Raworth writes extensively about the invisible and unpaid “core economy” – the labor of the household, of rearing children, etc. This labor has been removed from the equation. During times of crisis (like now), however, the veil is lifted and its supremacy as the foundation of all that becomes possible in the market is elevated – or at least obvious, even if briefly.

“…And since work in the core economy is unpaid, it is routinely undervalued and exploited, generating lifelong inequalities in social standing, job opportunities, income and power between women and men.”

“By largely ignoring the core economy, mainstream economics has also overlooked just how much the paid economy depends upon it. Without all that cooking, washing, nursing and sweeping, there would be no workers—today or in the future—who were healthy, well-fed and ready for work each morning. As the futurist Alvin Toffler liked to ask at smart gatherings of business executives, ‘How productive would your workforce be if it hadn’t been toilet trained?’”

“Why does it matter that this core economy should be visible in economics? Because the household provision of care is essential for human well-being, and productivity in the paid economy depends directly upon it. It matters because when—in the name of austerity and public sector savings—governments cut budgets for children’s daycare centres, community services, parental leave and youth clubs, the need for care-giving doesn’t disappear: it just gets pushed back into the home.”

*IndigoEllen Bass

Poetry, of course.

*Ledger: PoemsJane Hirshfield

Poetry.

*The CarryingAda Limón

Poetry.

*The Story of a New Name – Elena Ferrante

““You’re back,” I said. “Yes.” “Why didn’t you tell me?” “I didn’t want you to see me.” “Others can see you and not me?” “I don’t care about others, I do care about you.” I looked at her uncertainly. What was I not supposed to see?”

The Neapolitan quartet of novels offers an extended and intimate view into the life of a friendship and its lifetime of ups and downs. Whether or not you’re impressed, I’ve found Ferrante’s writing so lifelike that it swarms around me before settling and insisting that I immerse myself in the relationship she describes, which is at once personal and unique while also being universal. I’ve written before about the first of the four books and how exquisitely it probes the twists of girlhood/adolescent friendship. I didn’t find myself as sucked in by the subsequent books in the series, but it’s easy to dismiss the exceptionally good because its genius appears to be so effortless.

“She loved him, she loved him like the girls in the photonovels. For her whole life she would sacrifice to him every quality of her own, and he wouldn’t even be aware of the sacrifice, he would be surrounded by the wealth of feeling, intelligence, imagination that were hers, without knowing what to do with them, he would ruin them. I, I thought, am not capable of loving anyone like that, not even Nino, all I know is how to get along with books.”

Good – or better than expected

*The Witches are Coming Lindy West

“When faced with a choice between an incriminating truth or a flattering lie, America’s ruling class has been choosing the lie for four hundred years. White Americans hunger for plausible deniability and swaddle themselves in it and always have—for the sublime relief of deferred responsibility, the soft violence of willful ignorance, the barbaric fiction of rugged individualism.”

On initial reading, I didn’t find West’s The Witches are Coming particularly compelling. I don’t think I rated it too highly on my Goodreads page (I wouldn’t put too much stock in these kinds of ratings in any case. I count myself fickle on this front; what struck me as readable but not terribly insightful later strikes me as offering a striking voice. It’s a matter of mood that determines how everything is received and assessed).

When I read West’s book, I don’t think I was adequately enraged by the world we live in. I live cocooned in a remote self-(near)-exile in a forest. Rage, and the injustices that lead to justified rage, is hard to come by. But as the handling of coronavirus has unfolded, and incompetent white men bungle it, lie about it, and put power above life – particularly those lives disproportionately affected by the effects of the virus – my anger has risen.

It’s impossible to divorce oneself from the reality of how we got here. West channels much of this into her writing here, whether it is in her being “so fucking sick—FUCKING VIOLENTLY ILL” of watching good people be conned or her takedown of the sick lionization of serial killers by white cisgender men, i.e. ““Straight, white, cisgender men love to file serial killers under some darker subcategory of white male genius. It’s easier to be titillated when fear is an abstraction.” (I hadn’t really thought much about this enduring fascination with/analysis of serial killers, but West is absolutely right.)

This concoction of going back to the book to read West’s words and the circumstances in which we now find ourselves… thanks to our own “bootstrap ethos (itself just a massive grift to empower the snickering rich)” that cause me to reassess. We are in deep shit and blithely rolling around in it like we can’t smell it.

*I Like to Watch: Arguing My Way Through the TV RevolutionEmily Nussbaum

“Yet there’s a level at which I can’t entirely explain my adoration for television, my sense of it as not subject matter but a cause. There was something alive about the medium to me, organic in a way that other art is not. You enter into it; you get changed with it; it changes with you. I like movies, but I’m not a cinephile; you’ll never catch me ululating about camera technique, for better or worse. I love books, but I have little desire to review them. Television was what did it for me. For two decades, as the medium moved steadily from the cultural margins to its hot center, it was where I wanted to live.”

As a would-be reformed television addict who is also uncooperative with myself and the limits I’ve set for tv viewing, I relate to Emily Nussbaum’s writing. Her defense of television as a dynamic art form makes me wonder why I’ve been so obstinate in my pursuit of severing the relationship (healthy or not) I’ve developed with televisual entertainment.

Unlike Nussbaum, I am not a tv critic – I am not a critic of any kind. As Nussbaum declares, though, television is a medium worth evaluating and criticizing. It can delve into questions and debates about values. It can reflect the values (divided though they might be) of a society, and chronicle their changing face. Consider how quaint the Dan QuayleMurphy Brown kerfuffle about single parenthood and “family values” now feels in some ways, given how the shape of our television-like (so-called because so much of it now is not made for TV specifically) entertainment has expanded to become more inclusive and, as stated, has veered away from the limitations and restrictions of network TV screens into new media. (Which has also pushed at least some of network television to become more creative.)

At the same time, though, have we moved so far away from that ‘moral’ debate, when debates continue to rage about (as a starting point) women’s bodies, access to birth control and abortion? Our entertainment is a mirror, and the reflection we see is changing all the time.

“Back when no one believed they were in a Golden Age, Lear shrugged off the way that his native medium had always been “a convenient whipping boy” for American malaise. It was the networks who thought small, he argued, and who were condescending to their viewers: “I’ve never seen anything I thought was too good for the American people or so far above them that they’d never reach for it if they had the chance.” To Lear, TV was still all potential, particularly an untapped potential for variety—it just needed to “replace imitation with originality as the formula for success.” He envisions cross-medium experiments: “How do they know there wouldn’t be as large an audience for a John Cheever or a Ray Bradbury drama as there is for a Norman Lear or a Mary Tyler Moore show?””

Nussbaum has captured here what I have long tried to articulate when people question my devotion to tv viewing. Criticism of other art forms – poetry, literature, cinema – is accepted, respected and “more difficult”. But Nussbaum argues, television criticism is valid and legitimate – and in her case (and this would be true for me, too), she didn’t feel a strong enough desire or pull to dedicate herself to any other field with the kind of rigor needed to be a serious critic or writer.

Nussbaum offered a lot to dig into, but I’ll highlight here (but may discuss elsewhere later) a couple of things I loved.

First, the Law & Order: SVU character Rafael Barba. So sorely missed. (It was a pleasure to see him turn up in a recent episode of The Good Fight):

“None of the new cast members has quite his magnetism, although the Broadway star Raúl Esparza is a major asset as the dandyish ADA Rafael Barba. “Objection!” Barba announces, when someone accuses Benson of being a man-hater. “Argumentative. And ridiculous.””

Second, The Americans.

The Americans refuses to do what similar cable shows have done, even some of the good ones: offer a narcotic, adventurous fantasy in which we get to imagine being the smartest person in the room, the only one free…”

I am still surprised when I meet people who have (inexcusably) never even heard of this. The few people I’ve convinced to watch it always return to me blown away by it, but it is, as Nussbaum explains, “a must-watch and a hard sell”.

The Americans is a bleak show that ends each episode with heartbreak. It’s also a thrilling, moving, clever show about human intimacy—possibly the best current drama out there (at least of the ones I’ve been able to keep up with). Dread is its specialty and also its curse; it’s what makes The Americans at once a must-watch and a hard sell. This is a surprising conundrum because, judging by a plot summary…”

*Lost Children ArchiveValeria Luiselli

“But surely it was not that day, in that supermarket, that I understood what was happening to us. Beginnings, middles, and ends are only a matter of hindsight. If we are forced to produce a story in retrospect, our narrative wraps itself selectively around the elements that seem relevant, bypassing all the others.”

What makes a relationship – a marriage – solid but malleable enough to withstand change? Luiselli explores the difficulties of marriage – or being generous in a marriage in the long-term – and considers the unforeseen, sometimes invisible, ways that connections erode. That’s how erosion works – you don’t know something is slipping away underneath you until you fall. A foundation is slowly worn away, imperceptibly. When that foundation lacks strength in the first place, e.g., if one of your strongest bonds was a work project that ended, what remains for you as a couple? I suspect this happens in celebrity relationships that are reported in tabloids and fizzle out in mere months. How else to explain?

“The thing about living with someone is that even though you see them every day and can predict all their gestures in a conversation, even when you can read intentions behind their actions and calculate their responses to circumstances fairly accurately, even when you are sure there’s not a single crease in them left unexplored, even then, one day, the other can suddenly become a stranger.”

When the close intensity of working together for a brief time sweeps one away, what remains when the project is over? That will, Luiselli seems to argue, be the test.

“Without a future professional project together, we began to drift apart in other ways. I guess we—or perhaps just I—had made the very common mistake of thinking that marriage was a mode of absolute commonality and a breaking down of all boundaries, instead of understanding it simply as a pact between two people willing to be the guardians of each other’s solitude, as Rilke or some other equanimous, philosophical soul had long ago prescribed.”

“I don’t keep a journal. My journals are the things I underline in books. I would never lend a book to anyone after having read it. I underline too much, sometimes entire pages, sometimes with double underline. My husband and I once read this copy of Sontag’s journals together. We had just met. Both of us underlined entire passages of it, enthusiastically, almost feverishly. We read out loud, taking turns, opening the pages as if consulting an oracle, legs naked and intertwined on a twin bed. I suppose that words, timely and arranged in the right order, produce an afterglow. When you read words like that in a book, beautiful words, a powerful but fleeting emotion ensues. And you also know that soon, it’ll all be gone: the concept you just grasped and the emotion it produced. Then comes a need to possess that strange, ephemeral afterglow, and to hold on to that emotion.”

An odd overlap: Luiselli writes about a roadtrip throughout the book, and in Kendzior’s aforementioned book, she chronicles her desperate need to share America’s landscapes with her children before they disappear, to bear witness to the America that once was. It’s haunting, in some ways, how these travelogue accounts both create a sense of impending loss, a disappearing world. For Kendzior, it is as vast as the country she has always known as home. For Luiselli, it is the intimacy of family life.

“More and more, my presence here, on this trip with my family, driving toward a future we most probably won’t share, settling into motel bedrooms for the night, feels ghostly, a life witnessed and not lived. I know I’m here, with them, but also I am not.”

*There Shall Be No Needy: Pursuing Social Justice through Jewish Law and Tradition – Jill Jacobs

April was a month to explore Judaism in greater depth thanks to a reading list I found via the Twitter account of Rabbi Danya Ruttenberg. I read an extensive list of the recommended books, and this will continue throughout the year. I mention it now  because I enjoyed the way Rabbi Jacobs presented an interpretation of Jewish law and tradition that does not just make room for social justice and alleviation of poverty – but insists on it.

“Within Judaism, support for the poor is understood as an obligation and as a means of restoring justice to the world, and not as an altruistic or voluntary gesture.”

We are living in a moment in which extraordinary need has become immediately apparent. And how are governments dealing with it, as opposed to how they should?

“The task of the just sovereign, whether human or divine, is to establish a system of government that protects the vulnerable.”

One recurring theme in rabbinic discussions of wealth emphasizes the interdependence between the rich and the poor, and the ease with which wealth can turn into poverty.

How is humanity dealing with it?

The concept of tzedek, according to this understanding, extends beyond the basic legal requirements of the state, and beyond the execution of strict justice. Nor is tzedek a divine attribute, beyond human capacity. Again, tzedek appears as a relational term that describes a contract between God and humanity, or between humans of differing social or political status, to establish a system aimed at liberating the vulnerable from their oppressors.

Entertaining/informative/thoughtful or some combination thereof

*The State of Affairs: Rethinking Infidelity Esther Perel

“In a world where it is so easy to feel insignificant—to be laid off, disposable, deleted with a click, unfriended—being chosen has taken on an importance it never had before. Monogamy is the sacred cow of the romantic ideal, for it confirms our specialness. Infidelity says, You’re not so special after all. It shatters the grand ambition of love.”

I’m looking California and feeling Minnesota“…

I’m an armchair/amateur therapist; people who know me will probably attest to this. They tell me their problems; I listen; we talk through it. I don’t offer “advice”, but we talk through options, feelings, motivations. My approach to relationships, intimacy and human ‘mistakes’ and betrayals, in many ways, mirrors the kinds of things Esther Perel explores in this (and other) works. Yet when I’m talking to the more rigid among my acquaintances who see the world in very clear “right or wrong” binaries, I am charged with the dubious misdemeanor of “being very California”.

“As tempting as it is to reduce affairs to sex and lies, I prefer to use infidelity as a portal into the complex landscape of relationships and the boundaries we draw to bind them. Infidelity brings us face-to-face with the volatile and opposing forces of passion: the lure, the lust, the urgency, the love and its impossibility, the relief, the entrapment, the guilt, the heartbreak, the sinfulness, the surveillance, the madness of suspicion, the murderous urge to get even, the tragic denouement. Be forewarned: Addressing these issues requires a willingness to descend into a labyrinth of irrational forces. Love is messy; infidelity more so. But it is also a window, like none other, into the crevices of the human heart.”

I, like Perel, believe we must be realistic; we must be compassionate; we must listen and communicate. Regardless of what choices we make about a relationship in the wake of infidelity, we are not served, clear, being heard, getting closure (or whatever you want to call the peace or answers we seek), moving forward if we don’t deal with it. This is particularly true given the expectations we place on ourselves and on a relationship (and what we commonly think a relationship ought to give us):

“Never before have our expectations of marriage taken on such epic proportions. We still want everything the traditional family was meant to provide—security, children, property, and respectability—but now we also want our partner to love us, to desire us, to be interested in us. We should be best friends, trusted confidants, and passionate lovers to boot. The human imagination has conjured up a new Olympus: that love will remain unconditional, intimacy enthralling, and sex oh-so-exciting, for the long haul, with one person. And the long haul keeps getting longer. Contained within the small circle of the wedding band are vastly contradictory ideals. We want our chosen one to offer stability, safety, predictability, and dependability—all the anchoring experiences. And we want that very same person to supply awe, mystery, adventure, and risk. Give me comfort and give me edge. Give me familiarity and give me novelty. Give me continuity and give me surprise. Lovers today seek to bring under one roof desires that have forever had separate dwellings.”

A number of the books I have read this month (and tend to read in general) deal with the idea of novelty, and modern life’s many dissatisfactions. The more convenience, connectivity, seeming choice we have, the less content we seem to be… the more “on the hunt” we are. I’ve noticed this most particularly in the world of online dating sites/apps, where the illusion of endless choice creates the sense that one is shopping from a catalog and can simply return what s/he doesn’t find perfect. There’s always something else, something more, something different, and this sense is pervasive – even among those of us who push against these changing “norms” (can we call them that?):

“In our consumer society, novelty is key. The obsoleteness of objects is programmed in advance so that it ensures our desire to replace them. And the couple is indeed no exception to these trends. We live in a culture that continually lures us with the promise of something better, younger, perkier. Hence we no longer divorce because we’re unhappy; we divorce because we could be happier. We’ve come to see immediate gratification and endless variety as our prerogative. Previous generations were taught that life entails sacrifice.”

*Catch and Kill: Lies, Spies, and a Conspiracy to Protect PredatorsRonan Farrow

I looked forward to reading this, even though I knew it would make me unspeakably angry (it did). The lengths to which institutions will go to protect predators and the profits and status quo they represent is detailed here. I’d just say… read it.

And, yeah, Matt Lauer is way, way worse and more disgusting than I had ever imagined. The fucking criminal audacity of these men. I wish it were surprising, unusual, anomalous. But no, people like Lauer are just symptoms of a whole system that props up mediocrity, and lets it get away with anything it wants.

Coincidences

There’s nothing really ‘coincidental’ about having read these books. They share themes – epidemics/pandemics and, tangentially related, forensic ecology. All provided a lot of insight and fed my need to understand better, know more (in a broad/general sense). I know plenty of people who are avoiding all types of information because, under the circumstances, they can’t tolerate more. They will actively seek out the barest minimum, i.e. “Am I allowed to go outside? Must I wear a mask?” They don’t want more information or statistics. Therefore, reading these kinds of books, even though they don’t directly deal with the virus at hand (but do liberally mention Anthony Fauci), would be a definite “no”.

*The Nature of Life and Death: Every Body Leaves a TracePatricia Wiltshire

“To me, corpses have ceased to be people; they are repositories of information where nature has left clues that we might follow.”

“No, there is no life after death—but there is always life in death. When you are alive, your body is a mass of beautifully balanced ecosystems, and so it is in death. Your dead body is a rich and vibrant paradise for microbes, a bounty for scavenging insects, birds, rodents, and other animals, some of which will come to your body to feast upon your mortal remains, and some of which will come, like the tinkers and traders exploiting a “gold rush,” to prey on the scavengers themselves. And this too is of significance for a forensic ecologist—for the way a body is being broken down, the kinds of scavengers that come for it, and at what rate, can itself provide vital pieces to the puzzle of who, what, where, and how.”

*Spillover: Animal Infections and the Next Human PandemicDavid Quammen

“To put the matter in its starkest form: Human-caused ecological pressures and disruptions are bringing animal pathogens ever more into contact with human populations, while human technology and behavior are spreading those pathogens ever more widely and quickly. There are three elements to the situation.”

“This elaborate concatenation of life-forms and sequential strategies is highly adaptive and, so far as mosquitoes and hosts are concerned, difficult to resist. It shows evolution’s power, over great lengths of time, to produce structures, tactics, and transformations of majestic intricacy. Alternatively, anyone who favors Intelligent Design in lieu of evolution might pause to wonder why God devoted so much of His intelligence to designing malarial parasites.”

*Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come Richard Preston

“’This is how all outbreaks end,’ Armand Sprecher, the Doctors’ official in Brussels, said. ‘It’s always a change in behavior. Ebola outbreaks end when people decide they’re going to end.’”

This book was, strangely, a page-turner. It was dramatic, high-stakes, harrowing, sad… I can’t speak to its absolute accuracy, but I assume because it was written by a writer/journalist rather than a scientist, it has more novel-like qualities, keeping the reader invested in the characters and the ballooning scope of the disaster they faced. (And Fauci, of course, appears again.)

As a side note, I was a bit disturbed by how the following was written:

“Ever since she had been in college, Lina Moses had wanted to go up against Ebola in an outbreak. This had been her dream for years. Now it was really going to happen. It was a battle of a kind, a public health battle, and the aim was to save lives.” (weird thing to want to do – have happen).”

I have no doubt that the writer meant that this Lina Moses character wanted to face the toughest possible public health challenge, but the idea that someone would wish for an Ebola outbreak (“this had been her dream for years“!?) seems like it might have needed an editor…

Like most books of this type, it serves as an ominous warning. Written before the latest coronavirus outbreak, it cautions that these kinds of outbreaks can run rampant before we are even aware of their spread. Highly contagious, Ebola acts fast, and its symptoms are obvious and extreme. Much more extreme than the reported early symptoms of COVID-19 (and its transmissibility when carriers are asymptomatic). Preston, as writers in all such books do, shines a light on the lack of preparedness for, as we have learned, virtually all of these public health challenges.

“In other words, if the Makona strain hadn’t been stopped quickly, it would have continued improving its ability to spread in humans. It would have become yet more humanized. The world got lucky this time. If the Makona strain had raced into a poor supercity, it would have gotten into many more thousands of people, and gotten many more chances to evolve and change. For a long time after the Ebola epidemic subsided, nobody really understood just how close the world had come to a much bigger disaster.”

Biggest disappointment (or disliked)

There were a number of books in April that I felt might be really interesting, and they all disappointed, or I miscalculated. They weren’t necessarily bad, but I had higher expectations.

*How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hoxha, Fidel Castro, and Pol Pot Through the Eyes of Their CooksWitold Szabłowski

When will we see a chapter here to cover the eating habits and gustatory proclivities of Donald Trump as an afterword to this oddity?

*Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to FukushimaJames Mahaffey

I think I expected something more gripping; something that conveyed in a more vivid way just what atomic accidents portend. Maybe I have been seduced by how well, for example, the Chernobyl story was told in televisual terms. This book was informative, but not what I was expecting or hoping for.

*Digital Minimalism: Choosing a Focused Life in a Noisy WorldCal Newport

“I’ve become convinced that what you need instead is a full-fledged philosophy of technology use, rooted in your deep values, that provides clear answers to the questions of what tools you should use and how you should use them and, equally important, enables you to confidently ignore everything else.”

As I picked this book up, everyone around me was becoming accustomed to the confines of being in lockdown, working from home – potentially sheltering in place alone – or trapped with the entire family – in what may have started to feel like an increasingly small space for an indefinite (both in terms of length of time and the shape of the future). One of the only connections to the outside world, to friends and family, to shopping, to continued livelihood, were the same digital tools and platforms that Cal Newport urges us to reconsider our relationships with.

Maybe my ongoing hermit-like seclusion (and comfort with this) positions me to observe other people’s behaviors and reactions. Maybe prescriptive books of this nature feel unnecessarily judgmental and smug at a time like this. It’s stark right now: choosing digital minimalism was always about having the luxury to choose or not. It requires having the digital smörgåsbord to pick and choose from in the first place. We see more clearly than ever the digital divide when we are involuntarily disconnected physically. Who has the privilege and power to decide whether their kids will be able to go on doing some form of online learning when schools are closed? Who is welcome in the digital/knowledge economy, able to work from home?

In light of our current environment, this book rubbed me the wrong way.

That said, my questions from the introductory part of this write-up poking into identity and personality do tie to one of the central tenets of this book: what are your values? This book asks whether, and how, technology serves those values?

“Once we view these personal technology processes through the perspective of diminishing returns, we’ll gain the precise vocabulary we need to understand the validity of the second principle of minimalism, which states that optimizing how we use technology is just as important as how we choose what technologies to use in the first place.”

*Why We Sleep: Unlocking the Power of Sleep and DreamsMatthew Walker

“Accepting that our lack of sleep is a slow form of self-euthanasia, what can be done about it?”

I don’t know many people who are good sleepers. Insomnia, interrupted sleep, sleep disorders and constant exhaustion (as well as the repeated complaint, often multiple times a day, “I’m so tired”) plague everyone I know. I’m lucky in that I don’t have any such problems, but I wanted to learn more about sleep and had heard that this book was, for lack of a more dazzling word, “great”.

But the fact is, despite the dizzying amount of research conducted on the subject… stunningly little is truly understood for certain about sleep. Sleep offers all manner of benefits for the body and brain, and lack of it is dire for health, upping risk factors for various diseases and disorders. I came to this book hoping for more certainty as to why these things are the case, only to learn that there are no definitive answers. I don’t think I really believed the book would actually “unlock” anything as its title promises. But I hoped for something beyond the “why” (i.e., sleep is healthy; sleep helps you form and retain memories, etc.). I wanted the why behind the why (why is sleep healthy? Why and how does sleep work to empower or enfeeble memory-making?).

The only thing that really piqued my interest was the discussion on the human’s intentional daily routine of “premature and artificial termination of sleep”:

“Compare the physiological state of the body after being rudely awakened by an alarm to that observed after naturally waking from sleep. Participants artificially wrenched from sleep will suffer a spike in blood pressure and a shock acceleration in heart rate caused by an explosive burst of activity from the fight-or-flight branch of the nervous system. Most of us are unaware of an even greater danger that lurks within the alarm clock: the snooze button. If alarming your heart, quite literally, were not bad enough, using the snooze feature means that you will repeatedly inflict that cardiovascular assault again and again within a short span of time. Step and repeat this at least five days a week, and you begin to understand the multiplicative abuse your heart and nervous system will suffer across a life span.”

*Trick Mirror: Reflections on Self-Delusion Jia Tolentino

“I’ve been thinking about five intersecting problems: first, how the internet is built to distend our sense of identity; second, how it encourages us to overvalue our opinions; third, how it maximizes our sense of opposition; fourth, how it cheapens our understanding of solidarity; and, finally, how it destroys our sense of scale.”

I found myself underwhelmed by Trick Mirror, and again, I think I found it unsatisfying in part because of what society is experiencing right now. It feels indulgent to examine some of the questions Tolentino and the aforementioned Cal Newport spend time obsessing about. Sure, they did all of this in another time – not that long ago, but it may as well have been years – when segments of the population were concerned about the ways in which online/internet life warps our realities, our identities, creating an artificial and commoditized version of ourselves, a shallow but still multi-sided illusion showing different faces to different groups of people while only data brokers and analytics tools (think they) know who we really are.

“Selfhood buckles under the weight of this commercial importance. In physical spaces, there’s a limited audience and time span for every performance. Online, your audience can hypothetically keep expanding forever, and the performance never has to end. (You can essentially be on a job interview in perpetuity.) In real life, the success or failure of each individual performance often plays out in the form of concrete, physical action.”

In that sense, Tolentino’s themes are timely. But most of what she has written here feels like it’s been written before, and better, by other people, so hers is a regurgitative exercise of sorts. I wanted to see something new, but there wasn’t much here lighting my mind on fire.

However, credit where credit is due. Tolentino cites Erving Goffman‘s work on theory of identity:

“a person must put on a sort of performance, create an impression for an audience. The performance might be calculated, as with the man at a job interview who’s practiced every answer; it might be unconscious, as with the man who’s gone on so many interviews that he naturally performs as expected; it might be automatic, as with the man who creates the correct impression primarily because he is an upper-middle-class white man with an MBA. A performer might be fully taken in by his own performance—he might actually believe that his biggest flaw is “perfectionism”—or he might know that his act is a sham. But no matter what, he’s performing. Even if he stops trying to perform, he still has an audience, his actions still create an effect. “All the world is not, of course, a stage, but the crucial ways in which it isn’t are not easy to specify,” Goffman wrote.”

This might not have hit me as hard as it did had I not also watched a deeply affecting video of Sterling K. Brown, in response to the murder of Ahmaud Arbery, talking about the masks black men wear every day as they go out into the world and are always performing, always being someone else. While Tolentino’s book and analysis address these identity questions in an almost sterile way, e.g., digital personas that e-commerce retailers create to market more effectively.

But it’s much more powerful to apply Goffman’s “All the world is not, of course, a stage, but the crucial ways in which it isn’t are not easy to specify”. Without being constantly reminded by a Sterling K. Brown, or the seemingly endless string of tragic, horrifying, senseless, unjustifiable deaths of black people, is anyone thinking actively about the crucial ways in which the world is not a stage – but reality, life, in which living, breathing people cannot leave their homes without feeling like this might be the day that, despite my mask, I don’t get to come home again?

Said and read – October 2019

Standard

One way to make a convincing poetic voice is to display the mind in motion, or the mind changing direction as it speaks. We like to say “I changed my mind,” but the human mind alters its direction so rapidly and constantly, we might as well say “My mind changed me.” Tony Hoagland, The Art of Voice

For the first time in a long time, I read a real, physical book. I suddenly felt conspicuous reading while flying, holding a book in my hands, about which everyone could make assumptions just by reading the title. Reading while flying. It was a book on Buddhism, so make of that what you will. Unfortunately for me, I was seated by a very strange man who kept sliding his hand down his trousers while drinking at least five glasses of cranberry juice. I am not sure whether he was pleasuring himself or somehow trying to relieve a bladder infection by touch. Either way, it was a relief to escape him as well as to finish the book in the course of one flight.

Like every autumn in recent memory, this one has been filled with travel, and this won’t taper off until late November. I don’t think I have ever wanted to *just stay home* as much as I do right now.

October wasn’t spectacularly productive in the reading department but here’s my very brief report anyway.

Here’s what you missed in the last year-plus: 2019 – September, May, April, March, February, January. 2018 – NovemberOctober, SeptemberAugust, July, June, May, April, March, February and January.

Thoughts on reading for October:

I had good intentions for producing a full blog post on my reading in October, but it didn’t quite work as I wished. I have too many other things going on, so I don’t read quite as many books, and even if I read the same amount, I don’t have the time to reflect and write about them in quite the same way. And there were other things, important things, happening. Like spending time in Prague and meeting with dearest A as well as more adventures with my brother, so I can’t really claim that shortchanging a blog no one reads is going to make any difference.

Highly recommended

The idea that writerly originality appears from nowhere, or exists as something in isolation, a thing to be guarded and protected from influence, is lunacy. Anyone who doesn’t school themselves by deep, wide, and idiosyncratic reading is choosing aesthetic poverty. Such aesthetic cloistering is like protecting your virginity in the belief that it will make you better at sex.” –The Art of Voice: Poetic Principles and PracticeTony Hoagland

Sadly I didn’t read anything that I thought was so great I’d need to recommend it. Maybe, at a push, I’d say The Art of Voice: Poetic Principles and Practice by Tony Hoagland. I am not normally moved by books that aim to “instruct” one on how to write or develop voice, but this was an exception – probably just because Hoagland’s own voice is unique.

Good – or better than expected

*The New Social Face of BuddhismKen Jones

I don’t know what I would impart about this except that it has been the most interesting among the required texts for the current study program.

*Social Movements for Global Democracy (Themes in Global Social Change)Jackie Smith

Nothing particularly new given all my previous disciplines of study, but nevertheless a good reminder of how very different various groups define “globalization” – and what the consequences of those different definitions can be.

Entertaining/informative/thoughtful or some combination thereof

*The IdiotElif Batuman

I found myself remembering the day in kindergarten when the teachers showed us Dumbo, and I realized for the first time that all the kids in the class, even the bullies, rooted for Dumbo, against Dumbo’s tormentors. Invariably they laughed and cheered, both when Dumbo succeeded and when bad things happened to his enemies. But they’re you, I thought to myself. How did they not know? They didn’t know. It was astounding, an astounding truth. Everyone thought they were Dumbo. Again and again I saw the phenomenon repeated. The meanest girls, the ones who started secret clubs to ostracize the poorly dressed, delighted to see Cinderella triumph over her stepsisters. They rejoiced when the prince kissed her. Evidently, they not only saw themselves as noble and good, but also wanted to love and be loved. Maybe not by anyone and everyone, the way I wanted to be loved. But, for the right person, they were prepared to form a relation based on mutual kindness. This meant that the Disney portrayal of bullies wasn’t accurate, because the Disney bullies realized they were evil, prided themselves on it, and loved nobody.”

I keep thinking I like Batuman but it’s truer to say that I really, really like short passages. She makes keen observations now and then that are lovely.

Katalin, who was seventeen, was beautiful, with waist-length flaxen hair and a perfectly plain face. Why was “plain” a euphemism for “ugly,” when the very hallmark of human beauty was its plainness, the symmetry and simplicity that always seemed so young and so innocent. It was impossible not to think that her beauty was one of the most important things about her—something having to do with who she really was.

But then the rest of it reads like someone’s college diary. And everything I’ve read that she’s written feels like a slightly different version of that very same thing. I related to it to some extent because she’s writing about university in the early 90s, studying Russian/Eastern European stuff and the infancy of email, when we were assigned email addresses by our universities but didn’t really understand how the magic happened when these mysterious digital messages just appeared.

Coincidences

I don’t think I ran into anything exceptionally coincidental in my reading except for the fact that there was a long passage in The New Social Face of Buddhism in which the infamous Milgram and Zimbardo psychological experiments are cited (as they always are when examining ethical missteps). It’s tangentially coincidental because I never remember the name “Milgram” and Mr Firewall, who has never studied psychology, but did see a thinly veiled takeoff on the Milgram story in an old episode of Law & Order: SVU (with the late Robin Williams as guest star), always remembers the name now.

Also, it being a book about Buddhism, there is a whole lot of stuff about mindfulness, which is something that comes up constantly and which Firewall hates.

I was therefore able to tell him that even in this book on Buddhism there were things for him in it.

Biggest disappointment (or hated/disliked)

I don’t think I read anything I hated or felt great disappointment about.

Said and read – May 2018

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Like last month, I didn’t get as far this month as I’d have hoped. I was rushing to finish two school assignments to close out the term (and launch into the final thesis), which of course meant I was reading a lot of stuff about development/relief work while trying to come up with a plausible topic for a thesis. But there was some good reading during May, and here is the random collection of thoughts on that. In fact this really does not qualify as “thoughts” – it’s more of a list without any reflection (beyond what I did in my head).

You can also find out what I was liking, thinking, reading in April, March, February and January, if you’re curious.

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Thoughts on reading for May:

*FactfulnessHans Rosling et al

Ah, the late Hans Rosling gave us one last gift – this book that is so sorely needed in these times of factlessness. Some hope – the world is actually getting better. It’s just very hard to see. But the numbers, as much as they can be manipulated, do tell us a nicer story.

*The View From Flyover CountrySarah Kendzior

Sarah Kendzior has been one of the most “factful” and insightful voices of reason since the early days of Trump’s rise. For people who have no understand of middle America and how the Trump phenomenon came to be, Kendzior’s collection of essays puts it all into perspective

*Each Happiness Ringed by LionsJane Hirshfield

Poetry. Beautiful poetry.

*Skinned – Selected PoemsAntjie Krog

More poetry. I don’t think anyone who has ever read this blog imagines that I love anything more than I love poetry.

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Good – really good – but not necessarily great

*The Hummingbird’s DaughterLuis Alberto Urrea

When I started reading this one, I had no idea what to expect; it was a random library choice. It took a while to grow on me but I came to enjoy it a lot.

Without any connection to formal religion, I do feel bound to try for “the selfless practice of love, of good, of service” (as cited below). I am struck by those who claim to be “most religious” who have nothing but hatred and violence in their hearts, and have to dehumanize other groups of people to such a degree to be able to feel that way.

“For God,” she preached from her porch, “religions are nothing, signify nothing. Because positive religions are generally nothing more than words—words without feeling. Religions are practices that focus on the surface of things, that affect only the senses, but that fail to touch the soul, and fail to come from the soul. For that reason, these words and practices fail to reach our Father. What our Father wants from us is our emotions, our feelings. He demands pure love, and that love, that sentiment, is found only in the selfless practice of love, of good, of service.”

*Reporting Disasters: Famine, Aid, Politics and the Media  Suzanne Franks

Somewhat connected to my studies, I enjoyed reading about the way disasters and subsequent aid efforts are reported, what gets attention and what doesn’t and how mystifyingly complex it is.

“The configuration of aid, media pressure, NGOs and government policy today is still directly affected, and in some ways distorted, by what was—as this narrative reveals—also an inaccurate and misleading story. In popular memory the reporting of Ethiopia and the humanitarian intervention were a triumph of journalism and altruism. Yet alternative interpretations give a radically different picture: that the reporting was misleading and the resulting aid effort did more harm than good. This book explains the event within the wider context of international news broadcasting, especially by the BBC, and looks at the way it has influenced the reporting of humanitarian disasters in subsequent years.”

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Entertaining/informative/thoughtful or some combination thereof

*The CircleDave Eggers

This book made me sick – in that good way where you feel moved (whether in a positive or negative way). I was moved by that creepy, crawly disgust that comes over you when you’re sitting in a huge room full of brainwashed people. And you think, “My god, am I the only one who thinks we’re being indoctrinated into a cult?”

“There’s this new neediness—it pervades everything.”

“So many people who don’t want to be found but who will be. So many people who wanted no part of all this. That’s what’s new. There used to be the option of opting out. But now that’s over. Completion is the end. We’re closing the circle around everyone—it’s a totalitarian nightmare.”

*A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind – Siri Hustvedt

This was a difficult book to get through. Some of it was very engaging; some was difficult, but in the right frame of mind, it’s incredible. Perception and context, of course.

“Nevertheless, the larger point that may be extrapolated from Plassmann’s experiment and countless others, which often remains unsaid, is instructive: There is no pure sensation of anything, not in feeling pain, not in tasting wine, and not in looking at art. All of our perceptions are contextually coded, and that contextual coding does not remain outside us in the environment but becomes a psycho-physiological reality within us, which is why a famous name attached to a painting literally makes it look better.”

*The Vanishing Middle Class: Prejudice and Power in a Dual EconomyPeter Temin

A key analysis for our fraught times.

“A dual economy exists when there are two separate economic sectors within one country, divided by different levels of development, technology, and patterns of demand. This definition reflects the use of the Lewis model in the field of economic development, and I adapt it in this book to describe current conditions in the United States, the richest large country in the world. This is less paradoxical than it sounds because the political policies that grow out of our dual economy have made the United States appear more and more like a developing country.”

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Coincidences

*Eleanor Oliphant is Completely FineGail Honeyman

For the entire week before reading Eleanor, SD was overdosing on semi-recent episode of Law & Order: SVU because he wanted to watch one of his man-crushes (Raúl Esparza) in action. He was especially interested in finding out whether Esparza’s sartorially smart ADA Barba wore his vest (waistcoat in UK English parlance) properly, i.e. with the bottom button left unbuttoned). He was delighted to discover that the “sexy bastard” did indeed don his waistcoat exactly as prescribed.

One wouldn’t think that this kind of detail would surface again in the same week. But as it happens, Gail Honeyman’s Eleanor Oliphant is Completely Fine was offered up to me after spending months on the library waiting list. I didn’t really have expectations and didn’t know what the book was about. It’s not exactly my normal reading fare, and I don’t have my finger on the beating pulse of contemporary popular fiction. I, in fact, knew nothing at all about it (except maybe that Reese Witherspoon had scooped up the film rights, which, yeah… tells me nothing about the book. Or maybe it does).

I started reading and almost immediately, the titular character echoes exactly the same things SD and I were just talking about:

But last night, I’d found the love of my life. When I saw him walk onstage, I just knew. He was wearing a very stylish hat, but that wasn’t what drew me in. No—I’m not that shallow. He was wearing a three-piece suit, with the bottom button of his waistcoat unfastened. A true gentleman leaves the bottom button unfastened, Mummy always said—it was one of the signs to look out for, signifying as it did a sophisticate, an elegant man of the appropriate class and social standing. His handsome face, his voice . . . here, at long last, was a man who could be described with some degree of certainty as ‘husband material.’

Indeed, a few pages later, one woman character called another “hen“, and I realized, to my surprise, that this book is Glaswegian through and through. SD is a Glaswegian (and I’m an ‘honorary’ one), and almost no one else (other than Scots in certain parts of Scotland) refers to women as “hen”.

SD and I stumbled across so many of these random coincidences – talking animatedly about some (often obscure) detail only to have it pop up again and again in the ensuing days. (Strangely, we had only the day before I read this discussed how Smirnoff vodka is not top-shelf stuff, and yet SD encountered a lot of customers when he worked in bars who turned their noses up at much nicer vodkas for some reason. And what happens in Eleanor? I had only intended to purchase two bottles of Glen’s, but the promotional offer on Smirnoff was remarkable. Oh, Mr. Tesco, I simply cannot resist your marvelous bargains. And that’s ultimately why I mention this book… the strange coincidences that overlap my own conversations and experiences. (The book, too, acknowledges the delight of such serendipities):

I shook my head, and was about to discard the newspaper when a small advertisement caught my eye. The Cuttings, it said, with a logo of a bullet train hurtling along a track. I noticed it because the answer to twelve across in yesterday’s crossword had been Shinkansen. Such small coincidences can pepper a life with interest.

But did I like the book? I love that its canvas is Glasgow without being painfully obvious like many books that make a show of being set in a specific place, going over the top with ‘local’ details, as though it’s necessary to prove the writer was there. I’m thinking here of Douglas Coupland‘s overreach for authenticity, for example, in Microserfs; some people find the level of detail engaging; locals reading his books will nod in agreement with the accuracy, but he always goes a little too far, right over the thin line of what is clever, coming across as artificial. In Coupland’s case, as in most cases, I find it smug. I feel a need for something more subtle – like Honeyman’s use of Glasgow).

The book, though… I have mixed feelings on the book itself and on how the character of Eleanor Oliphant comes across and develops. It’s not bad at all; perhaps it is just not quite my style. I can buy into the lack of self-awareness or lack of worldliness in which Eleanor has cocooned herself. But after spending more than half the book creating this well-meaning, but not pleasant and mostly deluded (or at best uninformed) character, I don’t quite understand how, seemingly suddenly about three-quarters of the way through the story, this awkward woman who plowed through the world following her own routines, saying everything that came into her mind and judging everyone harshly with little or no self-reflection, is questioning, self-aware, confronted by a moment of clarity about herself and her delusions.

I am not saying this is not possible, nor am I saying that there is not character development leading to this (Eleanor starts to change, slowly, seeing that the world is bigger and offers more possibilities than she had allowed herself to imagine. She becomes more social and starts to live, all the way through). But the suddenness of her being slapped in the face by reality does not feel earned or quite realistic. We might have gotten there at some point. But how does she go from blind and deluded certainty about something outlandish to instantly waking up to one’s complete disconnect from reality? Is the suddenness intentional? I don’t know.

Biggest disappointment (or hated/disliked)

Happily (!) I didn’t hate anything enough to include something in the ‘disappointment’ category.

Images by SD 2018